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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 249 105 it is the complementary color RGB 254 6 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 249 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 249 105 shade: RGB 6 249 100, RGB 23 255 119, RGB 40 255 138, RGB 57 255 157 and RGB 74 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 249 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 0 231 86, RGB 0 213 67, RGB 0 195 48 and RGB 0 177 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 1 249 38, RGB 31 249 1, RGB 98 249 1 and RGB 164 249 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 1 249 172, RGB 1 249 238, RGB 1 192 249 and RGB 1 125 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 249 105 shade matches the following richer shades: RGB 1 249 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 21 228 108, RGB 42 208 112, RGB 62 188 115 and RGB 82 168 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 249 105 shade: RGB 30 249 1, RGB 1 249 38, RGB 1 249 104, RGB 1 249 170 and RGB 1 249 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 249 105 shade: RGB 1 167 70, RGB 1 208 88, RGB 1 249 105, RGB 37 254 128 and RGB 78 254 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 1 96 249 and RGB 249 5 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 104 1 249 and RGB 249 104 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 1 96 249, RGB 249 1 146 and RGB 249 154 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 249 105 shade: RGB 1 249 105, RGB 1 22 249, RGB 249 1 146 and RGB 249 228 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

Complementary color

CMYK 0 / 98 / 41 / 0

HEX #FE0696

RGB 254 6 150

HSL 325.16, 0.99%, 0.51%

LAB 55.49, 85.69, -8.21

 

CMYK 98 / 0 / 60 / 2

HEX #06F964

RGB 6 249 100

HSL 143.21, 0.95%, 0.5%

LAB 86.36, -78.61, 56.67

 

CMYK 91 / 0 / 53 / 0

HEX #17FF77

RGB 23 255 119

HSL 144.83, 1%, 0.55%

LAB 88.46, -77.33, 50.74

 

CMYK 84 / 0 / 46 / 0

HEX #28FF8A

RGB 40 255 138

HSL 147.35, 1%, 0.58%

LAB 88.83, -73.38, 42.3

 

CMYK 78 / 0 / 38 / 0

HEX #39FF9D

RGB 57 255 157

HSL 150.3, 1%, 0.61%

LAB 89.31, -68.51, 33.65

 

CMYK 71 / 0 / 31 / 0

HEX #4AFFB0

RGB 74 255 176

HSL 153.81, 1%, 0.65%

LAB 89.91, -62.76, 24.96

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 0 / 63 / 9

HEX #00E756

RGB 0 231 86

HSL 142.34, 1%, 0.45%

LAB 80.64, -75.16, 56.11

 

CMYK 100 / 0 / 69 / 16

HEX #00D543

RGB 0 213 67

HSL 138.87, 1%, 0.42%

LAB 74.82, -71.94, 57.44

 

CMYK 100 / 0 / 75 / 24

HEX #00C330

RGB 0 195 48

HSL 134.77, 1%, 0.38%

LAB 68.93, -68.43, 58.3

 

CMYK 100 / 0 / 84 / 31

HEX #00B11D

RGB 0 177 29

HSL 129.83, 1%, 0.35%

LAB 62.96, -64.57, 58.33

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 0 / 85 / 2

HEX #01F926

RGB 1 249 38

HSL 128.95, 0.99%, 0.49%

LAB 85.96, -83.7, 76.96

 

CMYK 88 / 0 / 100 / 2

HEX #1FF901

RGB 31 249 1

HSL 112.74, 0.99%, 0.49%

LAB 86.03, -83.3, 81.79

 

CMYK 61 / 0 / 100 / 2

HEX #62F901

RGB 98 249 1

HSL 96.53, 0.99%, 0.49%

LAB 87.17, -73.41, 83.18

 

CMYK 34 / 0 / 100 / 2

HEX #A4F901

RGB 164 249 1

HSL 80.56, 0.99%, 0.49%

LAB 89.69, -54.14, 86.24

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 0 / 31 / 2

HEX #01F9AC

RGB 1 249 172

HSL 161.37, 0.99%, 0.49%

LAB 87.36, -66.69, 23.38

 

CMYK 100 / 0 / 4 / 2

HEX #01F9EE

RGB 1 249 238

HSL 177.34, 0.99%, 0.49%

LAB 88.89, -50.32, -8.62

 

CMYK 100 / 23 / 0 / 2

HEX #01C0F9

RGB 1 192 249

HSL 193.79, 0.99%, 0.49%

LAB 72.59, -20.23, -39.25

 

CMYK 100 / 50 / 0 / 2

HEX #017DF9

RGB 1 125 249

HSL 210, 0.99%, 0.49%

LAB 53.51, 18.37, -69.57

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 91 / 0 / 53 / 11

HEX #15E46C

RGB 21 228 108

HSL 145.22, 0.83%, 0.49%

LAB 80.03, -70.63, 45.57

 

