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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 202 72 it is the complementary color RGB 254 53 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 202 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 202 72 shade: RGB 6 202 67, RGB 23 220 86, RGB 40 238 105, RGB 57 255 124 and RGB 74 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 202 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 0 184 53, RGB 0 166 34, RGB 0 148 15 and RGB 0 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 1 202 17, RGB 38 202 1, RGB 93 202 1 and RGB 147 202 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 1 202 126, RGB 1 202 181, RGB 1 170 202 and RGB 1 115 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 202 72 shade matches the following richer shades: RGB 1 202 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 17 186 77, RGB 34 169 82, RGB 50 153 86 and RGB 67 136 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 202 72 shade: RGB 38 202 1, RGB 1 202 17, RGB 1 202 71, RGB 1 202 125 and RGB 1 202 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 202 72 shade: RGB 0 120 43, RGB 0 161 57, RGB 1 202 72, RGB 1 244 86 and RGB 32 253 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 1 91 202 and RGB 202 1 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 71 1 202 and RGB 202 71 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 1 91 202, RGB 202 1 132 and RGB 202 112 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 202 72 shade: RGB 1 202 72, RGB 1 31 202, RGB 202 1 132 and RGB 202 172 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

Complementary color

CMYK 0 / 79 / 28 / 0

HEX #FE35B7

RGB 254 53 183

HSL 321.19, 0.99%, 0.6%

LAB 59.01, 82.18, -22.2

 

CMYK 97 / 0 / 67 / 21

HEX #06CA43

RGB 6 202 67

HSL 138.67, 0.94%, 0.41%

LAB 71.34, -68.51, 53.7

 

CMYK 90 / 0 / 61 / 14

HEX #17DC56

RGB 23 220 86

HSL 139.19, 0.81%, 0.48%

LAB 77.31, -70.97, 52.35

 

CMYK 83 / 0 / 56 / 7

HEX #28EE69

RGB 40 238 105

HSL 139.7, 0.85%, 0.55%

LAB 83.24, -72.83, 50.87

 

CMYK 78 / 0 / 51 / 0

HEX #39FF7C

RGB 57 255 124

HSL 140.3, 1%, 0.61%

LAB 88.85, -73.88, 48.98

 

CMYK 71 / 0 / 44 / 0

HEX #4AFF8F

RGB 74 255 143

HSL 142.87, 1%, 0.65%

LAB 89.37, -68.75, 40.67

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 0 / 71 / 28

HEX #00B835

RGB 0 184 53

HSL 137.28, 1%, 0.36%

LAB 65.39, -64.83, 52.89

 

CMYK 100 / 0 / 80 / 35

HEX #00A622

RGB 0 166 34

HSL 132.29, 1%, 0.33%

LAB 59.33, -61.12, 53.5

 

CMYK 100 / 0 / 90 / 42

HEX #00940F

RGB 0 148 15

HSL 126.08, 1%, 0.29%

LAB 53.18, -56.96, 52.88

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 0 / 92 / 21

HEX #01CA11

RGB 1 202 17

HSL 124.78, 0.99%, 0.4%

LAB 71.07, -71.91, 67.87

 

CMYK 81 / 0 / 100 / 21

HEX #26CA01

RGB 38 202 1

HSL 108.96, 0.99%, 0.4%

LAB 71.32, -69.73, 70.03

 

CMYK 54 / 0 / 100 / 21

HEX #5DCA01

RGB 93 202 1

HSL 92.54, 0.99%, 0.4%

LAB 72.61, -58.86, 71.6

 

CMYK 27 / 0 / 100 / 21

HEX #93CA01

RGB 147 202 1

HSL 76.42, 0.99%, 0.4%

LAB 75.11, -40.71, 74.62

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 0 / 38 / 21

HEX #01CA7E

RGB 1 202 126

HSL 157.31, 0.99%, 0.4%

LAB 72.06, -59.66, 26.38

 

CMYK 100 / 0 / 10 / 21

HEX #01CAB5

RGB 1 202 181

HSL 173.73, 0.99%, 0.4%

LAB 73.27, -46.37, -1.36

 

CMYK 100 / 16 / 0 / 21

HEX #01AACA

RGB 1 170 202

HSL 189.55, 0.99%, 0.4%

LAB 64.18, -25.03, -26.58

 

CMYK 100 / 43 / 0 / 21

HEX #0173CA

RGB 1 115 202

HSL 205.97, 0.99%, 0.4%

LAB 47.67, 6.21, -52.53

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 91 / 0 / 59 / 27

HEX #11BA4D

RGB 17 186 77

HSL 141.3, 0.83%, 0.4%

LAB 66.35, -61.92, 43.7

 

