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Color name
RGB 201 170 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 170 104 it is the complementary color RGB 54 85 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 170 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 170 104 shade: RGB 206 170 99, RGB 223 188 118, RGB 240 206 137, RGB 255 224 156 and RGB 255 242 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 170 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 170 104 shade: RGB 201 170 104, RGB 184 152 85, RGB 167 134 66, RGB 150 116 47 and RGB 133 98 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 170 104 shade: RGB 200 170 105, RGB 200 144 105, RGB 200 118 105 and RGB 200 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 170 104 shade: RGB 200 170 105, RGB 200 196 105, RGB 179 200 105, RGB 154 200 105 and RGB 128 200 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 170 104 shade matches the following richer shades: RGB 200 170 105, RGB 217 176 88, RGB 233 182 72 and RGB 250 188 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 170 104 shade: RGB 200 170 105, RGB 184 164 121, RGB 167 158 138, RGB 151 152 154 and RGB 134 146 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 170 104 shade: RGB 200 117 105, RGB 200 143 105, RGB 200 168 105, RGB 200 194 105 and RGB 181 200 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 170 104 shade: RGB 164 130 59, RGB 190 153 74, RGB 200 170 105, RGB 211 187 135 and RGB 222 204 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 170 104 shade: RGB 201 170 104, RGB 117 200 105 and RGB 130 105 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 170 104 shade: RGB 201 170 104, RGB 105 200 168 and RGB 168 105 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 170 104 shade: RGB 201 170 104, RGB 117 200 105, RGB 105 137 200 and RGB 188 105 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 170 104 shade: RGB 201 170 104, RGB 105 200 121, RGB 105 137 200 and RGB 200 105 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

Complementary color

CMYK 64 / 44 / 0 / 41

HEX #365597

RGB 54 85 151

HSL 220.82, 0.47%, 0.4%

LAB 36.96, 10.54, -39.65

 

CMYK 0 / 17 / 52 / 19

HEX #CEAA63

RGB 206 170 99

HSL 39.81, 0.52%, 0.6%

LAB 71.4, 4.36, 41.25

 

CMYK 0 / 16 / 47 / 13

HEX #DFBC76

RGB 223 188 118

HSL 40, 0.62%, 0.67%

LAB 77.85, 3.57, 39.94

 

CMYK 0 / 14 / 43 / 6

HEX #F0CE89

RGB 240 206 137

HSL 40.19, 0.77%, 0.74%

LAB 84.21, 2.9, 38.69

 

CMYK 0 / 12 / 39 / 0

HEX #FFE09C

RGB 255 224 156

HSL 41.21, 1%, 0.81%

LAB 90.31, 1.53, 37.22

 

CMYK 0 / 5 / 31 / 0

HEX #FFF2AF

RGB 255 242 175

HSL 50.25, 1%, 0.84%

LAB 95.1, -5.37, 33.97

 

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

CMYK 0 / 17 / 54 / 28

HEX #B89855

RGB 184 152 85

HSL 40.61, 0.41%, 0.53%

LAB 64.41, 3.55, 39.39

 

CMYK 0 / 20 / 60 / 35

HEX #A78642

RGB 167 134 66

HSL 40.4, 0.43%, 0.46%

LAB 57.71, 4.52, 40.73

 

CMYK 0 / 23 / 69 / 41

HEX #96742F

RGB 150 116 47

HSL 40.19, 0.52%, 0.39%

LAB 50.9, 5.72, 41.98

 

CMYK 0 / 26 / 79 / 48

HEX #85621C

RGB 133 98 28

HSL 40, 0.65%, 0.32%

LAB 43.95, 7.2, 42.88

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 0 / 28 / 48 / 22

HEX #C89069

RGB 200 144 105

HSL 24.63, 0.46%, 0.6%

LAB 64.36, 16.53, 29.06

 

CMYK 0 / 41 / 48 / 22

HEX #C87669

RGB 200 118 105

HSL 8.21, 0.46%, 0.6%

LAB 58.28, 30.71, 21.01

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 0 / 2 / 48 / 22

HEX #C8C469

RGB 200 196 105

HSL 57.47, 0.46%, 0.6%

LAB 77.74, -11.2, 45.85

 

CMYK 11 / 0 / 48 / 22

HEX #B3C869

RGB 179 200 105

HSL 73.26, 0.46%, 0.6%

LAB 77.23, -21.63, 44.85

 

CMYK 23 / 0 / 48 / 22

HEX #9AC869

RGB 154 200 105

HSL 89.05, 0.46%, 0.6%

LAB 75.57, -31.19, 42.45

 

CMYK 36 / 0 / 48 / 22

HEX #80C869

RGB 128 200 105

HSL 105.47, 0.46%, 0.6%

LAB 74.14, -40.3, 40.36

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 0 / 19 / 59 / 15

HEX #D9B058

RGB 217 176 88

HSL 40.93, 0.63%, 0.6%

LAB 73.87, 4.9, 49.88

 

CMYK 0 / 22 / 69 / 9

HEX #E9B648

RGB 233 182 72

HSL 40.99, 0.79%, 0.6%

LAB 76.83, 7.51, 60.8

 

