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Color name
RGB 200 136 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 136 20 it is the complementary color RGB 55 119 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 136 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 136 20 shade: RGB 205 136 15, RGB 222 154 34, RGB 239 172 53, RGB 255 190 72 and RGB 255 208 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 136 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 136 20 shade: RGB 200 136 20, RGB 183 118 1, RGB 166 100 0, RGB 149 82 0 and RGB 132 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 136 20 shade: RGB 199 135 19, RGB 199 87 19, RGB 199 38 19 and RGB 199 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 136 20 shade: RGB 199 135 19, RGB 199 184 19, RGB 166 199 19, RGB 118 199 19 and RGB 69 199 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 136 20 shade matches the following richer shades: RGB 199 135 19 and RGB 217 140 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 136 20 shade: RGB 199 135 19, RGB 181 130 37, RGB 164 125 55, RGB 146 120 72 and RGB 128 115 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 136 20 shade: RGB 199 37 19, RGB 199 85 19, RGB 199 133 19, RGB 199 181 19 and RGB 169 199 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 136 20 shade: RGB 124 84 12, RGB 162 110 16, RGB 199 135 19, RGB 232 159 28 and RGB 236 175 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 136 20 shade: RGB 200 136 20, RGB 49 199 19 and RGB 61 19 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 136 20 shade: RGB 200 136 20, RGB 19 199 133 and RGB 133 19 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 136 20 shade: RGB 200 136 20, RGB 49 199 19, RGB 19 85 199 and RGB 169 19 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 136 20 shade: RGB 200 136 20, RGB 19 199 43, RGB 19 85 199 and RGB 199 19 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

Complementary color

CMYK 77 / 49 / 0 / 8

HEX #3777EB

RGB 55 119 235

HSL 218.67, 0.82%, 0.57%

LAB 51.84, 19.91, -64.43

 

CMYK 0 / 34 / 93 / 20

HEX #CD880F

RGB 205 136 15

HSL 38.21, 0.86%, 0.43%

LAB 62.19, 18.16, 65.32

 

CMYK 0 / 31 / 85 / 13

HEX #DE9A22

RGB 222 154 34

HSL 38.3, 0.74%, 0.5%

LAB 68.57, 16.2, 66.54

 

CMYK 0 / 28 / 78 / 6

HEX #EFAC35

RGB 239 172 53

HSL 38.39, 0.85%, 0.57%

LAB 74.9, 14.49, 66.58

 

CMYK 0 / 25 / 72 / 0

HEX #FFBE48

RGB 255 190 72

HSL 38.69, 1%, 0.64%

LAB 81.05, 12.57, 65.83

 

CMYK 0 / 18 / 64 / 0

HEX #FFD05B

RGB 255 208 91

HSL 42.8, 1%, 0.68%

LAB 85.57, 4.26, 62.59

 

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

CMYK 0 / 36 / 99 / 28

HEX #B77601

RGB 183 118 1

HSL 38.57, 0.99%, 0.36%

LAB 55.1, 18.16, 61.5

 

CMYK 0 / 40 / 100 / 35

HEX #A66400

RGB 166 100 0

HSL 36.14, 1%, 0.33%

LAB 48.54, 20.61, 56.35

 

CMYK 0 / 45 / 100 / 42

HEX #955200

RGB 149 82 0

HSL 33.02, 1%, 0.29%

LAB 41.88, 23.16, 50.96

 

CMYK 0 / 52 / 100 / 48

HEX #844000

RGB 132 64 0

HSL 29.09, 1%, 0.26%

LAB 35.15, 25.75, 45.53

 

CMYK 0 / 32 / 90 / 22

HEX #C78713

RGB 199 135 19

HSL 38.67, 0.83%, 0.43%

LAB 61.24, 16.13, 63.46

 

CMYK 0 / 56 / 90 / 22

HEX #C75713

RGB 199 87 19

HSL 22.67, 0.83%, 0.43%

LAB 50.69, 41.53, 55.56

 

CMYK 0 / 81 / 90 / 22

HEX #C72613

RGB 199 38 19

HSL 6.33, 0.83%, 0.43%

LAB 43.62, 60.65, 50.44

 

CMYK 0 / 90 / 90 / 22

HEX #C71313

RGB 199 19 19

HSL 0, 0.83%, 0.43%

LAB 42.24, 64.58, 49.47

 

CMYK 0 / 32 / 90 / 22

HEX #C78713

RGB 199 135 19

HSL 38.67, 0.83%, 0.43%

LAB 61.24, 16.13, 63.46

 

CMYK 0 / 8 / 90 / 22

HEX #C7B813

RGB 199 184 19

HSL 55, 0.83%, 0.43%

LAB 73.85, -10.07, 73.17

 

CMYK 17 / 0 / 90 / 22

HEX #A6C713

RGB 166 199 19

HSL 71, 0.83%, 0.43%

LAB 75.45, -31.53, 73.34

 

CMYK 41 / 0 / 90 / 22

HEX #76C713

RGB 118 199 19

HSL 87, 0.83%, 0.43%

LAB 72.72, -49.69, 69.99

 

CMYK 65 / 0 / 90 / 22

HEX #45C713

RGB 69 199 19

HSL 103.33, 0.83%, 0.43%

LAB 70.98, -63.36, 67.83

 

CMYK 0 / 32 / 90 / 22

HEX #C78713

RGB 199 135 19

HSL 38.67, 0.83%, 0.43%

LAB 61.24, 16.13, 63.46

 

