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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 53 213 it is the complementary color RGB 56 202 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 53 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 53 213 shade: RGB 204 53 208, RGB 221 71 227, RGB 238 89 246, RGB 255 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 53 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 53 213 shade: RGB 199 53 213, RGB 182 35 194, RGB 165 17 175, RGB 148 0 156 and RGB 131 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 53 213 shade: RGB 199 52 213, RGB 213 52 184, RGB 213 52 140, RGB 213 52 97 and RGB 213 52 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 53 213 shade: RGB 199 52 213, RGB 156 52 213, RGB 112 52 213, RGB 69 52 213 and RGB 52 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 53 213 shade matches the following richer shades: RGB 199 52 213, RGB 216 32 233 and RGB 232 12 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 53 213 shade: RGB 199 52 213, RGB 183 72 194, RGB 167 91 174, RGB 150 111 154 and RGB 134 131 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 53 213 shade: RGB 111 52 213, RGB 154 52 213, RGB 197 52 213, RGB 213 52 186 and RGB 213 52 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 53 213 shade: RGB 141 31 152, RGB 173 38 186, RGB 199 52 213, RGB 209 86 220 and RGB 218 120 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 53 213 shade: RGB 199 53 213, RGB 213 68 52 and RGB 52 213 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 53 213 shade: RGB 199 53 213, RGB 213 197 52 and RGB 52 213 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 53 213 shade: RGB 199 53 213, RGB 213 68 52, RGB 68 213 52 and RGB 52 197 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 53 213 shade: RGB 199 53 213, RGB 213 116 52, RGB 68 213 52 and RGB 52 149 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

Complementary color

CMYK 72 / 0 / 79 / 21

HEX #38CA2A

RGB 56 202 42

HSL 114.75, 0.66%, 0.48%

LAB 71.72, -65.78, 63.11

 

CMYK 2 / 75 / 0 / 18

HEX #CC35D0

RGB 204 53 208

HSL 298.45, 0.62%, 0.51%

LAB 51.77, 74.82, -48.52

 

CMYK 3 / 69 / 0 / 11

HEX #DD47E3

RGB 221 71 227

HSL 297.69, 0.74%, 0.58%

LAB 57.49, 75.63, -50.05

 

CMYK 3 / 64 / 0 / 4

HEX #EE59F6

RGB 238 89 246

HSL 296.94, 0.9%, 0.66%

LAB 63.32, 75.92, -51.24

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

CMYK 6 / 82 / 0 / 24

HEX #B623C2

RGB 182 35 194

HSL 295.47, 0.69%, 0.45%

LAB 45.69, 73.11, -50.35

 

CMYK 6 / 90 / 0 / 31

HEX #A511AF

RGB 165 17 175

HSL 296.2, 0.82%, 0.38%

LAB 40.4, 70.51, -47.81

 

CMYK 5 / 100 / 0 / 39

HEX #94009C

RGB 148 0 156

HSL 296.92, 1%, 0.31%

LAB 35.39, 66.74, -44.6

 

CMYK 4 / 100 / 0 / 46

HEX #830089

RGB 131 0 137

HSL 297.37, 1%, 0.27%

LAB 30.95, 60.89, -40.22

 

CMYK 7 / 76 / 0 / 16

HEX #C734D5

RGB 199 52 213

HSL 294.78, 0.66%, 0.52%

LAB 51.15, 74.94, -52.41

 

CMYK 0 / 76 / 14 / 16

HEX #D534B8

RGB 213 52 184

HSL 310.81, 0.66%, 0.52%

LAB 51.91, 73.43, -34.34

 

CMYK 0 / 76 / 34 / 16

HEX #D5348C

RGB 213 52 140

HSL 327.2, 0.66%, 0.52%

LAB 50.09, 67.97, -11.11

 

CMYK 0 / 76 / 54 / 16

HEX #D53461

RGB 213 52 97

HSL 343.23, 0.66%, 0.52%

LAB 48.84, 64.04, 13.17

 

CMYK 0 / 76 / 75 / 16

HEX #D53435

RGB 213 52 53

HSL 359.63, 0.66%, 0.52%

LAB 48.08, 61.59, 38.5

 

CMYK 7 / 76 / 0 / 16

HEX #C734D5

RGB 199 52 213

HSL 294.78, 0.66%, 0.52%

LAB 51.15, 74.94, -52.41

 

CMYK 27 / 76 / 0 / 16

HEX #9C34D5

RGB 156 52 213

HSL 278.76, 0.66%, 0.52%

LAB 44.7, 66.84, -63.14

 

CMYK 47 / 76 / 0 / 16

HEX #7034D5

RGB 112 52 213

HSL 262.36, 0.66%, 0.52%

LAB 39.08, 59.59, -72.54

 

CMYK 68 / 76 / 0 / 16

HEX #4534D5

RGB 69 52 213

HSL 246.34, 0.66%, 0.52%

LAB 35.05, 54.24, -79.31

 

CMYK 76 / 76 / 0 / 16

HEX #3434D5

RGB 52 52 213

HSL 240, 0.66%, 0.52%

LAB 33.96, 52.76, -81.15

 

CMYK 7 / 76 / 0 / 16

HEX #C734D5

RGB 199 52 213

HSL 294.78, 0.66%, 0.52%

LAB 51.15, 74.94, -52.41

 

CMYK 7 / 86 / 0 / 9

HEX #D820E9

RGB 216 32 233

HSL 294.93, 0.82%, 0.52%

LAB 53.51, 85.84, -59.83

 

