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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 243 213 it is the complementary color RGB 254 12 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 243 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 243 213 shade: RGB 6 243 208, RGB 23 255 227, RGB 40 255 246, RGB 57 255 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 243 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 0 225 194, RGB 0 207 175, RGB 0 189 156 and RGB 0 171 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 1 243 148, RGB 1 243 82, RGB 1 243 17 and RGB 50 243 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 1 208 243, RGB 1 142 243, RGB 1 77 243 and RGB 1 12 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 243 213 shade matches the following richer shades: RGB 1 243 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 21 223 198, RGB 40 203 183, RGB 60 184 168 and RGB 80 164 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 243 213 shade: RGB 1 243 82, RGB 1 243 146, RGB 1 243 211, RGB 1 211 243 and RGB 1 146 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 243 213 shade: RGB 0 161 141, RGB 1 202 177, RGB 1 243 213, RGB 32 253 226 and RGB 73 254 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 17 1 243 and RGB 243 114 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 211 1 243 and RGB 243 211 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 17 1 243, RGB 243 1 33 and RGB 227 243 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 243 213 shade: RGB 1 243 213, RGB 90 1 243, RGB 243 1 33 and RGB 154 243 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

Complementary color

CMYK 0 / 95 / 83 / 0

HEX #FE0C2A

RGB 254 12 42

HSL 352.56, 0.99%, 0.52%

LAB 53.49, 79.54, 52.47

 

CMYK 98 / 0 / 14 / 5

HEX #06F3D0

RGB 6 243 208

HSL 171.14, 0.95%, 0.49%

LAB 86.35, -55.82, 3.33

 

CMYK 91 / 0 / 11 / 0

HEX #17FFE3

RGB 23 255 227

HSL 172.76, 1%, 0.55%

LAB 90.44, -55.21, -0.61

 

CMYK 84 / 0 / 4 / 0

HEX #28FFF6

RGB 40 255 246

HSL 177.49, 1%, 0.58%

LAB 91.06, -49.24, -9.53

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 100 / 0 / 14 / 12

HEX #00E1C2

RGB 0 225 194

HSL 171.73, 1%, 0.44%

LAB 80.6, -52.4, 2.35

 

CMYK 100 / 0 / 15 / 19

HEX #00CFAF

RGB 0 207 175

HSL 170.72, 1%, 0.41%

LAB 74.65, -50.1, 3.88

 

CMYK 100 / 0 / 17 / 26

HEX #00BD9C

RGB 0 189 156

HSL 169.52, 1%, 0.37%

LAB 68.6, -47.77, 5.47

 

CMYK 100 / 0 / 20 / 33

HEX #00AB89

RGB 0 171 137

HSL 168.07, 1%, 0.34%

LAB 62.45, -45.39, 7.13

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 100 / 0 / 39 / 5

HEX #01F394

RGB 1 243 148

HSL 156.45, 0.99%, 0.48%

LAB 85.12, -69.45, 32.52

 

CMYK 100 / 0 / 66 / 5

HEX #01F352

RGB 1 243 82

HSL 140.08, 0.99%, 0.48%

LAB 84.34, -79, 61.82

 

CMYK 100 / 0 / 93 / 5

HEX #01F311

RGB 1 243 17

HSL 123.97, 0.99%, 0.48%

LAB 84.04, -82.79, 78.73

 

CMYK 79 / 0 / 100 / 5

HEX #32F301

RGB 50 243 1

HSL 107.85, 0.99%, 0.48%

LAB 84.37, -79.9, 80.55

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 100 / 14 / 0 / 5

HEX #01D0F3

RGB 1 208 243

HSL 188.68, 0.99%, 0.48%

LAB 77.03, -30.27, -29.16

 

CMYK 100 / 42 / 0 / 5

HEX #018EF3

RGB 1 142 243

HSL 205.04, 0.99%, 0.48%

LAB 57.87, 5.6, -59.23

 

CMYK 100 / 68 / 0 / 5

HEX #014DF3

RGB 1 77 243

HSL 221.16, 0.99%, 0.48%

LAB 40.87, 46.41, -86.87

 

CMYK 100 / 95 / 0 / 5

HEX #010CF3

RGB 1 12 243

HSL 237.27, 0.99%, 0.48%

LAB 31.21, 74.43, -102.93

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 91 / 0 / 11 / 13

HEX #15DFC6

RGB 21 223 198

HSL 172.57, 0.83%, 0.48%

LAB 80.19, -49.88, -0.36

 

