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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 142 81 it is the complementary color RGB 51 113 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 142 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 142 81 shade: RGB 209 142 76, RGB 226 160 95, RGB 243 178 114, RGB 255 196 133 and RGB 255 214 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 142 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 187 124 62, RGB 170 106 43, RGB 153 88 24 and RGB 136 70 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 204 109 81 and RGB 204 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 204 175 81, RGB 200 204 81, RGB 166 204 81 and RGB 133 204 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 142 81 shade matches the following richer shades: RGB 204 142 81, RGB 222 142 62 and RGB 240 142 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 186 142 99, RGB 168 142 117, RGB 150 142 135 and RGB 131 142 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 142 81 shade: RGB 204 81 87, RGB 204 107 81, RGB 204 140 81, RGB 204 173 81 and RGB 202 204 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 142 81 shade: RGB 157 101 45, RGB 189 121 54, RGB 204 142 81, RGB 213 163 113 and RGB 223 183 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 120 204 81 and RGB 91 81 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 81 204 140 and RGB 140 81 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 120 204 81, RGB 81 144 204 and RGB 165 81 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 142 81 shade: RGB 204 142 81, RGB 83 204 81, RGB 81 144 204 and RGB 202 81 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

Complementary color

CMYK 71 / 35 / 0 / 32

HEX #3371AE

RGB 51 113 174

HSL 209.76, 0.55%, 0.44%

LAB 46.41, 0.67, -38.3

 

CMYK 0 / 32 / 64 / 18

HEX #D18E4C

RGB 209 142 76

HSL 29.77, 0.59%, 0.56%

LAB 64.5, 18.98, 44.74

 

CMYK 0 / 29 / 58 / 11

HEX #E2A05F

RGB 226 160 95

HSL 29.77, 0.69%, 0.63%

LAB 70.96, 17.72, 43.24

 

CMYK 0 / 27 / 53 / 5

HEX #F3B272

RGB 243 178 114

HSL 29.77, 0.84%, 0.7%

LAB 77.35, 16.61, 41.78

 

CMYK 0 / 23 / 48 / 0

HEX #FFC485

RGB 255 196 133

HSL 30.98, 1%, 0.76%

LAB 83.14, 13.66, 39.64

 

CMYK 0 / 16 / 40 / 0

HEX #FFD698

RGB 255 214 152

HSL 36.12, 1%, 0.8%

LAB 87.79, 6.22, 35.95

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 34 / 67 / 27

HEX #BB7C3E

RGB 187 124 62

HSL 29.76, 0.5%, 0.49%

LAB 57.39, 18.59, 42.98

 

CMYK 0 / 38 / 75 / 33

HEX #AA6A2B

RGB 170 106 43

HSL 29.76, 0.6%, 0.42%

LAB 50.72, 20.18, 44.43

 

CMYK 0 / 42 / 84 / 40

HEX #995818

RGB 153 88 24

HSL 29.77, 0.73%, 0.35%

LAB 43.97, 22.06, 45.47

 

CMYK 0 / 49 / 96 / 47

HEX #884605

RGB 136 70 5

HSL 29.77, 0.93%, 0.28%

LAB 37.16, 24.25, 45.37

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 47 / 60 / 20

HEX #CC6D51

RGB 204 109 81

HSL 13.66, 0.55%, 0.56%

LAB 56.46, 35.01, 32.32

 

CMYK 0 / 60 / 60 / 20

HEX #CC5151

RGB 204 81 81

HSL 0, 0.55%, 0.56%

LAB 51.06, 48.85, 25.48

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 14 / 60 / 20

HEX #CCAF51

RGB 204 175 81

HSL 45.85, 0.55%, 0.56%

LAB 72.29, -0.58, 51.05

 

CMYK 2 / 0 / 60 / 20

HEX #C8CC51

RGB 200 204 81

HSL 61.95, 0.55%, 0.56%

LAB 79.65, -17.17, 59.08

 

CMYK 19 / 0 / 60 / 20

HEX #A6CC51

RGB 166 204 81

HSL 78.54, 0.55%, 0.56%

LAB 77.21, -30.86, 55.71

 

CMYK 35 / 0 / 60 / 20

HEX #85CC51

RGB 133 204 81

HSL 94.63, 0.55%, 0.56%

LAB 75.31, -43.02, 53.06

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 36 / 72 / 13

HEX #DE8E3E

RGB 222 142 62

HSL 30, 0.71%, 0.56%

LAB 65.92, 23.65, 53.44

 

