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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 192 4 it is the complementary color RGB 54 63 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 192 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 192 4 shade: RGB 206 192 0, RGB 223 210 18, RGB 240 228 37, RGB 255 246 56 and RGB 255 255 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 192 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 192 4 shade: RGB 201 192 4, RGB 184 174 0, RGB 167 156 0, RGB 150 138 0 and RGB 133 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 192 4 shade: RGB 199 190 4, RGB 199 138 4, RGB 199 85 4, RGB 199 32 4 and RGB 199 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 192 4 shade: RGB 199 190 4, RGB 156 199 4, RGB 103 199 4, RGB 50 199 4 and RGB 4 199 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 192 4 shade matches the following richer shades: RGB 199 190 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 192 4 shade: RGB 199 190 4, RGB 183 175 20, RGB 166 160 37, RGB 150 145 53 and RGB 133 130 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 192 4 shade: RGB 199 85 4, RGB 199 137 4, RGB 199 190 4, RGB 157 199 4 and RGB 105 199 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 192 4 shade: RGB 119 113 2, RGB 159 152 3, RGB 199 190 4, RGB 240 229 4 and RGB 250 240 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 192 4 shade: RGB 201 192 4, RGB 4 199 33 and RGB 111 4 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 192 4 shade: RGB 201 192 4, RGB 4 199 190 and RGB 190 4 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 192 4 shade: RGB 201 192 4, RGB 4 199 33, RGB 4 13 199 and RGB 199 4 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 192 4 shade: RGB 201 192 4, RGB 4 199 92, RGB 4 13 199 and RGB 199 4 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

Complementary color

CMYK 78 / 75 / 0 / 2

HEX #363FFB

RGB 54 63 251

HSL 237.26, 0.96%, 0.6%

LAB 40.09, 59.12, -92.62

 

CMYK 0 / 7 / 100 / 19

HEX #CEC000

RGB 206 192 0

HSL 55.92, 1%, 0.4%

LAB 76.57, -11.33, 77.71

 

CMYK 0 / 6 / 92 / 13

HEX #DFD212

RGB 223 210 18

HSL 56.2, 0.85%, 0.47%

LAB 82.82, -12.89, 81.11

 

CMYK 0 / 5 / 85 / 6

HEX #F0E425

RGB 240 228 37

HSL 56.45, 0.87%, 0.54%

LAB 88.99, -14.27, 83.33

 

CMYK 0 / 4 / 78 / 0

HEX #FFF638

RGB 255 246 56

HSL 57.29, 1%, 0.61%

LAB 94.93, -16.3, 84.26

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

CMYK 0 / 5 / 100 / 28

HEX #B8AE00

RGB 184 174 0

HSL 56.74, 1%, 0.36%

LAB 69.8, -11.77, 71.94

 

CMYK 0 / 7 / 100 / 35

HEX #A79C00

RGB 167 156 0

HSL 56.05, 1%, 0.33%

LAB 63.34, -9.97, 66.59

 

CMYK 0 / 8 / 100 / 41

HEX #968A00

RGB 150 138 0

HSL 55.2, 1%, 0.29%

LAB 56.74, -8.12, 61.12

 

CMYK 0 / 10 / 100 / 48

HEX #857800

RGB 133 120 0

HSL 54.14, 1%, 0.26%

LAB 50, -6.19, 55.53

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 0 / 31 / 98 / 22

HEX #C78A04

RGB 199 138 4

HSL 41.23, 0.96%, 0.4%

LAB 61.94, 14.29, 66.54

 

CMYK 0 / 57 / 98 / 22

HEX #C75504

RGB 199 85 4

HSL 24.92, 0.96%, 0.4%

LAB 50.27, 42.31, 58.97

 

CMYK 0 / 84 / 98 / 22

HEX #C72004

RGB 199 32 4

HSL 8.62, 0.96%, 0.4%

LAB 43.04, 61.95, 55.05

 

CMYK 0 / 98 / 98 / 22

HEX #C70404

RGB 199 4 4

HSL 0, 0.96%, 0.4%

LAB 41.59, 66.11, 54.39

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 22 / 0 / 98 / 22

HEX #9CC704

RGB 156 199 4

HSL 73.23, 0.96%, 0.4%

LAB 74.78, -35.8, 74.29

 

CMYK 48 / 0 / 98 / 22

HEX #67C704

RGB 103 199 4

HSL 89.54, 0.96%, 0.4%

LAB 72.05, -54.81, 71

 

CMYK 75 / 0 / 98 / 22

HEX #32C704

RGB 50 199 4

HSL 105.85, 0.96%, 0.4%

LAB 70.55, -67.17, 69.16

 

