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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 53 225 it is the complementary color RGB 55 202 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 53 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 53 225 shade: RGB 205 53 220, RGB 222 71 239, RGB 239 89 255, RGB 255 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 53 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 53 225 shade: RGB 200 53 225, RGB 183 35 206, RGB 166 17 187, RGB 149 0 168 and RGB 132 0 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 53 225 shade: RGB 200 55 225, RGB 225 55 204, RGB 225 55 158, RGB 225 55 112 and RGB 225 55 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 53 225 shade: RGB 200 55 225, RGB 155 55 225, RGB 109 55 225, RGB 63 55 225 and RGB 55 55 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 53 225 shade matches the following richer shades: RGB 200 55 225 and RGB 214 37 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 53 225 shade: RGB 200 55 225, RGB 187 74 207, RGB 174 92 188, RGB 161 111 169 and RGB 148 130 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 53 225 shade: RGB 109 55 225, RGB 154 55 225, RGB 200 55 225, RGB 225 55 205 and RGB 225 55 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 53 225 shade: RGB 151 26 172, RGB 182 31 208, RGB 200 55 225, RGB 210 91 231 and RGB 220 127 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 53 225 shade: RGB 200 53 225, RGB 225 64 55 and RGB 55 225 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 53 225 shade: RGB 200 53 225, RGB 225 200 55 and RGB 55 225 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 53 225 shade: RGB 200 53 225, RGB 225 64 55, RGB 81 225 55 and RGB 55 217 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 53 225 shade: RGB 200 53 225, RGB 225 115 55, RGB 81 225 55 and RGB 55 166 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

Complementary color

CMYK 73 / 0 / 85 / 21

HEX #37CA1E

RGB 55 202 30

HSL 111.28, 0.74%, 0.45%

LAB 71.65, -66.56, 66.16

 

CMYK 7 / 76 / 0 / 14

HEX #CD35DC

RGB 205 53 220

HSL 294.61, 0.7%, 0.54%

LAB 52.61, 76.97, -54.01

 

CMYK 7 / 70 / 0 / 6

HEX #DE47EF

RGB 222 71 239

HSL 293.93, 0.84%, 0.61%

LAB 58.29, 77.84, -55.49

 

CMYK 6 / 65 / 0 / 0

HEX #EF59FF

RGB 239 89 255

HSL 294.22, 1%, 0.67%

LAB 63.93, 77.66, -55.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

CMYK 11 / 83 / 0 / 19

HEX #B723CE

RGB 183 35 206

HSL 291.93, 0.71%, 0.47%

LAB 46.61, 75.29, -55.82

 

CMYK 11 / 91 / 0 / 27

HEX #A611BB

RGB 166 17 187

HSL 292.59, 0.83%, 0.4%

LAB 41.37, 72.64, -53.34

 

CMYK 11 / 100 / 0 / 34

HEX #9500A8

RGB 149 0 168

HSL 293.21, 1%, 0.33%

LAB 36.4, 68.85, -50.22

 

CMYK 11 / 100 / 0 / 42

HEX #840095

RGB 132 0 149

HSL 293.15, 1%, 0.29%

LAB 31.98, 63.04, -45.98

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 0 / 76 / 9 / 12

HEX #E137CC

RGB 225 55 204

HSL 307.41, 0.74%, 0.55%

LAB 55.17, 77.99, -40.62

 

CMYK 0 / 76 / 30 / 12

HEX #E1379E

RGB 225 55 158

HSL 323.65, 0.74%, 0.55%

LAB 53.18, 72.06, -16.96

 

CMYK 0 / 76 / 50 / 12

HEX #E13770

RGB 225 55 112

HSL 339.88, 0.74%, 0.55%

LAB 51.74, 67.58, 8.44

 

CMYK 0 / 76 / 70 / 12

HEX #E13743

RGB 225 55 67

HSL 355.76, 0.74%, 0.55%

LAB 50.86, 64.77, 34.23

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 31 / 76 / 0 / 12

HEX #9B37E1

RGB 155 55 225

HSL 275.29, 0.74%, 0.55%

LAB 45.82, 68.09, -68.18

 

CMYK 52 / 76 / 0 / 12

HEX #6D37E1

RGB 109 55 225

HSL 259.06, 0.74%, 0.55%

LAB 40.28, 60.95, -77.47

 

CMYK 72 / 76 / 0 / 12

HEX #3F37E1

RGB 63 55 225

HSL 242.82, 0.74%, 0.55%

LAB 36.41, 55.82, -83.97

 

CMYK 76 / 76 / 0 / 12

HEX #3737E1

RGB 55 55 225

HSL 240, 0.74%, 0.55%

LAB 35.95, 55.19, -84.76

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 12 / 85 / 0 / 4

HEX #D625F4

RGB 214 37 244

HSL 291.3, 0.9%, 0.55%

LAB 54.19, 86.37, -64.94

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 10 / 64 / 0 / 19

HEX #BB4ACF

RGB 187 74 207

HSL 290.98, 0.58%, 0.55%

LAB 51.8, 63.4, -48.05

 