CMYK 80 / 0 / 51 / 34

HEX #22A952

RGB 34 169 82

HSL 141.33, 0.67%, 0.4%

LAB 61.07, -54, 34.95

 

CMYK 67 / 0 / 44 / 40

HEX #329956

RGB 50 153 86

HSL 140.97, 0.51%, 0.4%

LAB 56.22, -44.83, 26.79

 

CMYK 51 / 0 / 33 / 47

HEX #43885B

RGB 67 136 91

HSL 140.87, 0.34%, 0.4%

LAB 51.33, -32.56, 17.64

 

CMYK 81 / 0 / 100 / 21

HEX #26CA01

RGB 38 202 1

HSL 108.96, 0.99%, 0.4%

LAB 71.32, -69.73, 70.03

 

CMYK 100 / 0 / 92 / 21

HEX #01CA11

RGB 1 202 17

HSL 124.78, 0.99%, 0.4%

LAB 71.07, -71.91, 67.87

 

CMYK 100 / 0 / 65 / 21

HEX #01CA47

RGB 1 202 71

HSL 140.9, 0.99%, 0.4%

LAB 71.35, -68.27, 52.05

 

CMYK 100 / 0 / 38 / 21

HEX #01CA7D

RGB 1 202 125

HSL 157.01, 0.99%, 0.4%

LAB 72.05, -59.86, 26.88

 

CMYK 100 / 0 / 11 / 21

HEX #01CAB3

RGB 1 202 179

HSL 173.13, 0.99%, 0.4%

LAB 73.22, -46.93, -0.36

 

CMYK 100 / 0 / 64 / 53

HEX #00782B

RGB 0 120 43

HSL 141.5, 1%, 0.24%

LAB 43.66, -46.08, 33.54

 

CMYK 100 / 0 / 65 / 37

HEX #00A139

RGB 0 161 57

HSL 141.24, 1%, 0.32%

LAB 57.83, -57.47, 43.05

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 0 / 65 / 4

HEX #01F456

RGB 1 244 86

HSL 140.99, 0.99%, 0.48%

LAB 84.68, -78.88, 60.6

 

CMYK 87 / 0 / 57 / 1

HEX #20FD6E

RGB 32 253 110

HSL 141.18, 0.98%, 0.56%

LAB 87.82, -77.42, 54.03

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 55 / 0 / 21

HEX #015BCA

RGB 1 91 202

HSL 213.13, 0.99%, 0.4%

LAB 40.82, 21.72, -63.59

 

CMYK 0 / 100 / 95 / 21

HEX #CA010B

RGB 202 1 11

HSL 357.01, 0.99%, 0.4%

LAB 42.16, 67.22, 52.74

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 65 / 100 / 0 / 21

HEX #4701CA

RGB 71 1 202

HSL 260.9, 0.99%, 0.4%

LAB 28.45, 67.8, -83.86

 

CMYK 0 / 65 / 100 / 21

HEX #CA4701

RGB 202 71 1

HSL 20.9, 0.99%, 0.4%

LAB 48.34, 49.78, 58.88

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 55 / 0 / 21

HEX #015BCA

RGB 1 91 202

HSL 213.13, 0.99%, 0.4%

LAB 40.82, 21.72, -63.59

 

CMYK 0 / 100 / 35 / 21

HEX #CA0184

RGB 202 1 132

HSL 320.9, 0.99%, 0.4%

LAB 44.58, 73.66, -14.79

 

CMYK 0 / 45 / 100 / 21

HEX #CA7001

RGB 202 112 1

HSL 33.13, 0.99%, 0.4%

LAB 56.23, 29.67, 63.47

 

CMYK 100 / 0 / 64 / 21

HEX #01CA48

RGB 1 202 72

HSL 141.19, 0.99%, 0.4%

LAB 71.36, -68.16, 51.64

 

CMYK 100 / 85 / 0 / 21

HEX #011FCA

RGB 1 31 202

HSL 231.04, 0.99%, 0.4%

LAB 27.44, 57.63, -85.64

 

CMYK 0 / 100 / 35 / 21

HEX #CA0184

RGB 202 1 132

HSL 320.9, 0.99%, 0.4%

LAB 44.58, 73.66, -14.79

 

CMYK 0 / 15 / 100 / 21

HEX #CAAC01

RGB 202 172 1

HSL 51.04, 0.99%, 0.4%

LAB 70.91, -2.72, 73.38

 

Description

Color code: RGB 1 202 72 | qconv.com Color code: RGB 1 202 72 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 202 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 202 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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