CMYK 98 / 0 / 95 / 22

HEX #04C70A

RGB 4 199 10

HSL 121.85, 0.96%, 0.4%

LAB 70.1, -71.14, 67.96

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 0 / 4 / 89 / 28

HEX #B7AF14

RGB 183 175 20

HSL 57.06, 0.8%, 0.4%

LAB 70.02, -12.45, 69.4

 

CMYK 0 / 4 / 78 / 35

HEX #A6A025

RGB 166 160 37

HSL 57.21, 0.64%, 0.4%

LAB 64.47, -11.68, 59.84

 

CMYK 0 / 3 / 65 / 41

HEX #969135

RGB 150 145 53

HSL 56.91, 0.48%, 0.4%

LAB 58.97, -10, 47.83

 

CMYK 0 / 2 / 47 / 48

HEX #858246

RGB 133 130 70

HSL 57.14, 0.31%, 0.4%

LAB 53.38, -7.92, 32.71

 

CMYK 0 / 57 / 98 / 22

HEX #C75504

RGB 199 85 4

HSL 24.92, 0.96%, 0.4%

LAB 50.27, 42.31, 58.97

 

CMYK 0 / 31 / 98 / 22

HEX #C78904

RGB 199 137 4

HSL 40.92, 0.96%, 0.4%

LAB 61.69, 14.84, 66.38

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 21 / 0 / 98 / 22

HEX #9DC704

RGB 157 199 4

HSL 72.92, 0.96%, 0.4%

LAB 74.84, -35.4, 74.37

 

CMYK 47 / 0 / 98 / 22

HEX #69C704

RGB 105 199 4

HSL 88.92, 0.96%, 0.4%

LAB 72.13, -54.19, 71.09

 

CMYK 0 / 5 / 98 / 53

HEX #777102

RGB 119 113 2

HSL 56.92, 0.97%, 0.24%

LAB 46.63, -8.91, 52.04

 

CMYK 0 / 4 / 98 / 38

HEX #9F9803

RGB 159 152 3

HSL 57.31, 0.96%, 0.32%

LAB 61.51, -11.44, 64.5

 

CMYK 0 / 5 / 98 / 22

HEX #C7BE04

RGB 199 190 4

HSL 57.23, 0.96%, 0.4%

LAB 75.44, -13.32, 76.2

 

CMYK 0 / 5 / 98 / 6

HEX #F0E504

RGB 240 229 4

HSL 57.2, 0.97%, 0.48%

LAB 89.19, -15.22, 87.83

 

CMYK 0 / 4 / 86 / 2

HEX #FAF023

RGB 250 240 35

HSL 57.21, 0.96%, 0.56%

LAB 92.91, -16.01, 87.25

 

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

CMYK 98 / 0 / 83 / 22

HEX #04C721

RGB 4 199 33

HSL 128.92, 0.96%, 0.4%

LAB 70.16, -70.34, 63.91

 

CMYK 44 / 98 / 0 / 22

HEX #6F04C7

RGB 111 4 199

HSL 272.92, 0.96%, 0.4%

LAB 33.11, 69.51, -74.22

 

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BE

RGB 4 199 190

HSL 177.23, 0.96%, 0.4%

LAB 72.62, -42.44, -7.21

 

CMYK 5 / 98 / 0 / 22

HEX #BE04C7

RGB 190 4 199

HSL 297.23, 0.96%, 0.4%

LAB 45.85, 79.74, -52.93

 

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

CMYK 98 / 0 / 83 / 22

HEX #04C721

RGB 4 199 33

HSL 128.92, 0.96%, 0.4%

LAB 70.16, -70.34, 63.91

 

CMYK 98 / 93 / 0 / 22

HEX #040DC7

RGB 4 13 199

HSL 237.23, 0.96%, 0.4%

LAB 25.07, 62.92, -87.83

 

CMYK 0 / 98 / 15 / 22

HEX #C704AA

RGB 199 4 170

HSL 308.92, 0.96%, 0.4%

LAB 45.81, 77.19, -35.85

 

CMYK 0 / 4 / 98 / 21

HEX #C9C004

RGB 201 192 4

HSL 57.26, 0.96%, 0.4%

LAB 76.15, -13.47, 76.79

 

CMYK 98 / 0 / 54 / 22

HEX #04C75C

RGB 4 199 92

HSL 147.08, 0.96%, 0.4%

LAB 70.63, -64.52, 41.7

 

CMYK 98 / 93 / 0 / 22

HEX #040DC7

RGB 4 13 199

HSL 237.23, 0.96%, 0.4%

LAB 25.07, 62.92, -87.83

 

CMYK 0 / 98 / 44 / 22

HEX #C7046F

RGB 199 4 111

HSL 327.08, 0.96%, 0.4%

LAB 43.33, 70.79, -3.75

 

Description

Color code: RGB 201 192 4 | qconv.com Color code: RGB 201 192 4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 192 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 192 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 98 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 98% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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