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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 192 142 it is the complementary color RGB 54 63 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 192 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 192 142 shade: RGB 206 192 137, RGB 223 210 156, RGB 240 228 175, RGB 255 246 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 192 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 192 142 shade: RGB 201 192 142, RGB 184 174 123, RGB 167 156 104, RGB 150 138 85 and RGB 133 120 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 192 142 shade: RGB 200 191 141, RGB 200 175 141, RGB 200 160 141, RGB 200 144 141 and RGB 200 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 192 142 shade: RGB 200 191 141, RGB 193 200 141, RGB 178 200 141, RGB 162 200 141 and RGB 146 200 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 192 142 shade matches the following richer shades: RGB 200 191 141, RGB 214 201 128, RGB 228 210 114, RGB 241 220 101 and RGB 255 229 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 192 142 shade: RGB 200 191 141, RGB 187 182 155, RGB 173 172 169, RGB 159 163 182 and RGB 146 153 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 192 142 shade: RGB 200 159 141, RGB 200 175 141, RGB 200 190 141, RGB 194 200 141 and RGB 179 200 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 192 142 shade: RGB 173 160 86, RGB 187 176 114, RGB 200 191 141, RGB 214 207 169 and RGB 227 223 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 192 142 shade: RGB 201 192 142, RGB 141 200 143 and RGB 167 141 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 192 142 shade: RGB 201 192 142, RGB 141 200 190 and RGB 190 141 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 192 142 shade: RGB 201 192 142, RGB 141 200 143, RGB 141 151 200 and RGB 200 141 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 192 142 shade: RGB 201 192 142, RGB 141 200 161, RGB 141 151 200 and RGB 200 141 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

Complementary color

CMYK 52 / 44 / 0 / 56

HEX #363F71

RGB 54 63 113

HSL 230.85, 0.35%, 0.33%

LAB 28.2, 11.62, -30.12

 

CMYK 0 / 7 / 33 / 19

HEX #CEC089

RGB 206 192 137

HSL 47.83, 0.41%, 0.67%

LAB 77.65, -3.26, 29.55

 

CMYK 0 / 6 / 30 / 13

HEX #DFD29C

RGB 223 210 156

HSL 48.36, 0.51%, 0.74%

LAB 84.06, -3.62, 28.44

 

CMYK 0 / 5 / 27 / 6

HEX #F0E4AF

RGB 240 228 175

HSL 48.92, 0.68%, 0.81%

LAB 90.37, -3.94, 27.39

 

CMYK 0 / 4 / 24 / 0

HEX #FFF6C2

RGB 255 246 194

HSL 51.15, 1%, 0.88%

LAB 96.44, -4.95, 26.16

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

CMYK 0 / 5 / 33 / 28

HEX #B8AE7B

RGB 184 174 123

HSL 50.16, 0.3%, 0.6%

LAB 70.8, -4.24, 27.51

 

CMYK 0 / 7 / 38 / 35

HEX #A79C68

RGB 167 156 104

HSL 49.52, 0.26%, 0.53%

LAB 64.15, -3.84, 28.7

 

CMYK 0 / 8 / 43 / 41

HEX #968A55

RGB 150 138 85

HSL 48.92, 0.28%, 0.46%

LAB 57.38, -3.35, 29.96

 

CMYK 0 / 10 / 50 / 48

HEX #857842

RGB 133 120 66

HSL 48.36, 0.34%, 0.39%

LAB 50.47, -2.74, 31.29

 

CMYK 0 / 5 / 30 / 22

HEX #C8BF8D

RGB 200 191 141

HSL 50.85, 0.35%, 0.67%

LAB 76.96, -4.58, 26.42

 

CMYK 0 / 13 / 30 / 22

HEX #C8AF8D

RGB 200 175 141

HSL 34.58, 0.35%, 0.67%

LAB 72.8, 3.9, 20.77

 

