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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20.1 126.8 197 it is the complementary color RGB 234.9 128.2 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20.1 126.8 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20.1 126.8 197 shade: RGB 25.1 126.8 192, RGB 42.1 144.8 211, RGB 59.1 162.8 230, RGB 76.1 180.8 249 and RGB 93.1 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20.1 126.8 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20.1 126.8 197 shade: RGB 20.1 126.8 197, RGB 3.1 108.8 178, RGB 0 90.8 159, RGB 0 72.8 140 and RGB 0 54.8 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20.1 126.8 197 shade: RGB 20 127 198, RGB 20 80 198, RGB 20 32 198, RGB 57 20 198 and RGB 105 20 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20.1 126.8 197 shade: RGB 20 127 198, RGB 20 80 198, RGB 20 32 198 and RGB 20 20 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20.1 126.8 197 shade matches the following richer shades: RGB 20 127 198 and RGB 3 131 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20.1 126.8 197 shade: RGB 20 127 198, RGB 38 124 180, RGB 56 120 162, RGB 74 116 145 and RGB 91 113 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20.1 126.8 197 shade: RGB 20 198 171, RGB 20 177 198, RGB 20 130 198, RGB 20 83 198 and RGB 20 35 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20.1 126.8 197 shade: RGB 12 79 123, RGB 16 103 161, RGB 20 127 198, RGB 29 151 231 and RGB 66 168 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20.1 126.8 197 shade: RGB 20.1 126.8 197, RGB 124 20 198 and RGB 198 195 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20.1 126.8 197 shade: RGB 20.1 126.8 197, RGB 198 20 130 and RGB 130 198 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20.1 126.8 197 shade: RGB 20.1 126.8 197, RGB 124 20 198, RGB 198 88 20 and RGB 94 198 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20.1 126.8 197 shade: RGB 20.1 126.8 197, RGB 177 20 198, RGB 198 88 20 and RGB 41 198 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

Complementary color

CMYK 0 / 45 / 75 / 8

HEX #EA803A

RGB 234.9 128.2 58

HSL 23.81, 0.81%, 0.57%

LAB 64.52, 36, 54.34

 

CMYK 87 / 34 / 0 / 25

HEX #197EC0

RGB 25.1 126.8 192

HSL 203.44, 0.77%, 0.43%

LAB 50.85, -3.81, -41.71

 

CMYK 80 / 31 / 0 / 17

HEX #2A90D3

RGB 42.1 144.8 211

HSL 203.52, 0.67%, 0.5%

LAB 57.45, -5.87, -42.04

 

CMYK 74 / 29 / 0 / 10

HEX #3BA2E6

RGB 59.1 162.8 230

HSL 203.59, 0.77%, 0.57%

LAB 63.97, -7.51, -42.32

 

CMYK 69 / 27 / 0 / 2

HEX #4CB4F9

RGB 76.1 180.8 249

HSL 203.67, 0.94%, 0.64%

LAB 70.42, -8.83, -42.57

 

CMYK 63 / 22 / 0 / 0

HEX #5DC6FF

RGB 93.1 198.8 255

HSL 200.83, 1%, 0.68%

LAB 76.26, -13.97, -36.66

 

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

CMYK 98 / 39 / 0 / 30

HEX #036CB2

RGB 3.1 108.8 178

HSL 203.74, 0.97%, 0.36%

LAB 44.42, 0.6, -43.85

 

CMYK 100 / 43 / 0 / 38

HEX #005A9F

RGB 0 90.8 159

HSL 205.74, 1%, 0.31%

LAB 37.75, 4.2, -43.27

 

CMYK 100 / 48 / 0 / 45

HEX #00488C

RGB 0 72.8 140

HSL 208.8, 1%, 0.27%

LAB 30.95, 8.22, -42.67

 

CMYK 100 / 55 / 0 / 53

HEX #003679

RGB 0 54.8 121

HSL 212.83, 1%, 0.24%

LAB 23.98, 12.59, -42.09

 

CMYK 90 / 36 / 0 / 22

HEX #147FC6

RGB 20 127 198

HSL 203.93, 0.82%, 0.43%

LAB 51.16, -1.96, -44.66

 

CMYK 90 / 60 / 0 / 22

HEX #1450C6

RGB 20 80 198

HSL 219.78, 0.82%, 0.43%

LAB 37.78, 28.11, -66.22

 

CMYK 90 / 84 / 0 / 22

HEX #1420C6

RGB 20 32 198

HSL 235.96, 0.82%, 0.43%

LAB 27.46, 56.32, -83.24

 

CMYK 71 / 90 / 0 / 22

HEX #3914C6

RGB 57 20 198

HSL 252.47, 0.82%, 0.43%

LAB 27.97, 62.2, -82.34

 

CMYK 47 / 90 / 0 / 22

HEX #6914C6

RGB 105 20 198

HSL 268.65, 0.82%, 0.43%

LAB 33.09, 66, -73.7

 

CMYK 90 / 36 / 0 / 22

HEX #147FC6

RGB 20 127 198

HSL 203.93, 0.82%, 0.43%

LAB 51.16, -1.96, -44.66

 

CMYK 90 / 60 / 0 / 22

HEX #1450C6

RGB 20 80 198

HSL 219.78, 0.82%, 0.43%

LAB 37.78, 28.11, -66.22

 

CMYK 90 / 84 / 0 / 22

HEX #1420C6

RGB 20 32 198

HSL 235.96, 0.82%, 0.43%

LAB 27.46, 56.32, -83.24

 

CMYK 90 / 90 / 0 / 22

HEX #1414C6

RGB 20 20 198

HSL 240, 0.82%, 0.43%

LAB 25.94, 60.89, -85.78

 

