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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 201 187 it is the complementary color RGB 254 54 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 201 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 201 187 shade: RGB 6 201 182, RGB 23 219 201, RGB 40 237 220, RGB 57 255 239 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 201 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 201 187 shade: RGB 1 201 187, RGB 0 183 168, RGB 0 165 149, RGB 0 147 130 and RGB 0 129 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 201 187 shade: RGB 1 203 189, RGB 1 203 134, RGB 1 203 80, RGB 1 203 25 and RGB 31 203 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 201 187 shade: RGB 1 203 189, RGB 1 163 203, RGB 1 108 203, RGB 1 54 203 and RGB 1 1 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 201 187 shade matches the following richer shades: RGB 1 203 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 201 187 shade: RGB 1 203 189, RGB 18 186 175, RGB 34 170 160, RGB 51 153 146 and RGB 67 137 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 201 187 shade: RGB 1 203 78, RGB 1 203 132, RGB 1 203 186, RGB 1 166 203 and RGB 1 112 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 201 187 shade: RGB 1 121 112, RGB 1 162 151, RGB 1 203 189, RGB 1 244 227 and RGB 33 254 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 201 187 shade: RGB 1 201 187, RGB 25 1 203 and RGB 203 105 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 201 187 shade: RGB 1 201 187, RGB 186 1 203 and RGB 203 186 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 201 187 shade: RGB 1 201 187, RGB 25 1 203, RGB 203 1 18 and RGB 179 203 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 201 187 shade: RGB 1 201 187, RGB 85 1 203, RGB 203 1 18 and RGB 119 203 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

Complementary color

CMYK 0 / 79 / 73 / 0

HEX #FE3644

RGB 254 54 68

HSL 355.8, 0.99%, 0.6%

LAB 56.21, 73.27, 41.28

 

CMYK 97 / 0 / 9 / 21

HEX #06C9B6

RGB 6 201 182

HSL 174.15, 0.94%, 0.41%

LAB 73.02, -45.52, -2.28

 

CMYK 89 / 0 / 8 / 14

HEX #17DBC9

RGB 23 219 201

HSL 174.49, 0.81%, 0.47%

LAB 79.08, -47.29, -3.59

 

CMYK 83 / 0 / 7 / 7

HEX #28EDDC

RGB 40 237 220

HSL 174.82, 0.85%, 0.54%

LAB 85.09, -48.72, -4.78

 

CMYK 78 / 0 / 6 / 0

HEX #39FFEF

RGB 57 255 239

HSL 175.15, 1%, 0.61%

LAB 91.06, -49.86, -5.87

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

CMYK 100 / 0 / 8 / 28

HEX #00B7A8

RGB 0 183 168

HSL 175.08, 1%, 0.36%

LAB 67.05, -41.93, -3.39

 

CMYK 100 / 0 / 10 / 35

HEX #00A595

RGB 0 165 149

HSL 174.18, 1%, 0.32%

LAB 60.85, -39.52, -1.91

 

CMYK 100 / 0 / 12 / 42

HEX #009382

RGB 0 147 130

HSL 173.06, 1%, 0.29%

LAB 54.53, -37.08, -0.36

 

CMYK 100 / 0 / 14 / 49

HEX #00816F

RGB 0 129 111

HSL 171.63, 1%, 0.25%

LAB 48.07, -34.58, 1.26

 

CMYK 100 / 0 / 7 / 20

HEX #01CBBD

RGB 1 203 189

HSL 175.84, 0.99%, 0.4%

LAB 73.8, -44.55, -4.92

 

CMYK 100 / 0 / 34 / 20

HEX #01CB86

RGB 1 203 134

HSL 159.5, 0.99%, 0.4%

LAB 72.52, -58.36, 22.8

 

CMYK 100 / 0 / 61 / 20

HEX #01CB50

RGB 1 203 80

HSL 143.47, 0.99%, 0.4%

LAB 71.76, -67.51, 48.6

 

CMYK 100 / 0 / 88 / 20

HEX #01CB19

RGB 1 203 25

HSL 127.13, 0.99%, 0.4%

LAB 71.41, -71.91, 66.79

 

CMYK 85 / 0 / 100 / 20

HEX #1FCB01

RGB 31 203 1

HSL 111.09, 0.99%, 0.4%

LAB 71.56, -70.76, 70.18

 

CMYK 100 / 0 / 7 / 20

HEX #01CBBD

RGB 1 203 189

HSL 175.84, 0.99%, 0.4%

LAB 73.8, -44.55, -4.92

 

CMYK 100 / 20 / 0 / 20

HEX #01A3CB

RGB 1 163 203

HSL 191.88, 0.99%, 0.4%

LAB 62.09, -21.07, -30.35

 

CMYK 100 / 47 / 0 / 20

HEX #016CCB

RGB 1 108 203

HSL 208.22, 0.99%, 0.4%

LAB 45.69, 11.04, -56.27

 

CMYK 100 / 73 / 0 / 20

HEX #0136CB

RGB 1 54 203

HSL 224.26, 0.99%, 0.4%

LAB 31.71, 45.97, -79.13

 

CMYK 100 / 100 / 0 / 20

HEX #0101CB

RGB 1 1 203

HSL 240, 0.99%, 0.4%

LAB 24.76, 66.49, -90.69

 

