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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 53 41 it is the complementary color RGB 236 202 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 53 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 53 41 shade: RGB 24 53 36, RGB 41 71 55, RGB 58 89 74, RGB 75 107 93 and RGB 92 125 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 53 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 53 41 shade: RGB 19 53 41, RGB 2 35 22, RGB 0 17 3 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 53 41 shade: RGB 19 52 41, RGB 19 52 32, RGB 19 52 23, RGB 24 52 19 and RGB 33 52 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 53 41 shade: RGB 19 52 41, RGB 19 52 50, RGB 19 46 52, RGB 19 37 52 and RGB 19 28 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 53 41 shade matches the following richer shades: RGB 19 52 41, RGB 13 58 42, RGB 7 64 44 and RGB 2 70 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 53 41 shade: RGB 19 52 41, RGB 25 47 39, RGB 30 41 37, RGB 36 35 36 and RGB 42 29 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 53 41 shade: RGB 19 52 22, RGB 19 52 31, RGB 19 52 40, RGB 19 52 49 and RGB 19 47 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 53 41 shade: RGB 0 0 0, RGB 8 22 17, RGB 19 52 41, RGB 30 83 64 and RGB 41 113 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 53 41 shade: RGB 19 53 41, RGB 19 25 52 and RGB 52 27 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 53 41 shade: RGB 19 53 41, RGB 40 19 52 and RGB 52 40 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 53 41 shade: RGB 19 53 41, RGB 19 25 52, RGB 52 19 31 and RGB 52 47 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 53 41 shade: RGB 19 53 41, RGB 23 19 52, RGB 52 19 31 and RGB 48 52 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

Complementary color

CMYK 0 / 14 / 9 / 7

HEX #ECCAD6

RGB 236 202 214

HSL 338.82, 0.47%, 0.86%

LAB 84.45, 13.9, -1.52

 

CMYK 55 / 0 / 32 / 79

HEX #183524

RGB 24 53 36

HSL 144.83, 0.38%, 0.15%

LAB 19.51, -15.74, 7.42

 

CMYK 42 / 0 / 23 / 72

HEX #294737

RGB 41 71 55

HSL 148, 0.27%, 0.22%

LAB 27.45, -15.44, 6.14

 

CMYK 35 / 0 / 17 / 65

HEX #3A594A

RGB 58 89 74

HSL 150.97, 0.21%, 0.29%

LAB 35.08, -15.15, 5.07

 

CMYK 30 / 0 / 13 / 58

HEX #4B6B5D

RGB 75 107 93

HSL 153.75, 0.18%, 0.36%

LAB 42.46, -14.89, 4.14

 

CMYK 26 / 0 / 10 / 51

HEX #5C7D70

RGB 92 125 112

HSL 156.36, 0.15%, 0.43%

LAB 49.63, -14.68, 3.29

 

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

CMYK 94 / 0 / 37 / 86

HEX #022316

RGB 2 35 22

HSL 156.36, 0.89%, 0.07%

LAB 11.08, -16.2, 5.32

 

CMYK 100 / 0 / 82 / 93

HEX #001103

RGB 0 17 3

HSL 130.59, 1%, 0.03%

LAB 3.68, -6.98, 4.15

 

CMYK 63 / 0 / 21 / 80

HEX #133429

RGB 19 52 41

HSL 160, 0.46%, 0.14%

LAB 19.03, -15.38, 3.33

 

CMYK 63 / 0 / 38 / 80

HEX #133420

RGB 19 52 32

HSL 143.64, 0.46%, 0.14%

LAB 18.79, -17.76, 9.09

 

CMYK 63 / 0 / 56 / 80

HEX #133417

RGB 19 52 23

HSL 127.27, 0.46%, 0.14%

LAB 18.61, -19.69, 14.72

 

CMYK 54 / 0 / 63 / 80

HEX #183413

RGB 24 52 19

HSL 110.91, 0.46%, 0.14%

LAB 18.79, -18.62, 17.46

 

CMYK 37 / 0 / 63 / 80

HEX #213413

RGB 33 52 19

HSL 94.55, 0.46%, 0.14%

LAB 19.33, -14.9, 18.25

 

CMYK 63 / 0 / 21 / 80

HEX #133429

RGB 19 52 41

HSL 160, 0.46%, 0.14%

LAB 19.03, -15.38, 3.33

 

CMYK 63 / 0 / 4 / 80

HEX #133432

RGB 19 52 50

HSL 176.36, 0.46%, 0.14%

LAB 19.33, -12.59, -2.4

 

CMYK 63 / 12 / 0 / 80

HEX #132E34

RGB 19 46 52

HSL 190.91, 0.46%, 0.14%

LAB 17.18, -8.15, -7

 

CMYK 63 / 29 / 0 / 80

HEX #132534

RGB 19 37 52

HSL 207.27, 0.46%, 0.14%

LAB 13.88, -2.01, -12.05

 

CMYK 63 / 46 / 0 / 80

HEX #131C34

RGB 19 28 52

HSL 223.64, 0.46%, 0.14%

LAB 10.68, 4.68, -17.07

 

CMYK 63 / 0 / 21 / 80

HEX #133429

RGB 19 52 41

HSL 160, 0.46%, 0.14%

LAB 19.03, -15.38, 3.33

 

CMYK 78 / 0 / 28 / 77

HEX #0D3A2A

RGB 13 58 42

HSL 158.67, 0.63%, 0.14%

LAB 21.13, -19.8, 5.6

 

