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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 221 125 it is the complementary color RGB 53 34 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 221 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 221 125 shade: RGB 207 221 120, RGB 224 239 139, RGB 241 255 158, RGB 255 255 177 and RGB 255 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 221 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 185 203 106, RGB 168 185 87, RGB 151 167 68 and RGB 134 149 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 221 214 125, RGB 221 188 125, RGB 221 162 125 and RGB 221 136 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 176 221 125, RGB 150 221 125, RGB 125 221 125 and RGB 125 221 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 221 125 shade matches the following richer shades: RGB 202 221 125, RGB 210 234 112 and RGB 218 247 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 194 208 138, RGB 186 195 151, RGB 178 181 164 and RGB 170 168 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 221 125 shade: RGB 221 187 125, RGB 221 213 125, RGB 203 221 125, RGB 178 221 125 and RGB 152 221 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 221 125 shade: RGB 175 204 59, RGB 189 213 92, RGB 202 221 125, RGB 215 230 158 and RGB 229 238 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 125 221 162 and RGB 200 125 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 125 203 221 and RGB 221 125 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 125 221 162, RGB 142 125 221 and RGB 221 125 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 221 125 shade: RGB 202 221 125, RGB 125 221 191, RGB 142 125 221 and RGB 221 125 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

Complementary color

CMYK 59 / 74 / 0 / 49

HEX #352282

RGB 53 34 130

HSL 251.88, 0.59%, 0.32%

LAB 21.99, 36.1, -50.92

 

CMYK 6 / 0 / 46 / 13

HEX #CFDD78

RGB 207 221 120

HSL 68.32, 0.6%, 0.67%

LAB 85.17, -19.46, 47.74

 

CMYK 6 / 0 / 42 / 6

HEX #E0EF8B

RGB 224 239 139

HSL 69, 0.76%, 0.74%

LAB 91.43, -19.72, 46.59

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9E

RGB 241 255 158

HSL 68.66, 1%, 0.81%

LAB 97.1, -18.97, 44.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 9 / 0 / 48 / 20

HEX #B9CB6A

RGB 185 203 106

HSL 71.13, 0.48%, 0.61%

LAB 78.5, -20.64, 46.01

 

CMYK 9 / 0 / 53 / 27

HEX #A8B957

RGB 168 185 87

HSL 70.41, 0.41%, 0.53%

LAB 72.03, -20.34, 47.14

 

CMYK 10 / 0 / 59 / 35

HEX #97A744

RGB 151 167 68

HSL 69.7, 0.42%, 0.46%

LAB 65.46, -19.93, 48.17

 

CMYK 10 / 0 / 67 / 42

HEX #869531

RGB 134 149 49

HSL 69, 0.51%, 0.39%

LAB 58.77, -19.4, 48.95

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 0 / 3 / 43 / 13

HEX #DDD67D

RGB 221 214 125

HSL 55.63, 0.59%, 0.68%

LAB 84.46, -9.96, 44.66

 

CMYK 0 / 15 / 43 / 13

HEX #DDBC7D

RGB 221 188 125

HSL 39.38, 0.59%, 0.68%

LAB 77.77, 3.46, 36.2

 

CMYK 0 / 27 / 43 / 13

HEX #DDA27D

RGB 221 162 125

HSL 23.13, 0.59%, 0.68%

LAB 71.35, 17.32, 27.81

 

CMYK 0 / 38 / 43 / 13

HEX #DD887D

RGB 221 136 125

HSL 6.88, 0.59%, 0.68%

LAB 65.33, 31.27, 19.7

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 20 / 0 / 43 / 13

HEX #B0DD7D

RGB 176 221 125

HSL 88.13, 0.59%, 0.68%

LAB 83.14, -30.64, 42.32

 

CMYK 32 / 0 / 43 / 13

HEX #96DD7D

RGB 150 221 125

HSL 104.38, 0.59%, 0.68%

LAB 81.66, -39.71, 40.15

 

CMYK 43 / 0 / 43 / 13

HEX #7DDD7D

RGB 125 221 125

HSL 120, 0.59%, 0.68%

LAB 80.49, -47.51, 38.42

 

CMYK 43 / 0 / 32 / 13

HEX #7DDD97

RGB 125 221 151

HSL 136.25, 0.59%, 0.68%

LAB 80.91, -43.33, 25.74

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 10 / 0 / 52 / 8

HEX #D2EA70

RGB 210 234 112

HSL 71.8, 0.74%, 0.68%

LAB 88.79, -25.33, 55.87

 

CMYK 12 / 0 / 60 / 3

HEX #DAF762

RGB 218 247 98

HSL 71.68, 0.9%, 0.68%

LAB 92.71, -29.47, 66.54

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 7 / 0 / 34 / 18

HEX #C2D08A

RGB 194 208 138

HSL 72, 0.43%, 0.68%

LAB 80.97, -15.99, 33.23

 

