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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 126 46 it is the complementary color RGB 51 129 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 126 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 126 46 shade: RGB 209 126 41, RGB 226 144 60, RGB 243 162 79, RGB 255 180 98 and RGB 255 198 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 126 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 187 108 27, RGB 170 90 8, RGB 153 72 0 and RGB 136 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 204 83 46 and RGB 204 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 204 168 46, RGB 196 204 46, RGB 154 204 46 and RGB 112 204 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 126 46 shade matches the following richer shades: RGB 204 126 46, RGB 224 126 26 and RGB 244 126 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 183 126 66, RGB 163 125 87, RGB 143 125 107 and RGB 123 125 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 126 46 shade: RGB 204 46 51, RGB 204 83 46, RGB 204 125 46, RGB 204 167 46 and RGB 198 204 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 126 46 shade: RGB 136 84 31, RGB 170 105 39, RGB 204 126 46, RGB 215 146 77 and RGB 222 167 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 93 204 46 and RGB 62 46 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 46 204 125 and RGB 125 46 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 93 204 46, RGB 46 125 204 and RGB 156 46 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 126 46 shade: RGB 204 126 46, RGB 46 204 46, RGB 46 125 204 and RGB 204 46 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

Complementary color

CMYK 76 / 38 / 0 / 18

HEX #3381D1

RGB 51 129 209

HSL 210.38, 0.63%, 0.51%

LAB 52.96, 3.71, -48.01

 

CMYK 0 / 40 / 80 / 18

HEX #D17E29

RGB 209 126 41

HSL 30.36, 0.67%, 0.49%

LAB 60.46, 25.91, 56.47

 

CMYK 0 / 36 / 73 / 11

HEX #E2903C

RGB 226 144 60

HSL 30.36, 0.74%, 0.56%

LAB 66.86, 24.16, 55.45

 

CMYK 0 / 33 / 67 / 5

HEX #F3A24F

RGB 243 162 79

HSL 30.37, 0.87%, 0.63%

LAB 73.19, 22.62, 54.13

 

CMYK 0 / 29 / 62 / 0

HEX #FFB462

RGB 255 180 98

HSL 31.34, 1%, 0.69%

LAB 78.92, 19.23, 51.93

 

CMYK 0 / 22 / 54 / 0

HEX #FFC675

RGB 255 198 117

HSL 35.22, 1%, 0.73%

LAB 83.41, 11.23, 48

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 42 / 86 / 27

HEX #BB6C1B

RGB 187 108 27

HSL 30.38, 0.75%, 0.42%

LAB 53.35, 25.87, 54.28

 

CMYK 0 / 47 / 95 / 33

HEX #AA5A08

RGB 170 90 8

HSL 30.37, 0.91%, 0.35%

LAB 46.81, 28.03, 53.61

 

CMYK 0 / 53 / 100 / 40

HEX #994800

RGB 153 72 0

HSL 28.24, 1%, 0.3%

LAB 40.26, 30.41, 50.28

 

CMYK 0 / 60 / 100 / 47

HEX #883600

RGB 136 54 0

HSL 23.82, 1%, 0.27%

LAB 33.72, 32.81, 45.05

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 59 / 77 / 20

HEX #CC532E

RGB 204 83 46

HSL 14.05, 0.63%, 0.49%

LAB 50.94, 46.06, 44.8

 

CMYK 0 / 77 / 77 / 20

HEX #CC2E2E

RGB 204 46 46

HSL 0, 0.63%, 0.49%

LAB 45.62, 60.52, 39.27

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 18 / 77 / 20

HEX #CCA82E

RGB 204 168 46

HSL 46.33, 0.63%, 0.49%

LAB 70.2, 1.24, 63.39

 

CMYK 4 / 0 / 77 / 20

HEX #C4CC2E

RGB 196 204 46

HSL 63.04, 0.63%, 0.49%

LAB 79.11, -20.69, 71.23

 

CMYK 25 / 0 / 77 / 20

HEX #9ACC2E

RGB 154 204 46

HSL 78.99, 0.63%, 0.49%

LAB 76.22, -37.73, 67.53

 

CMYK 45 / 0 / 77 / 20

HEX #70CC2E

RGB 112 204 46

HSL 94.94, 0.63%, 0.49%

LAB 74.08, -52.57, 64.75

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 44 / 88 / 12

HEX #E07E1A

RGB 224 126 26

HSL 30.3, 0.79%, 0.49%

LAB 62.38, 31.77, 63.95

 

CMYK 0 / 48 / 98 / 4

HEX #F47E06

RGB 244 126 6

HSL 30.25, 0.95%, 0.49%

LAB 65.1, 39.58, 71.16

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 31 / 64 / 28

HEX #B77E42

RGB 183 126 66

HSL 30.77, 0.47%, 0.49%

LAB 57.45, 16.01, 40.89

 

