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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 201 196 it is the complementary color RGB 51 54 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 201 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 201 196 shade: RGB 209 201 191, RGB 226 219 210, RGB 243 237 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 201 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 201 196 shade: RGB 204 201 196, RGB 187 183 177, RGB 170 165 158, RGB 153 147 139 and RGB 136 129 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 201 196 shade: RGB 203 200 195, RGB 203 198 195, RGB 203 196 195 and RGB 203 195 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 201 196 shade: RGB 203 200 195, RGB 203 202 195, RGB 202 203 195, RGB 199 203 195 and RGB 197 203 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 201 196 shade matches the following richer shades: RGB 203 200 195, RGB 212 202 186, RGB 221 204 177, RGB 230 207 168 and RGB 239 209 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 201 196 shade: RGB 203 200 195, RGB 194 198 204, RGB 185 195 213, RGB 176 193 222 and RGB 167 191 231

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 201 196 shade: RGB 203 196 195, RGB 203 198 195, RGB 203 200 195, RGB 203 202 195 and RGB 202 203 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 201 196 shade: RGB 164 159 151, RGB 184 180 173, RGB 203 200 195, RGB 222 220 217 and RGB 241 240 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 201 196 shade: RGB 204 201 196, RGB 196 203 195 and RGB 197 195 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 201 196 shade: RGB 204 201 196, RGB 195 203 200 and RGB 200 195 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 201 196 shade: RGB 204 201 196, RGB 196 203 195, RGB 195 198 203 and RGB 201 195 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 201 196 shade: RGB 204 201 196, RGB 195 203 196, RGB 195 198 203 and RGB 203 195 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

Complementary color

CMYK 14 / 8 / 0 / 77

HEX #33363B

RGB 51 54 59

HSL 217.5, 0.07%, 0.22%

LAB 22.51, -0.05, -3.57

 

CMYK 0 / 4 / 9 / 18

HEX #D1C9BF

RGB 209 201 191

HSL 33.33, 0.16%, 0.78%

LAB 81.34, 1.05, 5.97

 

CMYK 0 / 3 / 7 / 11

HEX #E2DBD2

RGB 226 219 210

HSL 33.75, 0.22%, 0.85%

LAB 87.72, 0.84, 5.26

 

CMYK 0 / 2 / 6 / 5

HEX #F3EDE5

RGB 243 237 229

HSL 34.29, 0.37%, 0.93%

LAB 94, 0.65, 4.57

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

CMYK 0 / 2 / 5 / 27

HEX #BBB7B1

RGB 187 183 177

HSL 36, 0.07%, 0.71%

LAB 74.58, 0.33, 3.54

 

CMYK 0 / 3 / 7 / 33

HEX #AAA59E

RGB 170 165 158

HSL 35, 0.07%, 0.64%

LAB 67.97, 0.53, 4.25

 

CMYK 0 / 4 / 9 / 40

HEX #99938B

RGB 153 147 139

HSL 34.29, 0.06%, 0.57%

LAB 61.22, 0.74, 5.01

 

CMYK 0 / 5 / 12 / 47

HEX #888178

RGB 136 129 120

HSL 33.75, 0.06%, 0.5%

LAB 54.33, 0.98, 5.81

 

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 0 / 2 / 4 / 20

HEX #CBC6C3

RGB 203 198 195

HSL 22.5, 0.07%, 0.78%

LAB 80.19, 1.2, 2.11

 

CMYK 0 / 3 / 4 / 20

HEX #CBC4C3

RGB 203 196 195

HSL 7.5, 0.07%, 0.78%

LAB 79.68, 2.26, 1.36

 

CMYK 0 / 4 / 4 / 20

HEX #CBC3C3

RGB 203 195 195

HSL 0, 0.07%, 0.78%

LAB 79.42, 2.79, 0.99

 

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 0 / 0 / 4 / 20

HEX #CBCAC3

RGB 203 202 195

HSL 52.5, 0.07%, 0.78%

LAB 81.22, -0.91, 3.6

 

CMYK 0 / 0 / 4 / 20

HEX #CACBC3

RGB 202 203 195

HSL 67.5, 0.07%, 0.78%

LAB 81.41, -1.78, 3.86

 

CMYK 2 / 0 / 4 / 20

HEX #C7CBC3

RGB 199 203 195

HSL 90, 0.07%, 0.78%

LAB 81.18, -2.82, 3.5

 

CMYK 3 / 0 / 4 / 20

HEX #C5CBC3

RGB 197 203 195

HSL 105, 0.07%, 0.78%

LAB 81.03, -3.52, 3.26

 

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 0 / 5 / 12 / 17

HEX #D4CABA

RGB 212 202 186

HSL 36.92, 0.23%, 0.78%

LAB 81.72, 0.77, 9.22

 

CMYK 0 / 8 / 20 / 13

HEX #DDCCB1

RGB 221 204 177

HSL 36.82, 0.39%, 0.78%

LAB 82.77, 1.62, 15.6

 

CMYK 0 / 10 / 27 / 10

HEX #E6CFA8

RGB 230 207 168

HSL 37.74, 0.55%, 0.78%

LAB 84.11, 2.16, 22.33

 

