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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 228 45 it is the complementary color RGB 254 27 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 228 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 228 45 shade: RGB 6 228 40, RGB 23 246 59, RGB 40 255 78, RGB 57 255 97 and RGB 74 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 228 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 0 210 26, RGB 0 192 7, RGB 0 174 0 and RGB 0 156 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 18 228 1, RGB 79 228 1, RGB 140 228 1 and RGB 202 228 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 1 228 106, RGB 1 228 167, RGB 1 227 228 and RGB 1 166 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 228 45 shade matches the following richer shades: RGB 1 228 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 19 209 56, RGB 38 191 67, RGB 56 172 79 and RGB 75 154 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 228 45 shade: RGB 80 228 1, RGB 20 228 1, RGB 1 228 42, RGB 1 228 103 and RGB 1 228 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 228 45 shade: RGB 0 146 28, RGB 0 187 37, RGB 1 228 45, RGB 16 253 62 and RGB 58 254 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 1 141 228 and RGB 228 1 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 42 1 228 and RGB 228 42 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 1 141 228, RGB 228 1 186 and RGB 228 88 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 228 45 shade: RGB 1 228 45, RGB 1 73 228, RGB 228 1 186 and RGB 228 156 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

Complementary color

CMYK 0 / 89 / 17 / 0

HEX #FE1BD2

RGB 254 27 210

HSL 311.63, 0.99%, 0.55%

LAB 58.52, 90.09, -38.45

 

CMYK 97 / 0 / 82 / 11

HEX #06E428

RGB 6 228 40

HSL 129.19, 0.95%, 0.46%

LAB 79.43, -77.85, 70.64

 

CMYK 91 / 0 / 76 / 4

HEX #17F63B

RGB 23 246 59

HSL 129.69, 0.93%, 0.53%

LAB 85.2, -80.95, 70.83

 

CMYK 84 / 0 / 69 / 0

HEX #28FF4E

RGB 40 255 78

HSL 130.6, 1%, 0.58%

LAB 88.22, -80.84, 67.53

 

CMYK 78 / 0 / 62 / 0

HEX #39FF61

RGB 57 255 97

HSL 132.12, 1%, 0.61%

LAB 88.57, -77.27, 60.56

 

CMYK 71 / 0 / 55 / 0

HEX #4AFF74

RGB 74 255 116

HSL 133.92, 1%, 0.65%

LAB 89.03, -72.69, 52.93

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 0 / 88 / 18

HEX #00D21A

RGB 0 210 26

HSL 127.43, 1%, 0.41%

LAB 73.65, -73.81, 68.55

 

CMYK 100 / 0 / 96 / 25

HEX #00C007

RGB 0 192 7

HSL 122.19, 1%, 0.38%

LAB 67.81, -69.47, 66.39

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 92 / 0 / 100 / 11

HEX #12E401

RGB 18 228 1

HSL 115.51, 0.99%, 0.45%

LAB 79.4, -78.5, 76.43

 

CMYK 65 / 0 / 100 / 11

HEX #4FE401

RGB 79 228 1

HSL 99.38, 0.99%, 0.45%

LAB 80.26, -70.86, 77.49

 

CMYK 39 / 0 / 100 / 11

HEX #8CE401

RGB 140 228 1

HSL 83.26, 0.99%, 0.45%

LAB 82.41, -54.04, 80.1

 

CMYK 11 / 0 / 100 / 11

HEX #CAE401

RGB 202 228 1

HSL 66.87, 0.99%, 0.45%

LAB 86.03, -30.56, 84.44

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 0 / 54 / 11

HEX #01E46A

RGB 1 228 106

HSL 147.75, 0.99%, 0.45%

LAB 79.92, -71.65, 46.35

 

CMYK 100 / 0 / 27 / 11

HEX #01E4A7

RGB 1 228 167

HSL 163.88, 0.99%, 0.45%

LAB 80.9, -60.19, 17.01

 

CMYK 100 / 0 / 0 / 11

HEX #01E3E4

RGB 1 227 228

HSL 180.26, 0.99%, 0.45%

LAB 82.13, -43.72, -13.43

 

CMYK 100 / 27 / 0 / 11

HEX #01A6E4

RGB 1 166 228

HSL 196.39, 0.99%, 0.45%

LAB 64.06, -13.79, -41.13

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 91 / 0 / 73 / 18

HEX #13D138

RGB 19 209 56

HSL 131.68, 0.83%, 0.45%

LAB 73.56, -70.97, 60.23

 