CMYK 80 / 0 / 10 / 20

HEX #28CBB7

RGB 40 203 183

HSL 172.64, 0.67%, 0.48%

LAB 73.92, -44.24, -1.46

 

CMYK 67 / 0 / 9 / 28

HEX #3CB8A8

RGB 60 184 168

HSL 172.26, 0.51%, 0.48%

LAB 68.07, -37.5, -1.81

 

CMYK 51 / 0 / 7 / 36

HEX #50A499

RGB 80 164 153

HSL 172.14, 0.34%, 0.48%

LAB 62.13, -28.23, -2.11

 

CMYK 100 / 0 / 66 / 5

HEX #01F352

RGB 1 243 82

HSL 140.08, 0.99%, 0.48%

LAB 84.34, -79, 61.82

 

CMYK 100 / 0 / 40 / 5

HEX #01F392

RGB 1 243 146

HSL 155.95, 0.99%, 0.48%

LAB 85.09, -69.82, 33.47

 

CMYK 100 / 0 / 13 / 5

HEX #01F3D3

RGB 1 243 211

HSL 172.07, 0.99%, 0.48%

LAB 86.41, -55.16, 1.84

 

CMYK 100 / 13 / 0 / 5

HEX #01D3F3

RGB 1 211 243

HSL 187.93, 0.99%, 0.48%

LAB 77.91, -31.72, -27.81

 

CMYK 100 / 40 / 0 / 5

HEX #0192F3

RGB 1 146 243

HSL 204.05, 0.99%, 0.48%

LAB 59.01, 3.21, -57.41

 

CMYK 100 / 0 / 12 / 37

HEX #00A18D

RGB 0 161 141

HSL 172.55, 1%, 0.32%

LAB 59.35, -40.07, 0.41

 

CMYK 100 / 0 / 12 / 21

HEX #01CAB1

RGB 1 202 177

HSL 172.54, 0.99%, 0.4%

LAB 73.17, -47.47, 0.65

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 87 / 0 / 11 / 1

HEX #20FDE2

RGB 32 253 226

HSL 172.67, 0.98%, 0.56%

LAB 89.88, -54.25, -0.89

 

CMYK 71 / 0 / 9 / 0

HEX #49FEE7

RGB 73 254 231

HSL 172.38, 0.99%, 0.64%

LAB 90.81, -49.85, -2.07

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 93 / 100 / 0 / 5

HEX #1101F3

RGB 17 1 243

HSL 243.97, 0.99%, 0.48%

LAB 30.91, 76.29, -103.43

 

CMYK 0 / 53 / 100 / 5

HEX #F37201

RGB 243 114 1

HSL 28.02, 0.99%, 0.48%

LAB 62.58, 45.06, 70.34

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 13 / 100 / 0 / 5

HEX #D301F3

RGB 211 1 243

HSL 292.07, 0.99%, 0.48%

LAB 52.22, 89.94, -67.57

 

CMYK 0 / 13 / 100 / 5

HEX #F3D301

RGB 243 211 1

HSL 52.07, 0.99%, 0.48%

LAB 84.82, -5.01, 85.04

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 93 / 100 / 0 / 5

HEX #1101F3

RGB 17 1 243

HSL 243.97, 0.99%, 0.48%

LAB 30.91, 76.29, -103.43

 

CMYK 0 / 100 / 86 / 5

HEX #F30121

RGB 243 1 33

HSL 352.07, 0.99%, 0.48%

LAB 50.9, 77.51, 53.77

 

CMYK 7 / 0 / 100 / 5

HEX #E3F301

RGB 227 243 1

HSL 63.97, 0.99%, 0.48%

LAB 91.88, -27.36, 89.59

 

CMYK 100 / 0 / 12 / 5

HEX #01F3D5

RGB 1 243 213

HSL 172.56, 0.99%, 0.48%

LAB 86.46, -54.63, 0.87

 

CMYK 63 / 100 / 0 / 5

HEX #5A01F3

RGB 90 1 243

HSL 262.07, 0.99%, 0.48%

LAB 35.33, 78.12, -95.93

 

CMYK 0 / 100 / 86 / 5

HEX #F30121

RGB 243 1 33

HSL 352.07, 0.99%, 0.48%

LAB 50.9, 77.51, 53.77

 

CMYK 37 / 0 / 100 / 5

HEX #9AF301

RGB 154 243 1

HSL 82.07, 0.99%, 0.48%

LAB 87.47, -55.2, 84.31

 

Description

Color code: RGB 1 243 213 | qconv.com Color code: RGB 1 243 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 243 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 243 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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