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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 53 169 it is the complementary color RGB 54 202 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 53 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 53 169 shade: RGB 206 53 164, RGB 223 71 183, RGB 240 89 202, RGB 255 107 221 and RGB 255 125 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 53 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 53 169 shade: RGB 201 53 169, RGB 184 35 150, RGB 167 17 131, RGB 150 0 112 and RGB 133 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 53 169 shade: RGB 201 54 169, RGB 201 54 130, RGB 201 54 90 and RGB 201 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 53 169 shade: RGB 201 54 169, RGB 194 54 201, RGB 154 54 201, RGB 114 54 201 and RGB 74 54 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 53 169 shade matches the following richer shades: RGB 201 54 169, RGB 222 33 181 and RGB 243 12 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 53 169 shade: RGB 201 54 169, RGB 181 74 158, RGB 160 95 146, RGB 140 115 134 and RGB 119 136 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 53 169 shade: RGB 152 54 201, RGB 192 54 201, RGB 201 54 172, RGB 201 54 132 and RGB 201 54 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 53 169 shade: RGB 136 36 115, RGB 169 45 142, RGB 201 54 169, RGB 210 86 183 and RGB 219 119 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 53 169 shade: RGB 201 53 169, RGB 201 113 54 and RGB 54 201 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 53 169 shade: RGB 201 53 169, RGB 172 201 54 and RGB 54 172 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 53 169 shade: RGB 201 53 169, RGB 201 113 54, RGB 54 201 83 and RGB 54 142 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 53 169 shade: RGB 201 53 169, RGB 201 157 54, RGB 54 201 83 and RGB 54 98 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

Complementary color

CMYK 73 / 0 / 57 / 21

HEX #36CA56

RGB 54 202 86

HSL 132.97, 0.58%, 0.5%

LAB 72.03, -61.99, 46.32

 

CMYK 0 / 74 / 20 / 19

HEX #CE35A4

RGB 206 53 164

HSL 316.47, 0.61%, 0.51%

LAB 49.92, 68.81, -25.79

 

CMYK 0 / 68 / 18 / 13

HEX #DF47B7

RGB 223 71 183

HSL 315.79, 0.7%, 0.58%

LAB 55.7, 69.46, -27.73

 

CMYK 0 / 63 / 16 / 6

HEX #F059CA

RGB 240 89 202

HSL 315.1, 0.83%, 0.65%

LAB 61.6, 69.61, -29.27

 

CMYK 0 / 58 / 13 / 0

HEX #FF6BDD

RGB 255 107 221

HSL 313.78, 1%, 0.71%

LAB 67.27, 68.9, -31

 

CMYK 0 / 51 / 6 / 0

HEX #FF7DF0

RGB 255 125 240

HSL 306.92, 1%, 0.75%

LAB 71.02, 63.84, -35.69

 

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

CMYK 0 / 81 / 18 / 28

HEX #B82396

RGB 184 35 150

HSL 313.69, 0.68%, 0.43%

LAB 43.65, 66.95, -27.47

 

CMYK 0 / 90 / 22 / 35

HEX #A71183

RGB 167 17 131

HSL 314.4, 0.82%, 0.36%

LAB 38.3, 64.51, -24.43

 

CMYK 0 / 100 / 25 / 41

HEX #960070

RGB 150 0 112

HSL 315.2, 1%, 0.29%

LAB 33.25, 60.89, -20.6

 

CMYK 0 / 100 / 30 / 48

HEX #85005D

RGB 133 0 93

HSL 318.05, 1%, 0.26%

LAB 28.84, 55.07, -15.43

 

CMYK 0 / 73 / 16 / 21

HEX #C936A9

RGB 201 54 169

HSL 313.06, 0.58%, 0.5%

LAB 49.4, 67.99, -29.62

 

CMYK 0 / 73 / 35 / 21

HEX #C93682

RGB 201 54 130

HSL 328.98, 0.58%, 0.5%

LAB 47.84, 63.12, -8.67

 

CMYK 0 / 73 / 55 / 21

HEX #C9365A

RGB 201 54 90

HSL 345.31, 0.58%, 0.5%

LAB 46.7, 59.43, 14.16

 

CMYK 0 / 73 / 73 / 21

HEX #C93636

RGB 201 54 54

HSL 0, 0.58%, 0.5%

LAB 46.07, 57.32, 35.05

 

CMYK 0 / 73 / 16 / 21

HEX #C936A9

RGB 201 54 169

HSL 313.06, 0.58%, 0.5%

LAB 49.4, 67.99, -29.62

 

CMYK 3 / 73 / 0 / 21

HEX #C236C9

RGB 194 54 201

HSL 297.14, 0.58%, 0.5%

LAB 49.89, 71.32, -47.59

 

CMYK 23 / 73 / 0 / 21

HEX #9A36C9

RGB 154 54 201

HSL 280.82, 0.58%, 0.5%

LAB 43.84, 63.25, -57.63

 

CMYK 43 / 73 / 0 / 21

HEX #7236C9

RGB 114 54 201

HSL 264.49, 0.58%, 0.5%

LAB 38.61, 55.95, -66.36

 

CMYK 63 / 73 / 0 / 21

HEX #4A36C9

RGB 74 54 201

HSL 248.16, 0.58%, 0.5%

LAB 34.62, 50.1, -73.04

 

CMYK 0 / 73 / 16 / 21

HEX #C936A9

RGB 201 54 169

HSL 313.06, 0.58%, 0.5%

LAB 49.4, 67.99, -29.62

 