CMYK 0 / 20 / 30 / 22

HEX #C8A08D

RGB 200 160 141

HSL 19.32, 0.35%, 0.67%

LAB 69, 12.02, 15.52

 

CMYK 0 / 28 / 30 / 22

HEX #C8908D

RGB 200 144 141

HSL 3.05, 0.35%, 0.67%

LAB 65.08, 20.79, 10.01

 

CMYK 0 / 30 / 30 / 22

HEX #C88D8D

RGB 200 141 141

HSL 0, 0.35%, 0.67%

LAB 64.36, 22.43, 8.99

 

CMYK 0 / 5 / 30 / 22

HEX #C8BF8D

RGB 200 191 141

HSL 50.85, 0.35%, 0.67%

LAB 76.96, -4.58, 26.42

 

CMYK 4 / 0 / 30 / 22

HEX #C1C88D

RGB 193 200 141

HSL 67.12, 0.35%, 0.67%

LAB 78.79, -11.93, 28.78

 

CMYK 11 / 0 / 30 / 22

HEX #B2C88D

RGB 178 200 141

HSL 82.37, 0.35%, 0.67%

LAB 77.7, -17.59, 27.12

 

CMYK 19 / 0 / 30 / 22

HEX #A2C88D

RGB 162 200 141

HSL 98.64, 0.35%, 0.67%

LAB 76.63, -23.43, 25.49

 

CMYK 27 / 0 / 30 / 22

HEX #92C88D

RGB 146 200 141

HSL 114.92, 0.35%, 0.67%

LAB 75.66, -28.98, 24.03

 

CMYK 0 / 5 / 30 / 22

HEX #C8BF8D

RGB 200 191 141

HSL 50.85, 0.35%, 0.67%

LAB 76.96, -4.58, 26.42

 

CMYK 0 / 6 / 40 / 16

HEX #D6C980

RGB 214 201 128

HSL 50.93, 0.51%, 0.67%

LAB 80.53, -5.8, 38.08

 

CMYK 0 / 8 / 50 / 11

HEX #E4D272

RGB 228 210 114

HSL 50.53, 0.68%, 0.67%

LAB 83.86, -6.15, 49.43

 

CMYK 0 / 9 / 58 / 5

HEX #F1DC65

RGB 241 220 101

HSL 51, 0.83%, 0.67%

LAB 87.4, -6.95, 59.86

 

CMYK 0 / 10 / 66 / 0

HEX #FFE557

RGB 255 229 87

HSL 50.71, 1%, 0.67%

LAB 90.77, -6.6, 69.78

 

CMYK 0 / 5 / 30 / 22

HEX #C8BF8D

RGB 200 191 141

HSL 50.85, 0.35%, 0.67%

LAB 76.96, -4.58, 26.42

 

CMYK 0 / 3 / 17 / 27

HEX #BBB69B

RGB 187 182 155

HSL 50.63, 0.19%, 0.67%

LAB 73.8, -2.81, 14.39

 

CMYK 0 / 1 / 2 / 32

HEX #ADACA9

RGB 173 172 169

HSL 45, 0.02%, 0.67%

LAB 70.35, -0.2, 1.66

 

CMYK 13 / 10 / 0 / 29

HEX #9FA3B6

RGB 159 163 182

HSL 229.57, 0.14%, 0.67%

LAB 67.23, 2.46, -10.27

 

CMYK 26 / 22 / 0 / 23

HEX #9299C4

RGB 146 153 196

HSL 231.6, 0.3%, 0.67%

LAB 64.06, 7.06, -22.98

 

CMYK 0 / 21 / 30 / 22

HEX #C89F8D

RGB 200 159 141

HSL 18.31, 0.35%, 0.67%

LAB 68.75, 12.57, 15.17

 

CMYK 0 / 13 / 30 / 22

HEX #C8AF8D

RGB 200 175 141

HSL 34.58, 0.35%, 0.67%

LAB 72.8, 3.9, 20.77

 