CMYK 89 / 0 / 31 / 75

HEX #07402C

RGB 7 64 44

HSL 158.95, 0.8%, 0.14%

LAB 23.32, -23.28, 7.32

 

CMYK 97 / 0 / 34 / 73

HEX #02462E

RGB 2 70 46

HSL 158.82, 0.94%, 0.14%

LAB 25.53, -26.31, 9.08

 

CMYK 63 / 0 / 21 / 80

HEX #133429

RGB 19 52 41

HSL 160, 0.46%, 0.14%

LAB 19.03, -15.38, 3.33

 

CMYK 47 / 0 / 17 / 82

HEX #192F27

RGB 25 47 39

HSL 158.18, 0.31%, 0.14%

LAB 17.4, -11.08, 2.4

 

CMYK 27 / 0 / 10 / 84

HEX #1E2925

RGB 30 41 37

HSL 158.18, 0.15%, 0.14%

LAB 15.46, -5.83, 1.06

 

CMYK 0 / 3 / 0 / 86

HEX #242324

RGB 36 35 36

HSL 300, 0.01%, 0.14%

LAB 13.85, 0.71, -0.51

 

CMYK 0 / 31 / 19 / 84

HEX #2A1D22

RGB 42 29 34

HSL 336.92, 0.18%, 0.14%

LAB 12.52, 7.38, -0.93

 

CMYK 63 / 0 / 58 / 80

HEX #133416

RGB 19 52 22

HSL 125.45, 0.46%, 0.14%

LAB 18.59, -19.87, 15.33

 

CMYK 63 / 0 / 40 / 80

HEX #13341F

RGB 19 52 31

HSL 141.82, 0.46%, 0.14%

LAB 18.77, -18, 9.73

 

CMYK 63 / 0 / 23 / 80

HEX #133428

RGB 19 52 40

HSL 158.18, 0.46%, 0.14%

LAB 19, -15.67, 3.97

 

CMYK 63 / 0 / 6 / 80

HEX #133431

RGB 19 52 49

HSL 174.55, 0.46%, 0.14%

LAB 19.29, -12.92, -1.77

 

CMYK 63 / 10 / 0 / 80

HEX #132F34

RGB 19 47 52

HSL 189.09, 0.46%, 0.14%

LAB 17.55, -8.8, -6.44

 

CMYK 64 / 0 / 23 / 91

HEX #081611

RGB 8 22 17

HSL 158.57, 0.47%, 0.06%

LAB 6.02, -5.93, 1.32

 

CMYK 63 / 0 / 21 / 80

HEX #133429

RGB 19 52 41

HSL 160, 0.46%, 0.14%

LAB 19.03, -15.38, 3.33

 

CMYK 64 / 0 / 23 / 67

HEX #1E5340

RGB 30 83 64

HSL 158.49, 0.47%, 0.22%

LAB 31.42, -22.81, 5.96

 

CMYK 64 / 0 / 22 / 56

HEX #297158

RGB 41 113 88

HSL 159.17, 0.47%, 0.3%

LAB 42.74, -28.9, 7.33

 

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

CMYK 63 / 52 / 0 / 80

HEX #131934

RGB 19 25 52

HSL 229.09, 0.46%, 0.14%

LAB 9.65, 7, -18.7

 

CMYK 0 / 48 / 63 / 80

HEX #341B13

RGB 52 27 19

HSL 14.55, 0.46%, 0.14%

LAB 12.99, 11.35, 10.73

 

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

CMYK 23 / 63 / 0 / 80

HEX #281334

RGB 40 19 52

HSL 278.18, 0.46%, 0.14%

LAB 10.3, 18.13, -17.54

 

CMYK 0 / 23 / 63 / 80

HEX #342813

RGB 52 40 19

HSL 38.18, 0.46%, 0.14%

LAB 16.96, 2.38, 15.83

 

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

CMYK 63 / 52 / 0 / 80

HEX #131934

RGB 19 25 52

HSL 229.09, 0.46%, 0.14%

LAB 9.65, 7, -18.7

 

CMYK 0 / 63 / 40 / 80

HEX #34131F

RGB 52 19 31

HSL 338.18, 0.46%, 0.14%

LAB 11.24, 18.2, -0.4

 

CMYK 0 / 10 / 63 / 80

HEX #342F13

RGB 52 47 19

HSL 50.91, 0.46%, 0.14%

LAB 19.27, -2.33, 18.59

 

CMYK 64 / 0 / 23 / 79

HEX #133529

RGB 19 53 41

HSL 158.82, 0.47%, 0.14%

LAB 19.41, -15.95, 3.87

 

CMYK 56 / 63 / 0 / 80

HEX #171334

RGB 23 19 52

HSL 247.27, 0.46%, 0.14%

LAB 8.09, 12.78, -21.18

 

CMYK 0 / 63 / 40 / 80

HEX #34131F

RGB 52 19 31

HSL 338.18, 0.46%, 0.14%

LAB 11.24, 18.2, -0.4

 

CMYK 8 / 0 / 63 / 80

HEX #303413

RGB 48 52 19

HSL 67.27, 0.46%, 0.14%

LAB 20.56, -7.63, 20

 

Description

Color code: RGB 19 53 41 | qconv.com Color code: RGB 19 53 41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 53 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 53 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 23 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 23% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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