CMYK 5 / 0 / 23 / 24

HEX #BAC397

RGB 186 195 151

HSL 72.27, 0.27%, 0.68%

LAB 77.1, -10.6, 21.12

 

CMYK 2 / 0 / 9 / 29

HEX #B2B5A4

RGB 178 181 164

HSL 70.59, 0.1%, 0.68%

LAB 73.02, -4.12, 8.29

 

CMYK 4 / 6 / 0 / 30

HEX #AAA8B2

RGB 170 168 178

HSL 252, 0.06%, 0.68%

LAB 69.3, 2.64, -4.89

 

CMYK 0 / 15 / 43 / 13

HEX #DDBB7D

RGB 221 187 125

HSL 38.75, 0.59%, 0.68%

LAB 77.52, 3.99, 35.88

 

CMYK 0 / 4 / 43 / 13

HEX #DDD57D

RGB 221 213 125

HSL 55, 0.59%, 0.68%

LAB 84.2, -9.45, 44.34

 

CMYK 8 / 0 / 43 / 13

HEX #CBDD7D

RGB 203 221 125

HSL 71.25, 0.59%, 0.68%

LAB 84.94, -20.5, 44.97

 

CMYK 19 / 0 / 43 / 13

HEX #B2DD7D

RGB 178 221 125

HSL 86.88, 0.59%, 0.68%

LAB 83.26, -29.91, 42.51

 

CMYK 31 / 0 / 43 / 13

HEX #98DD7D

RGB 152 221 125

HSL 103.13, 0.59%, 0.68%

LAB 81.77, -39.04, 40.3

 

CMYK 14 / 0 / 71 / 20

HEX #AFCC3B

RGB 175 204 59

HSL 72, 0.59%, 0.52%

LAB 77.65, -28.77, 65.09

 

CMYK 11 / 0 / 57 / 16

HEX #BDD55C

RGB 189 213 92

HSL 71.9, 0.59%, 0.6%

LAB 81.39, -25.21, 55.98

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 7 / 0 / 31 / 10

HEX #D7E69E

RGB 215 230 158

HSL 72.5, 0.59%, 0.76%

LAB 88.69, -16.47, 33.49

 

CMYK 4 / 0 / 20 / 7

HEX #E5EEBE

RGB 229 238 190

HSL 71.25, 0.59%, 0.84%

LAB 92.36, -10.91, 22.28

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 43 / 0 / 27 / 13

HEX #7DDDA2

RGB 125 221 162

HSL 143.13, 0.59%, 0.68%

LAB 81.12, -41.32, 20.3

 

CMYK 10 / 43 / 0 / 13

HEX #C87DDD

RGB 200 125 221

HSL 286.88, 0.59%, 0.68%

LAB 63.48, 44.8, -37.44

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 43 / 8 / 0 / 13

HEX #7DCBDD

RGB 125 203 221

HSL 191.25, 0.59%, 0.68%

LAB 77.46, -19.39, -16.47

 

CMYK 0 / 43 / 8 / 13

HEX #DD7DCB

RGB 221 125 203

HSL 311.25, 0.59%, 0.68%

LAB 65.24, 47.81, -24.45

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 43 / 0 / 27 / 13

HEX #7DDDA2

RGB 125 221 162

HSL 143.13, 0.59%, 0.68%

LAB 81.12, -41.32, 20.3

 

CMYK 36 / 43 / 0 / 13

HEX #8E7DDD

RGB 142 125 221

HSL 250.63, 0.59%, 0.68%

LAB 57.69, 28.52, -46.94

 

CMYK 0 / 43 / 17 / 13

HEX #DD7DB8

RGB 221 125 184

HSL 323.13, 0.59%, 0.68%

LAB 64.56, 44.75, -14.78

 

CMYK 9 / 0 / 43 / 13

HEX #CADD7D

RGB 202 221 125

HSL 71.88, 0.59%, 0.68%

LAB 84.87, -20.88, 44.86

 

CMYK 43 / 0 / 14 / 13

HEX #7DDDBF

RGB 125 221 191

HSL 161.25, 0.59%, 0.68%

LAB 81.75, -35.37, 5.91

 

CMYK 36 / 43 / 0 / 13

HEX #8E7DDD

RGB 142 125 221

HSL 250.63, 0.59%, 0.68%

LAB 57.69, 28.52, -46.94

 

CMYK 0 / 43 / 30 / 13

HEX #DD7D9B

RGB 221 125 155

HSL 341.25, 0.59%, 0.68%

LAB 63.68, 40.61, 0.38

 

Description

Color code: RGB 202 221 125 | qconv.com Color code: RGB 202 221 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 221 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 221 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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