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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 182 142 it is the complementary color RGB 254 73 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 182 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 182 142 shade: RGB 6 182 137, RGB 23 200 156, RGB 40 218 175, RGB 57 236 194 and RGB 74 254 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 182 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 182 142 shade: RGB 1 182 142, RGB 0 164 123, RGB 0 146 104, RGB 0 128 85 and RGB 0 110 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 182 142 shade: RGB 0 182 142, RGB 0 182 93, RGB 0 182 44, RGB 6 182 0 and RGB 55 182 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 182 142 shade: RGB 0 182 142, RGB 0 173 182, RGB 0 124 182, RGB 0 75 182 and RGB 0 26 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 182 142 shade matches the following richer shades: RGB 0 182 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 182 142 shade: RGB 0 182 142, RGB 15 167 134, RGB 30 152 125, RGB 45 138 117 and RGB 60 123 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 182 142 shade: RGB 0 182 43, RGB 0 182 91, RGB 0 182 140, RGB 0 176 182 and RGB 0 128 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 182 142 shade: RGB 0 100 78, RGB 0 141 110, RGB 0 182 142, RGB 1 223 174 and RGB 12 253 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 182 142 shade: RGB 1 182 142, RGB 0 6 182 and RGB 182 67 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 182 142 shade: RGB 1 182 142, RGB 140 0 182 and RGB 182 140 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 182 142 shade: RGB 1 182 142, RGB 0 6 182, RGB 182 0 43 and RGB 182 176 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 182 142 shade: RGB 1 182 142, RGB 49 0 182, RGB 182 0 43 and RGB 134 182 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

Complementary color

CMYK 0 / 71 / 56 / 0

HEX #FE4971

RGB 254 73 113

HSL 346.74, 0.99%, 0.64%

LAB 59, 69.96, 18.73

 

CMYK 97 / 0 / 25 / 29

HEX #06B689

RGB 6 182 137

HSL 164.66, 0.94%, 0.37%

LAB 65.98, -49.58, 12.14

 

CMYK 89 / 0 / 22 / 22

HEX #17C89C

RGB 23 200 156

HSL 165.08, 0.79%, 0.44%

LAB 72.16, -51.26, 10.57

 

CMYK 82 / 0 / 20 / 15

HEX #28DAAF

RGB 40 218 175

HSL 165.51, 0.71%, 0.51%

LAB 78.28, -52.55, 9.14

 

CMYK 76 / 0 / 18 / 7

HEX #39ECC2

RGB 57 236 194

HSL 165.92, 0.82%, 0.57%

LAB 84.36, -53.5, 7.84

 

CMYK 71 / 0 / 16 / 0

HEX #4AFED5

RGB 74 254 213

HSL 166.33, 0.99%, 0.64%

LAB 90.39, -54.2, 6.65

 

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

CMYK 100 / 0 / 25 / 36

HEX #00A47B

RGB 0 164 123

HSL 165, 1%, 0.32%

LAB 59.87, -46.15, 11.27

 

CMYK 100 / 0 / 29 / 43

HEX #009268

RGB 0 146 104

HSL 162.74, 1%, 0.29%

LAB 53.55, -43.66, 13.11

 

CMYK 100 / 0 / 34 / 50

HEX #008055

RGB 0 128 85

HSL 159.84, 1%, 0.25%

LAB 47.1, -41.09, 15.06

 

CMYK 100 / 0 / 40 / 57

HEX #006E42

RGB 0 110 66

HSL 156, 1%, 0.22%

LAB 40.48, -38.38, 17.12

 

CMYK 100 / 0 / 22 / 29

HEX #00B68E

RGB 0 182 142

HSL 166.81, 1%, 0.36%

LAB 66.07, -48.56, 9.52

 

CMYK 100 / 0 / 49 / 29

HEX #00B65D

RGB 0 182 93

HSL 150.66, 1%, 0.36%

LAB 65.16, -58.99, 34.43

 

CMYK 100 / 0 / 76 / 29

HEX #00B62C

RGB 0 182 44

HSL 134.51, 1%, 0.36%

LAB 64.67, -65.01, 55.43

 

CMYK 97 / 0 / 100 / 29

HEX #06B600

RGB 6 182 0

HSL 118.02, 1%, 0.36%

LAB 64.56, -66.62, 64.61

 

CMYK 70 / 0 / 100 / 29

HEX #37B600

RGB 55 182 0

HSL 101.87, 1%, 0.36%

LAB 65.17, -61.15, 65.36

 

CMYK 100 / 0 / 22 / 29

HEX #00B68E

RGB 0 182 142

HSL 166.81, 1%, 0.36%

LAB 66.07, -48.56, 9.52

 

CMYK 100 / 5 / 0 / 29

HEX #00ADB6

RGB 0 173 182

HSL 182.97, 1%, 0.36%

LAB 64.37, -33.13, -15.15

 

CMYK 100 / 32 / 0 / 29

HEX #007CB6

RGB 0 124 182

HSL 199.12, 1%, 0.36%

LAB 49.24, -7.17, -38.52

 

CMYK 100 / 59 / 0 / 29

HEX #004BB6

RGB 0 75 182

HSL 215.27, 1%, 0.36%

LAB 34.82, 24.3, -61.68

 

CMYK 100 / 86 / 0 / 29

HEX #001AB6

RGB 0 26 182

HSL 231.43, 1%, 0.36%

LAB 24.05, 53.67, -79.46

 

