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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 167 215 it is the complementary color RGB 236 88 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 167 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 167 215 shade: RGB 24 167 210, RGB 41 185 229, RGB 58 203 248, RGB 75 221 255 and RGB 92 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 167 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 167 215 shade: RGB 19 167 215, RGB 2 149 196, RGB 0 131 177, RGB 0 113 158 and RGB 0 95 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 167 215 shade: RGB 18 167 215, RGB 18 114 215, RGB 18 61 215, RGB 29 18 215 and RGB 82 18 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 167 215 shade: RGB 18 167 215, RGB 18 114 215, RGB 18 61 215 and RGB 18 18 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 167 215 shade matches the following richer shades: RGB 18 167 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 167 215 shade: RGB 18 167 215, RGB 37 157 196, RGB 56 148 177, RGB 75 138 158 and RGB 94 128 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 167 215 shade: RGB 18 215 156, RGB 18 215 209, RGB 18 169 215, RGB 18 117 215 and RGB 18 64 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 167 215 shade: RGB 12 108 139, RGB 15 138 177, RGB 18 167 215, RGB 39 188 236 and RGB 77 199 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 167 215 shade: RGB 19 167 215, RGB 104 18 215 and RGB 215 182 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 167 215 shade: RGB 19 167 215, RGB 215 18 169 and RGB 169 215 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 167 215 shade: RGB 19 167 215, RGB 104 18 215, RGB 215 64 18 and RGB 130 215 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 167 215 shade: RGB 19 167 215, RGB 163 18 215, RGB 215 64 18 and RGB 71 215 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

Complementary color

CMYK 0 / 63 / 83 / 7

HEX #EC5828

RGB 236 88 40

HSL 14.69, 0.84%, 0.54%

LAB 57.04, 55, 55.29

 

CMYK 89 / 20 / 0 / 18

HEX #18A7D2

RGB 24 167 210

HSL 193.87, 0.79%, 0.46%

LAB 63.74, -19.85, -31.67

 

CMYK 82 / 19 / 0 / 10

HEX #29B9E5

RGB 41 185 229

HSL 194.04, 0.78%, 0.53%

LAB 70.05, -21.62, -32.33

 

CMYK 77 / 18 / 0 / 3

HEX #3ACBF8

RGB 58 203 248

HSL 194.21, 0.93%, 0.6%

LAB 76.31, -23.04, -32.91

 

CMYK 71 / 13 / 0 / 0

HEX #4BDDFF

RGB 75 221 255

HSL 191.33, 1%, 0.65%

LAB 82.07, -27.87, -27.75

 

CMYK 64 / 6 / 0 / 0

HEX #5CEFFF

RGB 92 239 255

HSL 185.89, 1%, 0.68%

LAB 87.6, -34.14, -19.32

 

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

CMYK 99 / 24 / 0 / 23

HEX #0295C4

RGB 2 149 196

HSL 194.54, 0.98%, 0.39%

LAB 57.55, -16.04, -33.48

 

CMYK 100 / 26 / 0 / 31

HEX #0083B1

RGB 0 131 177

HSL 195.59, 1%, 0.35%

LAB 51.16, -13.11, -32.62

 

CMYK 100 / 28 / 0 / 38

HEX #00719E

RGB 0 113 158

HSL 197.09, 1%, 0.31%

LAB 44.63, -9.97, -31.77

 

CMYK 100 / 32 / 0 / 45

HEX #005F8B

RGB 0 95 139

HSL 198.99, 1%, 0.27%

LAB 37.93, -6.67, -30.95

 

CMYK 92 / 22 / 0 / 16

HEX #12A7D7

RGB 18 167 215

HSL 194.62, 0.85%, 0.46%

LAB 63.89, -18.42, -34.21

 

CMYK 92 / 47 / 0 / 16

HEX #1272D7

RGB 18 114 215

HSL 210.76, 0.85%, 0.46%

LAB 48.35, 12.58, -58.84

 

CMYK 92 / 72 / 0 / 16

HEX #123DD7

RGB 18 61 215

HSL 226.9, 0.85%, 0.46%

LAB 34.75, 46.47, -81.04

 

CMYK 87 / 92 / 0 / 16

HEX #1D12D7

RGB 29 18 215

HSL 243.35, 0.85%, 0.46%

LAB 28.38, 66.25, -91.61

 

CMYK 62 / 92 / 0 / 16

HEX #5212D7

RGB 82 18 215

HSL 259.49, 0.85%, 0.46%

LAB 32.11, 68.5, -85.31

 

CMYK 92 / 22 / 0 / 16

HEX #12A7D7

RGB 18 167 215

HSL 194.62, 0.85%, 0.46%

LAB 63.89, -18.42, -34.21

 

CMYK 92 / 47 / 0 / 16

HEX #1272D7

RGB 18 114 215

HSL 210.76, 0.85%, 0.46%

LAB 48.35, 12.58, -58.84

 

CMYK 92 / 72 / 0 / 16

HEX #123DD7

RGB 18 61 215

HSL 226.9, 0.85%, 0.46%

LAB 34.75, 46.47, -81.04

 

CMYK 92 / 92 / 0 / 16

HEX #1212D7

RGB 18 18 215

HSL 240, 0.85%, 0.46%

LAB 28.03, 66.06, -92.21

 

