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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 205 24 it is the complementary color RGB 54 50 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 205 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 205 24 shade: RGB 206 205 19, RGB 223 223 38, RGB 240 241 57, RGB 255 255 76 and RGB 255 255 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 205 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 184 187 5, RGB 167 169 0, RGB 150 151 0 and RGB 133 133 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 205 160 24, RGB 205 111 24, RGB 205 62 24 and RGB 205 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 152 205 24, RGB 103 205 24, RGB 54 205 24 and RGB 24 205 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 205 24 shade matches the following richer shades: RGB 201 205 24 and RGB 219 223 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 183 186 42, RGB 165 168 61, RGB 148 149 79 and RGB 130 131 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 205 24 shade: RGB 205 111 24, RGB 205 160 24, RGB 202 205 24, RGB 154 205 24 and RGB 105 205 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 205 24 shade: RGB 128 131 15, RGB 165 168 19, RGB 201 205 24, RGB 225 229 40 and RGB 230 234 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 24 205 63 and RGB 135 24 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 24 202 205 and RGB 205 24 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 24 205 63, RGB 27 24 205 and RGB 205 24 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 205 24 shade: RGB 201 205 24, RGB 24 205 117, RGB 27 24 205 and RGB 205 24 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

Complementary color

CMYK 77 / 78 / 0 / 9

HEX #3632E7

RGB 54 50 231

HSL 241.33, 0.79%, 0.55%

LAB 35.66, 59.49, -88.65

 

CMYK 0 / 0 / 91 / 19

HEX #CECD13

RGB 206 205 19

HSL 59.68, 0.83%, 0.44%

LAB 80.08, -17.65, 78.26

 

CMYK 0 / 0 / 83 / 13

HEX #DFDF26

RGB 223 223 38

HSL 60, 0.74%, 0.51%

LAB 86.31, -18.92, 80.34

 

CMYK 0 / 0 / 76 / 5

HEX #F0F139

RGB 240 241 57

HSL 60.33, 0.87%, 0.58%

LAB 92.46, -20.01, 81.33

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 2 / 0 / 97 / 27

HEX #B8BB05

RGB 184 187 5

HSL 60.99, 0.95%, 0.38%

LAB 73.38, -18.32, 74.01

 

CMYK 1 / 0 / 100 / 34

HEX #A7A900

RGB 167 169 0

HSL 60.71, 1%, 0.33%

LAB 66.97, -16.72, 69.23

 

CMYK 1 / 0 / 100 / 41

HEX #969700

RGB 150 151 0

HSL 60.4, 1%, 0.3%

LAB 60.44, -15.03, 63.81

 

CMYK 0 / 0 / 100 / 48

HEX #858500

RGB 133 133 0

HSL 60, 1%, 0.26%

LAB 53.77, -13.29, 58.27

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 0 / 22 / 88 / 20

HEX #CDA018

RGB 205 160 24

HSL 45.08, 0.79%, 0.45%

LAB 68.16, 5.31, 68

 

CMYK 0 / 46 / 88 / 20

HEX #CD6F18

RGB 205 111 24

HSL 28.84, 0.79%, 0.45%

LAB 56.5, 31.77, 58.84

 

CMYK 0 / 70 / 88 / 20

HEX #CD3E18

RGB 205 62 24

HSL 12.6, 0.79%, 0.45%

LAB 47.61, 54.76, 51.93

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 26 / 0 / 88 / 20

HEX #98CD18

RGB 152 205 24

HSL 77.57, 0.79%, 0.45%

LAB 76.32, -39.72, 72.86

 

CMYK 50 / 0 / 88 / 20

HEX #67CD18

RGB 103 205 24

HSL 93.81, 0.79%, 0.45%

LAB 73.94, -56.62, 69.91

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 88 / 0 / 80 / 20

HEX #18CD2A

RGB 24 205 42

HSL 125.97, 0.79%, 0.45%

LAB 72.24, -70.49, 63.45

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 2 / 0 / 98 / 13

HEX #DBDF05

RGB 219 223 5

HSL 61.1, 0.96%, 0.45%

LAB 85.93, -21.11, 84.59

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 2 / 0 / 77 / 27

HEX #B7BA2A

RGB 183 186 42

HSL 61.25, 0.63%, 0.45%

LAB 73.12, -17.41, 66.64

 