CMYK 7 / 51 / 0 / 26

HEX #AE5CBC

RGB 174 92 188

HSL 291.25, 0.42%, 0.55%

LAB 52.16, 48.01, -36.68

 

CMYK 5 / 34 / 0 / 34

HEX #A16FA9

RGB 161 111 169

HSL 291.72, 0.25%, 0.55%

LAB 53.83, 29.9, -23.2

 

CMYK 2 / 14 / 0 / 41

HEX #948297

RGB 148 130 151

HSL 291.43, 0.09%, 0.55%

LAB 56.58, 10.82, -8.72

 

CMYK 52 / 76 / 0 / 12

HEX #6D37E1

RGB 109 55 225

HSL 259.06, 0.74%, 0.55%

LAB 40.28, 60.95, -77.47

 

CMYK 32 / 76 / 0 / 12

HEX #9A37E1

RGB 154 55 225

HSL 274.94, 0.74%, 0.55%

LAB 45.69, 67.92, -68.41

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 0 / 76 / 9 / 12

HEX #E137CD

RGB 225 55 205

HSL 307.06, 0.74%, 0.55%

LAB 55.22, 78.13, -41.11

 

CMYK 0 / 76 / 29 / 12

HEX #E137A0

RGB 225 55 160

HSL 322.94, 0.74%, 0.55%

LAB 53.25, 72.29, -18.02

 

CMYK 12 / 85 / 0 / 33

HEX #971AAC

RGB 151 26 172

HSL 291.37, 0.74%, 0.39%

LAB 38.37, 65.88, -49.42

 

CMYK 13 / 85 / 0 / 18

HEX #B61FD0

RGB 182 31 208

HSL 291.19, 0.74%, 0.47%

LAB 46.28, 76.33, -57.51

 

CMYK 11 / 76 / 0 / 12

HEX #C837E1

RGB 200 55 225

HSL 291.18, 0.74%, 0.55%

LAB 52.34, 76.26, -57.33

 

CMYK 9 / 61 / 0 / 9

HEX #D25BE7

RGB 210 91 231

HSL 291, 0.74%, 0.63%

LAB 58.93, 65.98, -50.1

 

CMYK 7 / 46 / 0 / 7

HEX #DC7FEC

RGB 220 127 236

HSL 291.19, 0.74%, 0.71%

LAB 66.86, 52.41, -40.3

 

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

CMYK 0 / 72 / 76 / 12

HEX #E14037

RGB 225 64 55

HSL 3.18, 0.74%, 0.55%

LAB 51.78, 61.29, 42.07

 

CMYK 76 / 0 / 41 / 12

HEX #37E184

RGB 55 225 132

HSL 147.18, 0.74%, 0.55%

LAB 79.8, -62.7, 33.63

 

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

CMYK 0 / 11 / 76 / 12

HEX #E1C837

RGB 225 200 55

HSL 51.18, 0.74%, 0.55%

LAB 80.51, -6.03, 70.59

 

CMYK 76 / 0 / 11 / 12

HEX #37E1C8

RGB 55 225 200

HSL 171.18, 0.74%, 0.55%

LAB 81.2, -47.65, 0.1

 

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

CMYK 0 / 72 / 76 / 12

HEX #E14037

RGB 225 64 55

HSL 3.18, 0.74%, 0.55%

LAB 51.78, 61.29, 42.07

 

CMYK 64 / 0 / 76 / 12

HEX #51E137

RGB 81 225 55

HSL 110.82, 0.74%, 0.55%

LAB 79.54, -67.62, 66.84

 

CMYK 76 / 4 / 0 / 12

HEX #37D9E1

RGB 55 217 225

HSL 182.82, 0.74%, 0.55%

LAB 79.54, -37.19, -15.68

 

CMYK 11 / 76 / 0 / 12

HEX #C835E1

RGB 200 53 225

HSL 291.28, 0.74%, 0.55%

LAB 52.13, 76.86, -57.66

 

CMYK 0 / 49 / 76 / 12

HEX #E17337

RGB 225 115 55

HSL 21.18, 0.74%, 0.55%

LAB 60.38, 38.71, 51.08

 

CMYK 64 / 0 / 76 / 12

HEX #51E137

RGB 81 225 55

HSL 110.82, 0.74%, 0.55%

LAB 79.54, -67.62, 66.84

 

CMYK 76 / 26 / 0 / 12

HEX #37A6E1

RGB 55 166 225

HSL 200.82, 0.74%, 0.55%

LAB 64.58, -11.49, -38.62

 

Description

Color code: RGB 200 53 225 | qconv.com Color code: RGB 200 53 225 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 53 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 53 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 76 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 76% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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