CMYK 80 / 0 / 65 / 25

HEX #26BF43

RGB 38 191 67

HSL 131.37, 0.67%, 0.45%

LAB 68.08, -62.83, 50.2

 

CMYK 67 / 0 / 54 / 33

HEX #38AC4F

RGB 56 172 79

HSL 131.9, 0.51%, 0.45%

LAB 62.43, -52.03, 38.22

 

CMYK 51 / 0 / 42 / 40

HEX #4B9A5A

RGB 75 154 90

HSL 131.39, 0.34%, 0.45%

LAB 57.41, -38.62, 26.34

 

CMYK 65 / 0 / 100 / 11

HEX #50E401

RGB 80 228 1

HSL 99.12, 0.99%, 0.45%

LAB 80.29, -70.65, 77.52

 

CMYK 91 / 0 / 100 / 11

HEX #14E401

RGB 20 228 1

HSL 114.98, 0.99%, 0.45%

LAB 79.41, -78.4, 76.45

 

CMYK 100 / 0 / 82 / 11

HEX #01E42A

RGB 1 228 42

HSL 130.84, 0.99%, 0.45%

LAB 79.42, -77.91, 70.12

 

CMYK 100 / 0 / 55 / 11

HEX #01E467

RGB 1 228 103

HSL 146.96, 0.99%, 0.45%

LAB 79.88, -72.08, 47.71

 

CMYK 100 / 0 / 29 / 11

HEX #01E4A3

RGB 1 228 163

HSL 162.82, 0.99%, 0.45%

LAB 80.82, -61.1, 18.99

 

CMYK 100 / 0 / 81 / 43

HEX #00921C

RGB 0 146 28

HSL 131.51, 1%, 0.29%

LAB 52.56, -55.67, 48.9

 

CMYK 100 / 0 / 80 / 27

HEX #00BB25

RGB 0 187 37

HSL 131.87, 1%, 0.37%

LAB 66.27, -66.93, 59.2

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 94 / 0 / 75 / 1

HEX #10FD3E

RGB 16 253 62

HSL 131.65, 0.98%, 0.53%

LAB 87.34, -82.98, 71.99

 

CMYK 77 / 0 / 63 / 0

HEX #3AFE5F

RGB 58 254 95

HSL 131.33, 0.99%, 0.61%

LAB 88.26, -77.06, 61.04

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 38 / 0 / 11

HEX #018DE4

RGB 1 141 228

HSL 203, 0.99%, 0.45%

LAB 56.74, 0.47, -52.71

 

CMYK 0 / 100 / 78 / 11

HEX #E40132

RGB 228 1 50

HSL 347.05, 0.99%, 0.45%

LAB 47.94, 74.33, 40.92

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 82 / 100 / 0 / 11

HEX #2A01E4

RGB 42 1 228

HSL 250.84, 0.99%, 0.45%

LAB 29.7, 73.03, -96.88

 

CMYK 0 / 82 / 100 / 11

HEX #E42A01

RGB 228 42 1

HSL 10.84, 0.99%, 0.45%

LAB 49.68, 67.71, 62.27

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 38 / 0 / 11

HEX #018DE4

RGB 1 141 228

HSL 203, 0.99%, 0.45%

LAB 56.74, 0.47, -52.71

 

CMYK 0 / 100 / 18 / 11

HEX #E401BA

RGB 228 1 186

HSL 311.1, 0.99%, 0.45%

LAB 51.91, 84.69, -35.32

 

CMYK 0 / 61 / 100 / 11

HEX #E45801

RGB 228 88 1

HSL 23, 0.99%, 0.45%

LAB 55.56, 51.6, 65.13

 

CMYK 100 / 0 / 80 / 11

HEX #01E42D

RGB 1 228 45

HSL 131.63, 0.99%, 0.45%

LAB 79.43, -77.75, 69.34

 

CMYK 100 / 68 / 0 / 11

HEX #0149E4

RGB 1 73 228

HSL 220.97, 0.99%, 0.45%

LAB 38.5, 43.42, -82.29

 

CMYK 0 / 100 / 18 / 11

HEX #E401BA

RGB 228 1 186

HSL 311.1, 0.99%, 0.45%

LAB 51.91, 84.69, -35.32

 

CMYK 0 / 32 / 100 / 11

HEX #E49C01

RGB 228 156 1

HSL 40.97, 0.99%, 0.45%

LAB 69.66, 17.22, 73.81

 

Description

Color code: RGB 1 228 45 | qconv.com Color code: RGB 1 228 45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 228 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 228 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 80 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 80% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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