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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 53 66 it is the complementary color RGB 54 202 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 53 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 53 66 shade: RGB 206 53 61, RGB 223 71 80, RGB 240 89 99, RGB 255 107 118 and RGB 255 125 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 53 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 184 35 47, RGB 167 17 28, RGB 150 0 9 and RGB 133 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 53 66 shade: RGB 201 53 66 and RGB 201 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 201 53 106, RGB 201 53 146, RGB 201 53 186 and RGB 176 53 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 53 66 shade matches the following richer shades: RGB 201 53 66, RGB 222 32 49 and RGB 242 12 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 180 74 83, RGB 160 94 100, RGB 139 115 117 and RGB 118 136 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 53 66 shade: RGB 201 53 147, RGB 201 53 107, RGB 201 53 68, RGB 201 78 53 and RGB 201 117 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 53 66 shade: RGB 136 36 45, RGB 168 44 55, RGB 201 53 66, RGB 210 86 97 and RGB 218 118 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 186 201 53 and RGB 53 127 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 68 201 53 and RGB 53 68 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 186 201 53, RGB 53 201 186 and RGB 68 53 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 53 66 shade: RGB 201 53 66, RGB 142 201 53, RGB 53 201 186 and RGB 112 53 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

Complementary color

CMYK 73 / 0 / 6 / 21

HEX #36CABD

RGB 54 202 189

HSL 174.73, 0.58%, 0.5%

LAB 74, -40.71, -4.58

 

CMYK 0 / 74 / 70 / 19

HEX #CE353D

RGB 206 53 61

HSL 356.86, 0.61%, 0.51%

LAB 46.98, 59.51, 32.27

 

CMYK 0 / 68 / 64 / 13

HEX #DF4750

RGB 223 71 80

HSL 356.45, 0.7%, 0.58%

LAB 52.7, 59.27, 28.82

 

CMYK 0 / 63 / 59 / 6

HEX #F05963

RGB 240 89 99

HSL 356.03, 0.83%, 0.65%

LAB 58.58, 58.67, 25.9

 

CMYK 0 / 58 / 54 / 0

HEX #FF6B76

RGB 255 107 118

HSL 355.54, 1%, 0.71%

LAB 64.23, 57.19, 22.95

 

CMYK 0 / 51 / 46 / 0

HEX #FF7D89

RGB 255 125 137

HSL 354.46, 1%, 0.75%

LAB 67.82, 50.46, 17.11

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 81 / 74 / 28

HEX #B8232F

RGB 184 35 47

HSL 355.17, 0.68%, 0.43%

LAB 40.57, 57.87, 32.02

 

CMYK 0 / 90 / 83 / 35

HEX #A7111C

RGB 167 17 28

HSL 355.6, 0.82%, 0.36%

LAB 35.4, 56.5, 36.6

 

CMYK 0 / 100 / 94 / 41

HEX #960009

RGB 150 0 9

HSL 356.4, 1%, 0.29%

LAB 30.65, 54.05, 40.71

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 74 / 47 / 21

HEX #C9356A

RGB 201 53 106

HSL 338.51, 0.58%, 0.5%

LAB 46.98, 61.08, 4.72

 

CMYK 0 / 74 / 27 / 21

HEX #C93592

RGB 201 53 146

HSL 322.3, 0.58%, 0.5%

LAB 48.31, 65.3, -17.61

 

CMYK 0 / 74 / 7 / 21

HEX #C935BA

RGB 201 53 186

HSL 306.08, 0.58%, 0.5%

LAB 50.11, 70.77, -38.47

 

CMYK 12 / 74 / 0 / 21

HEX #B035C9

RGB 176 53 201

HSL 289.86, 0.58%, 0.5%

LAB 46.97, 67.97, -52.42

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 86 / 78 / 13

HEX #DE2031

RGB 222 32 49

HSL 354.63, 0.75%, 0.5%

LAB 47.99, 69.09, 41.17

 

CMYK 0 / 95 / 87 / 5

HEX #F20C20

RGB 242 12 32

HSL 354.78, 0.91%, 0.5%

LAB 50.97, 76.44, 54.2

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 59 / 54 / 29

HEX #B44A53

RGB 180 74 83

HSL 354.91, 0.42%, 0.5%

LAB 45.94, 43.83, 16.8

 

