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Color name
RGB 202 149 167

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 149 167 it is the complementary color RGB 53 106 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 149 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 149 167 shade: RGB 207 149 162, RGB 224 167 181, RGB 241 185 200, RGB 255 203 219 and RGB 255 221 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 149 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 149 167 shade: RGB 202 149 167, RGB 185 131 148, RGB 168 113 129, RGB 151 95 110 and RGB 134 77 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 149 167 shade: RGB 202 150 168, RGB 202 150 154 and RGB 202 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 149 167 shade: RGB 202 150 168, RGB 202 150 182, RGB 202 150 196, RGB 194 150 202 and RGB 180 150 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 149 167 shade matches the following richer shades: RGB 202 150 168, RGB 215 137 163, RGB 228 124 159, RGB 240 111 155 and RGB 253 99 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 149 167 shade: RGB 202 150 168, RGB 189 163 172, RGB 176 175 176, RGB 164 188 180 and RGB 151 201 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 149 167 shade: RGB 202 150 196, RGB 202 150 182, RGB 202 150 168, RGB 202 150 154 and RGB 202 159 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 149 167 shade: RGB 174 95 122, RGB 188 122 145, RGB 202 150 168, RGB 216 177 190 and RGB 230 205 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 149 167 shade: RGB 202 149 167, RGB 202 194 150 and RGB 150 189 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 149 167 shade: RGB 202 149 167, RGB 168 202 150 and RGB 150 168 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 149 167 shade: RGB 202 149 167, RGB 202 194 150, RGB 150 202 184 and RGB 150 158 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 149 167 shade: RGB 202 149 167, RGB 194 202 150, RGB 150 202 184 and RGB 158 150 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

Complementary color

CMYK 50 / 0 / 17 / 58

HEX #356A58

RGB 53 106 88

HSL 159.62, 0.33%, 0.31%

LAB 40.85, -22.46, 4.69

 

CMYK 0 / 28 / 22 / 19

HEX #CF95A2

RGB 207 149 162

HSL 346.55, 0.38%, 0.7%

LAB 67.55, 23.7, 1.86

 

CMYK 0 / 25 / 19 / 12

HEX #E0A7B5

RGB 224 167 181

HSL 345.26, 0.48%, 0.77%

LAB 74.08, 23.03, 1.04

 

CMYK 0 / 23 / 17 / 5

HEX #F1B9C8

RGB 241 185 200

HSL 343.93, 0.67%, 0.84%

LAB 80.5, 22.42, 0.27

 

CMYK 0 / 20 / 14 / 0

HEX #FFCBDB

RGB 255 203 219

HSL 341.54, 1%, 0.9%

LAB 86.55, 20.81, -0.9

 

CMYK 0 / 13 / 7 / 0

HEX #FFDDEE

RGB 255 221 238

HSL 330, 1%, 0.93%

LAB 91.3, 14.51, -3.95

 

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

CMYK 0 / 29 / 20 / 27

HEX #B98394

RGB 185 131 148

HSL 341.11, 0.28%, 0.62%

LAB 60.5, 23.33, -0.78

 

CMYK 0 / 33 / 23 / 34

HEX #A87181

RGB 168 113 129

HSL 342.55, 0.24%, 0.55%

LAB 53.73, 24.09, 0.1

 

CMYK 0 / 37 / 27 / 41

HEX #975F6E

RGB 151 95 110

HSL 343.93, 0.23%, 0.48%

LAB 46.83, 24.93, 1.09

 

CMYK 0 / 43 / 32 / 47

HEX #864D5B

RGB 134 77 91

HSL 345.26, 0.27%, 0.41%

LAB 39.8, 25.87, 2.25

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 26 / 24 / 21

HEX #CA969A

RGB 202 150 154

HSL 355.38, 0.33%, 0.69%

LAB 67.05, 20.1, 5.55

 

CMYK 0 / 26 / 26 / 21

HEX #CA9696

RGB 202 150 150

HSL 0, 0.33%, 0.69%

LAB 66.95, 19.52, 7.65

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 26 / 10 / 21

HEX #CA96B6

RGB 202 150 182

HSL 323.08, 0.33%, 0.69%

LAB 67.83, 24.58, -8.97

 

CMYK 0 / 26 / 3 / 21

HEX #CA96C4

RGB 202 150 196

HSL 306.92, 0.33%, 0.69%

LAB 68.28, 27.07, -16.11

 

CMYK 4 / 26 / 0 / 21

HEX #C296CA

RGB 194 150 202

HSL 290.77, 0.33%, 0.69%

LAB 67.68, 25.54, -20.42

 

CMYK 11 / 26 / 0 / 21

HEX #B496CA

RGB 180 150 202

HSL 274.62, 0.33%, 0.69%

LAB 66.35, 20.94, -22.58

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 36 / 24 / 16

HEX #D789A3

RGB 215 137 163

HSL 340, 0.49%, 0.69%

LAB 65.74, 33.25, -1.24

 

CMYK 0 / 46 / 30 / 11

HEX #E47C9F

RGB 228 124 159

HSL 339.81, 0.66%, 0.69%

LAB 64.49, 44.07, -0.6

 