CMYK 80 / 0 / 46 / 18

HEX #2AD070

RGB 42 208 112

HSL 145.3, 0.66%, 0.49%

LAB 74.04, -61.75, 36.2

 

CMYK 67 / 0 / 39 / 26

HEX #3EBC73

RGB 62 188 115

HSL 145.24, 0.5%, 0.49%

LAB 68.19, -51.01, 27.12

 

CMYK 51 / 0 / 30 / 34

HEX #52A876

RGB 82 168 118

HSL 145.12, 0.34%, 0.49%

LAB 62.6, -37.71, 18.07

 

CMYK 88 / 0 / 100 / 2

HEX #1EF901

RGB 30 249 1

HSL 112.98, 0.99%, 0.49%

LAB 86.02, -83.37, 81.78

 

CMYK 100 / 0 / 85 / 2

HEX #01F926

RGB 1 249 38

HSL 128.95, 0.99%, 0.49%

LAB 85.96, -83.7, 76.96

 

CMYK 100 / 0 / 58 / 2

HEX #01F968

RGB 1 249 104

HSL 144.92, 0.99%, 0.49%

LAB 86.38, -78.25, 54.96

 

CMYK 100 / 0 / 32 / 2

HEX #01F9AA

RGB 1 249 170

HSL 160.89, 0.99%, 0.49%

LAB 87.32, -67.11, 24.35

 

CMYK 100 / 0 / 5 / 2

HEX #01F9EC

RGB 1 249 236

HSL 176.85, 0.99%, 0.49%

LAB 88.83, -50.88, -7.65

 

CMYK 99 / 0 / 58 / 35

HEX #01A746

RGB 1 167 70

HSL 144.94, 0.99%, 0.33%

LAB 59.97, -57.62, 39.47

 

CMYK 100 / 0 / 58 / 18

HEX #01D058

RGB 1 208 88

HSL 145.22, 0.99%, 0.41%

LAB 73.43, -68.01, 46.93

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 85 / 0 / 50 / 0

HEX #25FE80

RGB 37 254 128

HSL 145.16, 0.99%, 0.57%

LAB 88.37, -74.86, 46.47

 

CMYK 69 / 0 / 40 / 0

HEX #4EFE98

RGB 78 254 152

HSL 145.23, 0.99%, 0.65%

LAB 89.29, -66.29, 36.16

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 61 / 0 / 2

HEX #0160F9

RGB 1 96 249

HSL 217.02, 0.99%, 0.49%

LAB 45.92, 36.77, -81.93

 

CMYK 0 / 98 / 100 / 2

HEX #F90501

RGB 249 5 1

HSL 0.97, 0.99%, 0.49%

LAB 52.12, 78.33, 65.8

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 58 / 100 / 0 / 2

HEX #6801F9

RGB 104 1 249

HSL 264.92, 0.99%, 0.49%

LAB 37.49, 80.2, -95.69

 

CMYK 0 / 58 / 100 / 2

HEX #F96801

RGB 249 104 1

HSL 24.92, 0.99%, 0.49%

LAB 61.69, 51.98, 70.31

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 61 / 0 / 2

HEX #0160F9

RGB 1 96 249

HSL 217.02, 0.99%, 0.49%

LAB 45.92, 36.77, -81.93

 

CMYK 0 / 100 / 41 / 2

HEX #F90192

RGB 249 1 146

HSL 324.92, 0.99%, 0.49%

LAB 54.28, 84.65, -7.74

 

CMYK 0 / 38 / 100 / 2

HEX #F99A01

RGB 249 154 1

HSL 37.02, 0.99%, 0.49%

LAB 71.73, 27.18, 76.4

 

CMYK 100 / 0 / 58 / 2

HEX #01F969

RGB 1 249 105

HSL 145.16, 0.99%, 0.49%

LAB 86.39, -78.13, 54.53

 

CMYK 100 / 91 / 0 / 2

HEX #0116F9

RGB 1 22 249

HSL 234.92, 0.99%, 0.49%

LAB 32.74, 73.79, -103.75

 

CMYK 0 / 100 / 41 / 2

HEX #F90192

RGB 249 1 146

HSL 324.92, 0.99%, 0.49%

LAB 54.28, 84.65, -7.74

 

CMYK 0 / 8 / 100 / 2

HEX #F9E401

RGB 249 228 1

HSL 54.92, 0.99%, 0.49%

LAB 89.69, -10.97, 88.77

 

Description

Color code: RGB 1 249 105 | qconv.com Color code: RGB 1 249 105 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 249 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 249 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 58 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 58% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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