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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 5 17 it is the complementary color RGB 54 250 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 5 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 5 17 shade: RGB 206 5 12, RGB 223 23 31, RGB 240 41 50, RGB 255 59 69 and RGB 255 77 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 5 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 5 17 shade: RGB 201 5 17, RGB 184 0 0, RGB 167 0 0, RGB 150 0 0 and RGB 133 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 5 17 shade: RGB 199 5 17 and RGB 199 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 5 17 shade: RGB 199 5 17, RGB 199 5 69, RGB 199 5 121, RGB 199 5 174 and RGB 172 5 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 5 17 shade matches the following richer shades: RGB 199 5 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 5 17 shade: RGB 199 5 17, RGB 182 22 31, RGB 166 38 46, RGB 149 55 60 and RGB 133 71 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 5 17 shade: RGB 199 5 121, RGB 199 5 70, RGB 199 5 18, RGB 199 44 5 and RGB 199 96 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 5 17 shade: RGB 118 3 10, RGB 159 4 14, RGB 199 5 17, RGB 239 6 20 and RGB 249 37 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 5 17 shade: RGB 201 5 17, RGB 173 199 5 and RGB 5 96 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 5 17 shade: RGB 201 5 17, RGB 18 199 5 and RGB 5 18 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 5 17 shade: RGB 201 5 17, RGB 173 199 5, RGB 5 199 186 and RGB 31 5 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 5 17 shade: RGB 201 5 17, RGB 115 199 5, RGB 5 199 186 and RGB 89 5 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

Complementary color

CMYK 78 / 0 / 5 / 2

HEX #36FAEE

RGB 54 250 238

HSL 176.33, 0.95%, 0.6%

LAB 89.55, -48.27, -7.6

 

CMYK 0 / 98 / 94 / 19

HEX #CE050C

RGB 206 5 12

HSL 357.91, 0.95%, 0.41%

LAB 43.15, 67.85, 53.42

 

CMYK 0 / 90 / 86 / 13

HEX #DF171F

RGB 223 23 31

HSL 357.6, 0.81%, 0.48%

LAB 47.49, 70.44, 50.24

 

CMYK 0 / 83 / 79 / 6

HEX #F02932

RGB 240 41 50

HSL 357.29, 0.87%, 0.55%

LAB 52.22, 72.02, 46.11

 

CMYK 0 / 77 / 73 / 0

HEX #FF3B45

RGB 255 59 69

HSL 356.94, 1%, 0.62%

LAB 56.9, 72.22, 41.54

 

CMYK 0 / 70 / 65 / 0

HEX #FF4D58

RGB 255 77 88

HSL 356.29, 1%, 0.65%

LAB 59.23, 67.33, 33.57

 

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 97 / 91 / 22

HEX #C70511

RGB 199 5 17

HSL 356.29, 0.95%, 0.4%

LAB 41.68, 66.15, 49.92

 

CMYK 0 / 97 / 97 / 22

HEX #C70505

RGB 199 5 5

HSL 0, 0.95%, 0.4%

LAB 41.63, 66.02, 54.07

 

CMYK 0 / 97 / 91 / 22

HEX #C70511

RGB 199 5 17

HSL 356.29, 0.95%, 0.4%

LAB 41.68, 66.15, 49.92

 

CMYK 0 / 97 / 65 / 22

HEX #C70545

RGB 199 5 69

HSL 340.21, 0.95%, 0.4%

LAB 42.28, 67.8, 21.22

 

CMYK 0 / 97 / 39 / 22

HEX #C70579

RGB 199 5 121

HSL 324.12, 0.95%, 0.4%

LAB 43.7, 71.6, -9.41

 

CMYK 0 / 97 / 13 / 22

HEX #C705AE

RGB 199 5 174

HSL 307.73, 0.95%, 0.4%

LAB 46.05, 77.62, -37.85

 

CMYK 14 / 97 / 0 / 22

HEX #AC05C7

RGB 172 5 199

HSL 291.65, 0.95%, 0.4%

LAB 42.77, 76.9, -58.05

 

CMYK 0 / 97 / 91 / 22

HEX #C70511

RGB 199 5 17

HSL 356.29, 0.95%, 0.4%

LAB 41.68, 66.15, 49.92

 

CMYK 0 / 97 / 91 / 22

HEX #C70511

RGB 199 5 17

HSL 356.29, 0.95%, 0.4%

LAB 41.68, 66.15, 49.92

 

CMYK 0 / 88 / 83 / 29

HEX #B6161F

RGB 182 22 31

HSL 356.63, 0.78%, 0.4%

LAB 38.93, 59.76, 39.41

 

CMYK 0 / 77 / 72 / 35

HEX #A6262E

RGB 166 38 46

HSL 356.25, 0.63%, 0.4%

LAB 37.28, 51.57, 27.89

 

