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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 210 142 it is the complementary color RGB 54 45 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 210 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 210 142 shade: RGB 206 210 137, RGB 223 228 156, RGB 240 246 175, RGB 255 255 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 210 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 184 192 123, RGB 167 174 104, RGB 150 156 85 and RGB 133 138 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 210 201 142, RGB 210 182 142, RGB 210 164 142 and RGB 210 146 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 183 210 142, RGB 164 210 142, RGB 146 210 142 and RGB 142 210 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 210 142 shade matches the following richer shades: RGB 201 210 142, RGB 210 223 129, RGB 220 236 116 and RGB 229 248 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 192 197 155, RGB 182 184 168, RGB 173 172 180 and RGB 163 159 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 210 142 shade: RGB 210 182 142, RGB 210 200 142, RGB 202 210 142, RGB 184 210 142 and RGB 166 210 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 210 142 shade: RGB 173 186 83, RGB 187 198 112, RGB 201 210 142, RGB 215 222 171 and RGB 229 233 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 142 210 163 and RGB 191 142 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 142 202 210 and RGB 210 142 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 142 210 163, RGB 150 142 210 and RGB 210 142 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 210 142 shade: RGB 201 210 142, RGB 142 210 184, RGB 150 142 210 and RGB 210 142 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

Complementary color

CMYK 52 / 60 / 0 / 56

HEX #362D71

RGB 54 45 113

HSL 247.94, 0.43%, 0.31%

LAB 23.18, 23.81, -38.16

 

CMYK 2 / 0 / 35 / 18

HEX #CED289

RGB 206 210 137

HSL 63.29, 0.45%, 0.68%

LAB 82.39, -12.51, 35.77

 

CMYK 2 / 0 / 32 / 11

HEX #DFE49C

RGB 223 228 156

HSL 64.17, 0.57%, 0.75%

LAB 88.72, -12.74, 34.65

 

CMYK 2 / 0 / 29 / 4

HEX #F0F6AF

RGB 240 246 175

HSL 65.07, 0.8%, 0.83%

LAB 94.96, -12.93, 33.58

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 4 / 0 / 36 / 25

HEX #B8C07B

RGB 184 192 123

HSL 66.96, 0.35%, 0.62%

LAB 75.65, -13.62, 33.88

 

CMYK 4 / 0 / 40 / 32

HEX #A7AE68

RGB 167 174 104

HSL 66, 0.3%, 0.55%

LAB 69.1, -13.38, 35.07

 

CMYK 4 / 0 / 46 / 39

HEX #969C55

RGB 150 156 85

HSL 65.07, 0.29%, 0.47%

LAB 62.44, -13.08, 36.29

 

CMYK 4 / 0 / 52 / 46

HEX #858A42

RGB 133 138 66

HSL 64.17, 0.35%, 0.4%

LAB 55.64, -12.67, 37.51

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 0 / 4 / 32 / 18

HEX #D2C98E

RGB 210 201 142

HSL 52.06, 0.43%, 0.69%

LAB 80.42, -5.75, 30.67

 

CMYK 0 / 13 / 32 / 18

HEX #D2B68E

RGB 210 182 142

HSL 35.29, 0.43%, 0.69%

LAB 75.52, 4.21, 24.09

 

CMYK 0 / 22 / 32 / 18

HEX #D2A48E

RGB 210 164 142

HSL 19.41, 0.43%, 0.69%

LAB 71.01, 13.88, 17.91

 

CMYK 0 / 30 / 32 / 18

HEX #D2928E

RGB 210 146 142

HSL 3.53, 0.43%, 0.69%

LAB 66.68, 23.66, 11.86

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 13 / 0 / 32 / 18

HEX #B7D28E

RGB 183 210 142

HSL 83.82, 0.43%, 0.69%

LAB 80.8, -20.58, 30.81

 

CMYK 22 / 0 / 32 / 18

HEX #A4D28E

RGB 164 210 142

HSL 100.59, 0.43%, 0.69%

LAB 79.58, -27.43, 28.96

 

CMYK 30 / 0 / 32 / 18

HEX #92D28E

RGB 146 210 142

HSL 116.47, 0.43%, 0.69%

LAB 78.55, -33.54, 27.41

 

CMYK 32 / 0 / 26 / 18

HEX #8ED29C

RGB 142 210 156

HSL 132.35, 0.43%, 0.69%

LAB 78.6, -32.45, 20.11

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 6 / 0 / 42 / 13

HEX #D2DF81

RGB 210 223 129

HSL 68.3, 0.59%, 0.69%

LAB 86.04, -18.35, 44.49

 

CMYK 7 / 0 / 51 / 7

HEX #DCEC74

RGB 220 236 116

HSL 68, 0.76%, 0.69%

LAB 90.08, -22.05, 55.74

 

