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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 113 192 it is the complementary color RGB 254 142 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 113 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 113 192 shade: RGB 6 113 187, RGB 23 131 206, RGB 40 149 225, RGB 57 167 244 and RGB 74 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 113 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 113 192 shade: RGB 1 113 192, RGB 0 95 173, RGB 0 77 154, RGB 0 59 135 and RGB 0 41 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 113 192 shade: RGB 1 113 193, RGB 1 62 193, RGB 1 10 193, RGB 44 1 193 and RGB 95 1 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 113 192 shade: RGB 1 113 193, RGB 1 62 193, RGB 1 10 193 and RGB 1 1 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 113 192 shade matches the following richer shades: RGB 1 113 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 113 192 shade: RGB 1 113 193, RGB 17 111 177, RGB 32 108 161, RGB 48 105 146 and RGB 64 103 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 113 192 shade: RGB 1 193 167, RGB 1 167 193, RGB 1 116 193, RGB 1 65 193 and RGB 1 14 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 113 192 shade: RGB 1 65 111, RGB 1 89 152, RGB 1 113 193, RGB 1 138 234 and RGB 22 158 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 113 192 shade: RGB 1 113 192, RGB 116 1 193 and RGB 193 193 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 113 192 shade: RGB 1 113 192, RGB 193 1 116 and RGB 116 193 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 113 192 shade: RGB 1 113 192, RGB 116 1 193, RGB 193 78 1 and RGB 78 193 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 113 192 shade: RGB 1 113 192, RGB 174 1 193, RGB 193 78 1 and RGB 20 193 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

Complementary color

CMYK 0 / 44 / 75 / 0

HEX #FE8E3F

RGB 254 142 63

HSL 24.82, 0.99%, 0.62%

LAB 70.02, 36.7, 58.49

 

CMYK 97 / 40 / 0 / 27

HEX #0671BB

RGB 6 113 187

HSL 204.53, 0.94%, 0.38%

LAB 46.23, 1.68, -46.19

 

CMYK 89 / 36 / 0 / 19

HEX #1783CE

RGB 23 131 206

HSL 204.59, 0.8%, 0.45%

LAB 52.81, -1.14, -46.59

 

CMYK 82 / 34 / 0 / 12

HEX #2895E1

RGB 40 149 225

HSL 204.65, 0.76%, 0.52%

LAB 59.33, -3.42, -46.91

 

CMYK 77 / 32 / 0 / 4

HEX #39A7F4

RGB 57 167 244

HSL 204.71, 0.89%, 0.59%

LAB 65.78, -5.26, -47.17

 

CMYK 71 / 27 / 0 / 0

HEX #4AB9FF

RGB 74 185 255

HSL 203.2, 1%, 0.65%

LAB 71.81, -9.42, -43.64

 

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

CMYK 100 / 45 / 0 / 32

HEX #005FAD

RGB 0 95 173

HSL 207.05, 1%, 0.34%

LAB 39.92, 7.24, -48.11

 

CMYK 100 / 50 / 0 / 40

HEX #004D9A

RGB 0 77 154

HSL 210, 1%, 0.3%

LAB 33.22, 11.31, -47.55

 

CMYK 100 / 56 / 0 / 47

HEX #003B87

RGB 0 59 135

HSL 213.78, 1%, 0.26%

LAB 26.38, 15.71, -46.98

 

CMYK 100 / 65 / 0 / 55

HEX #002974

RGB 0 41 116

HSL 218.79, 1%, 0.23%

LAB 19.42, 20.45, -46.34

 

CMYK 99 / 41 / 0 / 24

HEX #0171C1

RGB 1 113 193

HSL 205, 0.99%, 0.38%

LAB 46.53, 3.88, -49.17

 

CMYK 99 / 68 / 0 / 24

HEX #013EC1

RGB 1 62 193

HSL 220.94, 0.99%, 0.38%

LAB 32.48, 37.31, -71.99

 

CMYK 99 / 95 / 0 / 24

HEX #010AC1

RGB 1 10 193

HSL 237.19, 0.99%, 0.38%

LAB 23.91, 61.99, -86.23

 

CMYK 77 / 99 / 0 / 24

HEX #2C01C1

RGB 44 1 193

HSL 253.44, 0.99%, 0.38%

LAB 24.98, 64.62, -84.41

 

CMYK 51 / 99 / 0 / 24

HEX #5F01C1

RGB 95 1 193

HSL 269.38, 0.99%, 0.38%

LAB 30.17, 67.27, -75.63

 

CMYK 99 / 41 / 0 / 24

HEX #0171C1

RGB 1 113 193

HSL 205, 0.99%, 0.38%

LAB 46.53, 3.88, -49.17

 

CMYK 99 / 68 / 0 / 24

HEX #013EC1

RGB 1 62 193

HSL 220.94, 0.99%, 0.38%

LAB 32.48, 37.31, -71.99

 

CMYK 99 / 95 / 0 / 24

HEX #010AC1

RGB 1 10 193

HSL 237.19, 0.99%, 0.38%

LAB 23.91, 61.99, -86.23

 

CMYK 99 / 99 / 0 / 24

HEX #0101C1

RGB 1 1 193

HSL 240, 0.99%, 0.38%

LAB 23.27, 64, -87.31

 

CMYK 99 / 41 / 0 / 24

HEX #0171C1

RGB 1 113 193

HSL 205, 0.99%, 0.38%

LAB 46.53, 3.88, -49.17

 