CMYK 0 / 85 / 18 / 13

HEX #DE21B5

RGB 222 33 181

HSL 313.02, 0.74%, 0.5%

LAB 51.78, 79.4, -32.67

 

CMYK 0 / 95 / 21 / 5

HEX #F30CC1

RGB 243 12 193

HSL 312.99, 0.91%, 0.5%

LAB 55.24, 87.51, -33.96

 

CMYK 0 / 73 / 16 / 21

HEX #C936A9

RGB 201 54 169

HSL 313.06, 0.58%, 0.5%

LAB 49.4, 67.99, -29.62

 

CMYK 0 / 59 / 13 / 29

HEX #B54A9E

RGB 181 74 158

HSL 312.9, 0.42%, 0.5%

LAB 48.5, 53.4, -24.76

 

CMYK 0 / 41 / 9 / 37

HEX #A05F92

RGB 160 95 146

HSL 312.92, 0.25%, 0.5%

LAB 49.17, 34.14, -16.85

 

CMYK 0 / 18 / 4 / 45

HEX #8C7386

RGB 140 115 134

HSL 314.4, 0.1%, 0.5%

LAB 51.33, 13.23, -6.72

 

CMYK 13 / 0 / 10 / 47

HEX #77887B

RGB 119 136 123

HSL 134.12, 0.07%, 0.5%

LAB 55.03, -8.84, 4.9

 

CMYK 24 / 73 / 0 / 21

HEX #9836C9

RGB 152 54 201

HSL 280, 0.58%, 0.5%

LAB 43.55, 62.86, -58.1

 

CMYK 4 / 73 / 0 / 21

HEX #C036C9

RGB 192 54 201

HSL 296.33, 0.58%, 0.5%

LAB 49.57, 70.9, -48.11

 

CMYK 0 / 73 / 14 / 21

HEX #C936AC

RGB 201 54 172

HSL 311.84, 0.58%, 0.5%

LAB 49.54, 68.41, -31.17

 

CMYK 0 / 73 / 34 / 21

HEX #C93684

RGB 201 54 132

HSL 328.16, 0.58%, 0.5%

LAB 47.91, 63.34, -9.78

 

CMYK 0 / 73 / 54 / 21

HEX #C9365D

RGB 201 54 93

HSL 344.08, 0.58%, 0.5%

LAB 46.77, 59.66, 12.41

 

CMYK 0 / 74 / 15 / 47

HEX #882473

RGB 136 36 115

HSL 312.6, 0.58%, 0.34%

LAB 33.42, 50.27, -22.44

 

CMYK 0 / 73 / 16 / 34

HEX #A92D8E

RGB 169 45 142

HSL 313.06, 0.58%, 0.42%

LAB 41.63, 59.42, -25.95

 

CMYK 0 / 73 / 16 / 21

HEX #C936A9

RGB 201 54 169

HSL 313.06, 0.58%, 0.5%

LAB 49.4, 67.99, -29.62

 

CMYK 0 / 59 / 13 / 18

HEX #D256B7

RGB 210 86 183

HSL 313.06, 0.58%, 0.58%

LAB 55.86, 60.05, -27.64

 

CMYK 0 / 46 / 10 / 14

HEX #DB77C5

RGB 219 119 197

HSL 313.2, 0.58%, 0.66%

LAB 63.58, 49.24, -23.64

 

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

CMYK 0 / 44 / 73 / 21

HEX #C97136

RGB 201 113 54

HSL 24.08, 0.58%, 0.5%

LAB 56.58, 30.06, 46.56

 

CMYK 73 / 0 / 14 / 21

HEX #36C9AC

RGB 54 201 172

HSL 168.16, 0.58%, 0.5%

LAB 73.24, -44.79, 3.53

 

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

CMYK 14 / 0 / 73 / 21

HEX #ACC936

RGB 172 201 54

HSL 71.84, 0.58%, 0.5%

LAB 76.56, -28.82, 65.7

 

CMYK 73 / 14 / 0 / 21

HEX #36ACC9

RGB 54 172 201

HSL 191.84, 0.58%, 0.5%

LAB 65.36, -22.76, -24.15

 

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

CMYK 0 / 44 / 73 / 21

HEX #C97136

RGB 201 113 54

HSL 24.08, 0.58%, 0.5%

LAB 56.58, 30.06, 46.56

 

CMYK 73 / 0 / 59 / 21

HEX #36C953

RGB 54 201 83

HSL 131.84, 0.58%, 0.5%

LAB 71.68, -62.03, 47.29

 

CMYK 73 / 29 / 0 / 21

HEX #368EC9

RGB 54 142 201

HSL 204.08, 0.58%, 0.5%

LAB 56.43, -6.45, -37.99

 

CMYK 0 / 74 / 16 / 21

HEX #C935A9

RGB 201 53 169

HSL 312.97, 0.58%, 0.5%

LAB 49.29, 68.31, -29.79

 

CMYK 0 / 22 / 73 / 21

HEX #C99D36

RGB 201 157 54

HSL 42.04, 0.58%, 0.5%

LAB 67.13, 6.16, 57.33

 

CMYK 73 / 0 / 59 / 21

HEX #36C953

RGB 54 201 83

HSL 131.84, 0.58%, 0.5%

LAB 71.68, -62.03, 47.29

 

CMYK 73 / 51 / 0 / 21

HEX #3662C9

RGB 54 98 201

HSL 222.04, 0.58%, 0.5%

LAB 43.85, 20.55, -58.04

 

Description

Color code: RGB 201 53 169 | qconv.com Color code: RGB 201 53 169 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 53 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 53 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 16 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 16% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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