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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200.1 180 144 it is the complementary color RGB 54.9 75 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200.1 180 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200.1 180 144 shade: RGB 205.1 180 139, RGB 222.1 198 158, RGB 239.1 216 177, RGB 255 234 196 and RGB 255 252 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200.1 180 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200.1 180 144 shade: RGB 200.1 180 144, RGB 183.1 162 125, RGB 166.1 144 106, RGB 149.1 126 87 and RGB 132.1 108 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200.1 180 144 shade: RGB 199 179 142, RGB 199 164 142, RGB 199 148 142 and RGB 199 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200.1 180 144 shade: RGB 199 179 142, RGB 199 194 142, RGB 189 199 142, RGB 174 199 142 and RGB 158 199 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200.1 180 144 shade matches the following richer shades: RGB 199 179 142, RGB 213 183 129, RGB 227 187 115, RGB 240 191 101 and RGB 254 194 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200.1 180 144 shade: RGB 199 179 142, RGB 186 175 156, RGB 172 171 169, RGB 159 167 183 and RGB 145 164 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200.1 180 144 shade: RGB 199 148 142, RGB 199 163 142, RGB 199 178 142, RGB 199 194 142 and RGB 190 199 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200.1 180 144 shade: RGB 172 142 87, RGB 186 160 115, RGB 199 179 142, RGB 213 198 170 and RGB 227 216 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200.1 180 144 shade: RGB 200.1 180 144, RGB 152 199 142 and RGB 156 142 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200.1 180 144 shade: RGB 200.1 180 144, RGB 142 199 178 and RGB 178 142 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200.1 180 144 shade: RGB 200.1 180 144, RGB 152 199 142, RGB 142 163 199 and RGB 190 142 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200.1 180 144 shade: RGB 200.1 180 144, RGB 142 199 150, RGB 142 163 199 and RGB 199 142 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

Complementary color

CMYK 51 / 32 / 0 / 56

HEX #364B6F

RGB 54.9 75 111

HSL 218.5, 0.34%, 0.33%

LAB 31.78, 3.18, -23.2

 

CMYK 0 / 12 / 32 / 20

HEX #CDB48B

RGB 205.1 180 139

HSL 37.22, 0.4%, 0.67%

LAB 74.51, 2.97, 24.25

 

CMYK 0 / 11 / 29 / 13

HEX #DEC69E

RGB 222.1 198 158

HSL 37.44, 0.49%, 0.75%

LAB 80.96, 2.52, 23.17

 

CMYK 0 / 10 / 26 / 6

HEX #EFD8B1

RGB 239.1 216 177

HSL 37.68, 0.66%, 0.82%

LAB 87.32, 2.13, 22.16

 

CMYK 0 / 8 / 23 / 0

HEX #FFEAC4

RGB 255 234 196

HSL 38.64, 1%, 0.88%

LAB 93.49, 1.37, 21.06

 

CMYK 0 / 1 / 16 / 0

HEX #FFFCD7

RGB 255 252 215

HSL 55.5, 1%, 0.92%

LAB 98.35, -4.97, 18.1

 

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

CMYK 0 / 12 / 32 / 28

HEX #B7A27D

RGB 183.1 162 125

HSL 38.21, 0.29%, 0.6%

LAB 67.58, 2.1, 22.1

 

CMYK 0 / 13 / 36 / 35

HEX #A6906A

RGB 166.1 144 106

HSL 37.94, 0.25%, 0.53%

LAB 60.87, 2.61, 23.26

 

CMYK 0 / 15 / 42 / 42

HEX #957E57

RGB 149.1 126 87

HSL 37.68, 0.26%, 0.46%

LAB 54.04, 3.21, 24.53

 

CMYK 0 / 18 / 49 / 48

HEX #846C44

RGB 132.1 108 68

HSL 37.44, 0.32%, 0.39%

LAB 47.05, 3.96, 25.9

 

CMYK 0 / 10 / 29 / 22

HEX #C7B38E

RGB 199 179 142

HSL 38.95, 0.34%, 0.67%

LAB 73.76, 1.5, 21.53

 

