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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 122 237 it is the complementary color RGB 254 133 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 122 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 122 237 shade: RGB 6 122 232, RGB 23 140 251, RGB 40 158 255, RGB 57 176 255 and RGB 74 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 122 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 122 237 shade: RGB 1 122 237, RGB 0 104 218, RGB 0 86 199, RGB 0 68 180 and RGB 0 50 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 122 237 shade: RGB 1 122 238, RGB 1 58 238, RGB 7 1 238, RGB 71 1 238 and RGB 135 1 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 122 237 shade: RGB 1 122 238, RGB 1 58 238 and RGB 1 1 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 122 237 shade matches the following richer shades: RGB 1 122 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 122 237 shade: RGB 1 122 238, RGB 20 122 219, RGB 39 121 199, RGB 59 121 180 and RGB 78 120 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 122 237 shade: RGB 1 238 226, RGB 1 187 238, RGB 1 123 238, RGB 1 60 238 and RGB 5 1 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 122 237 shade: RGB 0 80 156, RGB 0 101 197, RGB 1 122 238, RGB 27 143 253 and RGB 68 163 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 122 237 shade: RGB 1 122 237, RGB 163 1 238 and RGB 218 238 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 122 237 shade: RGB 1 122 237, RGB 238 1 123 and RGB 123 238 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 122 237 shade: RGB 1 122 237, RGB 163 1 238, RGB 238 115 1 and RGB 76 238 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 122 237 shade: RGB 1 122 237, RGB 234 1 238, RGB 238 115 1 and RGB 5 238 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

Complementary color

CMYK 0 / 48 / 93 / 0

HEX #FE8512

RGB 254 133 18

HSL 29.24, 0.99%, 0.53%

LAB 67.94, 40.12, 71.77

 

CMYK 97 / 47 / 0 / 9

HEX #067AE8

RGB 6 122 232

HSL 209.2, 0.95%, 0.47%

LAB 51.59, 13.78, -63.2

 

CMYK 91 / 44 / 0 / 2

HEX #178CFB

RGB 23 140 251

HSL 209.21, 0.97%, 0.54%

LAB 57.95, 10.54, -63.51

 

CMYK 84 / 38 / 0 / 0

HEX #289EFF

RGB 40 158 255

HSL 207.07, 1%, 0.58%

LAB 63.45, 2.3, -56.89

 

CMYK 78 / 31 / 0 / 0

HEX #39B0FF

RGB 57 176 255

HSL 203.94, 1%, 0.61%

LAB 68.85, -6.47, -48.3

 

CMYK 71 / 24 / 0 / 0

HEX #4AC2FF

RGB 74 194 255

HSL 200.22, 1%, 0.65%

LAB 74.36, -14.25, -39.66

 

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

CMYK 100 / 52 / 0 / 15

HEX #0068DA

RGB 0 104 218

HSL 211.38, 1%, 0.43%

LAB 45.58, 19.57, -65.02

 

CMYK 100 / 57 / 0 / 22

HEX #0056C7

RGB 0 86 199

HSL 214.07, 1%, 0.39%

LAB 39.21, 23.8, -64.48

 

CMYK 100 / 62 / 0 / 29

HEX #0044B4

RGB 0 68 180

HSL 217.33, 1%, 0.35%

LAB 32.77, 28.23, -63.86

 

CMYK 100 / 69 / 0 / 37

HEX #0032A1

RGB 0 50 161

HSL 221.37, 1%, 0.32%

LAB 26.32, 32.76, -63.07

 

CMYK 100 / 49 / 0 / 7

HEX #017AEE

RGB 1 122 238

HSL 209.37, 0.99%, 0.47%

LAB 51.95, 15.98, -65.98

 

CMYK 100 / 76 / 0 / 7

HEX #013AEE

RGB 1 58 238

HSL 225.57, 0.99%, 0.47%

LAB 36.38, 55.72, -91.49

 

CMYK 97 / 100 / 0 / 7

HEX #0701EE

RGB 7 1 238

HSL 241.52, 0.99%, 0.47%

LAB 30.01, 75.03, -102.1

 

CMYK 70 / 100 / 0 / 7

HEX #4701EE

RGB 71 1 238

HSL 257.72, 0.99%, 0.47%

LAB 32.99, 76.18, -97.04

 

CMYK 43 / 100 / 0 / 7

HEX #8701EE

RGB 135 1 238

HSL 273.92, 0.99%, 0.47%

LAB 40.16, 80.15, -84.95

 

CMYK 100 / 49 / 0 / 7

HEX #017AEE

RGB 1 122 238

HSL 209.37, 0.99%, 0.47%

LAB 51.95, 15.98, -65.98

 

CMYK 100 / 76 / 0 / 7

HEX #013AEE

RGB 1 58 238

HSL 225.57, 0.99%, 0.47%

LAB 36.38, 55.72, -91.49

 

CMYK 100 / 100 / 0 / 7

HEX #0101EE

RGB 1 1 238

HSL 240, 0.99%, 0.47%

LAB 29.91, 75, -102.26

 

CMYK 100 / 49 / 0 / 7

HEX #017AEE

RGB 1 122 238

HSL 209.37, 0.99%, 0.47%

LAB 51.95, 15.98, -65.98

 