CMYK 92 / 22 / 0 / 16

HEX #12A7D7

RGB 18 167 215

HSL 194.62, 0.85%, 0.46%

LAB 63.89, -18.42, -34.21

 

CMYK 92 / 22 / 0 / 16

HEX #12A7D7

RGB 18 167 215

HSL 194.62, 0.85%, 0.46%

LAB 63.89, -18.42, -34.21

 

CMYK 81 / 20 / 0 / 23

HEX #259DC4

RGB 37 157 196

HSL 194.72, 0.68%, 0.46%

LAB 60.33, -18.42, -29.13

 

CMYK 68 / 16 / 0 / 31

HEX #3894B1

RGB 56 148 177

HSL 194.38, 0.52%, 0.46%

LAB 57.26, -17.63, -23.09

 

CMYK 53 / 13 / 0 / 38

HEX #4B8A9E

RGB 75 138 158

HSL 194.46, 0.36%, 0.46%

LAB 54.18, -14.5, -16.87

 

CMYK 32 / 8 / 0 / 45

HEX #5E808B

RGB 94 128 139

HSL 194.67, 0.19%, 0.46%

LAB 51.48, -9.16, -9.82

 

CMYK 92 / 0 / 27 / 16

HEX #12D79C

RGB 18 215 156

HSL 162.03, 0.85%, 0.46%

LAB 76.76, -57.31, 17.03

 

CMYK 92 / 0 / 3 / 16

HEX #12D7D1

RGB 18 215 209

HSL 178.17, 0.85%, 0.46%

LAB 78.07, -43.52, -9.36

 

CMYK 92 / 21 / 0 / 16

HEX #12A9D7

RGB 18 169 215

HSL 194.01, 0.85%, 0.46%

LAB 64.49, -19.47, -33.28

 

CMYK 92 / 46 / 0 / 16

HEX #1275D7

RGB 18 117 215

HSL 209.85, 0.85%, 0.46%

LAB 49.2, 10.68, -57.46

 

CMYK 92 / 70 / 0 / 16

HEX #1240D7

RGB 18 64 215

HSL 225.99, 0.85%, 0.46%

LAB 35.4, 44.67, -79.96

 

CMYK 91 / 22 / 0 / 45

HEX #0C6C8B

RGB 12 108 139

HSL 194.65, 0.84%, 0.3%

LAB 42.26, -13.7, -24.17

 

CMYK 92 / 22 / 0 / 31

HEX #0F8AB1

RGB 15 138 177

HSL 194.44, 0.84%, 0.38%

LAB 53.44, -16.39, -29.06

 

CMYK 92 / 22 / 0 / 16

HEX #12A7D7

RGB 18 167 215

HSL 194.62, 0.85%, 0.46%

LAB 63.89, -18.42, -34.21

 

CMYK 83 / 20 / 0 / 7

HEX #27BCEC

RGB 39 188 236

HSL 194.62, 0.84%, 0.54%

LAB 71.18, -20.99, -34.39

 

CMYK 68 / 17 / 0 / 6

HEX #4DC7EF

RGB 77 199 239

HSL 194.81, 0.84%, 0.62%

LAB 75.24, -21.52, -29.69

 

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

CMYK 52 / 92 / 0 / 16

HEX #6812D7

RGB 104 18 215

HSL 266.19, 0.85%, 0.46%

LAB 34.56, 70.2, -81.16

 

CMYK 0 / 15 / 92 / 16

HEX #D7B612

RGB 215 182 18

HSL 49.95, 0.85%, 0.46%

LAB 74.79, -2.04, 74.69

 

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

CMYK 0 / 92 / 21 / 16

HEX #D712A9

RGB 215 18 169

HSL 314.01, 0.85%, 0.46%

LAB 49.18, 78.78, -29.76

 

CMYK 21 / 0 / 92 / 16

HEX #A9D712

RGB 169 215 18

HSL 74.01, 0.85%, 0.46%

LAB 80.22, -37.67, 77.38

 

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

CMYK 52 / 92 / 0 / 16

HEX #6812D7

RGB 104 18 215

HSL 266.19, 0.85%, 0.46%

LAB 34.56, 70.2, -81.16

 

CMYK 0 / 70 / 92 / 16

HEX #D74012

RGB 215 64 18

HSL 14.01, 0.85%, 0.46%

LAB 49.69, 57.18, 56.43

 

CMYK 40 / 0 / 92 / 16

HEX #82D712

RGB 130 215 18

HSL 85.89, 0.85%, 0.46%

LAB 78.1, -52.03, 74.79

 

CMYK 91 / 22 / 0 / 16

HEX #13A7D7

RGB 19 167 215

HSL 194.69, 0.84%, 0.46%

LAB 63.9, -18.37, -34.2

 

CMYK 24 / 92 / 0 / 16

HEX #A312D7

RGB 163 18 215

HSL 284.16, 0.85%, 0.46%

LAB 42.95, 76.94, -67.08

 

CMYK 0 / 70 / 92 / 16

HEX #D74012

RGB 215 64 18

HSL 14.01, 0.85%, 0.46%

LAB 49.69, 57.18, 56.43

 

CMYK 67 / 0 / 92 / 16

HEX #47D712

RGB 71 215 18

HSL 103.86, 0.85%, 0.46%

LAB 76.06, -68.09, 72.26

 

Description

Color code: RGB 19 167 215 | qconv.com Color code: RGB 19 167 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 167 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 167 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 22 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 22% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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