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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 210 243 it is the complementary color RGB 254 45 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 210 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 210 243 shade: RGB 6 210 238, RGB 23 228 255, RGB 40 246 255, RGB 57 255 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 210 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 210 243 shade: RGB 1 210 243, RGB 0 192 224, RGB 0 174 205, RGB 0 156 186 and RGB 0 138 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 210 243 shade: RGB 1 211 244, RGB 1 145 244, RGB 1 80 244, RGB 1 14 244 and RGB 53 1 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 210 243 shade: RGB 1 211 244, RGB 1 145 244, RGB 1 80 244, RGB 1 14 244 and RGB 1 1 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 210 243 shade matches the following richer shades: RGB 1 211 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 210 243 shade: RGB 1 211 244, RGB 21 196 224, RGB 41 182 204, RGB 61 167 184 and RGB 80 153 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 210 243 shade: RGB 1 244 147, RGB 1 244 211, RGB 1 211 244, RGB 1 147 244 and RGB 1 82 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 210 243 shade: RGB 1 140 161, RGB 1 175 203, RGB 1 211 244, RGB 32 224 254 and RGB 73 229 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 210 243 shade: RGB 1 210 243, RGB 82 1 244 and RGB 244 179 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 210 243 shade: RGB 1 210 243, RGB 244 1 211 and RGB 211 244 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 210 243 shade: RGB 1 210 243, RGB 82 1 244, RGB 244 34 1 and RGB 163 244 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 210 243 shade: RGB 1 210 243, RGB 155 1 244, RGB 244 34 1 and RGB 90 244 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

Complementary color

CMYK 0 / 82 / 95 / 0

HEX #FE2D0C

RGB 254 45 12

HSL 8.18, 0.99%, 0.52%

LAB 55.05, 74.24, 65.08

 

CMYK 97 / 12 / 0 / 7

HEX #06D2EE

RGB 6 210 238

HSL 187.24, 0.95%, 0.48%

LAB 77.46, -32.73, -25.82

 

CMYK 91 / 11 / 0 / 0

HEX #17E4FF

RGB 23 228 255

HSL 186.98, 1%, 0.55%

LAB 83.38, -35.4, -25.81

 

CMYK 84 / 4 / 0 / 0

HEX #28F6FF

RGB 40 246 255

HSL 182.51, 1%, 0.58%

LAB 88.72, -42.77, -17.71

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

CMYK 100 / 14 / 0 / 12

HEX #00C0E0

RGB 0 192 224

HSL 188.57, 1%, 0.44%

LAB 71.61, -28.7, -27.24

 

CMYK 100 / 15 / 0 / 20

HEX #00AECD

RGB 0 174 205

HSL 189.07, 1%, 0.4%

LAB 65.5, -26.07, -26.21

 

CMYK 100 / 16 / 0 / 27

HEX #009CBA

RGB 0 156 186

HSL 189.68, 1%, 0.36%

LAB 59.27, -23.37, -25.17

 

CMYK 100 / 17 / 0 / 35

HEX #008AA7

RGB 0 138 167

HSL 190.42, 1%, 0.33%

LAB 52.91, -20.6, -24.14

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 100 / 41 / 0 / 4

HEX #0191F4

RGB 1 145 244

HSL 204.44, 0.99%, 0.48%

LAB 58.78, 4.19, -58.33

 

CMYK 100 / 67 / 0 / 4

HEX #0150F4

RGB 1 80 244

HSL 220.49, 0.99%, 0.48%

LAB 41.65, 44.93, -86.15

 

CMYK 100 / 94 / 0 / 4

HEX #010EF4

RGB 1 14 244

HSL 236.79, 0.99%, 0.48%

LAB 31.47, 74.31, -103.06

 

CMYK 78 / 100 / 0 / 4

HEX #3501F4

RGB 53 1 244

HSL 252.84, 0.99%, 0.48%

LAB 32.5, 77.04, -101.29

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 100 / 41 / 0 / 4

HEX #0191F4

RGB 1 145 244

HSL 204.44, 0.99%, 0.48%

LAB 58.78, 4.19, -58.33

 

CMYK 100 / 67 / 0 / 4

HEX #0150F4

RGB 1 80 244

HSL 220.49, 0.99%, 0.48%

LAB 41.65, 44.93, -86.15

 

CMYK 100 / 94 / 0 / 4

HEX #010EF4

RGB 1 14 244

HSL 236.79, 0.99%, 0.48%

LAB 31.47, 74.31, -103.06

 

CMYK 100 / 100 / 0 / 4

HEX #0101F4

RGB 1 1 244

HSL 240, 0.99%, 0.48%

LAB 30.78, 76.44, -104.21

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 91 / 13 / 0 / 12

HEX #15C4E0

RGB 21 196 224

HSL 188.28, 0.83%, 0.48%

LAB 72.91, -30.01, -25.24

 

