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Color name
RGB 202 104 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 104 142 it is the complementary color RGB 53 151 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 104 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 202 104 142 shade: RGB 207 104 137, RGB 224 122 156, RGB 241 140 175, RGB 255 158 194 and RGB 255 176 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 104 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 202 104 142 shade: RGB 202 104 142, RGB 185 86 123, RGB 168 68 104, RGB 151 50 85 and RGB 134 32 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 202 104 142 shade: RGB 201 104 142, RGB 201 104 115 and RGB 201 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 202 104 142 shade: RGB 201 104 142, RGB 201 104 168, RGB 201 104 194, RGB 182 104 201 and RGB 156 104 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 202 104 142 shade matches the following richer shades: RGB 201 104 142, RGB 218 87 138, RGB 234 71 134 and RGB 251 54 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 202 104 142 shade: RGB 201 104 142, RGB 185 120 145, RGB 168 137 149, RGB 152 153 153 and RGB 135 170 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 202 104 142 shade: RGB 201 104 195, RGB 201 104 169, RGB 201 104 143, RGB 201 104 117 and RGB 201 117 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 202 104 142 shade: RGB 165 58 99, RGB 191 73 119, RGB 201 104 142, RGB 212 134 164 and RGB 223 165 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 202 104 142 shade: RGB 202 104 142, RGB 201 182 104 and RGB 104 182 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 202 104 142 shade: RGB 202 104 142, RGB 143 201 104 and RGB 104 143 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 202 104 142 shade: RGB 202 104 142, RGB 201 182 104, RGB 104 201 162 and RGB 104 123 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 202 104 142 shade: RGB 202 104 142, RGB 192 201 104, RGB 104 201 162 and RGB 113 104 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

Complementary color

CMYK 65 / 0 / 25 / 41

HEX #359771

RGB 53 151 113

HSL 156.73, 0.48%, 0.4%

LAB 56.17, -37.82, 11.79

 

CMYK 0 / 50 / 34 / 19

HEX #CF6889

RGB 207 104 137

HSL 340.78, 0.52%, 0.61%

LAB 57.05, 44.19, 0.87

 

CMYK 0 / 46 / 30 / 12

HEX #E07A9C

RGB 224 122 156

HSL 340, 0.62%, 0.68%

LAB 63.48, 43.32, -0.43

 

CMYK 0 / 42 / 27 / 5

HEX #F18CAF

RGB 241 140 175

HSL 339.21, 0.78%, 0.75%

LAB 69.86, 42.46, -1.57

 

CMYK 0 / 38 / 24 / 0

HEX #FF9EC2

RGB 255 158 194

HSL 337.73, 1%, 0.81%

LAB 75.83, 40.61, -3.13

 

CMYK 0 / 31 / 16 / 0

HEX #FFB0D5

RGB 255 176 213

HSL 331.9, 1%, 0.85%

LAB 80.24, 34.04, -6.96

 

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

CMYK 0 / 54 / 34 / 27

HEX #B9567B

RGB 185 86 123

HSL 337.58, 0.41%, 0.53%

LAB 49.98, 43.93, -1.56

 

CMYK 0 / 60 / 38 / 34

HEX #A84468

RGB 168 68 104

HSL 338.4, 0.42%, 0.46%

LAB 43.45, 44.66, 0.12

 

CMYK 0 / 67 / 44 / 41

HEX #973255

RGB 151 50 85

HSL 339.21, 0.5%, 0.39%

LAB 36.96, 45.15, 2.26

 

CMYK 0 / 76 / 51 / 47

HEX #862042

RGB 134 32 66

HSL 340, 0.61%, 0.33%

LAB 30.63, 45.1, 5.09

 

CMYK 0 / 48 / 29 / 21

HEX #C9688E

RGB 201 104 142

HSL 336.49, 0.47%, 0.6%

LAB 56.36, 42.77, -3.16

 

CMYK 0 / 48 / 43 / 21

HEX #C96873

RGB 201 104 115

HSL 353.2, 0.47%, 0.6%

LAB 55.64, 39.52, 11.61

 

CMYK 0 / 48 / 48 / 21

HEX #C96868

RGB 201 104 104

HSL 0, 0.47%, 0.6%

LAB 55.4, 38.4, 17.7

 

CMYK 0 / 48 / 29 / 21

HEX #C9688E

RGB 201 104 142

HSL 336.49, 0.47%, 0.6%

LAB 56.36, 42.77, -3.16

 

CMYK 0 / 48 / 16 / 21

HEX #C968A8

RGB 201 104 168

HSL 320.41, 0.47%, 0.6%

LAB 57.22, 46.53, -17

 

CMYK 0 / 48 / 3 / 21

HEX #C968C2

RGB 201 104 194

HSL 304.33, 0.47%, 0.6%

LAB 58.24, 50.84, -30.37

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 22 / 48 / 0 / 21

HEX #9C68C9

RGB 156 104 201

HSL 272.16, 0.47%, 0.6%

LAB 53.15, 39.32, -42.72

 

CMYK 0 / 48 / 29 / 21

HEX #C9688E

RGB 201 104 142

HSL 336.49, 0.47%, 0.6%

LAB 56.36, 42.77, -3.16

 

CMYK 0 / 60 / 37 / 15

HEX #DA578A

RGB 218 87 138

HSL 336.64, 0.64%, 0.6%

LAB 55.64, 55.98, -1.58

 