CMYK 2 / 0 / 64 / 34

HEX #A5A83D

RGB 165 168 61

HSL 61.68, 0.47%, 0.45%

LAB 66.78, -15.01, 53.01

 

CMYK 1 / 0 / 47 / 42

HEX #94954F

RGB 148 149 79

HSL 60.86, 0.31%, 0.45%

LAB 60.21, -10.83, 36.62

 

CMYK 1 / 0 / 25 / 49

HEX #828362

RGB 130 131 98

HSL 61.82, 0.14%, 0.45%

LAB 53.88, -6.17, 17.77

 

CMYK 0 / 46 / 88 / 20

HEX #CD6F18

RGB 205 111 24

HSL 28.84, 0.79%, 0.45%

LAB 56.5, 31.77, 58.84

 

CMYK 0 / 22 / 88 / 20

HEX #CDA018

RGB 205 160 24

HSL 45.08, 0.79%, 0.45%

LAB 68.16, 5.31, 68

 

CMYK 1 / 0 / 88 / 20

HEX #CACD18

RGB 202 205 24

HSL 60.99, 0.79%, 0.45%

LAB 79.78, -19.26, 77.1

 

CMYK 25 / 0 / 88 / 20

HEX #9ACD18

RGB 154 205 24

HSL 76.91, 0.79%, 0.45%

LAB 76.44, -38.95, 73

 

CMYK 49 / 0 / 88 / 20

HEX #69CD18

RGB 105 205 24

HSL 93.15, 0.79%, 0.45%

LAB 74.02, -56.02, 70

 

CMYK 2 / 0 / 89 / 49

HEX #80830F

RGB 128 131 15

HSL 61.55, 0.79%, 0.29%

LAB 52.79, -14.23, 54.56

 

CMYK 2 / 0 / 89 / 34

HEX #A5A813

RGB 165 168 19

HSL 61.21, 0.8%, 0.37%

LAB 66.56, -16.8, 66.18

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 2 / 0 / 83 / 10

HEX #E1E528

RGB 225 229 40

HSL 61.27, 0.78%, 0.53%

LAB 88.06, -20.94, 81.42

 

CMYK 2 / 0 / 67 / 8

HEX #E6EA4D

RGB 230 234 77

HSL 61.53, 0.79%, 0.61%

LAB 89.95, -19.84, 72.13

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 34 / 88 / 0 / 20

HEX #8718CD

RGB 135 24 205

HSL 276.8, 0.79%, 0.45%

LAB 38.22, 70.18, -69.2

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 88 / 1 / 0 / 20

HEX #18CACD

RGB 24 202 205

HSL 180.99, 0.79%, 0.45%

LAB 74.09, -38.62, -13.15

 

CMYK 0 / 88 / 1 / 20

HEX #CD18CA

RGB 205 24 202

HSL 300.99, 0.79%, 0.45%

LAB 49.37, 80.54, -48.88

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 88 / 0 / 69 / 20

HEX #18CD3F

RGB 24 205 63

HSL 132.93, 0.79%, 0.45%

LAB 72.37, -68.86, 56.43

 

CMYK 87 / 88 / 0 / 20

HEX #1B18CD

RGB 27 24 205

HSL 240.99, 0.79%, 0.45%

LAB 27.56, 61.67, -87.18

 

CMYK 0 / 88 / 19 / 20

HEX #CD18A6

RGB 205 24 166

HSL 312.93, 0.79%, 0.45%

LAB 47.48, 75.62, -30.79

 

CMYK 2 / 0 / 88 / 20

HEX #C9CD18

RGB 201 205 24

HSL 61.33, 0.79%, 0.45%

LAB 79.7, -19.69, 77

 

CMYK 88 / 0 / 43 / 20

HEX #18CD75

RGB 24 205 117

HSL 150.83, 0.79%, 0.45%

LAB 72.98, -61.42, 32.27

 

CMYK 87 / 88 / 0 / 20

HEX #1B18CD

RGB 27 24 205

HSL 240.99, 0.79%, 0.45%

LAB 27.56, 61.67, -87.18

 

CMYK 0 / 88 / 46 / 20

HEX #CD186F

RGB 205 24 111

HSL 331.16, 0.79%, 0.45%

LAB 45.33, 69.8, -0.66

 

Description

Color code: RGB 201 205 24 | qconv.com Color code: RGB 201 205 24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 205 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 205 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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