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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 25 145 it is the complementary color RGB 236 230 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 25 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 19 25 145: RGB 24 25 140, RGB 41 43 159, RGB 58 61 178, RGB 75 79 197 and RGB 92 97 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 25 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 19 25 145: RGB 19 25 145, RGB 2 7 126, RGB 0 0 107, RGB 0 0 88 and RGB 0 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

Complementary color

CMYK 0 / 3 / 53 / 7

HEX #ECE66E

RGB 236 230 110

HSL 57.14, 0.77%, 0.68%

LAB 89.65, -13.29, 58.28

 

CMYK 83 / 82 / 0 / 45

HEX #18198C

RGB 24 25 140

HSL 239.48, 0.71%, 0.32%

LAB 19.15, 41.38, -61.96

 

CMYK 74 / 73 / 0 / 38

HEX #292B9F

RGB 41 43 159

HSL 238.98, 0.59%, 0.39%

LAB 25.87, 38.98, -62.54

 

CMYK 67 / 66 / 0 / 30

HEX #3A3DB2

RGB 58 61 178

HSL 238.5, 0.51%, 0.46%

LAB 32.81, 36.54, -62.52

 

CMYK 62 / 60 / 0 / 23

HEX #4B4FC5

RGB 75 79 197

HSL 238.03, 0.51%, 0.53%

LAB 39.78, 34.35, -62.27

 

CMYK 57 / 55 / 0 / 15

HEX #5C61D8

RGB 92 97 216

HSL 237.58, 0.61%, 0.6%

LAB 46.69, 32.46, -61.95

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 98 / 94 / 0 / 51

HEX #02077E

RGB 2 7 126

HSL 237.58, 0.97%, 0.25%

LAB 13.66, 44.13, -62.28

 

CMYK 100 / 100 / 0 / 58

HEX #00006B

RGB 0 0 107

HSL 240, 1%, 0.21%

LAB 9.49, 41.8, -56.93

 

CMYK 100 / 100 / 0 / 65

HEX #000058

RGB 0 0 88

HSL 240, 1%, 0.17%

LAB 6.36, 35.92, -49.44

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 77 / 88 / 0 / 44

HEX #211290

RGB 33 18 144

HSL 247.14, 0.78%, 0.32%

LAB 19.1, 46.45, -64.53

 

CMYK 63 / 88 / 0 / 44

HEX #361290

RGB 54 18 144

HSL 257.14, 0.78%, 0.32%

LAB 20.94, 48.04, -61.41

 

CMYK 48 / 88 / 0 / 44

HEX #4B1290

RGB 75 18 144

HSL 267.14, 0.78%, 0.32%

LAB 23.48, 50.33, -57.14

 

CMYK 33 / 88 / 0 / 44

HEX #601290

RGB 96 18 144

HSL 277.14, 0.78%, 0.32%

LAB 26.54, 53.25, -52

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 87 / 83 / 0 / 23

HEX #1A22C4

RGB 26 34 196

HSL 237.18, 0.77%, 0.44%

LAB 27.71, 54.99, -81.65

 

CMYK 87 / 83 / 0 / 3

HEX #202BF7

RGB 32 43 247

HSL 236.93, 0.93%, 0.55%

LAB 35.5, 66.47, -98.01

 

CMYK 86 / 84 / 0 / 83

HEX #06072B

RGB 6 7 43

HSL 238.38, 0.76%, 0.1%

LAB 3.3, 9.84, -22.21

 

CMYK 87 / 83 / 0 / 63

HEX #0C105E

RGB 12 16 94

HSL 237.07, 0.77%, 0.21%

LAB 10.97, 29.56, -45.82

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 48 / 0 / 88 / 44

HEX #4B9012

RGB 75 144 18

HSL 92.86, 0.78%, 0.32%

LAB 53.48, -41.96, 53.11

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 0 / 88 / 83 / 44

HEX #901219

RGB 144 18 25

HSL 356.67, 0.78%, 0.32%

LAB 30.48, 49.75, 31.83

 

CMYK 83 / 0 / 88 / 44

HEX #199012

RGB 25 144 18

HSL 116.67, 0.78%, 0.32%

LAB 52.06, -53.57, 51.31

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 88 / 0 / 74 / 44

HEX #129025

RGB 18 144 37

HSL 129.05, 0.78%, 0.32%

LAB 52.07, -53.07, 45.3

 

CMYK 87 / 83 / 0 / 43

HEX #131991

RGB 19 25 145

HSL 237.14, 0.77%, 0.32%

LAB 19.55, 42.79, -64.42

 

CMYK 0 / 88 / 40 / 44

HEX #901257

RGB 144 18 87

HSL 327.14, 0.78%, 0.32%

LAB 31.92, 53.92, -6.61

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 88 / 0 / 48 / 44

HEX #12904B

RGB 18 144 75

HSL 147.14, 0.78%, 0.32%

LAB 52.49, -47.97, 27.78

 

Description

Color code: RGB 19 25 145 | qconv.com Color code: RGB 19 25 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 25 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 25 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 83 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 83% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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