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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 71 75 it is the complementary color RGB 56 184 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 71 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 71 75: RGB 204 71 70, RGB 221 89 89, RGB 238 107 108, RGB 255 125 127 and RGB 255 143 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 71 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 71 75: RGB 199 71 75, RGB 182 53 56, RGB 165 35 37, RGB 148 17 18 and RGB 131 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

Complementary color

CMYK 70 / 0 / 2 / 28

HEX #38B8B4

RGB 56 184 180

HSL 178.13, 0.53%, 0.47%

LAB 68.33, -34.75, -8.05

 

CMYK 0 / 65 / 66 / 20

HEX #CC4746

RGB 204 71 70

HSL 0.45, 0.57%, 0.54%

LAB 49.24, 52.53, 29.63

 

CMYK 0 / 60 / 60 / 13

HEX #DD5959

RGB 221 89 89

HSL 0, 0.66%, 0.61%

LAB 55.32, 51.64, 26.85

 

CMYK 0 / 55 / 55 / 7

HEX #EE6B6C

RGB 238 107 108

HSL 359.54, 0.79%, 0.68%

LAB 61.46, 50.62, 24.49

 

CMYK 0 / 51 / 50 / 0

HEX #FF7D7F

RGB 255 125 127

HSL 359.08, 1%, 0.75%

LAB 67.62, 49.56, 22.45

 

CMYK 0 / 44 / 43 / 0

HEX #FF8F92

RGB 255 143 146

HSL 358.39, 1%, 0.78%

LAB 71.54, 42.46, 17.24

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 0 / 71 / 69 / 29

HEX #B63538

RGB 182 53 56

HSL 358.6, 0.55%, 0.46%

LAB 42.43, 51.77, 28.7

 

CMYK 0 / 79 / 78 / 35

HEX #A52325

RGB 165 35 37

HSL 359.08, 0.65%, 0.39%

LAB 36.62, 51.84, 32.51

 

CMYK 0 / 89 / 88 / 42

HEX #941112

RGB 148 17 18

HSL 359.54, 0.79%, 0.32%

LAB 31.21, 50.94, 36.72

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 0 / 56 / 64 / 22

HEX #C65847

RGB 198 88 71

HSL 8.03, 0.53%, 0.53%

LAB 51.2, 42.71, 31.25

 

CMYK 0 / 45 / 64 / 22

HEX #C66D47

RGB 198 109 71

HSL 17.95, 0.53%, 0.53%

LAB 55.48, 31.93, 36.44

 

CMYK 0 / 34 / 64 / 22

HEX #C68247

RGB 198 130 71

HSL 27.87, 0.53%, 0.53%

LAB 60.27, 20.55, 42.06

 

CMYK 0 / 23 / 64 / 22

HEX #C69847

RGB 198 152 71

HSL 38.27, 0.53%, 0.53%

LAB 65.68, 8.51, 48.19

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 0 / 64 / 62 / 2

HEX #FA595E

RGB 250 89 94

HSL 358.14, 0.94%, 0.66%

LAB 60.14, 61.57, 31.11

 

CMYK 0 / 65 / 63 / 82

HEX #2E1011

RGB 46 16 17

HSL 358, 0.48%, 0.12%

LAB 8.92, 15.52, 6.13

 

CMYK 0 / 64 / 62 / 62

HEX #612325

RGB 97 35 37

HSL 358.06, 0.47%, 0.26%

LAB 23.26, 28.35, 13.3

 

CMYK 0 / 64 / 62 / 42

HEX #943538

RGB 148 53 56

HSL 358.11, 0.47%, 0.39%

LAB 36.23, 40.18, 19.62

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 11 / 0 / 64 / 22

HEX #B1C647

RGB 177 198 71

HSL 69.92, 0.53%, 0.53%

LAB 76.19, -24.34, 59.04

 

CMYK 64 / 36 / 0 / 22

HEX #477EC6

RGB 71 126 198

HSL 214.02, 0.53%, 0.53%

LAB 52.22, 4.6, -42.89

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 62 / 0 / 64 / 22

HEX #4BC647

RGB 75 198 71

HSL 118.11, 0.53%, 0.53%

LAB 71.1, -58.4, 52.06

 

CMYK 64 / 62 / 0 / 22

HEX #474BC6

RGB 71 75 198

HSL 238.11, 0.53%, 0.53%

LAB 38.64, 36.53, -64.73

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 11 / 0 / 64 / 22

HEX #B1C647

RGB 177 198 71

HSL 69.92, 0.53%, 0.53%

LAB 76.19, -24.34, 59.04

 

CMYK 64 / 0 / 2 / 22

HEX #47C6C2

RGB 71 198 194

HSL 178.11, 0.53%, 0.53%

LAB 73.3, -35.17, -8.28

 

CMYK 54 / 64 / 0 / 22

HEX #5C47C6

RGB 92 71 198

HSL 249.92, 0.53%, 0.53%

LAB 39.34, 42.39, -63.51

 

CMYK 0 / 64 / 62 / 22

HEX #C7474B

RGB 199 71 75

HSL 358.13, 0.53%, 0.53%

LAB 48.46, 51.16, 25.52

 

CMYK 30 / 0 / 64 / 22

HEX #8BC647

RGB 139 198 71

HSL 87.87, 0.53%, 0.53%

LAB 73.76, -39.14, 55.73

 

CMYK 64 / 0 / 2 / 22

HEX #47C6C2

RGB 71 198 194

HSL 178.11, 0.53%, 0.53%

LAB 73.3, -35.17, -8.28

 

CMYK 34 / 64 / 0 / 22

HEX #8247C6

RGB 130 71 198

HSL 267.87, 0.53%, 0.53%

LAB 43.26, 49.96, -56.98

 

Description

Color code: RGB 199 71 75 | qconv.com Color code: RGB 199 71 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 71 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 71 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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