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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 201 74 it is the complementary color RGB 254 54 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 201 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 201 74 shade: RGB 6 201 69, RGB 23 219 88, RGB 40 237 107, RGB 57 255 126 and RGB 74 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 201 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 201 74 shade: RGB 1 201 74, RGB 0 183 55, RGB 0 165 36, RGB 0 147 17 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 201 74 shade: RGB 1 202 74, RGB 1 202 20, RGB 36 202 1, RGB 90 202 1 and RGB 145 202 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 201 74 shade: RGB 1 202 74, RGB 1 202 129, RGB 1 202 183, RGB 1 167 202 and RGB 1 113 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 201 74 shade matches the following richer shades: RGB 1 202 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 201 74 shade: RGB 1 202 74, RGB 17 186 79, RGB 34 169 83, RGB 50 153 88 and RGB 67 136 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 201 74 shade: RGB 38 202 1, RGB 1 202 17, RGB 1 202 71, RGB 1 202 125 and RGB 1 202 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 201 74 shade: RGB 0 120 44, RGB 0 161 59, RGB 1 202 74, RGB 1 244 89 and RGB 32 253 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 201 74 shade: RGB 1 201 74, RGB 1 91 202 and RGB 202 1 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 201 74 shade: RGB 1 201 74, RGB 71 1 202 and RGB 202 71 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 201 74 shade: RGB 1 201 74, RGB 1 91 202, RGB 202 1 132 and RGB 202 112 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 201 74 shade: RGB 1 201 74, RGB 1 31 202, RGB 202 1 132 and RGB 202 172 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

Complementary color

CMYK 0 / 79 / 29 / 0

HEX #FE36B5

RGB 254 54 181

HSL 321.9, 0.99%, 0.6%

LAB 59.02, 81.71, -21.03

 

CMYK 97 / 0 / 66 / 21

HEX #06C945

RGB 6 201 69

HSL 139.38, 0.94%, 0.41%

LAB 71.04, -68, 52.55

 

CMYK 89 / 0 / 60 / 14

HEX #17DB58

RGB 23 219 88

HSL 139.9, 0.81%, 0.47%

LAB 77.01, -70.42, 51.14

 

CMYK 83 / 0 / 55 / 7

HEX #28ED6B

RGB 40 237 107

HSL 140.41, 0.85%, 0.54%

LAB 82.96, -72.25, 49.62

 

CMYK 78 / 0 / 51 / 0

HEX #39FF7E

RGB 57 255 126

HSL 140.91, 1%, 0.61%

LAB 88.87, -73.6, 48.08

 

CMYK 71 / 0 / 43 / 0

HEX #4AFF91

RGB 74 255 145

HSL 143.54, 1%, 0.65%

LAB 89.4, -68.43, 39.73

 

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

CMYK 100 / 0 / 70 / 28

HEX #00B737

RGB 0 183 55

HSL 138.03, 1%, 0.36%

LAB 65.08, -64.35, 51.78

 

CMYK 100 / 0 / 78 / 35

HEX #00A524

RGB 0 165 36

HSL 133.09, 1%, 0.32%

LAB 59.01, -60.69, 52.54

 

CMYK 100 / 0 / 88 / 42

HEX #009311

RGB 0 147 17

HSL 126.94, 1%, 0.29%

LAB 52.85, -56.58, 52.16

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 63 / 21

HEX #01CA4A

RGB 1 202 74

HSL 141.79, 0.99%, 0.4%

LAB 71.38, -67.93, 50.8

 

CMYK 100 / 0 / 90 / 21

HEX #01CA14

RGB 1 202 20

HSL 125.67, 0.99%, 0.4%

LAB 71.08, -71.82, 67.4

 

CMYK 82 / 0 / 100 / 21

HEX #24CA01

RGB 36 202 1

HSL 109.55, 0.99%, 0.4%

LAB 71.3, -69.96, 70

 

CMYK 55 / 0 / 100 / 21

HEX #5ACA01

RGB 90 202 1

HSL 93.43, 0.99%, 0.4%

LAB 72.51, -59.68, 71.47

 

CMYK 28 / 0 / 100 / 21

HEX #91CA01

RGB 145 202 1

HSL 77.01, 0.99%, 0.4%

LAB 74.99, -41.48, 74.48

 

CMYK 100 / 0 / 63 / 21

HEX #01CA4A

RGB 1 202 74

HSL 141.79, 0.99%, 0.4%

LAB 71.38, -67.93, 50.8

 

CMYK 100 / 0 / 36 / 21

HEX #01CA81

RGB 1 202 129

HSL 158.21, 0.99%, 0.4%

LAB 72.12, -59.05, 24.88

 

CMYK 100 / 0 / 9 / 21

HEX #01CAB7

RGB 1 202 183

HSL 174.33, 0.99%, 0.4%

LAB 73.33, -45.82, -2.37

 

CMYK 100 / 17 / 0 / 21

HEX #01A7CA

RGB 1 167 202

HSL 190.45, 0.99%, 0.4%

LAB 63.27, -23.49, -27.98

 

CMYK 100 / 44 / 0 / 21

HEX #0171CA

RGB 1 113 202

HSL 206.57, 0.99%, 0.4%

LAB 47.08, 7.47, -53.47

 