CMYK 0 / 5 / 30 / 22

HEX #C8BE8D

RGB 200 190 141

HSL 49.83, 0.35%, 0.67%

LAB 76.7, -4.05, 26.07

 

CMYK 3 / 0 / 30 / 22

HEX #C2C88D

RGB 194 200 141

HSL 66.1, 0.35%, 0.67%

LAB 78.87, -11.55, 28.89

 

CMYK 11 / 0 / 30 / 22

HEX #B3C88D

RGB 179 200 141

HSL 81.36, 0.35%, 0.67%

LAB 77.77, -17.22, 27.22

 

CMYK 0 / 8 / 50 / 32

HEX #ADA056

RGB 173 160 86

HSL 51.03, 0.35%, 0.51%

LAB 65.51, -5.39, 39.97

 

CMYK 0 / 6 / 39 / 27

HEX #BBB072

RGB 187 176 114

HSL 50.96, 0.35%, 0.59%

LAB 71.44, -5.17, 33.17

 

CMYK 0 / 5 / 30 / 22

HEX #C8BF8D

RGB 200 191 141

HSL 50.85, 0.35%, 0.67%

LAB 76.96, -4.58, 26.42

 

CMYK 0 / 3 / 21 / 16

HEX #D6CFA9

RGB 214 207 169

HSL 50.67, 0.35%, 0.75%

LAB 82.8, -3.71, 19.79

 

CMYK 0 / 2 / 13 / 11

HEX #E3DFC5

RGB 227 223 197

HSL 52, 0.35%, 0.83%

LAB 88.51, -2.98, 13.23

 

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

CMYK 30 / 0 / 29 / 22

HEX #8DC88F

RGB 141 200 143

HSL 122.03, 0.35%, 0.67%

LAB 75.42, -30.31, 22.6

 

CMYK 17 / 30 / 0 / 22

HEX #A78DC8

RGB 167 141 200

HSL 266.44, 0.35%, 0.67%

LAB 62.87, 21.41, -26.9

 

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

CMYK 30 / 0 / 5 / 22

HEX #8DC8BE

RGB 141 200 190

HSL 169.83, 0.35%, 0.67%

LAB 76.49, -21.08, -1.1

 

CMYK 5 / 30 / 0 / 22

HEX #BE8DC8

RGB 190 141 200

HSL 289.83, 0.35%, 0.67%

LAB 65.09, 28.81, -23.3

 

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

CMYK 30 / 0 / 29 / 22

HEX #8DC88F

RGB 141 200 143

HSL 122.03, 0.35%, 0.67%

LAB 75.42, -30.31, 22.6

 

CMYK 30 / 25 / 0 / 22

HEX #8D97C8

RGB 141 151 200

HSL 229.83, 0.35%, 0.67%

LAB 63.31, 7.68, -26.4

 

CMYK 0 / 30 / 1 / 22

HEX #C88DC6

RGB 200 141 198

HSL 302.03, 0.35%, 0.67%

LAB 66.06, 31.71, -20.6

 

CMYK 0 / 4 / 29 / 21

HEX #C9C08E

RGB 201 192 142

HSL 50.85, 0.35%, 0.67%

LAB 77.32, -4.58, 26.39

 

CMYK 30 / 0 / 20 / 22

HEX #8DC8A1

RGB 141 200 161

HSL 140.34, 0.35%, 0.67%

LAB 75.79, -27.07, 13.51

 

CMYK 30 / 25 / 0 / 22

HEX #8D97C8

RGB 141 151 200

HSL 229.83, 0.35%, 0.67%

LAB 63.31, 7.68, -26.4

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB5

RGB 200 141 181

HSL 319.32, 0.35%, 0.67%

LAB 65.49, 28.64, -11.94

 

Description

Color code: RGB 201 192 142 | qconv.com Color code: RGB 201 192 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 192 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 192 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 29% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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