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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 199 178 it is the complementary color RGB 254 56 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 199 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 199 178 shade: RGB 6 199 173, RGB 23 217 192, RGB 40 235 211, RGB 57 253 230 and RGB 74 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 199 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 199 178 shade: RGB 1 199 178, RGB 0 181 159, RGB 0 163 140, RGB 0 145 121 and RGB 0 127 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 199 178 shade: RGB 0 197 177, RGB 0 197 123, RGB 0 197 70, RGB 0 197 17 and RGB 37 197 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 199 178 shade: RGB 0 197 177, RGB 0 165 197, RGB 0 112 197, RGB 0 59 197 and RGB 0 6 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 199 178 shade matches the following richer shades: RGB 0 197 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 199 178 shade: RGB 0 197 177, RGB 17 181 164, RGB 33 165 151, RGB 49 149 138 and RGB 65 133 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 199 178 shade: RGB 0 197 69, RGB 0 197 122, RGB 0 197 174, RGB 0 168 197 and RGB 0 115 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 199 178 shade: RGB 0 115 103, RGB 0 156 140, RGB 0 197 177, RGB 1 238 213 and RGB 27 253 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 199 178 shade: RGB 1 199 178, RGB 17 0 197 and RGB 197 96 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 199 178 shade: RGB 1 199 178, RGB 174 0 197 and RGB 197 174 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 199 178 shade: RGB 1 199 178, RGB 17 0 197, RGB 197 0 23 and RGB 181 197 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 199 178 shade: RGB 1 199 178, RGB 76 0 197, RGB 197 0 23 and RGB 122 197 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

Complementary color

CMYK 0 / 78 / 70 / 0

HEX #FE384D

RGB 254 56 77

HSL 353.64, 0.99%, 0.61%

LAB 56.52, 73.1, 36.52

 

CMYK 97 / 0 / 13 / 22

HEX #06C7AD

RGB 6 199 173

HSL 171.92, 0.94%, 0.4%

LAB 72.16, -47.16, 1.36

 

CMYK 89 / 0 / 12 / 15

HEX #17D9C0

RGB 23 217 192

HSL 172.27, 0.81%, 0.47%

LAB 78.24, -48.9, -0.01

 

CMYK 83 / 0 / 10 / 8

HEX #28EBD3

RGB 40 235 211

HSL 172.62, 0.83%, 0.54%

LAB 84.26, -50.3, -1.26

 

CMYK 77 / 0 / 9 / 1

HEX #39FDE6

RGB 57 253 230

HSL 172.96, 0.98%, 0.61%

LAB 90.24, -51.4, -2.41

 

CMYK 71 / 0 / 2 / 0

HEX #4AFFF9

RGB 74 255 249

HSL 178.01, 1%, 0.65%

LAB 91.6, -45.43, -10.23

 

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

CMYK 100 / 0 / 12 / 29

HEX #00B59F

RGB 0 181 159

HSL 172.71, 1%, 0.35%

LAB 66.18, -43.61, 0.3

 

CMYK 100 / 0 / 14 / 36

HEX #00A38C

RGB 0 163 140

HSL 171.53, 1%, 0.32%

LAB 59.97, -41.22, 1.87

 

CMYK 100 / 0 / 17 / 43

HEX #009179

RGB 0 145 121

HSL 170.07, 1%, 0.28%

LAB 53.63, -38.78, 3.51

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B1

RGB 0 197 177

HSL 173.91, 1%, 0.39%

LAB 71.63, -45.4, -1.6

 

CMYK 100 / 0 / 38 / 23

HEX #00C57B

RGB 0 197 123

HSL 157.46, 1%, 0.39%

LAB 70.43, -58.54, 25.77

 

CMYK 100 / 0 / 64 / 23

HEX #00C546

RGB 0 197 70

HSL 141.32, 1%, 0.39%

LAB 69.74, -66.93, 50.68

 

CMYK 100 / 0 / 91 / 23

HEX #00C511

RGB 0 197 17

HSL 125.18, 1%, 0.39%

LAB 69.45, -70.59, 66.5

 

CMYK 81 / 0 / 100 / 23

HEX #25C500

RGB 37 197 0

HSL 108.73, 1%, 0.39%

LAB 69.7, -68.43, 68.84

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B1

RGB 0 197 177

HSL 173.91, 1%, 0.39%

LAB 71.63, -45.4, -1.6

 

CMYK 100 / 16 / 0 / 23

HEX #00A5C5

RGB 0 165 197

HSL 189.75, 1%, 0.39%

LAB 62.46, -24.21, -26.44

 

CMYK 100 / 43 / 0 / 23

HEX #0070C5

RGB 0 112 197

HSL 205.89, 1%, 0.39%

LAB 46.47, 6.07, -51.57

 

CMYK 100 / 70 / 0 / 23

HEX #003BC5

RGB 0 59 197

HSL 222.03, 1%, 0.39%

LAB 32.17, 40.7, -74.86

 

CMYK 100 / 97 / 0 / 23

HEX #0006C5

RGB 0 6 197

HSL 238.17, 1%, 0.39%

LAB 24.2, 63.9, -88.11

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B1

RGB 0 197 177

HSL 173.91, 1%, 0.39%

LAB 71.63, -45.4, -1.6

 