CMYK 0 / 63 / 60 / 42

HEX #95373C

RGB 149 55 60

HSL 356.81, 0.46%, 0.4%

LAB 36.83, 39.9, 17.93

 

CMYK 0 / 47 / 44 / 48

HEX #85474B

RGB 133 71 75

HSL 356.13, 0.3%, 0.4%

LAB 37.84, 26.82, 9.45

 

CMYK 0 / 97 / 39 / 22

HEX #C70579

RGB 199 5 121

HSL 324.12, 0.95%, 0.4%

LAB 43.7, 71.6, -9.41

 

CMYK 0 / 97 / 65 / 22

HEX #C70546

RGB 199 5 70

HSL 339.9, 0.95%, 0.4%

LAB 42.3, 67.85, 20.61

 

CMYK 0 / 97 / 91 / 22

HEX #C70512

RGB 199 5 18

HSL 355.98, 0.95%, 0.4%

LAB 41.68, 66.16, 49.51

 

CMYK 0 / 78 / 97 / 22

HEX #C72C05

RGB 199 44 5

HSL 12.06, 0.95%, 0.4%

LAB 44.17, 58.79, 55.3

 

CMYK 0 / 52 / 97 / 22

HEX #C76005

RGB 199 96 5

HSL 28.14, 0.95%, 0.4%

LAB 52.42, 36.84, 60.07

 

CMYK 0 / 97 / 92 / 54

HEX #76030A

RGB 118 3 10

HSL 356.35, 0.95%, 0.24%

LAB 23.47, 44.9, 31.18

 

CMYK 0 / 97 / 91 / 38

HEX #9F040E

RGB 159 4 14

HSL 356.13, 0.95%, 0.32%

LAB 32.9, 55.92, 41.05

 

CMYK 0 / 97 / 91 / 22

HEX #C70511

RGB 199 5 17

HSL 356.29, 0.95%, 0.4%

LAB 41.68, 66.15, 49.92

 

CMYK 0 / 97 / 92 / 6

HEX #EF0614

RGB 239 6 20

HSL 356.39, 0.95%, 0.48%

LAB 50.13, 75.99, 58.32

 

CMYK 0 / 85 / 80 / 2

HEX #F92532

RGB 249 37 50

HSL 356.32, 0.95%, 0.56%

LAB 53.7, 75.21, 48.17

 

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

CMYK 13 / 0 / 97 / 22

HEX #ADC705

RGB 173 199 5

HSL 68.04, 0.95%, 0.4%

LAB 75.91, -28.85, 75.55

 

CMYK 97 / 52 / 0 / 22

HEX #0560C7

RGB 5 96 199

HSL 211.86, 0.95%, 0.4%

LAB 42.03, 17.35, -59.88

 

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

CMYK 91 / 0 / 97 / 22

HEX #12C705

RGB 18 199 5

HSL 115.98, 0.95%, 0.4%

LAB 70.17, -70.58, 68.58

 

CMYK 97 / 91 / 0 / 22

HEX #0512C7

RGB 5 18 199

HSL 235.98, 0.95%, 0.4%

LAB 25.53, 61.58, -87.06

 

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

CMYK 13 / 0 / 97 / 22

HEX #ADC705

RGB 173 199 5

HSL 68.04, 0.95%, 0.4%

LAB 75.91, -28.85, 75.55

 

CMYK 97 / 0 / 7 / 22

HEX #05C7BA

RGB 5 199 186

HSL 175.98, 0.95%, 0.4%

LAB 72.51, -43.56, -5.2

 

CMYK 84 / 97 / 0 / 22

HEX #1F05C7

RGB 31 5 199

HSL 248.04, 0.95%, 0.4%

LAB 25.33, 64.98, -87.37

 

CMYK 0 / 98 / 92 / 21

HEX #C90511

RGB 201 5 17

HSL 356.33, 0.95%, 0.4%

LAB 42.1, 66.65, 50.4

 

CMYK 42 / 0 / 97 / 22

HEX #73C705

RGB 115 199 5

HSL 85.98, 0.95%, 0.4%

LAB 72.56, -50.95, 71.51

 

CMYK 97 / 0 / 7 / 22

HEX #05C7BA

RGB 5 199 186

HSL 175.98, 0.95%, 0.4%

LAB 72.51, -43.56, -5.2

 

CMYK 55 / 97 / 0 / 22

HEX #5905C7

RGB 89 5 199

HSL 265.98, 0.95%, 0.4%

LAB 30.29, 67.52, -78.98

 

Description

Color code: RGB 201 5 17 | qconv.com Color code: RGB 201 5 17 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 5 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 5 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 92 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 92% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - L'annuaire des Profe...
Link: http://www.mariagetunisien.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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