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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 53 95 it is the complementary color RGB 52 202 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 53 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 53 95 shade: RGB 208 53 90, RGB 225 71 109, RGB 242 89 128, RGB 255 107 147 and RGB 255 125 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 53 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 53 95 shade: RGB 203 53 95, RGB 186 35 76, RGB 169 17 57, RGB 152 0 38 and RGB 135 0 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 53 95 shade: RGB 203 52 94, RGB 203 52 54 and RGB 203 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 53 95 shade: RGB 203 52 94, RGB 203 52 135, RGB 203 52 176, RGB 189 52 203 and RGB 149 52 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 53 95 shade matches the following richer shades: RGB 203 52 94, RGB 223 32 85 and RGB 244 11 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 53 95 shade: RGB 203 52 94, RGB 182 73 103, RGB 161 94 113, RGB 141 114 122 and RGB 120 135 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 53 95 shade: RGB 203 52 175, RGB 203 52 135, RGB 203 52 95, RGB 203 52 55 and RGB 203 90 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 53 95 shade: RGB 137 35 64, RGB 170 44 79, RGB 203 52 94, RGB 211 85 120 and RGB 220 118 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 53 95 shade: RGB 203 53 95, RGB 203 190 52 and RGB 52 155 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 53 95 shade: RGB 203 53 95, RGB 95 203 52 and RGB 52 95 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 53 95 shade: RGB 203 53 95, RGB 203 190 52, RGB 52 203 160 and RGB 52 65 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 53 95 shade: RGB 203 53 95, RGB 170 203 52, RGB 52 203 160 and RGB 85 52 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

Complementary color

CMYK 74 / 0 / 21 / 21

HEX #34CAA0

RGB 52 202 160

HSL 163.2, 0.59%, 0.5%

LAB 73.23, -48.45, 9.98

 

CMYK 0 / 75 / 57 / 18

HEX #D0355A

RGB 208 53 90

HSL 345.68, 0.62%, 0.51%

LAB 47.87, 61.8, 15.97

 

CMYK 0 / 68 / 52 / 12

HEX #E1476D

RGB 225 71 109

HSL 345.19, 0.72%, 0.58%

LAB 53.62, 61.9, 12.89

 

CMYK 0 / 63 / 47 / 5

HEX #F25980

RGB 242 89 128

HSL 344.71, 0.85%, 0.65%

LAB 59.51, 61.58, 10.35

 

CMYK 0 / 58 / 42 / 0

HEX #FF6B93

RGB 255 107 147

HSL 343.78, 1%, 0.71%

LAB 64.87, 59.75, 7.27

 

CMYK 0 / 51 / 35 / 0

HEX #FF7DA6

RGB 255 125 166

HSL 341.08, 1%, 0.75%

LAB 68.52, 53.5, 1.75

 

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

CMYK 0 / 81 / 59 / 27

HEX #BA234C

RGB 186 35 76

HSL 343.71, 0.68%, 0.43%

LAB 41.47, 59.98, 15.27

 

CMYK 0 / 90 / 66 / 34

HEX #A91139

RGB 169 17 57

HSL 344.21, 0.82%, 0.36%

LAB 36.24, 58.21, 19.8

 

CMYK 0 / 100 / 75 / 40

HEX #980026

RGB 152 0 38

HSL 345, 1%, 0.3%

LAB 31.38, 55.34, 25.24

 

CMYK 0 / 100 / 86 / 47

HEX #870013

RGB 135 0 19

HSL 351.56, 1%, 0.26%

LAB 27.29, 50.3, 31.58

 

CMYK 0 / 74 / 54 / 20

HEX #CB345E

RGB 203 52 94

HSL 343.31, 0.59%, 0.5%

LAB 46.92, 60.99, 12.07

 

CMYK 0 / 74 / 73 / 20

HEX #CB3436

RGB 203 52 54

HSL 359.21, 0.59%, 0.5%

LAB 46.2, 58.62, 35.3

 

CMYK 0 / 74 / 74 / 20

HEX #CB3434

RGB 203 52 52

HSL 0, 0.59%, 0.5%

LAB 46.18, 58.54, 36.42

 

CMYK 0 / 74 / 54 / 20

HEX #CB345E

RGB 203 52 94

HSL 343.31, 0.59%, 0.5%

LAB 46.92, 60.99, 12.07

 

CMYK 0 / 74 / 33 / 20

HEX #CB3487

RGB 203 52 135

HSL 327.02, 0.59%, 0.5%

LAB 48.14, 64.85, -11.22

 

CMYK 0 / 74 / 13 / 20

HEX #CB34B0

RGB 203 52 176

HSL 310.73, 0.59%, 0.5%

LAB 49.84, 70.06, -33.02

 

CMYK 7 / 74 / 0 / 20

HEX #BD34CB

RGB 189 52 203

HSL 294.44, 0.59%, 0.5%

LAB 48.99, 71.27, -50.22

 

CMYK 27 / 74 / 0 / 20

HEX #9534CB

RGB 149 52 203

HSL 278.54, 0.59%, 0.5%

LAB 43, 63.48, -60.17

 

CMYK 0 / 74 / 54 / 20

HEX #CB345E

RGB 203 52 94

HSL 343.31, 0.59%, 0.5%

LAB 46.92, 60.99, 12.07

 

CMYK 0 / 86 / 62 / 13

HEX #DF2055

RGB 223 32 85

HSL 343.35, 0.75%, 0.5%

LAB 48.73, 70.94, 20.68

 