CMYK 0 / 41 / 82 / 6

HEX #F08E2C

RGB 240 142 44

HSL 30, 0.87%, 0.56%

LAB 68.06, 30.42, 63.68

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 24 / 47 / 27

HEX #BA8E63

RGB 186 142 99

HSL 29.66, 0.39%, 0.56%

LAB 62.24, 11.22, 29.29

 

CMYK 0 / 15 / 30 / 34

HEX #A88E75

RGB 168 142 117

HSL 29.41, 0.23%, 0.56%

LAB 60.74, 5.95, 16.97

 

CMYK 0 / 5 / 10 / 41

HEX #968E87

RGB 150 142 135

HSL 28, 0.07%, 0.56%

LAB 59.51, 1.69, 4.78

 

CMYK 14 / 7 / 0 / 40

HEX #838E99

RGB 131 142 153

HSL 210, 0.1%, 0.56%

LAB 58.48, -1.61, -7.19

 

CMYK 0 / 60 / 57 / 20

HEX #CC5157

RGB 204 81 87

HSL 357.07, 0.55%, 0.56%

LAB 51.16, 49.28, 22.08

 

CMYK 0 / 48 / 60 / 20

HEX #CC6B51

RGB 204 107 81

HSL 12.68, 0.55%, 0.56%

LAB 56.03, 36.05, 31.79

 

CMYK 0 / 31 / 60 / 20

HEX #CC8C51

RGB 204 140 81

HSL 28.78, 0.55%, 0.56%

LAB 63.5, 18.31, 40.88

 

CMYK 0 / 15 / 60 / 20

HEX #CCAD51

RGB 204 173 81

HSL 44.88, 0.55%, 0.56%

LAB 71.77, 0.48, 50.46

 

CMYK 1 / 0 / 60 / 20

HEX #CACC51

RGB 202 204 81

HSL 60.98, 0.55%, 0.56%

LAB 79.8, -16.35, 59.29

 

CMYK 0 / 36 / 71 / 38

HEX #9D652D

RGB 157 101 45

HSL 30, 0.55%, 0.4%

LAB 47.84, 17.37, 39.92

 

CMYK 0 / 36 / 71 / 26

HEX #BD7936

RGB 189 121 54

HSL 29.78, 0.56%, 0.48%

LAB 56.84, 20.65, 46.36

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 0 / 23 / 47 / 16

HEX #D5A371

RGB 213 163 113

HSL 30, 0.54%, 0.64%

LAB 70.55, 12.32, 33.04

 

CMYK 0 / 18 / 35 / 13

HEX #DFB791

RGB 223 183 145

HSL 29.23, 0.55%, 0.72%

LAB 77.04, 9.15, 24.75

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 41 / 0 / 60 / 20

HEX #78CC51

RGB 120 204 81

HSL 100.98, 0.55%, 0.56%

LAB 74.68, -47.35, 52.19

 

CMYK 55 / 60 / 0 / 20

HEX #5B51CC

RGB 91 81 204

HSL 244.88, 0.55%, 0.56%

LAB 41.95, 38.17, -62.75

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 60 / 0 / 31 / 20

HEX #51CC8C

RGB 81 204 140

HSL 148.78, 0.55%, 0.56%

LAB 74.08, -48.91, 21.95

 

CMYK 31 / 60 / 0 / 20

HEX #8C51CC

RGB 140 81 204

HSL 268.78, 0.55%, 0.56%

LAB 46.74, 48.47, -54.77

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 41 / 0 / 60 / 20

HEX #78CC51

RGB 120 204 81

HSL 100.98, 0.55%, 0.56%

LAB 74.68, -47.35, 52.19

 

CMYK 60 / 29 / 0 / 20

HEX #5190CC

RGB 81 144 204

HSL 209.27, 0.55%, 0.56%

LAB 58.09, -2.16, -37.02

 

CMYK 19 / 60 / 0 / 20

HEX #A551CC

RGB 165 81 204

HSL 280.98, 0.55%, 0.56%

LAB 49.79, 54.41, -49.71

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 59 / 0 / 60 / 20

HEX #53CC51

RGB 83 204 81

HSL 119.02, 0.55%, 0.56%

LAB 73.3, -57.66, 50.24

 

CMYK 60 / 29 / 0 / 20

HEX #5190CC

RGB 81 144 204

HSL 209.27, 0.55%, 0.56%

LAB 58.09, -2.16, -37.02

 

CMYK 1 / 60 / 0 / 20

HEX #CA51CC

RGB 202 81 204

HSL 299.02, 0.55%, 0.56%

LAB 54.87, 63.52, -41.34

 

Description

Color code: RGB 204 142 81 | qconv.com Color code: RGB 204 142 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 142 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 142 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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