CMYK 100 / 0 / 7 / 20

HEX #01CBBD

RGB 1 203 189

HSL 175.84, 0.99%, 0.4%

LAB 73.8, -44.55, -4.92

 

CMYK 100 / 0 / 7 / 20

HEX #01CBBD

RGB 1 203 189

HSL 175.84, 0.99%, 0.4%

LAB 73.8, -44.55, -4.92

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAF

RGB 18 186 175

HSL 176.07, 0.82%, 0.4%

LAB 68.27, -40.56, -5.44

 

CMYK 80 / 0 / 6 / 33

HEX #22AAA0

RGB 34 170 160

HSL 175.59, 0.67%, 0.4%

LAB 63.03, -36.58, -4.84

 

CMYK 67 / 0 / 5 / 40

HEX #339992

RGB 51 153 146

HSL 175.88, 0.5%, 0.4%

LAB 57.62, -30.48, -4.9

 

CMYK 51 / 0 / 4 / 46

HEX #438984

RGB 67 137 132

HSL 175.71, 0.34%, 0.4%

LAB 52.68, -23.28, -4.1

 

CMYK 100 / 0 / 62 / 20

HEX #01CB4E

RGB 1 203 78

HSL 142.87, 0.99%, 0.4%

LAB 71.74, -67.76, 49.47

 

CMYK 100 / 0 / 35 / 20

HEX #01CB84

RGB 1 203 132

HSL 158.91, 0.99%, 0.4%

LAB 72.48, -58.78, 23.8

 

CMYK 100 / 0 / 8 / 20

HEX #01CBBA

RGB 1 203 186

HSL 174.95, 0.99%, 0.4%

LAB 73.72, -45.4, -3.42

 

CMYK 100 / 18 / 0 / 20

HEX #01A6CB

RGB 1 166 203

HSL 190.99, 0.99%, 0.4%

LAB 63, -22.63, -28.94

 

CMYK 100 / 45 / 0 / 20

HEX #0170CB

RGB 1 112 203

HSL 207.03, 0.99%, 0.4%

LAB 46.85, 8.5, -54.41

 

CMYK 99 / 0 / 7 / 53

HEX #017970

RGB 1 121 112

HSL 175.5, 0.98%, 0.24%

LAB 45.43, -30.53, -3.2

 

CMYK 99 / 0 / 7 / 36

HEX #01A297

RGB 1 162 151

HSL 175.9, 0.99%, 0.32%

LAB 59.96, -37.56, -4.35

 

CMYK 100 / 0 / 7 / 20

HEX #01CBBD

RGB 1 203 189

HSL 175.84, 0.99%, 0.4%

LAB 73.8, -44.55, -4.92

 

CMYK 100 / 0 / 7 / 4

HEX #01F4E3

RGB 1 244 227

HSL 175.8, 0.99%, 0.48%

LAB 87.12, -51.28, -5.49

 

CMYK 87 / 0 / 6 / 0

HEX #21FEEE

RGB 33 254 238

HSL 175.66, 0.99%, 0.56%

LAB 90.5, -51.41, -6.22

 

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

CMYK 88 / 100 / 0 / 20

HEX #1901CB

RGB 25 1 203

HSL 247.13, 0.99%, 0.4%

LAB 25.38, 66.69, -89.64

 

CMYK 0 / 48 / 100 / 20

HEX #CB6901

RGB 203 105 1

HSL 30.89, 0.99%, 0.4%

LAB 54.87, 33.78, 62.7

 

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 0 / 8 / 100 / 20

HEX #CBBA01

RGB 203 186 1

HSL 54.95, 0.99%, 0.4%

LAB 74.71, -9.57, 76.14

 

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

CMYK 88 / 100 / 0 / 20

HEX #1901CB

RGB 25 1 203

HSL 247.13, 0.99%, 0.4%

LAB 25.38, 66.69, -89.64

 

CMYK 0 / 100 / 91 / 20

HEX #CB0112

RGB 203 1 18

HSL 354.95, 0.99%, 0.4%

LAB 42.4, 67.55, 50.4

 

CMYK 12 / 0 / 100 / 20

HEX #B3CB01

RGB 179 203 1

HSL 67.13, 0.99%, 0.4%

LAB 77.46, -28.29, 77.31

 

CMYK 100 / 0 / 7 / 21

HEX #01C9BB

RGB 1 201 187

HSL 175.8, 0.99%, 0.4%

LAB 73.13, -44.26, -4.82

 

CMYK 58 / 100 / 0 / 20

HEX #5501CB

RGB 85 1 203

HSL 264.95, 0.99%, 0.4%

LAB 30.07, 68.81, -81.7

 

CMYK 0 / 100 / 91 / 20

HEX #CB0112

RGB 203 1 18

HSL 354.95, 0.99%, 0.4%

LAB 42.4, 67.55, 50.4

 

CMYK 41 / 0 / 100 / 20

HEX #77CB01

RGB 119 203 1

HSL 84.95, 0.99%, 0.4%

LAB 73.96, -51.26, 73.1

 

Description

Color code: RGB 1 201 187 | qconv.com Color code: RGB 1 201 187 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 201 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 201 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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