CMYK 8 / 0 / 58 / 3

HEX #E5F868

RGB 229 248 104

HSL 67.92, 0.91%, 0.69%

LAB 93.79, -25.23, 65.44

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 3 / 0 / 21 / 23

HEX #C0C59B

RGB 192 197 155

HSL 67.14, 0.27%, 0.69%

LAB 78.17, -8.79, 20.54

 

CMYK 1 / 0 / 9 / 28

HEX #B6B8A8

RGB 182 184 168

HSL 67.5, 0.1%, 0.69%

LAB 74.22, -3.58, 7.88

 

CMYK 4 / 4 / 0 / 29

HEX #ADACB4

RGB 173 172 180

HSL 247.5, 0.05%, 0.69%

LAB 70.65, 1.89, -3.97

 

CMYK 16 / 18 / 0 / 24

HEX #A39FC1

RGB 163 159 193

HSL 247.06, 0.22%, 0.69%

LAB 66.85, 8.39, -16.94

 

CMYK 0 / 13 / 32 / 18

HEX #D2B68E

RGB 210 182 142

HSL 35.29, 0.43%, 0.69%

LAB 75.52, 4.21, 24.09

 

CMYK 0 / 5 / 32 / 18

HEX #D2C88E

RGB 210 200 142

HSL 51.18, 0.43%, 0.69%

LAB 80.16, -5.24, 30.32

 

CMYK 4 / 0 / 32 / 18

HEX #CAD28E

RGB 202 210 142

HSL 67.06, 0.43%, 0.69%

LAB 82.16, -13.44, 32.86

 

CMYK 12 / 0 / 32 / 18

HEX #B8D28E

RGB 184 210 142

HSL 82.94, 0.43%, 0.69%

LAB 80.87, -20.21, 30.91

 

CMYK 21 / 0 / 32 / 18

HEX #A6D28E

RGB 166 210 142

HSL 98.82, 0.43%, 0.69%

LAB 79.7, -26.73, 29.14

 

CMYK 7 / 0 / 55 / 27

HEX #ADBA53

RGB 173 186 83

HSL 67.57, 0.43%, 0.53%

LAB 72.65, -19.15, 49.82

 

CMYK 6 / 0 / 43 / 22

HEX #BBC670

RGB 187 198 112

HSL 67.67, 0.43%, 0.61%

LAB 77.35, -16.74, 41.69

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 3 / 0 / 23 / 13

HEX #D7DEAB

RGB 215 222 171

HSL 68.24, 0.44%, 0.77%

LAB 86.82, -10.71, 24.29

 

CMYK 2 / 0 / 14 / 9

HEX #E5E9C9

RGB 229 233 201

HSL 67.5, 0.42%, 0.85%

LAB 91.3, -6.73, 15.11

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 32 / 0 / 22 / 18

HEX #8ED2A3

RGB 142 210 163

HSL 138.53, 0.43%, 0.69%

LAB 78.75, -31.17, 16.6

 

CMYK 9 / 32 / 0 / 18

HEX #BF8ED2

RGB 191 142 210

HSL 283.24, 0.43%, 0.69%

LAB 65.81, 30.6, -27.78

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 32 / 4 / 0 / 18

HEX #8ECAD2

RGB 142 202 210

HSL 187.06, 0.43%, 0.69%

LAB 77.66, -17.21, -10.15

 

CMYK 0 / 32 / 4 / 18

HEX #D28ECA

RGB 210 142 202

HSL 307.06, 0.43%, 0.69%

LAB 67.51, 35.18, -20.54

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 32 / 0 / 22 / 18

HEX #8ED2A3

RGB 142 210 163

HSL 138.53, 0.43%, 0.69%

LAB 78.75, -31.17, 16.6

 

CMYK 29 / 32 / 0 / 18

HEX #968ED2

RGB 150 142 210

HSL 247.06, 0.43%, 0.69%

LAB 62.07, 18.03, -33.86

 

CMYK 0 / 32 / 10 / 18

HEX #D28EBC

RGB 210 142 188

HSL 319.41, 0.43%, 0.69%

LAB 67.04, 32.73, -13.43

 

CMYK 4 / 0 / 32 / 18

HEX #C9D28E

RGB 201 210 142

HSL 67.94, 0.43%, 0.69%

LAB 82.09, -13.82, 32.74

 

CMYK 32 / 0 / 12 / 18

HEX #8ED2B8

RGB 142 210 184

HSL 157.06, 0.43%, 0.69%

LAB 79.22, -27.01, 6.09

 

CMYK 29 / 32 / 0 / 18

HEX #968ED2

RGB 150 142 210

HSL 247.06, 0.43%, 0.69%

LAB 62.07, 18.03, -33.86

 

CMYK 0 / 32 / 20 / 18

HEX #D28EA8

RGB 210 142 168

HSL 337.06, 0.43%, 0.69%

LAB 66.42, 29.51, -3.12

 

Description

Color code: RGB 201 210 142 | qconv.com Color code: RGB 201 210 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 210 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 210 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 32 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 32% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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