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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 177 24 it is the complementary color RGB 54 78 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 177 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 177 24 shade: RGB 206 177 19, RGB 223 195 38, RGB 240 213 57, RGB 255 231 76 and RGB 255 249 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 177 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 184 159 5, RGB 167 141 0, RGB 150 123 0 and RGB 133 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 201 129 24, RGB 201 81 24, RGB 201 33 24 and RGB 201 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 177 201 24, RGB 129 201 24, RGB 81 201 24 and RGB 34 201 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 177 24 shade matches the following richer shades: RGB 201 177 24 and RGB 219 190 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 183 164 42, RGB 165 150 60, RGB 146 137 78 and RGB 128 124 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 177 24 shade: RGB 201 80 24, RGB 201 127 24, RGB 201 174 24, RGB 180 201 24 and RGB 133 201 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 177 24 shade: RGB 127 112 15, RGB 164 144 19, RGB 201 177 24, RGB 229 203 36 and RGB 234 212 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 24 201 32 and RGB 103 24 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 24 201 174 and RGB 174 24 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 24 201 32, RGB 24 50 201 and RGB 201 24 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 177 24 shade: RGB 201 177 24, RGB 24 201 86, RGB 24 50 201 and RGB 201 24 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

Complementary color

CMYK 77 / 66 / 0 / 9

HEX #364EE7

RGB 54 78 231

HSL 231.86, 0.79%, 0.56%

LAB 41.22, 44.01, -79.48

 

CMYK 0 / 14 / 91 / 19

HEX #CEB113

RGB 206 177 19

HSL 50.7, 0.83%, 0.44%

LAB 72.64, -3.36, 72.51

 

CMYK 0 / 13 / 83 / 13

HEX #DFC326

RGB 223 195 38

HSL 50.92, 0.74%, 0.51%

LAB 78.96, -4.88, 74.18

 

CMYK 0 / 11 / 76 / 6

HEX #F0D539

RGB 240 213 57

HSL 51.15, 0.86%, 0.58%

LAB 85.2, -6.2, 74.76

 

CMYK 0 / 9 / 70 / 0

HEX #FFE74C

RGB 255 231 76

HSL 51.96, 1%, 0.65%

LAB 91.2, -8.16, 74.41

 

CMYK 0 / 2 / 63 / 0

HEX #FFF95F

RGB 255 249 95

HSL 57.75, 1%, 0.69%

LAB 95.93, -15.98, 72

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 0 / 14 / 97 / 28

HEX #B89F05

RGB 184 159 5

HSL 51.62, 0.95%, 0.37%

LAB 65.75, -3.82, 68.37

 

CMYK 0 / 16 / 100 / 35

HEX #A78D00

RGB 167 141 0

HSL 50.66, 1%, 0.33%

LAB 59.22, -1.9, 63.64

 

CMYK 0 / 18 / 100 / 41

HEX #967B00

RGB 150 123 0

HSL 49.2, 1%, 0.29%

LAB 52.56, 0.17, 58.15

 

CMYK 0 / 21 / 100 / 48

HEX #856900

RGB 133 105 0

HSL 47.37, 1%, 0.26%

LAB 45.76, 2.34, 52.53

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 0 / 36 / 88 / 21

HEX #C98118

RGB 201 129 24

HSL 35.59, 0.79%, 0.44%

LAB 60.05, 20.39, 61.41

 

CMYK 0 / 60 / 88 / 21

HEX #C95118

RGB 201 81 24

HSL 19.32, 0.79%, 0.44%

LAB 49.94, 45.25, 53.44

 

CMYK 0 / 84 / 88 / 21

HEX #C92118

RGB 201 33 24

HSL 3.05, 0.79%, 0.44%

LAB 43.61, 62.54, 48.5

 

CMYK 0 / 88 / 88 / 21

HEX #C91818

RGB 201 24 24

HSL 0, 0.79%, 0.44%

LAB 42.97, 64.38, 48

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 12 / 0 / 88 / 21

HEX #B1C918

RGB 177 201 24

HSL 68.14, 0.79%, 0.44%

LAB 76.79, -27.84, 73.91

 

CMYK 36 / 0 / 88 / 21

HEX #81C918

RGB 129 201 24

HSL 84.41, 0.79%, 0.44%

LAB 73.87, -46.55, 70.31

 

CMYK 60 / 0 / 88 / 21

HEX #51C918

RGB 81 201 24

HSL 100.68, 0.79%, 0.44%

LAB 71.95, -61.14, 67.91

 

CMYK 83 / 0 / 88 / 21

HEX #22C918

RGB 34 201 24

HSL 116.61, 0.79%, 0.44%

LAB 70.99, -69.33, 66.71

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 0 / 13 / 98 / 14

HEX #DBBE05

RGB 219 190 5

HSL 51.87, 0.96%, 0.44%

LAB 77.22, -4.6, 78.2

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 0 / 10 / 77 / 28

HEX #B7A42A

RGB 183 164 42

HSL 51.91, 0.63%, 0.44%

LAB 67.12, -6.05, 61.17

 

