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Color name
RGB 199 60 59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 60 59 it is the complementary color RGB 56 195 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 60 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 60 59 shade: RGB 204 60 54, RGB 221 78 73, RGB 238 96 92, RGB 255 114 111 and RGB 255 132 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 60 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 60 59 shade: RGB 199 60 59, RGB 182 42 40, RGB 165 24 21, RGB 148 6 2 and RGB 131 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 60 59 shade: RGB 200 61 60 and RGB 200 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 60 59 shade: RGB 200 61 60, RGB 200 98 60, RGB 200 136 60, RGB 200 174 60 and RGB 188 200 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 60 59 shade matches the following richer shades: RGB 200 61 60, RGB 220 41 39 and RGB 240 21 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 60 59 shade: RGB 200 61 60, RGB 179 81 80, RGB 159 100 100, RGB 139 120 120 and RGB 119 140 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 60 59 shade: RGB 200 60 134, RGB 200 60 97, RGB 200 60 60, RGB 200 97 60 and RGB 200 134 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 60 59 shade: RGB 138 39 39, RGB 170 49 48, RGB 200 61 60, RGB 209 93 92 and RGB 218 125 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 60 59 shade: RGB 199 60 59, RGB 172 200 60 and RGB 60 116 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 60 59 shade: RGB 199 60 59, RGB 60 200 60 and RGB 60 60 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 60 59 shade: RGB 199 60 59, RGB 172 200 60, RGB 60 200 200 and RGB 88 60 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 60 59 shade: RGB 199 60 59, RGB 130 200 60, RGB 60 200 200 and RGB 130 60 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

Complementary color

CMYK 71 / 1 / 0 / 23

HEX #38C3C4

RGB 56 195 196

HSL 180.43, 0.56%, 0.49%

LAB 72.13, -35.3, -11.15

 

CMYK 0 / 71 / 74 / 20

HEX #CC3C36

RGB 204 60 54

HSL 2.4, 0.6%, 0.51%

LAB 47.41, 56.1, 36.72

 

CMYK 0 / 65 / 67 / 13

HEX #DD4E49

RGB 221 78 73

HSL 2.03, 0.69%, 0.58%

LAB 53.28, 55.44, 33.51

 

CMYK 0 / 60 / 61 / 7

HEX #EE605C

RGB 238 96 92

HSL 1.64, 0.81%, 0.65%

LAB 59.27, 54.52, 30.74

 

CMYK 0 / 55 / 56 / 0

HEX #FF726F

RGB 255 114 111

HSL 1.25, 1%, 0.72%

LAB 65.31, 53.48, 28.34

 

CMYK 0 / 48 / 49 / 0

HEX #FF8482

RGB 255 132 130

HSL 0.96, 1%, 0.75%

LAB 69.02, 46.41, 22.67

 

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

CMYK 0 / 77 / 78 / 29

HEX #B62A28

RGB 182 42 40

HSL 0.85, 0.64%, 0.44%

LAB 40.82, 54.94, 36.28

 

CMYK 0 / 85 / 87 / 35

HEX #A51815

RGB 165 24 21

HSL 1.25, 0.77%, 0.36%

LAB 35.41, 54.35, 40.19

 

CMYK 0 / 96 / 99 / 42

HEX #940602

RGB 148 6 2

HSL 1.64, 0.97%, 0.29%

LAB 30.47, 52.51, 43.23

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 70 / 70 / 22

HEX #C83D3C

RGB 200 61 60

HSL 0.43, 0.56%, 0.51%

LAB 46.9, 54.71, 32.48

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 70 / 70 / 22

HEX #C83D3C

RGB 200 61 60

HSL 0.43, 0.56%, 0.51%

LAB 46.9, 54.71, 32.48

 

CMYK 0 / 51 / 70 / 22

HEX #C8623C

RGB 200 98 60

HSL 16.29, 0.56%, 0.51%

LAB 53.32, 37.82, 39.91

 

CMYK 0 / 32 / 70 / 22

HEX #C8883C

RGB 200 136 60

HSL 32.57, 0.56%, 0.51%

LAB 61.84, 17.46, 49.25

 

CMYK 0 / 13 / 70 / 22

HEX #C8AE3C

RGB 200 174 60

HSL 48.86, 0.56%, 0.51%

LAB 71.47, -3.06, 59.23

 

CMYK 6 / 0 / 70 / 22

HEX #BCC83C

RGB 188 200 60

HSL 65.14, 0.56%, 0.51%

LAB 77.48, -21.44, 64.88

 

CMYK 0 / 70 / 70 / 22

HEX #C83D3C

RGB 200 61 60

HSL 0.43, 0.56%, 0.51%

LAB 46.9, 54.71, 32.48

 

CMYK 0 / 81 / 82 / 14

HEX #DC2927

RGB 220 41 39

HSL 0.66, 0.72%, 0.51%

LAB 48.19, 66.26, 46.64

 