CMYK 0 / 35 / 100 / 15

HEX #D98C01

RGB 217 140 1

HSL 38.61, 0.99%, 0.43%

LAB 64.57, 21.05, 69.8

 

CMYK 0 / 32 / 90 / 22

HEX #C78713

RGB 199 135 19

HSL 38.67, 0.83%, 0.43%

LAB 61.24, 16.13, 63.46

 

CMYK 0 / 28 / 80 / 29

HEX #B58225

RGB 181 130 37

HSL 38.75, 0.66%, 0.43%

LAB 57.96, 11.38, 54.45

 

CMYK 0 / 24 / 66 / 36

HEX #A47D37

RGB 164 125 55

HSL 38.53, 0.5%, 0.43%

LAB 54.9, 7.46, 42.93

 

CMYK 0 / 18 / 51 / 43

HEX #927848

RGB 146 120 72

HSL 38.92, 0.34%, 0.43%

LAB 51.85, 3.64, 30.01

 

CMYK 0 / 10 / 30 / 50

HEX #80735A

RGB 128 115 90

HSL 39.47, 0.17%, 0.43%

LAB 48.99, 0.89, 15.7

 

CMYK 0 / 81 / 90 / 22

HEX #C72513

RGB 199 37 19

HSL 6, 0.83%, 0.43%

LAB 43.53, 60.91, 50.38

 

CMYK 0 / 57 / 90 / 22

HEX #C75513

RGB 199 85 19

HSL 22, 0.83%, 0.43%

LAB 50.32, 42.5, 55.28

 

CMYK 0 / 33 / 90 / 22

HEX #C78513

RGB 199 133 19

HSL 38, 0.83%, 0.43%

LAB 60.75, 17.23, 63.09

 

CMYK 0 / 9 / 90 / 22

HEX #C7B513

RGB 199 181 19

HSL 54, 0.83%, 0.43%

LAB 73.05, -8.52, 72.54

 

CMYK 15 / 0 / 90 / 22

HEX #A9C713

RGB 169 199 19

HSL 70, 0.83%, 0.43%

LAB 75.66, -30.3, 73.59

 

CMYK 0 / 32 / 90 / 51

HEX #7C540C

RGB 124 84 12

HSL 38.57, 0.82%, 0.27%

LAB 38.99, 10.63, 43.9

 

CMYK 0 / 32 / 90 / 36

HEX #A26E10

RGB 162 110 16

HSL 38.63, 0.82%, 0.35%

LAB 50.54, 13.4, 53.99

 

CMYK 0 / 32 / 90 / 22

HEX #C78713

RGB 199 135 19

HSL 38.67, 0.83%, 0.43%

LAB 61.24, 16.13, 63.46

 

CMYK 0 / 31 / 88 / 9

HEX #E89F1C

RGB 232 159 28

HSL 38.53, 0.82%, 0.51%

LAB 70.9, 17.69, 70.49

 

CMYK 0 / 26 / 72 / 7

HEX #ECAF41

RGB 236 175 65

HSL 38.6, 0.82%, 0.59%

LAB 75.37, 12.12, 62.31

 

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

CMYK 75 / 0 / 90 / 22

HEX #31C713

RGB 49 199 19

HSL 110, 0.83%, 0.43%

LAB 70.56, -66.99, 67.3

 

CMYK 69 / 90 / 0 / 22

HEX #3D13C7

RGB 61 19 199

HSL 254, 0.83%, 0.43%

LAB 28.33, 62.96, -82.32

 

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

CMYK 90 / 0 / 33 / 22

HEX #13C785

RGB 19 199 133

HSL 158, 0.83%, 0.43%

LAB 71.34, -56.41, 21.73

 

CMYK 33 / 90 / 0 / 22

HEX #8513C7

RGB 133 19 199

HSL 278, 0.83%, 0.43%

LAB 37.07, 69.7, -67.6

 

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

CMYK 75 / 0 / 90 / 22

HEX #31C713

RGB 49 199 19

HSL 110, 0.83%, 0.43%

LAB 70.56, -66.99, 67.3

 

CMYK 90 / 57 / 0 / 22

HEX #1355C7

RGB 19 85 199

HSL 218, 0.83%, 0.43%

LAB 39.17, 25.15, -64.52

 

CMYK 15 / 90 / 0 / 22

HEX #A913C7

RGB 169 19 199

HSL 290, 0.83%, 0.43%

LAB 42.8, 74.85, -58.03

 

CMYK 0 / 32 / 90 / 22

HEX #C88814

RGB 200 136 20

HSL 38.67, 0.82%, 0.43%

LAB 61.6, 16.04, 63.57

 

CMYK 90 / 0 / 78 / 22

HEX #13C72B

RGB 19 199 43

HSL 128, 0.83%, 0.43%

LAB 70.29, -69.05, 61.28

 

CMYK 90 / 57 / 0 / 22

HEX #1355C7

RGB 19 85 199

HSL 218, 0.83%, 0.43%

LAB 39.17, 25.15, -64.52

 

CMYK 0 / 90 / 12 / 22

HEX #C713AF

RGB 199 19 175

HSL 308, 0.83%, 0.43%

LAB 46.58, 76.35, -37.6

 

Description

Color code: RGB 200 136 20 | qconv.com Color code: RGB 200 136 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 136 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 136 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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