CMYK 0 / 25 / 78 / 2

HEX #FABC37

RGB 250 188 55

HSL 40.92, 0.95%, 0.6%

LAB 79.94, 10.82, 70.95

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 0 / 11 / 34 / 28

HEX #B8A479

RGB 184 164 121

HSL 40.95, 0.31%, 0.6%

LAB 68.11, 0.87, 25.01

 

CMYK 0 / 5 / 17 / 35

HEX #A79E8A

RGB 167 158 138

HSL 41.38, 0.14%, 0.6%

LAB 65.36, -0.16, 11.63

 

CMYK 2 / 1 / 0 / 40

HEX #97989A

RGB 151 152 154

HSL 220, 0.01%, 0.6%

LAB 62.82, 0.03, -1.18

 

CMYK 22 / 15 / 0 / 33

HEX #8692AB

RGB 134 146 171

HSL 220.54, 0.18%, 0.6%

LAB 60.4, 1.25, -14.55

 

CMYK 0 / 42 / 48 / 22

HEX #C87569

RGB 200 117 105

HSL 7.58, 0.46%, 0.6%

LAB 58.06, 31.25, 20.71

 

CMYK 0 / 29 / 48 / 22

HEX #C88F69

RGB 200 143 105

HSL 24, 0.46%, 0.6%

LAB 64.12, 17.08, 28.74

 

CMYK 0 / 16 / 48 / 22

HEX #C8A869

RGB 200 168 105

HSL 39.79, 0.46%, 0.6%

LAB 70.39, 3.49, 36.78

 

CMYK 0 / 3 / 48 / 22

HEX #C8C269

RGB 200 194 105

HSL 56.21, 0.46%, 0.6%

LAB 77.21, -10.17, 45.21

 

CMYK 10 / 0 / 48 / 22

HEX #B5C869

RGB 181 200 105

HSL 72, 0.46%, 0.6%

LAB 77.37, -20.84, 45.06

 

CMYK 0 / 21 / 64 / 36

HEX #A4823B

RGB 164 130 59

HSL 40.57, 0.47%, 0.44%

LAB 56.26, 4.92, 42.48

 

CMYK 0 / 19 / 61 / 25

HEX #BE994A

RGB 190 153 74

HSL 40.86, 0.47%, 0.52%

LAB 65.14, 4.72, 45.91

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 0 / 11 / 36 / 17

HEX #D3BB87

RGB 211 187 135

HSL 41.05, 0.46%, 0.68%

LAB 76.76, 1.1, 29.49

 

CMYK 0 / 8 / 26 / 13

HEX #DECCA5

RGB 222 204 165

HSL 41.05, 0.46%, 0.76%

LAB 82.61, 0.29, 21.74

 

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

CMYK 42 / 0 / 48 / 22

HEX #75C869

RGB 117 200 105

HSL 112.42, 0.46%, 0.6%

LAB 73.62, -43.82, 39.59

 

CMYK 35 / 48 / 0 / 22

HEX #8269C8

RGB 130 105 200

HSL 255.79, 0.46%, 0.6%

LAB 50.71, 31.46, -46.19

 

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

CMYK 48 / 0 / 16 / 22

HEX #69C8A8

RGB 105 200 168

HSL 159.79, 0.46%, 0.6%

LAB 74.28, -35.78, 7.37

 

CMYK 16 / 48 / 0 / 22

HEX #A869C8

RGB 168 105 200

HSL 279.79, 0.46%, 0.6%

LAB 54.66, 41.92, -39.69

 

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

CMYK 42 / 0 / 48 / 22

HEX #75C869

RGB 117 200 105

HSL 112.42, 0.46%, 0.6%

LAB 73.62, -43.82, 39.59

 

CMYK 48 / 32 / 0 / 22

HEX #6989C8

RGB 105 137 200

HSL 219.79, 0.46%, 0.6%

LAB 57.14, 5.95, -36.17

 

CMYK 6 / 48 / 0 / 22

HEX #BC69C8

RGB 188 105 200

HSL 292.42, 0.46%, 0.6%

LAB 57.04, 47.65, -35.78

 

CMYK 0 / 15 / 48 / 21

HEX #C9AA68

RGB 201 170 104

HSL 40.82, 0.47%, 0.6%

LAB 70.99, 2.73, 38.06

 

CMYK 48 / 0 / 40 / 22

HEX #69C879

RGB 105 200 121

HSL 130.11, 0.46%, 0.6%

LAB 73.35, -44.94, 31.04

 

CMYK 48 / 32 / 0 / 22

HEX #6989C8

RGB 105 137 200

HSL 219.79, 0.46%, 0.6%

LAB 57.14, 5.95, -36.17

 

CMYK 0 / 48 / 8 / 22

HEX #C869B8

RGB 200 105 184

HSL 310.11, 0.46%, 0.6%

LAB 57.89, 48.31, -25.2

 

Description

Color code: RGB 201 170 104 | qconv.com Color code: RGB 201 170 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 170 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 170 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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