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Color name
RGB 199 172 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 172 151 it is the complementary color RGB 56 83 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 172 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 172 151 shade: RGB 204 172 146, RGB 221 190 165, RGB 238 208 184, RGB 255 226 203 and RGB 255 244 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 172 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 172 151 shade: RGB 199 172 151, RGB 182 154 132, RGB 165 136 113, RGB 148 118 94 and RGB 131 100 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 172 151 shade: RGB 199 172 152, RGB 199 160 152 and RGB 199 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 172 151 shade: RGB 199 172 152, RGB 199 185 152, RGB 199 198 152, RGB 187 199 152 and RGB 175 199 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 172 151 shade matches the following richer shades: RGB 199 172 152, RGB 212 171 139, RGB 225 169 126, RGB 238 168 113 and RGB 250 166 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 172 151 shade: RGB 199 172 152, RGB 186 174 165, RGB 174 176 177, RGB 161 177 190 and RGB 148 179 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 172 151 shade: RGB 199 152 156, RGB 199 160 152, RGB 199 172 152, RGB 199 185 152 and RGB 199 198 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 172 151 shade: RGB 170 130 98, RGB 185 151 125, RGB 199 172 152, RGB 214 194 179 and RGB 228 215 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 172 151 shade: RGB 199 172 151, RGB 169 199 152 and RGB 153 152 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 172 151 shade: RGB 199 172 151, RGB 152 199 172 and RGB 172 152 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 172 151 shade: RGB 199 172 151, RGB 169 199 152, RGB 152 179 199 and RGB 182 152 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 172 151 shade: RGB 199 172 151, RGB 155 199 152, RGB 152 179 199 and RGB 196 152 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

Complementary color

CMYK 46 / 20 / 0 / 59

HEX #385368

RGB 56 83 104

HSL 206.25, 0.3%, 0.31%

LAB 34.04, -3.9, -15.31

 

CMYK 0 / 16 / 28 / 20

HEX #CCAC92

RGB 204 172 146

HSL 26.9, 0.36%, 0.69%

LAB 72.51, 7.75, 17.71

 

CMYK 0 / 14 / 25 / 13

HEX #DDBEA5

RGB 221 190 165

HSL 26.79, 0.45%, 0.76%

LAB 78.99, 7.27, 16.71

 

CMYK 0 / 13 / 23 / 7

HEX #EED0B8

RGB 238 208 184

HSL 26.67, 0.61%, 0.83%

LAB 85.38, 6.84, 15.77

 

CMYK 0 / 11 / 20 / 0

HEX #FFE2CB

RGB 255 226 203

HSL 26.54, 1%, 0.9%

LAB 91.67, 6.45, 14.88

 

CMYK 0 / 4 / 13 / 0

HEX #FFF4DE

RGB 255 244 222

HSL 40, 1%, 0.94%

LAB 96.51, 0.11, 11.91

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

CMYK 0 / 15 / 27 / 29

HEX #B69A84

RGB 182 154 132

HSL 26.4, 0.26%, 0.62%

LAB 65.53, 6.99, 15.41

 

CMYK 0 / 18 / 32 / 35

HEX #A58871

RGB 165 136 113

HSL 26.54, 0.22%, 0.55%

LAB 58.79, 7.54, 16.49

 

CMYK 0 / 20 / 36 / 42

HEX #94765E

RGB 148 118 94

HSL 26.67, 0.22%, 0.47%

LAB 51.91, 8.18, 17.67

 

CMYK 0 / 24 / 43 / 49

HEX #83644B

RGB 131 100 75

HSL 26.79, 0.27%, 0.4%

LAB 44.87, 8.96, 18.99

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 20 / 24 / 22

HEX #C7A098

RGB 199 160 152

HSL 10.21, 0.3%, 0.69%

LAB 69.15, 13.19, 9.62

 