CMYK 0 / 9 / 64 / 35

HEX #A5963C

RGB 165 150 60

HSL 51.43, 0.47%, 0.44%

LAB 61.77, -5.58, 48.09

 

CMYK 0 / 6 / 47 / 43

HEX #92894E

RGB 146 137 78

HSL 52.06, 0.3%, 0.44%

LAB 56.64, -5.28, 32.72

 

CMYK 0 / 3 / 25 / 50

HEX #807C60

RGB 128 124 96

HSL 52.5, 0.14%, 0.44%

LAB 51.67, -3.36, 15.87

 

CMYK 0 / 60 / 88 / 21

HEX #C95018

RGB 201 80 24

HSL 18.98, 0.79%, 0.44%

LAB 49.76, 45.71, 53.3

 

CMYK 0 / 37 / 88 / 21

HEX #C97F18

RGB 201 127 24

HSL 34.92, 0.79%, 0.44%

LAB 59.58, 21.47, 61.04

 

CMYK 0 / 13 / 88 / 21

HEX #C9AE18

RGB 201 174 24

HSL 50.85, 0.79%, 0.44%

LAB 71.39, -3.9, 70.39

 

CMYK 10 / 0 / 88 / 21

HEX #B4C918

RGB 180 201 24

HSL 67.12, 0.79%, 0.44%

LAB 77.01, -26.59, 74.18

 

CMYK 34 / 0 / 88 / 21

HEX #85C918

RGB 133 201 24

HSL 83.05, 0.79%, 0.44%

LAB 74.08, -45.12, 70.56

 

CMYK 0 / 12 / 88 / 50

HEX #7F700F

RGB 127 112 15

HSL 51.96, 0.79%, 0.28%

LAB 47.15, -4.22, 49.88

 

CMYK 0 / 12 / 88 / 36

HEX #A49013

RGB 164 144 19

HSL 51.72, 0.79%, 0.36%

LAB 59.79, -4.6, 60.71

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 0 / 11 / 84 / 10

HEX #E5CB24

RGB 229 203 36

HSL 51.92, 0.79%, 0.52%

LAB 81.56, -6.45, 77.06

 

CMYK 0 / 9 / 69 / 8

HEX #EAD449

RGB 234 212 73

HSL 51.8, 0.79%, 0.6%

LAB 84.51, -7.51, 68.27

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 88 / 0 / 84 / 21

HEX #18C920

RGB 24 201 32

HSL 122.71, 0.79%, 0.44%

LAB 70.92, -69.89, 64.88

 

CMYK 49 / 88 / 0 / 21

HEX #6718C9

RGB 103 24 201

HSL 266.78, 0.79%, 0.44%

LAB 33.46, 65.5, -74.85

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 88 / 0 / 13 / 21

HEX #18C9AE

RGB 24 201 174

HSL 170.85, 0.79%, 0.44%

LAB 72.91, -46.99, 1.91

 

CMYK 13 / 88 / 0 / 21

HEX #AE18C9

RGB 174 24 201

HSL 290.85, 0.79%, 0.44%

LAB 44.04, 75.16, -57.14

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 88 / 0 / 84 / 21

HEX #18C920

RGB 24 201 32

HSL 122.71, 0.79%, 0.44%

LAB 70.92, -69.89, 64.88

 

CMYK 88 / 75 / 0 / 21

HEX #1832C9

RGB 24 50 201

HSL 231.19, 0.79%, 0.44%

LAB 31.1, 48.25, -78.96

 

CMYK 0 / 88 / 4 / 21

HEX #C918C0

RGB 201 24 192

HSL 303.05, 0.79%, 0.44%

LAB 48.1, 78.38, -45.14

 

CMYK 0 / 12 / 88 / 21

HEX #C9B118

RGB 201 177 24

HSL 51.86, 0.79%, 0.44%

LAB 72.18, -5.47, 71.02

 

CMYK 88 / 0 / 57 / 21

HEX #18C956

RGB 24 201 86

HSL 141.02, 0.79%, 0.44%

LAB 71.31, -65.01, 45.38

 

CMYK 88 / 75 / 0 / 21

HEX #1832C9

RGB 24 50 201

HSL 231.19, 0.79%, 0.44%

LAB 31.1, 48.25, -78.96

 

CMYK 0 / 88 / 31 / 21

HEX #C9188B

RGB 201 24 139

HSL 321.02, 0.79%, 0.44%

LAB 45.54, 71.61, -17.61

 

Description

Color code: RGB 201 177 24 | qconv.com Color code: RGB 201 177 24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 177 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 177 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 88 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 88% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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