CMYK 0 / 95 / 69 / 4

HEX #F40B4C

RGB 244 11 76

HSL 343.26, 0.91%, 0.5%

LAB 51.83, 78.32, 30.95

 

CMYK 0 / 74 / 54 / 20

HEX #CB345E

RGB 203 52 94

HSL 343.31, 0.59%, 0.5%

LAB 46.92, 60.99, 12.07

 

CMYK 0 / 60 / 43 / 29

HEX #B64967

RGB 182 73 103

HSL 343.49, 0.43%, 0.5%

LAB 46.56, 46.89, 5.53

 

CMYK 0 / 42 / 30 / 37

HEX #A15E71

RGB 161 94 113

HSL 342.99, 0.26%, 0.5%

LAB 47.97, 29.75, 1.11

 

CMYK 0 / 19 / 13 / 45

HEX #8D727A

RGB 141 114 122

HSL 342.22, 0.11%, 0.5%

LAB 50.81, 11.96, -0.4

 

CMYK 11 / 0 / 3 / 47

HEX #788783

RGB 120 135 131

HSL 164, 0.06%, 0.5%

LAB 55.03, -6.28, 0.29

 

CMYK 0 / 74 / 14 / 20

HEX #CB34AF

RGB 203 52 175

HSL 311.13, 0.59%, 0.5%

LAB 49.8, 69.92, -32.5

 

CMYK 0 / 74 / 33 / 20

HEX #CB3487

RGB 203 52 135

HSL 327.02, 0.59%, 0.5%

LAB 48.14, 64.85, -11.22

 

CMYK 0 / 74 / 53 / 20

HEX #CB345F

RGB 203 52 95

HSL 342.91, 0.59%, 0.5%

LAB 46.95, 61.06, 11.48

 

CMYK 0 / 74 / 73 / 20

HEX #CB3437

RGB 203 52 55

HSL 358.81, 0.59%, 0.5%

LAB 46.22, 58.66, 34.74

 

CMYK 0 / 56 / 74 / 20

HEX #CB5A34

RGB 203 90 52

HSL 15.1, 0.59%, 0.5%

LAB 52.13, 42.59, 42.93

 

CMYK 0 / 74 / 53 / 46

HEX #892340

RGB 137 35 64

HSL 342.94, 0.59%, 0.34%

LAB 31.56, 44.75, 7.81

 

CMYK 0 / 74 / 54 / 33

HEX #AA2C4F

RGB 170 44 79

HSL 343.33, 0.59%, 0.42%

LAB 39.43, 52.86, 10.07

 

CMYK 0 / 74 / 54 / 20

HEX #CB345E

RGB 203 52 94

HSL 343.31, 0.59%, 0.5%

LAB 46.92, 60.99, 12.07

 

CMYK 0 / 60 / 43 / 17

HEX #D35578

RGB 211 85 120

HSL 343.33, 0.59%, 0.58%

LAB 53.71, 52.73, 6.14

 

CMYK 0 / 46 / 34 / 14

HEX #DC7692

RGB 220 118 146

HSL 343.53, 0.59%, 0.66%

LAB 61.87, 42.71, 2.88

 

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

CMYK 0 / 6 / 74 / 20

HEX #CBBE34

RGB 203 190 52

HSL 54.83, 0.59%, 0.5%

LAB 75.93, -10.45, 66.62

 

CMYK 74 / 24 / 0 / 20

HEX #349BCB

RGB 52 155 203

HSL 199.07, 0.59%, 0.5%

LAB 60.32, -13.32, -33.04

 

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

CMYK 53 / 0 / 74 / 20

HEX #5FCB34

RGB 95 203 52

HSL 102.91, 0.59%, 0.5%

LAB 73.15, -56.82, 61.69

 

CMYK 74 / 53 / 0 / 20

HEX #345FCB

RGB 52 95 203

HSL 222.91, 0.59%, 0.5%

LAB 43.1, 22.97, -60.41

 

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

CMYK 0 / 6 / 74 / 20

HEX #CBBE34

RGB 203 190 52

HSL 54.83, 0.59%, 0.5%

LAB 75.93, -10.45, 66.62

 

CMYK 74 / 0 / 21 / 20

HEX #34CBA0

RGB 52 203 160

HSL 162.91, 0.59%, 0.5%

LAB 73.53, -48.86, 10.42

 

CMYK 74 / 68 / 0 / 20

HEX #3441CB

RGB 52 65 203

HSL 234.83, 0.59%, 0.5%

LAB 35.64, 42.01, -72.59

 

CMYK 0 / 74 / 53 / 20

HEX #CB355F

RGB 203 53 95

HSL 343.2, 0.59%, 0.5%

LAB 47.06, 60.73, 11.65

 

CMYK 16 / 0 / 74 / 20

HEX #AACB34

RGB 170 203 52

HSL 73.11, 0.59%, 0.5%

LAB 76.98, -30.67, 66.72

 

CMYK 74 / 0 / 21 / 20

HEX #34CBA0

RGB 52 203 160

HSL 162.91, 0.59%, 0.5%

LAB 73.53, -48.86, 10.42

 

CMYK 58 / 74 / 0 / 20

HEX #5534CB

RGB 85 52 203

HSL 253.11, 0.59%, 0.5%

LAB 35.4, 53.11, -72.9

 

Description

Color code: RGB 203 53 95 | qconv.com Color code: RGB 203 53 95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 53 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 53 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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