CMYK 0 / 70 / 43 / 8

HEX #EA4786

RGB 234 71 134

HSL 336.81, 0.8%, 0.6%

LAB 55.81, 66.7, 1.34

 

CMYK 0 / 78 / 48 / 2

HEX #FB3682

RGB 251 54 130

HSL 336.85, 0.96%, 0.6%

LAB 56.84, 76.11, 5.59

 

CMYK 0 / 48 / 29 / 21

HEX #C9688E

RGB 201 104 142

HSL 336.49, 0.47%, 0.6%

LAB 56.36, 42.77, -3.16

 

CMYK 0 / 35 / 22 / 27

HEX #B97891

RGB 185 120 145

HSL 336.92, 0.32%, 0.6%

LAB 57.84, 28.97, -2.96

 

CMYK 0 / 18 / 11 / 34

HEX #A88995

RGB 168 137 149

HSL 336.77, 0.15%, 0.6%

LAB 60.24, 13.78, -1.95

 

CMYK 1 / 0 / 0 / 40

HEX #989999

RGB 152 153 153

HSL 180, 0%, 0.6%

LAB 63.14, -0.36, -0.13

 

CMYK 21 / 0 / 8 / 33

HEX #87AA9C

RGB 135 170 156

HSL 156, 0.17%, 0.6%

LAB 66.75, -14.86, 3.28

 

CMYK 0 / 48 / 3 / 21

HEX #C968C3

RGB 201 104 195

HSL 303.71, 0.47%, 0.6%

LAB 58.28, 51.01, -30.87

 

CMYK 0 / 48 / 16 / 21

HEX #C968A9

RGB 201 104 169

HSL 319.79, 0.47%, 0.6%

LAB 57.25, 46.68, -17.52

 

CMYK 0 / 48 / 29 / 21

HEX #C9688F

RGB 201 104 143

HSL 335.88, 0.47%, 0.6%

LAB 56.39, 42.9, -3.7

 

CMYK 0 / 48 / 42 / 21

HEX #C96875

RGB 201 104 117

HSL 351.96, 0.47%, 0.6%

LAB 55.69, 39.74, 10.51

 

CMYK 0 / 42 / 48 / 21

HEX #C97568

RGB 201 117 104

HSL 8.04, 0.47%, 0.6%

LAB 58.17, 31.54, 21.45

 

CMYK 0 / 65 / 40 / 35

HEX #A53A63

RGB 165 58 99

HSL 337.01, 0.48%, 0.44%

LAB 41.1, 47.68, -0.26

 

CMYK 0 / 62 / 38 / 25

HEX #BF4977

RGB 191 73 119

HSL 336.61, 0.48%, 0.52%

LAB 48.48, 51.56, -1.24

 

CMYK 0 / 48 / 29 / 21

HEX #C9688E

RGB 201 104 142

HSL 336.49, 0.47%, 0.6%

LAB 56.36, 42.77, -3.16

 

CMYK 0 / 37 / 23 / 17

HEX #D486A4

RGB 212 134 164

HSL 336.92, 0.48%, 0.68%

LAB 64.75, 33.93, -3.3

 

CMYK 0 / 26 / 16 / 13

HEX #DFA5BB

RGB 223 165 187

HSL 337.24, 0.48%, 0.76%

LAB 73.67, 24.68, -2.87

 

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

CMYK 0 / 9 / 48 / 21

HEX #C9B668

RGB 201 182 104

HSL 48.25, 0.47%, 0.6%

LAB 74.11, -3.63, 41.93

 

CMYK 48 / 9 / 0 / 21

HEX #68B6C9

RGB 104 182 201

HSL 191.75, 0.47%, 0.6%

LAB 69.91, -18.94, -17.08

 

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

CMYK 29 / 0 / 48 / 21

HEX #8FC968

RGB 143 201 104

HSL 95.88, 0.47%, 0.6%

LAB 75.21, -35.74, 42.35

 

CMYK 48 / 29 / 0 / 21

HEX #688FC9

RGB 104 143 201

HSL 215.88, 0.47%, 0.6%

LAB 58.79, 2.5, -34.15

 

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

CMYK 0 / 9 / 48 / 21

HEX #C9B668

RGB 201 182 104

HSL 48.25, 0.47%, 0.6%

LAB 74.11, -3.63, 41.93

 

CMYK 48 / 0 / 19 / 21

HEX #68C9A2

RGB 104 201 162

HSL 155.88, 0.47%, 0.6%

LAB 74.4, -37.81, 10.77

 

CMYK 48 / 39 / 0 / 21

HEX #687BC9

RGB 104 123 201

HSL 228.25, 0.47%, 0.6%

LAB 53.3, 14.35, -42.77

 

CMYK 0 / 49 / 30 / 21

HEX #CA688E

RGB 202 104 142

HSL 336.73, 0.48%, 0.6%

LAB 56.5, 43.11, -2.94

 

CMYK 4 / 0 / 48 / 21

HEX #C0C968

RGB 192 201 104

HSL 65.57, 0.47%, 0.6%

LAB 78.45, -17.06, 47.04

 

CMYK 48 / 0 / 19 / 21

HEX #68C9A2

RGB 104 201 162

HSL 155.88, 0.47%, 0.6%

LAB 74.4, -37.81, 10.77

 

CMYK 44 / 48 / 0 / 21

HEX #7168C9

RGB 113 104 201

HSL 245.57, 0.47%, 0.6%

LAB 49.04, 28.04, -49.5

 

Description

Color code: RGB 202 104 142 | qconv.com Color code: RGB 202 104 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 104 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 104 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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