CMYK 0 / 18 / 29 / 22

HEX #C7A48E

RGB 199 164 142

HSL 23.16, 0.34%, 0.67%

LAB 69.93, 9.59, 16.24

 

CMYK 0 / 26 / 29 / 22

HEX #C7948E

RGB 199 148 142

HSL 6.32, 0.34%, 0.67%

LAB 65.96, 18.34, 10.68

 

CMYK 0 / 29 / 29 / 22

HEX #C78E8E

RGB 199 142 142

HSL 0, 0.34%, 0.67%

LAB 64.52, 21.64, 8.63

 

CMYK 0 / 10 / 29 / 22

HEX #C7B38E

RGB 199 179 142

HSL 38.95, 0.34%, 0.67%

LAB 73.76, 1.5, 21.53

 

CMYK 0 / 3 / 29 / 22

HEX #C7C28E

RGB 199 194 142

HSL 54.74, 0.34%, 0.67%

LAB 77.68, -6.4, 26.85

 

CMYK 5 / 0 / 29 / 22

HEX #BDC78E

RGB 189 199 142

HSL 70.53, 0.34%, 0.67%

LAB 78.24, -12.81, 27.46

 

CMYK 13 / 0 / 29 / 22

HEX #AEC78E

RGB 174 199 142

HSL 86.32, 0.34%, 0.67%

LAB 77.16, -18.43, 25.82

 

CMYK 21 / 0 / 29 / 22

HEX #9EC78E

RGB 158 199 142

HSL 103.16, 0.34%, 0.67%

LAB 76.11, -24.2, 24.23

 

CMYK 0 / 10 / 29 / 22

HEX #C7B38E

RGB 199 179 142

HSL 38.95, 0.34%, 0.67%

LAB 73.76, 1.5, 21.53

 

CMYK 0 / 14 / 39 / 16

HEX #D5B781

RGB 213 183 129

HSL 38.57, 0.5%, 0.67%

LAB 75.82, 3.32, 31.44

 

CMYK 0 / 18 / 49 / 11

HEX #E3BB73

RGB 227 187 115

HSL 38.57, 0.67%, 0.67%

LAB 77.94, 5.45, 41.65

 

CMYK 0 / 20 / 58 / 6

HEX #F0BF65

RGB 240 191 101

HSL 38.85, 0.82%, 0.67%

LAB 80.03, 7.53, 51.38

 

CMYK 0 / 24 / 65 / 0

HEX #FEC258

RGB 254 194 88

HSL 38.31, 0.99%, 0.67%

LAB 82.03, 10.9, 60.04

 

CMYK 0 / 10 / 29 / 22

HEX #C7B38E

RGB 199 179 142

HSL 38.95, 0.34%, 0.67%

LAB 73.76, 1.5, 21.53

 

CMYK 0 / 6 / 16 / 27

HEX #BAAF9C

RGB 186 175 156

HSL 38, 0.18%, 0.67%

LAB 71.89, 0.72, 11.15

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA9

RGB 172 171 169

HSL 40, 0.02%, 0.67%

LAB 70.01, -0.01, 1.14

 

CMYK 13 / 9 / 0 / 28

HEX #9FA7B7

RGB 159 167 183

HSL 220, 0.14%, 0.67%

LAB 68.33, 0.46, -9.19

 

CMYK 26 / 17 / 0 / 23

HEX #91A4C5

RGB 145 164 197

HSL 218.08, 0.31%, 0.67%

LAB 66.98, 0.83, -19.1

 

CMYK 0 / 26 / 29 / 22

HEX #C7948E

RGB 199 148 142

HSL 6.32, 0.34%, 0.67%

LAB 65.96, 18.34, 10.68

 

CMYK 0 / 18 / 29 / 22

HEX #C7A38E

RGB 199 163 142

HSL 22.11, 0.34%, 0.67%

LAB 69.68, 10.13, 15.89

 

