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Color name
RGB 201 178 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 178 149 it is the complementary color RGB 54 77 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 178 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 178 149 shade: RGB 206 178 144, RGB 223 196 163, RGB 240 214 182, RGB 255 232 201 and RGB 255 250 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 178 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 178 149 shade: RGB 201 178 149, RGB 184 160 130, RGB 167 142 111, RGB 150 124 92 and RGB 133 106 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 178 149 shade: RGB 202 178 149, RGB 202 164 149, RGB 202 150 149 and RGB 202 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 178 149 shade: RGB 202 178 149, RGB 202 193 149, RGB 196 202 149, RGB 182 202 149 and RGB 168 202 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 178 149 shade matches the following richer shades: RGB 202 178 149, RGB 214 180 137, RGB 227 181 124, RGB 240 183 111 and RGB 253 184 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 178 149 shade: RGB 202 178 149, RGB 189 177 162, RGB 176 176 175, RGB 163 174 188 and RGB 150 173 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 178 149 shade: RGB 202 150 149, RGB 202 164 149, RGB 202 178 149, RGB 202 192 149 and RGB 197 202 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 178 149 shade: RGB 174 139 94, RGB 188 159 122, RGB 202 178 149, RGB 215 198 177 and RGB 229 218 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 178 149 shade: RGB 201 178 149, RGB 162 202 149 and RGB 157 149 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 178 149 shade: RGB 201 178 149, RGB 149 202 178 and RGB 178 149 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 178 149 shade: RGB 201 178 149, RGB 162 202 149, RGB 149 173 202 and RGB 188 149 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 178 149 shade: RGB 201 178 149, RGB 149 202 152, RGB 149 173 202 and RGB 202 149 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

Complementary color

CMYK 49 / 27 / 0 / 58

HEX #364D6A

RGB 54 77 106

HSL 213.46, 0.33%, 0.31%

LAB 32.11, -0.03, -19.55

 

CMYK 0 / 14 / 30 / 19

HEX #CEB290

RGB 206 178 144

HSL 32.9, 0.39%, 0.69%

LAB 74.17, 5.04, 21.12

 

CMYK 0 / 12 / 27 / 13

HEX #DFC4A3

RGB 223 196 163

HSL 33, 0.48%, 0.76%

LAB 80.63, 4.58, 20.09

 

CMYK 0 / 11 / 24 / 6

HEX #F0D6B6

RGB 240 214 182

HSL 33.1, 0.66%, 0.83%

LAB 86.99, 4.18, 19.11

 

CMYK 0 / 9 / 21 / 0

HEX #FFE8C9

RGB 255 232 201

HSL 34.44, 1%, 0.89%

LAB 93.1, 3.09, 17.93

 

CMYK 0 / 2 / 14 / 0

HEX #FFFADC

RGB 255 250 220

HSL 51.43, 1%, 0.93%

LAB 97.95, -3.22, 14.99

 

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

CMYK 0 / 13 / 29 / 28

HEX #B8A082

RGB 184 160 130

HSL 33.33, 0.28%, 0.62%

LAB 67.23, 4.22, 18.9

 

CMYK 0 / 15 / 34 / 35

HEX #A78E6F

RGB 167 142 111

HSL 33.21, 0.24%, 0.55%

LAB 60.52, 4.73, 20.02

 

CMYK 0 / 17 / 39 / 41

HEX #967C5C

RGB 150 124 92

HSL 33.1, 0.24%, 0.47%

LAB 53.68, 5.34, 21.24

 

CMYK 0 / 20 / 45 / 48

HEX #856A49

RGB 133 106 73

HSL 33, 0.29%, 0.4%

LAB 46.68, 6.08, 22.58

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 19 / 26 / 21

HEX #CAA495

RGB 202 164 149

HSL 16.98, 0.33%, 0.69%

LAB 70.37, 11.72, 13.05

 

CMYK 0 / 26 / 26 / 21

HEX #CA9695

RGB 202 150 149

HSL 1.13, 0.33%, 0.69%

LAB 66.93, 19.38, 8.18

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 4 / 26 / 21

HEX #CAC195

RGB 202 193 149

HSL 49.81, 0.33%, 0.69%

LAB 77.8, -3.78, 23.34

 

CMYK 3 / 0 / 26 / 21

HEX #C4CA95

RGB 196 202 149

HSL 66.79, 0.33%, 0.69%

LAB 79.7, -10.73, 25.84

 

CMYK 10 / 0 / 26 / 21

HEX #B6CA95

RGB 182 202 149

HSL 82.64, 0.33%, 0.69%

LAB 78.67, -15.96, 24.28

 

CMYK 17 / 0 / 26 / 21

HEX #A8CA95

RGB 168 202 149

HSL 98.49, 0.33%, 0.69%

LAB 77.72, -21.04, 22.82

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 16 / 36 / 16

HEX #D6B489

RGB 214 180 137

HSL 33.51, 0.48%, 0.69%

LAB 75.29, 6.24, 26.52

 

CMYK 0 / 20 / 45 / 11

HEX #E3B57C

RGB 227 181 124

HSL 33.2, 0.65%, 0.69%

LAB 76.58, 9.48, 35.3

 