CMYK 0 / 23 / 47 / 36

HEX #A37D57

RGB 163 125 87

HSL 30, 0.3%, 0.49%

LAB 55.22, 9.75, 26.34

 

CMYK 0 / 13 / 25 / 44

HEX #8F7D6B

RGB 143 125 107

HSL 30, 0.14%, 0.49%

LAB 53.57, 3.92, 12.35

 

CMYK 3 / 2 / 0 / 50

HEX #7B7D7F

RGB 123 125 127

HSL 210, 0.02%, 0.49%

LAB 52.3, -0.34, -1.35

 

CMYK 0 / 77 / 75 / 20

HEX #CC2E33

RGB 204 46 51

HSL 358.1, 0.63%, 0.49%

LAB 45.68, 60.7, 36.49

 

CMYK 0 / 59 / 77 / 20

HEX #CC532E

RGB 204 83 46

HSL 14.05, 0.63%, 0.49%

LAB 50.94, 46.06, 44.8

 

CMYK 0 / 39 / 77 / 20

HEX #CC7D2E

RGB 204 125 46

HSL 30, 0.63%, 0.49%

LAB 59.62, 24.51, 53.4

 

CMYK 0 / 18 / 77 / 20

HEX #CCA72E

RGB 204 167 46

HSL 45.95, 0.63%, 0.49%

LAB 69.95, 1.77, 63.15

 

CMYK 3 / 0 / 77 / 20

HEX #C6CC2E

RGB 198 204 46

HSL 62.28, 0.63%, 0.49%

LAB 79.26, -19.85, 71.43

 

CMYK 0 / 38 / 77 / 47

HEX #88541F

RGB 136 84 31

HSL 30.29, 0.63%, 0.33%

LAB 40.69, 16.97, 38.47

 

CMYK 0 / 38 / 77 / 33

HEX #AA6927

RGB 170 105 39

HSL 30.23, 0.63%, 0.41%

LAB 50.45, 20.56, 45.99

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 0 / 32 / 64 / 16

HEX #D7924D

RGB 215 146 77

HSL 30, 0.63%, 0.57%

LAB 66.17, 19.41, 46.34

 

CMYK 0 / 25 / 50 / 13

HEX #DEA76E

RGB 222 167 110

HSL 30.54, 0.63%, 0.65%

LAB 72.42, 13.57, 37.2

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 54 / 0 / 77 / 20

HEX #5DCC2E

RGB 93 204 46

HSL 102.15, 0.63%, 0.49%

LAB 73.36, -58.11, 63.81

 

CMYK 70 / 77 / 0 / 20

HEX #3E2ECC

RGB 62 46 204

HSL 246.08, 0.63%, 0.49%

LAB 32.56, 53.87, -78.22

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 77 / 0 / 39 / 20

HEX #2ECC7D

RGB 46 204 125

HSL 150, 0.63%, 0.49%

LAB 73.05, -57.54, 28.29

 

CMYK 39 / 77 / 0 / 20

HEX #7D2ECC

RGB 125 46 204

HSL 270, 0.63%, 0.49%

LAB 39.03, 61.86, -67.36

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 54 / 0 / 77 / 20

HEX #5DCC2E

RGB 93 204 46

HSL 102.15, 0.63%, 0.49%

LAB 73.36, -58.11, 63.81

 

CMYK 77 / 39 / 0 / 20

HEX #2E7DCC

RGB 46 125 204

HSL 210, 0.63%, 0.49%

LAB 51.39, 3.71, -47.68

 

CMYK 24 / 77 / 0 / 20

HEX #9C2ECC

RGB 156 46 204

HSL 281.77, 0.63%, 0.49%

LAB 43.33, 67.1, -60.16

 

CMYK 0 / 38 / 77 / 20

HEX #CC7E2E

RGB 204 126 46

HSL 30.38, 0.63%, 0.49%

LAB 59.85, 23.97, 53.63

 

CMYK 77 / 0 / 77 / 20

HEX #2ECC2E

RGB 46 204 46

HSL 120, 0.63%, 0.49%

LAB 72.2, -67.66, 62.3

 

CMYK 77 / 39 / 0 / 20

HEX #2E7DCC

RGB 46 125 204

HSL 210, 0.63%, 0.49%

LAB 51.39, 3.71, -47.68

 

CMYK 0 / 77 / 0 / 20

HEX #CC2ECC

RGB 204 46 204

HSL 300, 0.63%, 0.49%

LAB 50.86, 76.15, -47.66

 

Description

Color code: RGB 204 126 46 | qconv.com Color code: RGB 204 126 46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 126 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 126 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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