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Color name
RGB 201 240 61

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 240 61 it is the complementary color RGB 54 15 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 240 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 240 61 shade: RGB 206 240 56, RGB 223 255 75, RGB 240 255 94, RGB 255 255 113 and RGB 255 255 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 240 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 184 222 42, RGB 167 204 23, RGB 150 186 4 and RGB 133 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 240 231 61, RGB 240 183 61, RGB 240 134 61 and RGB 240 86 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 153 240 61, RGB 104 240 61, RGB 61 240 65 and RGB 61 240 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 240 61 shade matches the following richer shades: RGB 201 240 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 192 223 77, RGB 182 207 94, RGB 173 190 111 and RGB 163 173 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 240 61 shade: RGB 240 183 61, RGB 240 231 61, RGB 201 240 61, RGB 153 240 61 and RGB 105 240 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 240 61 shade: RGB 162 203 15, RGB 191 237 22, RGB 201 240 61, RGB 212 243 99 and RGB 222 246 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 61 240 135 and RGB 207 61 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 61 201 240 and RGB 240 61 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 61 240 135, RGB 99 61 240 and RGB 240 61 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 240 61 shade: RGB 201 240 61, RGB 61 240 189, RGB 99 61 240 and RGB 240 61 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

Complementary color

CMYK 72 / 92 / 0 / 24

HEX #360FC2

RGB 54 15 194

HSL 253.07, 0.86%, 0.41%

LAB 26.79, 62.34, -81.95

 

CMYK 14 / 0 / 77 / 6

HEX #CEF038

RGB 206 240 56

HSL 71.09, 0.86%, 0.58%

LAB 89.73, -33.29, 78.24

 

CMYK 13 / 0 / 71 / 0

HEX #DFFF4B

RGB 223 255 75

HSL 70.67, 1%, 0.65%

LAB 95.04, -32.62, 77.7

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5E

RGB 240 255 94

HSL 65.59, 1%, 0.68%

LAB 96.35, -24.88, 72.49

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 17 / 0 / 81 / 13

HEX #B8DE2A

RGB 184 222 42

HSL 72.67, 0.73%, 0.52%

LAB 83.23, -34.29, 75.65

 

CMYK 18 / 0 / 89 / 20

HEX #A7CC17

RGB 167 204 23

HSL 72.27, 0.8%, 0.45%

LAB 76.96, -33.37, 73.94

 

CMYK 19 / 0 / 98 / 27

HEX #96BA04

RGB 150 186 4

HSL 71.87, 0.96%, 0.37%

LAB 70.6, -32.25, 70.92

 

CMYK 21 / 0 / 100 / 34

HEX #85A800

RGB 133 168 0

HSL 72.5, 1%, 0.33%

LAB 64.15, -30.89, 66.01

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 0 / 4 / 75 / 6

HEX #F0E73D

RGB 240 231 61

HSL 56.98, 0.86%, 0.59%

LAB 89.87, -15.01, 77.78

 

CMYK 0 / 24 / 75 / 6

HEX #F0B73D

RGB 240 183 61

HSL 40.89, 0.86%, 0.59%

LAB 77.71, 9.43, 66.33

 

CMYK 0 / 44 / 75 / 6

HEX #F0863D

RGB 240 134 61

HSL 24.47, 0.86%, 0.59%

LAB 66.45, 35.17, 55.17

 

CMYK 0 / 64 / 75 / 6

HEX #F0563D

RGB 240 86 61

HSL 8.38, 0.86%, 0.59%

LAB 57.58, 57.88, 45.88

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 36 / 0 / 75 / 6

HEX #99F03D

RGB 153 240 61

HSL 89.16, 0.86%, 0.59%

LAB 86.72, -52.64, 72.81

 

CMYK 57 / 0 / 75 / 6

HEX #68F03D

RGB 104 240 61

HSL 105.59, 0.86%, 0.59%

LAB 84.79, -67.04, 70.28

 

CMYK 75 / 0 / 73 / 6

HEX #3DF041

RGB 61 240 65

HSL 121.34, 0.86%, 0.59%

LAB 83.81, -75.13, 67.65

 

CMYK 75 / 0 / 53 / 6

HEX #3DF072

RGB 61 240 114

HSL 137.77, 0.86%, 0.59%

LAB 84.24, -69.9, 48

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 14 / 0 / 65 / 13

HEX #C0DF4D

RGB 192 223 77

HSL 72.74, 0.7%, 0.59%

LAB 84.23, -29.86, 65.4

 