CMYK 100 / 0 / 22 / 29

HEX #00B68E

RGB 0 182 142

HSL 166.81, 1%, 0.36%

LAB 66.07, -48.56, 9.52

 

CMYK 100 / 0 / 22 / 29

HEX #00B68E

RGB 0 182 142

HSL 166.81, 1%, 0.36%

LAB 66.07, -48.56, 9.52

 

CMYK 91 / 0 / 20 / 35

HEX #0FA786

RGB 15 167 134

HSL 166.97, 0.84%, 0.36%

LAB 61.19, -43.88, 7

 

CMYK 80 / 0 / 18 / 40

HEX #1E987D

RGB 30 152 125

HSL 166.72, 0.67%, 0.36%

LAB 56.3, -38.67, 5.1

 

CMYK 67 / 0 / 15 / 46

HEX #2D8A75

RGB 45 138 117

HSL 166.45, 0.51%, 0.36%

LAB 51.86, -32.38, 3.33

 

CMYK 51 / 0 / 11 / 52

HEX #3C7B6D

RGB 60 123 109

HSL 166.67, 0.34%, 0.36%

LAB 47.28, -23.97, 1.44

 

CMYK 100 / 0 / 76 / 29

HEX #00B62B

RGB 0 182 43

HSL 134.18, 1%, 0.36%

LAB 64.67, -65.09, 55.76

 

CMYK 100 / 0 / 50 / 29

HEX #00B65B

RGB 0 182 91

HSL 150, 1%, 0.36%

LAB 65.13, -59.33, 35.41

 

CMYK 100 / 0 / 23 / 29

HEX #00B68C

RGB 0 182 140

HSL 166.15, 1%, 0.36%

LAB 66.02, -49.06, 10.55

 

CMYK 100 / 3 / 0 / 29

HEX #00B0B6

RGB 0 176 182

HSL 181.98, 1%, 0.36%

LAB 65.3, -34.54, -13.75

 

CMYK 100 / 30 / 0 / 29

HEX #0080B6

RGB 0 128 182

HSL 197.8, 1%, 0.36%

LAB 50.47, -9.5, -36.58

 

CMYK 100 / 0 / 22 / 61

HEX #00644E

RGB 0 100 78

HSL 166.8, 1%, 0.2%

LAB 37.23, -31.12, 5.44

 

CMYK 100 / 0 / 22 / 45

HEX #008D6E

RGB 0 141 110

HSL 166.81, 1%, 0.28%

LAB 52.04, -40.08, 7.54

 

CMYK 100 / 0 / 22 / 29

HEX #00B68E

RGB 0 182 142

HSL 166.81, 1%, 0.36%

LAB 66.07, -48.56, 9.52

 

CMYK 100 / 0 / 22 / 13

HEX #01DFAE

RGB 1 223 174

HSL 166.76, 0.99%, 0.44%

LAB 79.52, -56.65, 11.4

 

CMYK 95 / 0 / 21 / 1

HEX #0CFDC8

RGB 12 253 200

HSL 166.8, 0.98%, 0.52%

LAB 89.16, -61.55, 11.52

 

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

CMYK 100 / 97 / 0 / 29

HEX #0006B6

RGB 0 6 182

HSL 238.02, 1%, 0.36%

LAB 21.97, 60, -82.94

 

CMYK 0 / 63 / 100 / 29

HEX #B64300

RGB 182 67 0

HSL 22.09, 1%, 0.36%

LAB 44.17, 44.32, 55.05

 

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

CMYK 23 / 100 / 0 / 29

HEX #8C00B6

RGB 140 0 182

HSL 286.15, 1%, 0.36%

LAB 35.89, 70, -59.47

 

CMYK 0 / 23 / 100 / 29

HEX #B68C00

RGB 182 140 0

HSL 46.15, 1%, 0.36%

LAB 60.52, 5.51, 65.28

 

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

CMYK 100 / 97 / 0 / 29

HEX #0006B6

RGB 0 6 182

HSL 238.02, 1%, 0.36%

LAB 21.97, 60, -82.94

 

CMYK 0 / 100 / 76 / 29

HEX #B6002B

RGB 182 0 43

HSL 345.82, 1%, 0.36%

LAB 38.06, 63.04, 31.49

 

CMYK 0 / 3 / 100 / 29

HEX #B6B000

RGB 182 176 0

HSL 58.02, 1%, 0.36%

LAB 70.17, -13.68, 72.14

 

CMYK 99 / 0 / 22 / 29

HEX #01B68E

RGB 1 182 142

HSL 166.74, 0.99%, 0.36%

LAB 66.07, -48.52, 9.52

 

CMYK 73 / 100 / 0 / 29

HEX #3100B6

RGB 49 0 182

HSL 256.15, 1%, 0.36%

LAB 23.77, 62.31, -79.87

 

CMYK 0 / 100 / 76 / 29

HEX #B6002B

RGB 182 0 43

HSL 345.82, 1%, 0.36%

LAB 38.06, 63.04, 31.49

 

CMYK 26 / 0 / 100 / 29

HEX #86B600

RGB 134 182 0

HSL 75.82, 1%, 0.36%

LAB 68.41, -36.93, 69.27

 

Description

Color code: RGB 1 182 142 | qconv.com Color code: RGB 1 182 142 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 182 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 182 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 22 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 22% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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