CMYK 0 / 91 / 92 / 6

HEX #F01513

RGB 240 21 19

HSL 0.54, 0.88%, 0.51%

LAB 50.81, 74.84, 59.2

 

CMYK 0 / 70 / 70 / 22

HEX #C83D3C

RGB 200 61 60

HSL 0.43, 0.56%, 0.51%

LAB 46.9, 54.71, 32.48

 

CMYK 0 / 55 / 55 / 30

HEX #B35150

RGB 179 81 80

HSL 0.61, 0.39%, 0.51%

LAB 47.04, 39.78, 20.05

 

CMYK 0 / 37 / 37 / 38

HEX #9F6464

RGB 159 100 100

HSL 0, 0.24%, 0.51%

LAB 48.77, 23.85, 10

 

CMYK 0 / 14 / 14 / 45

HEX #8B7878

RGB 139 120 120

HSL 0, 0.08%, 0.51%

LAB 52.15, 7.34, 2.7

 

CMYK 15 / 0 / 0 / 45

HEX #778C8C

RGB 119 140 140

HSL 180, 0.08%, 0.51%

LAB 56.66, -7.49, -2.53

 

CMYK 0 / 70 / 33 / 22

HEX #C83C86

RGB 200 60 134

HSL 328.29, 0.56%, 0.51%

LAB 48.55, 61.2, -10.04

 

CMYK 0 / 70 / 52 / 22

HEX #C83C61

RGB 200 60 97

HSL 344.14, 0.56%, 0.51%

LAB 47.46, 57.53, 10.9

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 52 / 70 / 22

HEX #C8613C

RGB 200 97 60

HSL 15.86, 0.56%, 0.51%

LAB 53.12, 38.33, 39.69

 

CMYK 0 / 33 / 70 / 22

HEX #C8863C

RGB 200 134 60

HSL 31.71, 0.56%, 0.51%

LAB 61.36, 18.56, 48.74

 

CMYK 0 / 72 / 72 / 46

HEX #8A2727

RGB 138 39 39

HSL 0, 0.56%, 0.35%

LAB 31.81, 41.75, 24.39

 

CMYK 0 / 71 / 72 / 33

HEX #AA3130

RGB 170 49 48

HSL 0.49, 0.56%, 0.43%

LAB 39.51, 48.99, 29.49

 

CMYK 0 / 70 / 70 / 22

HEX #C83D3C

RGB 200 61 60

HSL 0.43, 0.56%, 0.51%

LAB 46.9, 54.71, 32.48

 

CMYK 0 / 56 / 56 / 18

HEX #D15D5C

RGB 209 93 92

HSL 0.51, 0.56%, 0.59%

LAB 54.19, 45.79, 23.28

 

CMYK 0 / 43 / 43 / 15

HEX #DA7D7C

RGB 218 125 124

HSL 0.64, 0.56%, 0.67%

LAB 62.53, 35.84, 16.36

 

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

CMYK 14 / 0 / 70 / 22

HEX #ACC83C

RGB 172 200 60

HSL 72, 0.56%, 0.51%

LAB 76.32, -28.02, 63.34

 

CMYK 70 / 42 / 0 / 22

HEX #3C74C8

RGB 60 116 200

HSL 216, 0.56%, 0.51%

LAB 49.03, 9.63, -49.13

 

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

CMYK 70 / 0 / 70 / 22

HEX #3CC83C

RGB 60 200 60

HSL 120, 0.56%, 0.51%

LAB 71.28, -63.13, 56.59

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

CMYK 14 / 0 / 70 / 22

HEX #ACC83C

RGB 172 200 60

HSL 72, 0.56%, 0.51%

LAB 76.32, -28.02, 63.34

 

CMYK 70 / 0 / 0 / 22

HEX #3CC8C8

RGB 60 200 200

HSL 180, 0.56%, 0.51%

LAB 73.83, -35.98, -10.78

 

CMYK 56 / 70 / 0 / 22

HEX #583CC8

RGB 88 60 200

HSL 252, 0.56%, 0.51%

LAB 36.89, 48.5, -68.7

 

CMYK 0 / 70 / 70 / 22

HEX #C73C3B

RGB 199 60 59

HSL 0.43, 0.56%, 0.51%

LAB 46.56, 54.73, 32.63

 

CMYK 35 / 0 / 70 / 22

HEX #82C83C

RGB 130 200 60

HSL 90, 0.56%, 0.51%

LAB 73.79, -44.06, 59.97

 

CMYK 70 / 0 / 0 / 22

HEX #3CC8C8

RGB 60 200 200

HSL 180, 0.56%, 0.51%

LAB 73.83, -35.98, -10.78

 

CMYK 35 / 70 / 0 / 22

HEX #823CC8

RGB 130 60 200

HSL 270, 0.56%, 0.51%

LAB 41.45, 55.82, -61.06

 

Description

Color code: RGB 199 60 59 | qconv.com Color code: RGB 199 60 59 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 60 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 60 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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