CMYK 8 / 95 / 0 / 1

HEX #E80CFD

RGB 232 12 253

HSL 294.77, 0.98%, 0.52%

LAB 56.6, 93.76, -65.92

 

CMYK 7 / 76 / 0 / 16

HEX #C734D5

RGB 199 52 213

HSL 294.78, 0.66%, 0.52%

LAB 51.15, 74.94, -52.41

 

CMYK 6 / 63 / 0 / 24

HEX #B748C2

RGB 183 72 194

HSL 294.59, 0.5%, 0.52%

LAB 50.21, 60.92, -43.13

 

CMYK 4 / 48 / 0 / 32

HEX #A75BAE

RGB 167 91 174

HSL 294.94, 0.34%, 0.52%

LAB 50.4, 43.77, -31.37

 

CMYK 3 / 28 / 0 / 40

HEX #966F9A

RGB 150 111 154

HSL 294.42, 0.18%, 0.52%

LAB 52.05, 23.14, -17.29

 

CMYK 0 / 2 / 0 / 47

HEX #868386

RGB 134 131 134

HSL 300, 0.01%, 0.52%

LAB 55.1, 1.71, -1.22

 

CMYK 48 / 76 / 0 / 16

HEX #6F34D5

RGB 111 52 213

HSL 261.99, 0.66%, 0.52%

LAB 38.97, 59.44, -72.73

 

CMYK 28 / 76 / 0 / 16

HEX #9A34D5

RGB 154 52 213

HSL 278.01, 0.66%, 0.52%

LAB 44.42, 66.48, -63.61

 

CMYK 8 / 76 / 0 / 16

HEX #C534D5

RGB 197 52 213

HSL 294.04, 0.66%, 0.52%

LAB 50.84, 74.55, -52.93

 

CMYK 0 / 76 / 13 / 16

HEX #D534BA

RGB 213 52 186

HSL 310.06, 0.66%, 0.52%

LAB 52, 73.7, -35.35

 

CMYK 0 / 76 / 33 / 16

HEX #D5348F

RGB 213 52 143

HSL 326.09, 0.66%, 0.52%

LAB 50.2, 68.29, -12.75

 

CMYK 7 / 80 / 0 / 40

HEX #8D1F98

RGB 141 31 152

HSL 294.55, 0.66%, 0.36%

LAB 35.81, 59.18, -41.57

 

CMYK 7 / 80 / 0 / 27

HEX #AD26BA

RGB 173 38 186

HSL 294.73, 0.66%, 0.44%

LAB 43.97, 69.35, -48.51

 

CMYK 7 / 76 / 0 / 16

HEX #C734D5

RGB 199 52 213

HSL 294.78, 0.66%, 0.52%

LAB 51.15, 74.94, -52.41

 

CMYK 5 / 61 / 0 / 14

HEX #D156DC

RGB 209 86 220

HSL 295.07, 0.66%, 0.6%

LAB 57.44, 65.9, -46.29

 

CMYK 4 / 47 / 0 / 11

HEX #DA78E3

RGB 218 120 227

HSL 294.95, 0.66%, 0.68%

LAB 64.87, 53.68, -38.45

 

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

CMYK 0 / 68 / 76 / 16

HEX #D54434

RGB 213 68 52

HSL 5.96, 0.66%, 0.52%

LAB 50.13, 55.87, 41.28

 

CMYK 76 / 0 / 38 / 16

HEX #34D585

RGB 52 213 133

HSL 150.19, 0.66%, 0.52%

LAB 76.08, -58.57, 28.19

 

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

CMYK 0 / 8 / 76 / 16

HEX #D5C534

RGB 213 197 52

HSL 54.04, 0.66%, 0.52%

LAB 78.65, -9.74, 69.47

 

CMYK 76 / 0 / 8 / 16

HEX #34D5C5

RGB 52 213 197

HSL 174.04, 0.66%, 0.52%

LAB 77.49, -43.61, -3.75

 

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

CMYK 0 / 68 / 76 / 16

HEX #D54434

RGB 213 68 52

HSL 5.96, 0.66%, 0.52%

LAB 50.13, 55.87, 41.28

 

CMYK 68 / 0 / 76 / 16

HEX #44D534

RGB 68 213 52

HSL 114.04, 0.66%, 0.52%

LAB 75.49, -66.5, 63.74

 

CMYK 76 / 8 / 0 / 16

HEX #34C5D5

RGB 52 197 213

HSL 185.96, 0.66%, 0.52%

LAB 73.2, -31.66, -18.8

 

CMYK 7 / 75 / 0 / 16

HEX #C735D5

RGB 199 53 213

HSL 294.75, 0.66%, 0.52%

LAB 51.26, 74.64, -52.24

 

CMYK 0 / 46 / 76 / 16

HEX #D57434

RGB 213 116 52

HSL 23.85, 0.66%, 0.52%

LAB 58.87, 33.29, 50.4

 

CMYK 68 / 0 / 76 / 16

HEX #44D534

RGB 68 213 52

HSL 114.04, 0.66%, 0.52%

LAB 75.49, -66.5, 63.74

 

CMYK 76 / 30 / 0 / 16

HEX #3495D5

RGB 52 149 213

HSL 203.85, 0.66%, 0.52%

LAB 59, -6.49, -40.71

 

Description

Color code: RGB 199 53 213 | qconv.com Color code: RGB 199 53 213 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 53 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 53 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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