CMYK 80 / 11 / 0 / 20

HEX #29B6CC

RGB 41 182 204

HSL 188.1, 0.67%, 0.48%

LAB 68.23, -28.24, -21.44

 

CMYK 67 / 9 / 0 / 28

HEX #3DA7B8

RGB 61 167 184

HSL 188.29, 0.5%, 0.48%

LAB 63.42, -24.56, -17.64

 

CMYK 51 / 7 / 0 / 36

HEX #5099A4

RGB 80 153 164

HSL 187.86, 0.34%, 0.48%

LAB 59.13, -19.66, -12.79

 

CMYK 100 / 0 / 40 / 4

HEX #01F493

RGB 1 244 147

HSL 156.05, 0.99%, 0.48%

LAB 85.41, -69.97, 33.4

 

CMYK 100 / 0 / 14 / 4

HEX #01F4D3

RGB 1 244 211

HSL 171.85, 0.99%, 0.48%

LAB 86.71, -55.56, 2.28

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 100 / 40 / 0 / 4

HEX #0193F4

RGB 1 147 244

HSL 203.95, 0.99%, 0.48%

LAB 59.35, 2.99, -57.42

 

CMYK 100 / 66 / 0 / 4

HEX #0152F4

RGB 1 82 244

HSL 220, 0.99%, 0.48%

LAB 42.11, 43.7, -85.39

 

CMYK 99 / 13 / 0 / 37

HEX #018CA1

RGB 1 140 161

HSL 187.88, 0.99%, 0.32%

LAB 53.32, -23.71, -20.06

 

CMYK 100 / 14 / 0 / 20

HEX #01AFCB

RGB 1 175 203

HSL 188.32, 0.99%, 0.4%

LAB 65.73, -27.21, -24.74

 

CMYK 100 / 14 / 0 / 4

HEX #01D3F4

RGB 1 211 244

HSL 188.15, 0.99%, 0.48%

LAB 77.95, -31.4, -28.29

 

CMYK 87 / 12 / 0 / 0

HEX #20E0FE

RGB 32 224 254

HSL 188.11, 0.99%, 0.56%

LAB 82.26, -33.42, -27

 

CMYK 71 / 10 / 0 / 0

HEX #49E5FE

RGB 73 229 254

HSL 188.29, 0.99%, 0.64%

LAB 84.28, -32.27, -23.86

 

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

CMYK 66 / 100 / 0 / 4

HEX #5201F4

RGB 82 1 244

HSL 260, 0.99%, 0.48%

LAB 34.7, 77.98, -97.58

 

CMYK 0 / 27 / 100 / 4

HEX #F4B301

RGB 244 179 1

HSL 43.95, 0.99%, 0.48%

LAB 76.97, 11.95, 79.6

 

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

CMYK 0 / 100 / 14 / 4

HEX #F401D3

RGB 244 1 211

HSL 308.15, 0.99%, 0.48%

LAB 56.05, 90.59, -43.03

 

CMYK 14 / 0 / 100 / 4

HEX #D3F401

RGB 211 244 1

HSL 68.15, 0.99%, 0.48%

LAB 91.03, -34.29, 88.46

 

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

CMYK 66 / 100 / 0 / 4

HEX #5201F4

RGB 82 1 244

HSL 260, 0.99%, 0.48%

LAB 34.7, 77.98, -97.58

 

CMYK 0 / 86 / 100 / 4

HEX #F42201

RGB 244 34 1

HSL 8.15, 0.99%, 0.48%

LAB 52.26, 73.73, 65.23

 

CMYK 33 / 0 / 100 / 4

HEX #A3F401

RGB 163 244 1

HSL 80, 0.99%, 0.48%

LAB 88.2, -52.48, 85.07

 

CMYK 100 / 14 / 0 / 5

HEX #01D2F3

RGB 1 210 243

HSL 188.18, 0.99%, 0.48%

LAB 77.62, -31.24, -28.26

 

CMYK 36 / 100 / 0 / 4

HEX #9B01F4

RGB 155 1 244

HSL 278.02, 0.99%, 0.48%

LAB 43.54, 83.26, -82.67

 

CMYK 0 / 86 / 100 / 4

HEX #F42201

RGB 244 34 1

HSL 8.15, 0.99%, 0.48%

LAB 52.26, 73.73, 65.23

 

CMYK 63 / 0 / 100 / 4

HEX #5AF401

RGB 90 244 1

HSL 98.02, 0.99%, 0.48%

LAB 85.44, -73.58, 81.72

 

Description

Color code: RGB 1 210 243 | qconv.com Color code: RGB 1 210 243 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 210 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 210 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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