CMYK 0 / 54 / 35 / 6

HEX #F06F9B

RGB 240 111 155

HSL 339.53, 0.81%, 0.69%

LAB 63.56, 53.96, 0.52

 

CMYK 0 / 61 / 40 / 1

HEX #FD6397

RGB 253 99 151

HSL 339.74, 0.97%, 0.69%

LAB 63.38, 62.98, 2.79

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 14 / 9 / 26

HEX #BDA3AC

RGB 189 163 172

HSL 339.23, 0.16%, 0.69%

LAB 69.46, 11.03, -1.14

 

CMYK 0 / 1 / 0 / 31

HEX #B0AFB0

RGB 176 175 176

HSL 300, 0.01%, 0.69%

LAB 71.57, 0.54, -0.39

 

CMYK 13 / 0 / 4 / 26

HEX #A4BCB4

RGB 164 188 180

HSL 160, 0.15%, 0.69%

LAB 74.29, -9.76, 1.27

 

CMYK 25 / 0 / 8 / 21

HEX #97C9B8

RGB 151 201 184

HSL 159.6, 0.32%, 0.69%

LAB 77.17, -19.85, 3.19

 

CMYK 0 / 26 / 3 / 21

HEX #CA96C4

RGB 202 150 196

HSL 306.92, 0.33%, 0.69%

LAB 68.28, 27.07, -16.11

 

CMYK 0 / 26 / 10 / 21

HEX #CA96B6

RGB 202 150 182

HSL 323.08, 0.33%, 0.69%

LAB 67.83, 24.58, -8.97

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 26 / 24 / 21

HEX #CA969A

RGB 202 150 154

HSL 355.38, 0.33%, 0.69%

LAB 67.05, 20.1, 5.55

 

CMYK 0 / 21 / 26 / 21

HEX #CA9F96

RGB 202 159 150

HSL 10.38, 0.33%, 0.69%

LAB 69.15, 14.59, 10.78

 

CMYK 0 / 45 / 30 / 32

HEX #AE5F7A

RGB 174 95 122

HSL 339.49, 0.33%, 0.53%

LAB 50.2, 35.26, -0.82

 

CMYK 0 / 35 / 23 / 26

HEX #BC7A91

RGB 188 122 145

HSL 339.09, 0.33%, 0.61%

LAB 58.65, 28.96, -1.72

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A8

RGB 202 150 168

HSL 339.23, 0.33%, 0.69%

LAB 67.42, 22.25, -1.75

 

CMYK 0 / 18 / 12 / 15

HEX #D8B1BE

RGB 216 177 190

HSL 340, 0.33%, 0.77%

LAB 75.92, 16.19, -1.28

 

CMYK 0 / 11 / 7 / 10

HEX #E6CDD5

RGB 230 205 213

HSL 340.8, 0.33%, 0.85%

LAB 84.63, 10.06, -0.78

 

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

CMYK 0 / 4 / 26 / 21

HEX #CAC296

RGB 202 194 150

HSL 50.77, 0.33%, 0.69%

LAB 78.08, -4.16, 23.19

 

CMYK 26 / 6 / 0 / 21

HEX #96BDCA

RGB 150 189 202

HSL 195, 0.33%, 0.69%

LAB 74.28, -10.02, -10.82

 

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

CMYK 17 / 0 / 26 / 21

HEX #A8CA96

RGB 168 202 150

HSL 99.23, 0.33%, 0.69%

LAB 77.74, -20.88, 22.32

 

CMYK 26 / 17 / 0 / 21

HEX #96A8CA

RGB 150 168 202

HSL 219.23, 0.33%, 0.69%

LAB 68.57, 1.34, -19.41

 

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

CMYK 0 / 4 / 26 / 21

HEX #CAC296

RGB 202 194 150

HSL 50.77, 0.33%, 0.69%

LAB 78.08, -4.16, 23.19

 

CMYK 26 / 0 / 9 / 21

HEX #96CAB8

RGB 150 202 184

HSL 159.23, 0.33%, 0.69%

LAB 77.39, -20.66, 3.51

 

CMYK 26 / 22 / 0 / 21

HEX #969ECA

RGB 150 158 202

HSL 230.77, 0.33%, 0.69%

LAB 65.91, 6.92, -23.48

 

CMYK 0 / 26 / 17 / 21

HEX #CA95A7

RGB 202 149 167

HSL 339.62, 0.33%, 0.69%

LAB 67.16, 22.64, -1.58

 

CMYK 4 / 0 / 26 / 21

HEX #C2CA96

RGB 194 202 150

HSL 69.23, 0.33%, 0.69%

LAB 79.56, -11.34, 25.11

 

CMYK 26 / 0 / 9 / 21

HEX #96CAB8

RGB 150 202 184

HSL 159.23, 0.33%, 0.69%

LAB 77.39, -20.66, 3.51

 

CMYK 22 / 26 / 0 / 21

HEX #9E96CA

RGB 158 150 202

HSL 249.23, 0.33%, 0.69%

LAB 64.44, 13.92, -25.67

 

Description

Color code: RGB 202 149 167 | qconv.com Color code: RGB 202 149 167 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 149 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 149 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 17% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

92% - Camiseta Home de Uni...
Link: http://www.umbro.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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