CMYK 12 / 0 / 55 / 19

HEX #B6CF5E

RGB 182 207 94

HSL 73.27, 0.54%, 0.59%

LAB 79.26, -24.91, 52.52

 

CMYK 9 / 0 / 42 / 25

HEX #ADBE6F

RGB 173 190 111

HSL 72.91, 0.38%, 0.59%

LAB 74.1, -18.36, 37.89

 

CMYK 6 / 0 / 26 / 32

HEX #A3AD80

RGB 163 173 128

HSL 73.33, 0.22%, 0.59%

LAB 68.92, -11.29, 22.01

 

CMYK 0 / 24 / 75 / 6

HEX #F0B73D

RGB 240 183 61

HSL 40.89, 0.86%, 0.59%

LAB 77.71, 9.43, 66.33

 

CMYK 0 / 4 / 75 / 6

HEX #F0E73D

RGB 240 231 61

HSL 56.98, 0.86%, 0.59%

LAB 89.87, -15.01, 77.78

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 36 / 0 / 75 / 6

HEX #99F03D

RGB 153 240 61

HSL 89.16, 0.86%, 0.59%

LAB 86.72, -52.64, 72.81

 

CMYK 56 / 0 / 75 / 6

HEX #69F03D

RGB 105 240 61

HSL 105.25, 0.86%, 0.59%

LAB 84.82, -66.8, 70.32

 

CMYK 20 / 0 / 93 / 20

HEX #A2CB0F

RGB 162 203 15

HSL 73.09, 0.86%, 0.43%

LAB 76.33, -35.07, 74.49

 

CMYK 19 / 0 / 91 / 7

HEX #BFED16

RGB 191 237 22

HSL 72.84, 0.86%, 0.51%

LAB 87.83, -38.81, 83.49

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 13 / 0 / 59 / 5

HEX #D4F363

RGB 212 243 99

HSL 72.92, 0.86%, 0.67%

LAB 91.23, -29.86, 64.39

 

CMYK 10 / 0 / 44 / 4

HEX #DEF689

RGB 222 246 137

HSL 73.21, 0.86%, 0.75%

LAB 93.12, -24.05, 49.63

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 75 / 0 / 44 / 6

HEX #3DF087

RGB 61 240 135

HSL 144.8, 0.86%, 0.59%

LAB 84.52, -66.67, 38.28

 

CMYK 14 / 75 / 0 / 6

HEX #CF3DF0

RGB 207 61 240

HSL 288.94, 0.86%, 0.59%

LAB 54.96, 78.34, -61.5

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 75 / 16 / 0 / 6

HEX #3DC9F0

RGB 61 201 240

HSL 193.07, 0.86%, 0.59%

LAB 75.49, -24.26, -29.88

 

CMYK 0 / 75 / 16 / 6

HEX #F03DC9

RGB 240 61 201

HSL 313.07, 0.86%, 0.59%

LAB 58.11, 79.13, -34.12

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 75 / 0 / 44 / 6

HEX #3DF087

RGB 61 240 135

HSL 144.8, 0.86%, 0.59%

LAB 84.52, -66.67, 38.28

 

CMYK 59 / 75 / 0 / 6

HEX #633DF0

RGB 99 61 240

HSL 252.74, 0.86%, 0.59%

LAB 41.66, 60.96, -83.74

 

CMYK 0 / 75 / 31 / 6

HEX #F03DA5

RGB 240 61 165

HSL 325.14, 0.86%, 0.59%

LAB 56.66, 74.74, -15.53

 

CMYK 16 / 0 / 75 / 6

HEX #C9F03D

RGB 201 240 61

HSL 73.07, 0.86%, 0.59%

LAB 89.43, -35.04, 76.34

 

CMYK 75 / 0 / 21 / 6

HEX #3DF0BD

RGB 61 240 189

HSL 162.91, 0.86%, 0.59%

LAB 85.5, -55.84, 12.08

 

CMYK 59 / 75 / 0 / 6

HEX #633DF0

RGB 99 61 240

HSL 252.74, 0.86%, 0.59%

LAB 41.66, 60.96, -83.74

 

CMYK 0 / 75 / 54 / 6

HEX #F03D6F

RGB 240 61 111

HSL 343.24, 0.86%, 0.59%

LAB 55.08, 69.77, 14.13

 

Description

Color code: RGB 201 240 61 | qconv.com Color code: RGB 201 240 61 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 240 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 240 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 75 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 75% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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