CMYK 0 / 41 / 38 / 37

HEX #A05E64

RGB 160 94 100

HSL 354.55, 0.26%, 0.5%

LAB 47.49, 27.63, 8.23

 

CMYK 0 / 17 / 16 / 45

HEX #8B7375

RGB 139 115 117

HSL 355, 0.09%, 0.5%

LAB 50.73, 9.72, 2.41

 

CMYK 13 / 0 / 1 / 47

HEX #768886

RGB 118 136 134

HSL 173.33, 0.07%, 0.5%

LAB 55.26, -6.91, -1.13

 

CMYK 0 / 74 / 27 / 21

HEX #C93593

RGB 201 53 147

HSL 321.89, 0.58%, 0.5%

LAB 48.35, 65.42, -18.15

 

CMYK 0 / 74 / 47 / 21

HEX #C9356B

RGB 201 53 107

HSL 338.11, 0.58%, 0.5%

LAB 47.01, 61.16, 4.15

 

CMYK 0 / 74 / 66 / 21

HEX #C93544

RGB 201 53 68

HSL 353.92, 0.58%, 0.5%

LAB 46.15, 58.35, 26.86

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 0 / 42 / 74 / 21

HEX #C97535

RGB 201 117 53

HSL 25.95, 0.58%, 0.5%

LAB 57.46, 27.87, 47.97

 

CMYK 0 / 74 / 67 / 47

HEX #88242D

RGB 136 36 45

HSL 354.6, 0.58%, 0.34%

LAB 31.08, 42.62, 19.58

 

CMYK 0 / 74 / 67 / 34

HEX #A82C37

RGB 168 44 55

HSL 354.68, 0.58%, 0.42%

LAB 38.55, 50.59, 23.97

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 0 / 59 / 54 / 18

HEX #D25661

RGB 210 86 97

HSL 354.68, 0.58%, 0.58%

LAB 53.19, 49.83, 19.04

 

CMYK 0 / 46 / 42 / 15

HEX #DA767F

RGB 218 118 127

HSL 354.6, 0.57%, 0.66%

LAB 61.13, 39.8, 12.7

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 7 / 0 / 74 / 21

HEX #BAC935

RGB 186 201 53

HSL 66.08, 0.58%, 0.5%

LAB 77.56, -23.11, 67.34

 

CMYK 74 / 37 / 0 / 21

HEX #357FC9

RGB 53 127 201

HSL 210, 0.58%, 0.5%

LAB 52.01, 2.26, -44.98

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 66 / 0 / 74 / 21

HEX #44C935

RGB 68 201 53

HSL 113.92, 0.58%, 0.5%

LAB 71.73, -62.5, 59.67

 

CMYK 74 / 66 / 0 / 21

HEX #3544C9

RGB 53 68 201

HSL 233.92, 0.58%, 0.5%

LAB 36.19, 39.58, -70.52

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 7 / 0 / 74 / 21

HEX #BAC935

RGB 186 201 53

HSL 66.08, 0.58%, 0.5%

LAB 77.56, -23.11, 67.34

 

CMYK 74 / 0 / 7 / 21

HEX #35C9BA

RGB 53 201 186

HSL 173.92, 0.58%, 0.5%

LAB 73.59, -41.2, -3.55

 

CMYK 66 / 74 / 0 / 21

HEX #4435C9

RGB 68 53 201

HSL 246.08, 0.58%, 0.5%

LAB 33.97, 49.93, -74.14

 

CMYK 0 / 74 / 67 / 21

HEX #C93542

RGB 201 53 66

HSL 354.73, 0.58%, 0.5%

LAB 46.12, 58.24, 28.03

 

CMYK 29 / 0 / 74 / 21

HEX #8EC935

RGB 142 201 53

HSL 83.92, 0.58%, 0.5%

LAB 74.69, -40.59, 63.58

 

CMYK 74 / 0 / 7 / 21

HEX #35C9BA

RGB 53 201 186

HSL 173.92, 0.58%, 0.5%

LAB 73.59, -41.2, -3.55

 

CMYK 44 / 74 / 0 / 21

HEX #7035C9

RGB 112 53 201

HSL 263.92, 0.58%, 0.5%

LAB 38.21, 56.08, -67.01

 

Description

Color code: RGB 201 53 66 | qconv.com Color code: RGB 201 53 66 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 53 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 53 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 67 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 67% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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