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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 232 253 it is the complementary color RGB 254 23 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 232 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 232 253 shade: RGB 6 232 248, RGB 23 250 255, RGB 40 255 255, RGB 57 255 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 232 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 0 214 234, RGB 0 196 215, RGB 0 178 196 and RGB 0 160 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 1 164 253, RGB 1 96 253, RGB 1 28 253 and RGB 42 1 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 1 164 253, RGB 1 96 253, RGB 1 28 253 and RGB 1 1 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 232 253 shade matches the following richer shades: RGB 1 232 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 21 215 233, RGB 42 198 212, RGB 63 181 191 and RGB 83 163 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 232 253 shade: RGB 1 253 140, RGB 1 253 207, RGB 1 232 253, RGB 1 165 253 and RGB 1 98 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 232 253 shade: RGB 0 157 171, RGB 1 195 212, RGB 1 232 253, RGB 42 236 253 and RGB 83 239 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 72 1 253 and RGB 253 173 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 253 1 232 and RGB 232 253 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 72 1 253, RGB 253 22 1 and RGB 182 253 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 232 253 shade: RGB 1 232 253, RGB 148 1 253, RGB 253 22 1 and RGB 106 253 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

Complementary color

CMYK 0 / 91 / 99 / 0

HEX #FE1702

RGB 254 23 2

HSL 5, 0.99%, 0.5%

LAB 53.69, 77.97, 66.76

 

CMYK 98 / 6 / 0 / 3

HEX #06E8F8

RGB 6 232 248

HSL 183.97, 0.95%, 0.5%

LAB 84.24, -39.86, -20.83

 

CMYK 91 / 2 / 0 / 0

HEX #17FAFF

RGB 23 250 255

HSL 181.29, 1%, 0.55%

LAB 89.75, -45.36, -16.17

 

CMYK 84 / 0 / 0 / 0

HEX #28FFFF

RGB 40 255 255

HSL 180, 1%, 0.58%

LAB 91.32, -46.73, -13.81

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 100 / 9 / 0 / 8

HEX #00D6EA

RGB 0 214 234

HSL 185.13, 1%, 0.46%

LAB 78.48, -36.03, -22.13

 

CMYK 100 / 9 / 0 / 16

HEX #00C4D7

RGB 0 196 215

HSL 185.3, 1%, 0.42%

LAB 72.49, -33.55, -21.01

 

CMYK 100 / 9 / 0 / 23

HEX #00B2C4

RGB 0 178 196

HSL 185.51, 1%, 0.38%

LAB 66.39, -31.02, -19.87

 

CMYK 100 / 10 / 0 / 31

HEX #00A0B1

RGB 0 160 177

HSL 185.76, 1%, 0.35%

LAB 60.17, -28.45, -18.72

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 100 / 35 / 0 / 1

HEX #01A4FD

RGB 1 164 253

HSL 201.19, 0.99%, 0.5%

LAB 64.68, -3.53, -53.85

 

CMYK 100 / 62 / 0 / 1

HEX #0160FD

RGB 1 96 253

HSL 217.38, 0.99%, 0.5%

LAB 46.26, 38.27, -83.6

 

CMYK 100 / 89 / 0 / 1

HEX #011CFD

RGB 1 28 253

HSL 233.57, 0.99%, 0.5%

LAB 33.83, 73.16, -104.18

 

CMYK 83 / 100 / 0 / 1

HEX #2A01FD

RGB 42 1 253

HSL 249.76, 0.99%, 0.5%

LAB 33.15, 78.94, -105.3

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 100 / 35 / 0 / 1

HEX #01A4FD

RGB 1 164 253

HSL 201.19, 0.99%, 0.5%

LAB 64.68, -3.53, -53.85

 

CMYK 100 / 62 / 0 / 1

HEX #0160FD

RGB 1 96 253

HSL 217.38, 0.99%, 0.5%

LAB 46.26, 38.27, -83.6

 

CMYK 100 / 89 / 0 / 1

HEX #011CFD

RGB 1 28 253

HSL 233.57, 0.99%, 0.5%

LAB 33.83, 73.16, -104.18

 

CMYK 100 / 100 / 0 / 1

HEX #0101FD

RGB 1 1 253

HSL 240, 0.99%, 0.5%

LAB 32.08, 78.58, -107.12

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 91 / 8 / 0 / 9

HEX #15D7E9

RGB 21 215 233

HSL 185.09, 0.83%, 0.5%

LAB 78.84, -36.22, -21.05

 