CMYK 0 / 13 / 33 / 6

HEX #EFD19F

RGB 239 209 159

HSL 37.5, 0.71%, 0.78%

LAB 85.23, 3.41, 28.69

RGB 239 209 159

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 5 / 3 / 0 / 20

HEX #C2C6CC

RGB 194 198 204

HSL 216, 0.09%, 0.78%

LAB 79.74, -0.24, -3.48

 

CMYK 13 / 8 / 0 / 16

HEX #B9C3D5

RGB 185 195 213

HSL 218.57, 0.25%, 0.78%

LAB 78.55, 0.17, -10.16

 

CMYK 21 / 13 / 0 / 13

HEX #B0C1DE

RGB 176 193 222

HSL 217.83, 0.41%, 0.78%

LAB 77.66, 0.33, -16.41

 

CMYK 28 / 17 / 0 / 9

HEX #A7BFE7

RGB 167 191 231

HSL 217.5, 0.57%, 0.78%

LAB 76.83, 0.77, -22.58

 

CMYK 0 / 3 / 4 / 20

HEX #CBC4C3

RGB 203 196 195

HSL 7.5, 0.07%, 0.78%

LAB 79.68, 2.26, 1.36

 

CMYK 0 / 2 / 4 / 20

HEX #CBC6C3

RGB 203 198 195

HSL 22.5, 0.07%, 0.78%

LAB 80.19, 1.2, 2.11

 

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 0 / 0 / 4 / 20

HEX #CBCAC3

RGB 203 202 195

HSL 52.5, 0.07%, 0.78%

LAB 81.22, -0.91, 3.6

 

CMYK 0 / 0 / 4 / 20

HEX #CACBC3

RGB 202 203 195

HSL 67.5, 0.07%, 0.78%

LAB 81.41, -1.78, 3.86

 

CMYK 0 / 3 / 8 / 36

HEX #A49F97

RGB 164 159 151

HSL 36.92, 0.07%, 0.62%

LAB 65.69, 0.35, 4.81

 

CMYK 0 / 2 / 6 / 28

HEX #B8B4AD

RGB 184 180 173

HSL 38.18, 0.07%, 0.7%

LAB 73.45, 0.15, 4.06

 

CMYK 0 / 1 / 4 / 20

HEX #CBC8C3

RGB 203 200 195

HSL 37.5, 0.07%, 0.78%

LAB 80.71, 0.15, 2.85

 

CMYK 0 / 1 / 2 / 13

HEX #DEDCD9

RGB 222 220 217

HSL 36, 0.07%, 0.86%

LAB 87.84, 0.15, 1.7

 

CMYK 0 / 0 / 1 / 5

HEX #F1F0EF

RGB 241 240 239

HSL 30, 0.07%, 0.94%

LAB 94.85, 0.16, 0.59

 

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

CMYK 3 / 0 / 4 / 20

HEX #C4CBC3

RGB 196 203 195

HSL 112.5, 0.07%, 0.78%

LAB 80.95, -3.86, 3.14

 

CMYK 3 / 4 / 0 / 20

HEX #C5C3CB

RGB 197 195 203

HSL 255, 0.07%, 0.78%

LAB 79.16, 2.18, -3.76

 

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

CMYK 4 / 0 / 1 / 20

HEX #C3CBC8

RGB 195 203 200

HSL 157.5, 0.07%, 0.78%

LAB 81.01, -3.29, 0.53

 

CMYK 1 / 4 / 0 / 20

HEX #C8C3CB

RGB 200 195 203

HSL 277.5, 0.07%, 0.78%

LAB 79.4, 3.21, -3.39

 

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

CMYK 3 / 0 / 4 / 20

HEX #C4CBC3

RGB 196 203 195

HSL 112.5, 0.07%, 0.78%

LAB 80.95, -3.86, 3.14

 

CMYK 4 / 2 / 0 / 20

HEX #C3C6CB

RGB 195 198 203

HSL 217.5, 0.07%, 0.78%

LAB 79.79, -0.09, -2.86

 

CMYK 1 / 4 / 0 / 20

HEX #C9C3CB

RGB 201 195 203

HSL 285, 0.07%, 0.78%

LAB 79.48, 3.55, -3.26

 

CMYK 0 / 1 / 4 / 20

HEX #CCC9C4

RGB 204 201 196

HSL 37.5, 0.07%, 0.78%

LAB 81.07, 0.15, 2.85

 

CMYK 4 / 0 / 3 / 20

HEX #C3CBC4

RGB 195 203 196

HSL 127.5, 0.07%, 0.78%

LAB 80.91, -4.03, 2.53

 

CMYK 4 / 2 / 0 / 20

HEX #C3C6CB

RGB 195 198 203

HSL 217.5, 0.07%, 0.78%

LAB 79.79, -0.09, -2.86

 

CMYK 0 / 4 / 0 / 20

HEX #CBC3CA

RGB 203 195 202

HSL 307.5, 0.07%, 0.78%

LAB 79.61, 4.06, -2.51

 

Description

Color code: RGB 204 201 196 | qconv.com Color code: RGB 204 201 196 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 201 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 201 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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