CMYK 90 / 36 / 0 / 22

HEX #147FC6

RGB 20 127 198

HSL 203.93, 0.82%, 0.43%

LAB 51.16, -1.96, -44.66

 

CMYK 99 / 39 / 0 / 15

HEX #0383D8

RGB 3 131 216

HSL 203.94, 0.97%, 0.43%

LAB 53.18, 1.91, -51.66

 

CMYK 90 / 36 / 0 / 22

HEX #147FC6

RGB 20 127 198

HSL 203.93, 0.82%, 0.43%

LAB 51.16, -1.96, -44.66

 

CMYK 79 / 31 / 0 / 29

HEX #267CB4

RGB 38 124 180

HSL 203.66, 0.65%, 0.43%

LAB 49.64, -5.47, -36.7

 

CMYK 65 / 26 / 0 / 36

HEX #3878A2

RGB 56 120 162

HSL 203.77, 0.49%, 0.43%

LAB 48.11, -6.93, -28.6

 

CMYK 49 / 20 / 0 / 43

HEX #4A7491

RGB 74 116 145

HSL 204.51, 0.32%, 0.43%

LAB 46.96, -6.2, -20.31

 

CMYK 28 / 11 / 0 / 50

HEX #5B717F

RGB 91 113 127

HSL 203.33, 0.17%, 0.43%

LAB 46.4, -4.59, -10.38

 

CMYK 90 / 0 / 14 / 22

HEX #14C6AB

RGB 20 198 171

HSL 170.9, 0.82%, 0.43%

LAB 71.88, -46.75, 2.04

 

CMYK 90 / 11 / 0 / 22

HEX #14B1C6

RGB 20 177 198

HSL 187.08, 0.82%, 0.43%

LAB 66.27, -29.18, -21.15

 

CMYK 90 / 34 / 0 / 22

HEX #1482C6

RGB 20 130 198

HSL 202.92, 0.82%, 0.43%

LAB 52.05, -3.75, -43.24

 

CMYK 90 / 58 / 0 / 22

HEX #1453C6

RGB 20 83 198

HSL 218.76, 0.82%, 0.43%

LAB 38.57, 26.13, -64.92

 

CMYK 90 / 82 / 0 / 22

HEX #1423C6

RGB 20 35 198

HSL 234.94, 0.82%, 0.43%

LAB 27.92, 54.96, -82.48

 

CMYK 90 / 36 / 0 / 52

HEX #0C4F7B

RGB 12 79 123

HSL 203.78, 0.82%, 0.26%

LAB 32.03, -2.34, -30.43

 

CMYK 90 / 36 / 0 / 37

HEX #1067A1

RGB 16 103 161

HSL 204, 0.82%, 0.35%

LAB 41.82, -1.95, -37.97

 

CMYK 90 / 36 / 0 / 22

HEX #147FC6

RGB 20 127 198

HSL 203.93, 0.82%, 0.43%

LAB 51.16, -1.96, -44.66

 

CMYK 87 / 35 / 0 / 9

HEX #1D97E7

RGB 29 151 231

HSL 203.76, 0.81%, 0.51%

LAB 60.04, -3.18, -49.12

 

CMYK 72 / 29 / 0 / 8

HEX #42A8EB

RGB 66 168 235

HSL 203.79, 0.81%, 0.59%

LAB 65.87, -7.83, -42.08

 

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

CMYK 37 / 90 / 0 / 22

HEX #7C14C6

RGB 124 20 198

HSL 275.06, 0.82%, 0.43%

LAB 35.72, 68.17, -69.28

 

CMYK 0 / 2 / 90 / 22

HEX #C6C314

RGB 198 195 20

HSL 58.99, 0.82%, 0.43%

LAB 76.73, -16.08, 75.22

 

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

CMYK 0 / 90 / 34 / 22

HEX #C61482

RGB 198 20 130

HSL 322.92, 0.82%, 0.43%

LAB 44.4, 70.62, -13.91

 

CMYK 34 / 0 / 90 / 22

HEX #82C614

RGB 130 198 20

HSL 82.92, 0.82%, 0.43%

LAB 73.01, -45.05, 70.31

 

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

CMYK 37 / 90 / 0 / 22

HEX #7C14C6

RGB 124 20 198

HSL 275.06, 0.82%, 0.43%

LAB 35.72, 68.17, -69.28

 

CMYK 0 / 56 / 90 / 22

HEX #C65814

RGB 198 88 20

HSL 22.92, 0.82%, 0.43%

LAB 50.73, 40.67, 55.2

 

CMYK 53 / 0 / 90 / 22

HEX #5EC614

RGB 94 198 20

HSL 95.06, 0.82%, 0.43%

LAB 71.43, -56.77, 68.35

 

CMYK 90 / 36 / 0 / 23

HEX #147EC5

RGB 20.1 126.8 197

HSL 203.81, 0.81%, 0.43%

LAB 51.05, -2.22, -44.27

 

CMYK 11 / 90 / 0 / 22

HEX #B114C6

RGB 177 20 198

HSL 292.92, 0.82%, 0.43%

LAB 44.12, 75.8, -55.24

 

CMYK 0 / 56 / 90 / 22

HEX #C65814

RGB 198 88 20

HSL 22.92, 0.82%, 0.43%

LAB 50.73, 40.67, 55.2

 

CMYK 79 / 0 / 90 / 22

HEX #29C614

RGB 41 198 20

HSL 112.92, 0.82%, 0.43%

LAB 70.11, -67.78, 66.71

 

Description

Color code: RGB 20.1 126.8 197 | qconv.com Color code: RGB 20.1 126.8 197 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20.1 red, 126.8 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20.1 126.8 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 36 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 36% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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