CMYK 0 / 24 / 54 / 6

HEX #F0B76F

RGB 240 183 111

HSL 33.49, 0.81%, 0.69%

LAB 78.19, 12.51, 44.27

 

CMYK 0 / 27 / 61 / 1

HEX #FDB862

RGB 253 184 98

HSL 33.29, 0.97%, 0.69%

LAB 79.64, 16.33, 52.71

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 6 / 14 / 26

HEX #BDB1A2

RGB 189 177 162

HSL 33.33, 0.17%, 0.69%

LAB 72.81, 1.73, 9.21

 

CMYK 0 / 0 / 1 / 31

HEX #B0B0AF

RGB 176 176 175

HSL 60, 0.01%, 0.69%

LAB 71.81, -0.18, 0.5

 

CMYK 13 / 7 / 0 / 26

HEX #A3AEBC

RGB 163 174 188

HSL 213.6, 0.16%, 0.69%

LAB 70.66, -0.97, -8.46

 

CMYK 25 / 14 / 0 / 21

HEX #96ADC9

RGB 150 173 201

HSL 212.94, 0.32%, 0.69%

LAB 69.89, -1.65, -16.87

 

CMYK 0 / 26 / 26 / 21

HEX #CA9695

RGB 202 150 149

HSL 1.13, 0.33%, 0.69%

LAB 66.93, 19.38, 8.18

 

CMYK 0 / 19 / 26 / 21

HEX #CAA495

RGB 202 164 149

HSL 16.98, 0.33%, 0.69%

LAB 70.37, 11.72, 13.05

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 5 / 26 / 21

HEX #CAC095

RGB 202 192 149

HSL 48.68, 0.33%, 0.69%

LAB 77.53, -3.26, 22.98

 

CMYK 2 / 0 / 26 / 21

HEX #C5CA95

RGB 197 202 149

HSL 65.66, 0.33%, 0.69%

LAB 79.77, -10.35, 25.96

 

CMYK 0 / 20 / 46 / 32

HEX #AE8B5E

RGB 174 139 94

HSL 33.75, 0.33%, 0.53%

LAB 60.13, 7.31, 29.05

 

CMYK 0 / 15 / 35 / 26

HEX #BC9F7A

RGB 188 159 122

HSL 33.64, 0.33%, 0.61%

LAB 67.2, 5.32, 23.3

 

CMYK 0 / 12 / 26 / 21

HEX #CAB295

RGB 202 178 149

HSL 32.83, 0.33%, 0.69%

LAB 73.91, 4.16, 18

 

CMYK 0 / 8 / 18 / 16

HEX #D7C6B1

RGB 215 198 177

HSL 33.16, 0.32%, 0.77%

LAB 80.74, 2.55, 12.67

 

CMYK 0 / 5 / 11 / 10

HEX #E5DACC

RGB 229 218 204

HSL 33.6, 0.32%, 0.85%

LAB 87.56, 1.42, 8.22

 

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

CMYK 20 / 0 / 26 / 21

HEX #A2CA95

RGB 162 202 149

HSL 105.28, 0.33%, 0.69%

LAB 77.34, -23.16, 22.24

 

CMYK 22 / 26 / 0 / 21

HEX #9D95CA

RGB 157 149 202

HSL 249.06, 0.33%, 0.69%

LAB 64.1, 14.18, -26.2

 

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

CMYK 26 / 0 / 12 / 21

HEX #95CAB2

RGB 149 202 178

HSL 152.83, 0.33%, 0.69%

LAB 77.19, -22.2, 6.43

 

CMYK 12 / 26 / 0 / 21

HEX #B295CA

RGB 178 149 202

HSL 272.83, 0.33%, 0.69%

LAB 65.92, 20.85, -23.25

 

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

CMYK 20 / 0 / 26 / 21

HEX #A2CA95

RGB 162 202 149

HSL 105.28, 0.33%, 0.69%

LAB 77.34, -23.16, 22.24

 

CMYK 26 / 14 / 0 / 21

HEX #95ADCA

RGB 149 173 202

HSL 212.83, 0.33%, 0.69%

LAB 69.85, -1.72, -17.48

 

CMYK 7 / 26 / 0 / 21

HEX #BC95CA

RGB 188 149 202

HSL 284.15, 0.33%, 0.69%

LAB 66.86, 24.12, -21.73

 

CMYK 0 / 11 / 26 / 21

HEX #C9B295

RGB 201 178 149

HSL 33.46, 0.33%, 0.69%

LAB 73.82, 3.78, 17.86

 

CMYK 26 / 0 / 25 / 21

HEX #95CA98

RGB 149 202 152

HSL 123.4, 0.33%, 0.69%

LAB 76.62, -27.09, 19.54

 

CMYK 26 / 14 / 0 / 21

HEX #95ADCA

RGB 149 173 202

HSL 212.83, 0.33%, 0.69%

LAB 69.85, -1.72, -17.48

 

CMYK 0 / 26 / 1 / 21

HEX #CA95C7

RGB 202 149 199

HSL 303.4, 0.33%, 0.69%

LAB 68.15, 28.17, -17.97

 

Description

Color code: RGB 201 178 149 | qconv.com Color code: RGB 201 178 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 178 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 178 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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