CMYK 100 / 0 / 10 / 23

HEX #00C5B1

RGB 0 197 177

HSL 173.91, 1%, 0.39%

LAB 71.63, -45.4, -1.6

 

CMYK 91 / 0 / 9 / 29

HEX #11B5A4

RGB 17 181 164

HSL 173.78, 0.83%, 0.39%

LAB 66.4, -41.56, -2.12

 

CMYK 80 / 0 / 8 / 35

HEX #21A597

RGB 33 165 151

HSL 173.64, 0.67%, 0.39%

LAB 61.19, -36.98, -2.5

 

CMYK 67 / 0 / 7 / 42

HEX #31958A

RGB 49 149 138

HSL 173.4, 0.51%, 0.39%

LAB 56.07, -31.15, -2.62

 

CMYK 51 / 0 / 5 / 48

HEX #41857E

RGB 65 133 126

HSL 173.82, 0.34%, 0.39%

LAB 51.16, -23.34, -2.85

 

CMYK 100 / 0 / 65 / 23

HEX #00C545

RGB 0 197 69

HSL 141.02, 1%, 0.39%

LAB 69.73, -67.05, 51.09

 

CMYK 100 / 0 / 38 / 23

HEX #00C57A

RGB 0 197 122

HSL 157.16, 1%, 0.39%

LAB 70.41, -58.74, 26.27

 

CMYK 100 / 0 / 12 / 23

HEX #00C5AE

RGB 0 197 174

HSL 172.99, 1%, 0.39%

LAB 71.55, -46.23, -0.09

 

CMYK 100 / 15 / 0 / 23

HEX #00A8C5

RGB 0 168 197

HSL 188.83, 1%, 0.39%

LAB 63.37, -25.74, -25.03

 

CMYK 100 / 42 / 0 / 23

HEX #0073C5

RGB 0 115 197

HSL 204.97, 1%, 0.39%

LAB 47.36, 4.19, -50.16

 

CMYK 100 / 0 / 10 / 55

HEX #007367

RGB 0 115 103

HSL 173.74, 1%, 0.23%

LAB 43.12, -30.56, -1.21

RGB 0 115 103

CMYK 100 / 0 / 10 / 39

HEX #009C8C

RGB 0 156 140

HSL 173.85, 1%, 0.31%

LAB 57.72, -38.16, -1.41

RGB 0 156 140

CMYK 100 / 0 / 10 / 23

HEX #00C5B1

RGB 0 197 177

HSL 173.91, 1%, 0.39%

LAB 71.63, -45.4, -1.6

RGB 0 197 177

CMYK 100 / 0 / 11 / 7

HEX #01EED5

RGB 1 238 213

HSL 173.67, 0.99%, 0.47%

LAB 84.98, -52.61, -1.3

RGB 1 238 213

CMYK 89 / 0 / 9 / 1

HEX #1BFDE5

RGB 27 253 229

HSL 173.63, 0.98%, 0.55%

LAB 89.92, -53.7, -2.39

RGB 27 253 229

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

CMYK 91 / 100 / 0 / 23

HEX #1100C5

RGB 17 0 197

HSL 245.18, 1%, 0.39%

LAB 24.16, 65.34, -88.16

 

CMYK 0 / 51 / 100 / 23

HEX #C56000

RGB 197 96 0

HSL 29.24, 1%, 0.39%

LAB 52.1, 35.98, 60.79

 

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

CMYK 12 / 100 / 0 / 23

HEX #AE00C5

RGB 174 0 197

HSL 292.99, 1%, 0.39%

LAB 42.81, 77.35, -56.81

 

CMYK 0 / 12 / 100 / 23

HEX #C5AE00

RGB 197 174 0

HSL 52.99, 1%, 0.39%

LAB 70.97, -6, 73.32

 

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

CMYK 91 / 100 / 0 / 23

HEX #1100C5

RGB 17 0 197

HSL 245.18, 1%, 0.39%

LAB 24.16, 65.34, -88.16

 

CMYK 0 / 100 / 88 / 23

HEX #C50017

RGB 197 0 23

HSL 352.99, 1%, 0.39%

LAB 41.11, 66.24, 46.66

 

CMYK 8 / 0 / 100 / 23

HEX #B5C500

RGB 181 197 0

HSL 64.87, 1%, 0.39%

LAB 75.92, -24.59, 76.33

 

CMYK 99 / 0 / 11 / 22

HEX #01C7B2

RGB 1 199 178

HSL 173.64, 0.99%, 0.39%

LAB 72.27, -45.94, -1.2

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 0 / 100 / 88 / 23

HEX #C50017

RGB 197 0 23

HSL 352.99, 1%, 0.39%

LAB 41.11, 66.24, 46.66

 

CMYK 38 / 0 / 100 / 23

HEX #7AC500

RGB 122 197 0

HSL 82.84, 1%, 0.39%

LAB 72.28, -47.83, 71.96

 

Description

Color code: RGB 1 199 178 | qconv.com Color code: RGB 1 199 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 199 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 199 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 11 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 11% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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