CMYK 80 / 7 / 0 / 17

HEX #2AC6D4

RGB 42 198 212

HSL 184.94, 0.67%, 0.5%

LAB 73.31, -33.41, -18.1

 

CMYK 67 / 5 / 0 / 25

HEX #3FB5BF

RGB 63 181 191

HSL 184.69, 0.5%, 0.5%

LAB 67.92, -29.13, -14.71

 

CMYK 51 / 5 / 0 / 33

HEX #53A3AB

RGB 83 163 171

HSL 185.45, 0.35%, 0.5%

LAB 62.49, -22.2, -11.69

 

CMYK 100 / 0 / 45 / 1

HEX #01FD8C

RGB 1 253 140

HSL 153.1, 0.99%, 0.5%

LAB 88.04, -74.16, 40.28

 

CMYK 100 / 0 / 18 / 1

HEX #01FDCF

RGB 1 253 207

HSL 169.05, 0.99%, 0.5%

LAB 89.28, -60.1, 8.07

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 100 / 35 / 0 / 1

HEX #01A5FD

RGB 1 165 253

HSL 200.95, 0.99%, 0.5%

LAB 64.97, -4.1, -53.4

 

CMYK 100 / 61 / 0 / 1

HEX #0162FD

RGB 1 98 253

HSL 216.9, 0.99%, 0.5%

LAB 46.76, 37.01, -82.79

 

CMYK 100 / 8 / 0 / 33

HEX #009DAB

RGB 0 157 171

HSL 184.91, 1%, 0.34%

LAB 59.02, -28.95, -17.07

 

CMYK 100 / 8 / 0 / 17

HEX #01C3D4

RGB 1 195 212

HSL 184.83, 0.99%, 0.42%

LAB 72.09, -34, -19.98

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 83 / 7 / 0 / 1

HEX #2AECFD

RGB 42 236 253

HSL 184.83, 0.98%, 0.58%

LAB 85.79, -38.72, -21.08

 

CMYK 67 / 6 / 0 / 0

HEX #53EFFE

RGB 83 239 254

HSL 185.26, 0.99%, 0.66%

LAB 87.35, -35.7, -19.19

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 72 / 100 / 0 / 1

HEX #4801FD

RGB 72 1 253

HSL 256.9, 0.99%, 0.5%

LAB 34.99, 79.66, -102.19

 

CMYK 0 / 32 / 100 / 1

HEX #FDAD01

RGB 253 173 1

HSL 40.95, 0.99%, 0.5%

LAB 76.54, 18.93, 79.79

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 0 / 100 / 8 / 1

HEX #FD01E8

RGB 253 1 232

HSL 305, 0.99%, 0.5%

LAB 58.72, 94.78, -50.58

 

CMYK 8 / 0 / 100 / 1

HEX #E8FD01

RGB 232 253 1

HSL 65, 0.99%, 0.5%

LAB 94.91, -29.98, 92.01

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 72 / 100 / 0 / 1

HEX #4801FD

RGB 72 1 253

HSL 256.9, 0.99%, 0.5%

LAB 34.99, 79.66, -102.19

 

CMYK 0 / 91 / 100 / 1

HEX #FD1601

RGB 253 22 1

HSL 5, 0.99%, 0.5%

LAB 53.45, 77.83, 66.79

 

CMYK 28 / 0 / 100 / 1

HEX #B6FD01

RGB 182 253 1

HSL 76.9, 0.99%, 0.5%

LAB 91.77, -49.35, 88.25

 

CMYK 100 / 8 / 0 / 1

HEX #01E8FD

RGB 1 232 253

HSL 185, 0.99%, 0.5%

LAB 84.39, -38.44, -23.24

 

CMYK 42 / 100 / 0 / 1

HEX #9401FD

RGB 148 1 253

HSL 275, 0.99%, 0.5%

LAB 43.37, 84.33, -88.03

 

CMYK 0 / 91 / 100 / 1

HEX #FD1601

RGB 253 22 1

HSL 5, 0.99%, 0.5%

LAB 53.45, 77.83, 66.79

 

CMYK 58 / 0 / 100 / 1

HEX #6AFD01

RGB 106 253 1

HSL 95, 0.99%, 0.5%

LAB 88.6, -72.84, 84.41

 

Description

Color code: RGB 1 232 253 | qconv.com Color code: RGB 1 232 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 232 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 232 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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