CMYK 99 / 41 / 0 / 24

HEX #0171C1

RGB 1 113 193

HSL 205, 0.99%, 0.38%

LAB 46.53, 3.88, -49.17

 

CMYK 90 / 37 / 0 / 31

HEX #116FB1

RGB 17 111 177

HSL 204.75, 0.82%, 0.38%

LAB 45.17, -0.54, -42.06

 

CMYK 80 / 33 / 0 / 37

HEX #206CA1

RGB 32 108 161

HSL 204.65, 0.67%, 0.38%

LAB 43.66, -3.63, -35.03

 

CMYK 67 / 28 / 0 / 43

HEX #306992

RGB 48 105 146

HSL 205.1, 0.51%, 0.38%

LAB 42.47, -5.03, -27.96

 

CMYK 51 / 21 / 0 / 49

HEX #406782

RGB 64 103 130

HSL 204.55, 0.34%, 0.38%

LAB 41.85, -5.73, -19.26

 

CMYK 99 / 0 / 13 / 24

HEX #01C1A7

RGB 1 193 167

HSL 171.88, 0.99%, 0.38%

LAB 70.13, -46.44, 1.67

 

CMYK 99 / 13 / 0 / 24

HEX #01A7C1

RGB 1 167 193

HSL 188.13, 0.99%, 0.38%

LAB 62.92, -26.56, -23.49

 

CMYK 99 / 40 / 0 / 24

HEX #0174C1

RGB 1 116 193

HSL 204.06, 0.99%, 0.38%

LAB 47.43, 2.01, -47.74

 

CMYK 99 / 66 / 0 / 24

HEX #0141C1

RGB 1 65 193

HSL 220, 0.99%, 0.38%

LAB 33.22, 35.37, -70.79

 

CMYK 99 / 93 / 0 / 24

HEX #010EC1

RGB 1 14 193

HSL 235.94, 0.99%, 0.38%

LAB 24.23, 61.02, -85.7

 

CMYK 99 / 41 / 0 / 56

HEX #01416F

RGB 1 65 111

HSL 205.09, 0.98%, 0.22%

LAB 26.55, 1.06, -31.61

 

CMYK 99 / 41 / 0 / 40

HEX #015998

RGB 1 89 152

HSL 205.03, 0.99%, 0.3%

LAB 36.78, 2.52, -40.63

 

CMYK 99 / 41 / 0 / 24

HEX #0171C1

RGB 1 113 193

HSL 205, 0.99%, 0.38%

LAB 46.53, 3.88, -49.17

 

CMYK 100 / 41 / 0 / 8

HEX #018AEA

RGB 1 138 234

HSL 204.72, 0.99%, 0.46%

LAB 56.21, 4.56, -56.89

 

CMYK 91 / 38 / 0 / 0

HEX #169EFE

RGB 22 158 254

HSL 204.83, 0.99%, 0.54%

LAB 63.16, 0.91, -56.81

 

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

CMYK 40 / 99 / 0 / 24

HEX #7401C1

RGB 116 1 193

HSL 275.94, 0.99%, 0.38%

LAB 33.1, 69.17, -70.69

 

CMYK 0 / 0 / 99 / 24

HEX #C1C101

RGB 193 193 1

HSL 60, 0.99%, 0.38%

LAB 75.75, -17.47, 76.52

 

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

CMYK 0 / 99 / 40 / 24

HEX #C10174

RGB 193 1 116

HSL 324.06, 0.99%, 0.38%

LAB 42.19, 70.22, -8.7

 

CMYK 40 / 0 / 99 / 24

HEX #74C101

RGB 116 193 1

HSL 84.06, 0.99%, 0.38%

LAB 70.77, -48.29, 70.56

 

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

CMYK 40 / 99 / 0 / 24

HEX #7401C1

RGB 116 1 193

HSL 275.94, 0.99%, 0.38%

LAB 33.1, 69.17, -70.69

 

CMYK 0 / 60 / 99 / 24

HEX #C14E01

RGB 193 78 1

HSL 24.06, 0.99%, 0.38%

LAB 47.99, 43.34, 57.86

 

CMYK 60 / 0 / 99 / 24

HEX #4EC101

RGB 78 193 1

HSL 95.94, 0.99%, 0.38%

LAB 69.3, -59.67, 68.77

 

CMYK 99 / 41 / 0 / 25

HEX #0171C0

RGB 1 113 192

HSL 204.82, 0.99%, 0.38%

LAB 46.48, 3.48, -48.69

 

CMYK 10 / 99 / 0 / 24

HEX #AE01C1

RGB 174 1 193

HSL 294.06, 0.99%, 0.38%

LAB 42.57, 76.61, -54.86

 

CMYK 0 / 60 / 99 / 24

HEX #C14E01

RGB 193 78 1

HSL 24.06, 0.99%, 0.38%

LAB 47.99, 43.34, 57.86

 

CMYK 90 / 0 / 99 / 24

HEX #14C101

RGB 20 193 1

HSL 114.06, 0.99%, 0.38%

LAB 68.23, -68.87, 67.47

 

Description

Color code: RGB 1 113 192 | qconv.com Color code: RGB 1 113 192 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 113 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 113 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 41 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 41% 0% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - St. Andrew's Lut...
Link: http://salutheran.com

74% - BLUESITE Beratungsge...
Link: http://www.bluesite.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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