CMYK 100 / 49 / 0 / 7

HEX #017AEE

RGB 1 122 238

HSL 209.37, 0.99%, 0.47%

LAB 51.95, 15.98, -65.98

 

CMYK 91 / 44 / 0 / 14

HEX #147ADB

RGB 20 122 219

HSL 209.25, 0.83%, 0.47%

LAB 50.9, 9.2, -56.99

 

CMYK 80 / 39 / 0 / 22

HEX #2779C7

RGB 39 121 199

HSL 209.25, 0.67%, 0.47%

LAB 49.77, 3.53, -47.41

 

CMYK 67 / 33 / 0 / 29

HEX #3B79B4

RGB 59 121 180

HSL 209.26, 0.51%, 0.47%

LAB 49.37, -0.74, -37.08

 

CMYK 51 / 25 / 0 / 37

HEX #4E78A0

RGB 78 120 160

HSL 209.27, 0.34%, 0.47%

LAB 49, -2.91, -25.98

 

CMYK 100 / 0 / 5 / 7

HEX #01EEE2

RGB 1 238 226

HSL 176.96, 0.99%, 0.47%

LAB 85.33, -49.04, -7.62

 

CMYK 100 / 21 / 0 / 7

HEX #01BBEE

RGB 1 187 238

HSL 192.91, 0.99%, 0.47%

LAB 70.68, -21.43, -36.28

 

CMYK 100 / 48 / 0 / 7

HEX #017BEE

RGB 1 123 238

HSL 209.11, 0.99%, 0.47%

LAB 52.23, 15.36, -65.53

 

CMYK 100 / 75 / 0 / 7

HEX #013CEE

RGB 1 60 238

HSL 225.06, 0.99%, 0.47%

LAB 36.76, 54.62, -90.85

 

CMYK 98 / 100 / 0 / 7

HEX #0501EE

RGB 5 1 238

HSL 241.01, 0.99%, 0.47%

LAB 29.98, 75.02, -102.15

 

CMYK 100 / 49 / 0 / 39

HEX #00509C

RGB 0 80 156

HSL 209.23, 1%, 0.31%

LAB 34.27, 10.12, -47.07

 

CMYK 100 / 49 / 0 / 23

HEX #0065C5

RGB 0 101 197

HSL 209.24, 1%, 0.39%

LAB 43.27, 13.11, -56.73

 

CMYK 100 / 49 / 0 / 7

HEX #017AEE

RGB 1 122 238

HSL 209.37, 0.99%, 0.47%

LAB 51.95, 15.98, -65.98

 

CMYK 89 / 43 / 0 / 1

HEX #1B8FFD

RGB 27 143 253

HSL 209.2, 0.98%, 0.55%

LAB 58.95, 9.66, -63

 

CMYK 73 / 36 / 0 / 0

HEX #44A3FE

RGB 68 163 254

HSL 209.35, 0.99%, 0.63%

LAB 65.42, 1.79, -53.17

 

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

CMYK 32 / 100 / 0 / 7

HEX #A301EE

RGB 163 1 238

HSL 281.01, 0.99%, 0.47%

LAB 44.21, 82.98, -78.14

 

CMYK 8 / 0 / 100 / 7

HEX #DAEE01

RGB 218 238 1

HSL 65.06, 0.99%, 0.47%

LAB 89.89, -28.7, 87.82

 

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

CMYK 0 / 100 / 48 / 7

HEX #EE017B

RGB 238 1 123

HSL 329.11, 0.99%, 0.47%

LAB 51.42, 80.47, 1.64

 

CMYK 48 / 0 / 100 / 7

HEX #7BEE01

RGB 123 238 1

HSL 89.11, 0.99%, 0.47%

LAB 84.67, -63.18, 81.56

 

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

CMYK 32 / 100 / 0 / 7

HEX #A301EE

RGB 163 1 238

HSL 281.01, 0.99%, 0.47%

LAB 44.21, 82.98, -78.14

 

CMYK 0 / 52 / 100 / 7

HEX #EE7301

RGB 238 115 1

HSL 28.86, 0.99%, 0.47%

LAB 62.03, 42.66, 69.63

 

CMYK 68 / 0 / 100 / 7

HEX #4CEE01

RGB 76 238 1

HSL 101.01, 0.99%, 0.47%

LAB 83.28, -74.52, 79.86

 

CMYK 100 / 49 / 0 / 7

HEX #017AED

RGB 1 122 237

HSL 209.24, 0.99%, 0.47%

LAB 51.88, 15.59, -65.53

 

CMYK 2 / 100 / 0 / 7

HEX #EA01EE

RGB 234 1 238

HSL 298.99, 0.99%, 0.47%

LAB 55.77, 92.57, -58.85

 

CMYK 0 / 52 / 100 / 7

HEX #EE7301

RGB 238 115 1

HSL 28.86, 0.99%, 0.47%

LAB 62.03, 42.66, 69.63

 

CMYK 98 / 0 / 100 / 7

HEX #05EE01

RGB 5 238 1

HSL 118.99, 0.99%, 0.47%

LAB 82.48, -81.63, 78.89

 

Description

Color code: RGB 1 122 237 | qconv.com Color code: RGB 1 122 237 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 122 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 122 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 49 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 49% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

78% - Агентство Nimax — со...
Link: http://nimax.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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