CMYK 100 / 0 / 63 / 21

HEX #01CA4A

RGB 1 202 74

HSL 141.79, 0.99%, 0.4%

LAB 71.38, -67.93, 50.8

 

CMYK 100 / 0 / 63 / 21

HEX #01CA4A

RGB 1 202 74

HSL 141.79, 0.99%, 0.4%

LAB 71.38, -67.93, 50.8

 

CMYK 91 / 0 / 58 / 27

HEX #11BA4F

RGB 17 186 79

HSL 142.01, 0.83%, 0.4%

LAB 66.37, -61.65, 42.79

 

CMYK 80 / 0 / 51 / 34

HEX #22A953

RGB 34 169 83

HSL 141.78, 0.67%, 0.4%

LAB 61.08, -53.84, 34.46

 

CMYK 67 / 0 / 42 / 40

HEX #329958

RGB 50 153 88

HSL 142.14, 0.51%, 0.4%

LAB 56.25, -44.47, 25.75

 

CMYK 51 / 0 / 32 / 47

HEX #43885C

RGB 67 136 92

HSL 141.74, 0.34%, 0.4%

LAB 51.35, -32.36, 17.1

 

CMYK 81 / 0 / 100 / 21

HEX #26CA01

RGB 38 202 1

HSL 108.96, 0.99%, 0.4%

LAB 71.32, -69.73, 70.03

 

CMYK 100 / 0 / 92 / 21

HEX #01CA11

RGB 1 202 17

HSL 124.78, 0.99%, 0.4%

LAB 71.07, -71.91, 67.87

 

CMYK 100 / 0 / 65 / 21

HEX #01CA47

RGB 1 202 71

HSL 140.9, 0.99%, 0.4%

LAB 71.35, -68.27, 52.05

 

CMYK 100 / 0 / 38 / 21

HEX #01CA7D

RGB 1 202 125

HSL 157.01, 0.99%, 0.4%

LAB 72.05, -59.86, 26.88

 

CMYK 100 / 0 / 11 / 21

HEX #01CAB3

RGB 1 202 179

HSL 173.13, 0.99%, 0.4%

LAB 73.22, -46.93, -0.36

 

CMYK 100 / 0 / 63 / 53

HEX #00782C

RGB 0 120 44

HSL 142, 1%, 0.24%

LAB 43.68, -45.94, 33.07

 

CMYK 100 / 0 / 63 / 37

HEX #00A13B

RGB 0 161 59

HSL 141.99, 1%, 0.32%

LAB 57.85, -57.23, 42.17

 

CMYK 100 / 0 / 63 / 21

HEX #01CA4A

RGB 1 202 74

HSL 141.79, 0.99%, 0.4%

LAB 71.38, -67.93, 50.8

 

CMYK 100 / 0 / 64 / 4

HEX #01F459

RGB 1 244 89

HSL 141.73, 0.99%, 0.48%

LAB 84.7, -78.56, 59.41

 

CMYK 87 / 0 / 55 / 1

HEX #20FD71

RGB 32 253 113

HSL 141.99, 0.98%, 0.56%

LAB 87.85, -77.03, 52.73

 

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

CMYK 100 / 55 / 0 / 21

HEX #015BCA

RGB 1 91 202

HSL 213.13, 0.99%, 0.4%

LAB 40.82, 21.72, -63.59

 

CMYK 0 / 100 / 95 / 21

HEX #CA010B

RGB 202 1 11

HSL 357.01, 0.99%, 0.4%

LAB 42.16, 67.22, 52.74

 

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

CMYK 65 / 100 / 0 / 21

HEX #4701CA

RGB 71 1 202

HSL 260.9, 0.99%, 0.4%

LAB 28.45, 67.8, -83.86

 

CMYK 0 / 65 / 100 / 21

HEX #CA4701

RGB 202 71 1

HSL 20.9, 0.99%, 0.4%

LAB 48.34, 49.78, 58.88

 

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

CMYK 100 / 55 / 0 / 21

HEX #015BCA

RGB 1 91 202

HSL 213.13, 0.99%, 0.4%

LAB 40.82, 21.72, -63.59

 

CMYK 0 / 100 / 35 / 21

HEX #CA0184

RGB 202 1 132

HSL 320.9, 0.99%, 0.4%

LAB 44.58, 73.66, -14.79

 

CMYK 0 / 45 / 100 / 21

HEX #CA7001

RGB 202 112 1

HSL 33.13, 0.99%, 0.4%

LAB 56.23, 29.67, 63.47

 

CMYK 100 / 0 / 63 / 21

HEX #01C94A

RGB 1 201 74

HSL 141.9, 0.99%, 0.4%

LAB 71.06, -67.63, 50.44

 

CMYK 100 / 85 / 0 / 21

HEX #011FCA

RGB 1 31 202

HSL 231.04, 0.99%, 0.4%

LAB 27.44, 57.63, -85.64

 

CMYK 0 / 100 / 35 / 21

HEX #CA0184

RGB 202 1 132

HSL 320.9, 0.99%, 0.4%

LAB 44.58, 73.66, -14.79

 

CMYK 0 / 15 / 100 / 21

HEX #CAAC01

RGB 202 172 1

HSL 51.04, 0.99%, 0.4%

LAB 70.91, -2.72, 73.38

 

Description

Color code: RGB 1 201 74 | qconv.com Color code: RGB 1 201 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 201 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 201 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 63% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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