CMYK 0 / 11 / 29 / 22

HEX #C7B28E

RGB 199 178 142

HSL 37.89, 0.34%, 0.67%

LAB 73.5, 2.04, 21.18

 

CMYK 0 / 3 / 29 / 22

HEX #C7C28E

RGB 199 194 142

HSL 54.74, 0.34%, 0.67%

LAB 77.68, -6.4, 26.85

 

CMYK 5 / 0 / 29 / 22

HEX #BEC78E

RGB 190 199 142

HSL 69.47, 0.34%, 0.67%

LAB 78.31, -12.43, 27.58

 

CMYK 0 / 17 / 49 / 33

HEX #AC8E57

RGB 172 142 87

HSL 38.82, 0.34%, 0.51%

LAB 60.61, 4.08, 33.4

 

CMYK 0 / 14 / 38 / 27

HEX #BAA073

RGB 186 160 115

HSL 38.03, 0.34%, 0.59%

LAB 67.14, 3.11, 27

 

CMYK 0 / 10 / 29 / 22

HEX #C7B38E

RGB 199 179 142

HSL 38.95, 0.34%, 0.67%

LAB 73.76, 1.5, 21.53

 

CMYK 0 / 7 / 20 / 16

HEX #D5C6AA

RGB 213 198 170

HSL 39.07, 0.34%, 0.75%

LAB 80.42, 0.76, 15.94

 

CMYK 0 / 5 / 13 / 11

HEX #E3D8C6

RGB 227 216 198

HSL 37.24, 0.34%, 0.83%

LAB 86.76, 0.78, 10.21

 

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

CMYK 24 / 0 / 29 / 22

HEX #98C78E

RGB 152 199 142

HSL 109.47, 0.34%, 0.67%

LAB 75.75, -26.29, 23.67

 

CMYK 22 / 29 / 0 / 22

HEX #9C8EC7

RGB 156 142 199

HSL 254.74, 0.34%, 0.67%

LAB 62.12, 17.16, -27.59

 

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

CMYK 29 / 0 / 11 / 22

HEX #8EC7B2

RGB 142 199 178

HSL 157.89, 0.34%, 0.67%

LAB 75.95, -22.86, 4.61

 

CMYK 11 / 29 / 0 / 22

HEX #B28EC7

RGB 178 142 199

HSL 277.89, 0.34%, 0.67%

LAB 64.11, 24.15, -24.35

 

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

CMYK 24 / 0 / 29 / 22

HEX #98C78E

RGB 152 199 142

HSL 109.47, 0.34%, 0.67%

LAB 75.75, -26.29, 23.67

 

CMYK 29 / 18 / 0 / 22

HEX #8EA3C7

RGB 142 163 199

HSL 217.89, 0.34%, 0.67%

LAB 66.57, 0.96, -20.85

 

CMYK 5 / 29 / 0 / 22

HEX #BE8EC7

RGB 190 142 199

HSL 290.53, 0.34%, 0.67%

LAB 65.29, 28.06, -22.44

 

CMYK 0 / 10 / 28 / 22

HEX #C8B490

RGB 200.1 180 144

HSL 38.5, 0.34%, 0.67%

LAB 74.16, 1.67, 21.01

 

CMYK 29 / 0 / 25 / 22

HEX #8EC796

RGB 142 199 150

HSL 128.42, 0.34%, 0.67%

LAB 75.33, -28.29, 18.76

 

CMYK 29 / 18 / 0 / 22

HEX #8EA3C7

RGB 142 163 199

HSL 217.89, 0.34%, 0.67%

LAB 66.57, 0.96, -20.85

 

CMYK 0 / 29 / 4 / 22

HEX #C78EC0

RGB 199 142 192

HSL 307.37, 0.34%, 0.67%

LAB 65.98, 29.72, -17.39

 

Description

Color code: RGB 200.1 180 144 | qconv.com Color code: RGB 200.1 180 144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200.1 red, 180 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200.1 180 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 28% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - リッチモンドホテルズグループ 【公式】 ...
Link: http://richmondhotel.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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