CMYK 0 / 24 / 24 / 22

HEX #C79898

RGB 199 152 152

HSL 0, 0.3%, 0.69%

LAB 67.18, 17.57, 6.81

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 7 / 24 / 22

HEX #C7B998

RGB 199 185 152

HSL 42.13, 0.3%, 0.69%

LAB 75.52, -0.3, 18.56

 

CMYK 0 / 1 / 24 / 22

HEX #C7C698

RGB 199 198 152

HSL 58.72, 0.3%, 0.69%

LAB 78.92, -7.11, 23.25

 

CMYK 6 / 0 / 24 / 22

HEX #BBC798

RGB 187 199 152

HSL 75.32, 0.3%, 0.69%

LAB 78.27, -12.13, 22.21

 

CMYK 12 / 0 / 24 / 22

HEX #AFC798

RGB 175 199 152

HSL 90.64, 0.3%, 0.69%

LAB 77.42, -16.54, 20.9

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 19 / 34 / 17

HEX #D4AB8B

RGB 212 171 139

HSL 26.3, 0.46%, 0.69%

LAB 72.88, 10.51, 22.15

 

CMYK 0 / 25 / 44 / 12

HEX #E1A97E

RGB 225 169 126

HSL 26.06, 0.62%, 0.69%

LAB 73.47, 15.27, 30.16

 

CMYK 0 / 29 / 53 / 7

HEX #EEA871

RGB 238 168 113

HSL 26.4, 0.79%, 0.69%

LAB 74.43, 19.8, 38.53

 

CMYK 0 / 34 / 60 / 2

HEX #FAA665

RGB 250 166 101

HSL 26.17, 0.94%, 0.69%

LAB 75.16, 24.75, 45.89

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 6 / 11 / 27

HEX #BAAEA5

RGB 186 174 165

HSL 25.71, 0.13%, 0.69%

LAB 71.84, 2.73, 6.15

 

CMYK 2 / 1 / 0 / 31

HEX #AEB0B1

RGB 174 176 177

HSL 200, 0.02%, 0.69%

LAB 71.71, -0.51, -0.77

 

CMYK 15 / 7 / 0 / 25

HEX #A1B1BE

RGB 161 177 190

HSL 206.9, 0.18%, 0.69%

LAB 71.38, -2.83, -8.51

 

CMYK 27 / 12 / 0 / 20

HEX #94B3CB

RGB 148 179 203

HSL 206.18, 0.35%, 0.69%

LAB 71.45, -5.04, -15.62

 

CMYK 0 / 24 / 22 / 22

HEX #C7989C

RGB 199 152 156

HSL 354.89, 0.3%, 0.69%

LAB 67.28, 18.17, 4.72

 

CMYK 0 / 20 / 24 / 22

HEX #C7A098

RGB 199 160 152

HSL 10.21, 0.3%, 0.69%

LAB 69.15, 13.19, 9.62

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 7 / 24 / 22

HEX #C7B998

RGB 199 185 152

HSL 42.13, 0.3%, 0.69%

LAB 75.52, -0.3, 18.56

 

CMYK 0 / 1 / 24 / 22

HEX #C7C698

RGB 199 198 152

HSL 58.72, 0.3%, 0.69%

LAB 78.92, -7.11, 23.25

 

CMYK 0 / 24 / 42 / 33

HEX #AA8262

RGB 170 130 98

HSL 26.67, 0.3%, 0.53%

LAB 57.46, 11.1, 23.25

 

CMYK 0 / 18 / 32 / 27

HEX #B9977D

RGB 185 151 125

HSL 26, 0.3%, 0.61%

LAB 64.91, 8.88, 18.48

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 9 / 16 / 16

HEX #D6C2B3

RGB 214 194 179

HSL 25.71, 0.3%, 0.77%

LAB 79.69, 4.6, 10.09

 

CMYK 0 / 6 / 10 / 11

HEX #E4D7CD

RGB 228 215 205

HSL 26.09, 0.3%, 0.85%

LAB 86.75, 2.79, 6.52

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

CMYK 15 / 0 / 24 / 22

HEX #A9C798

RGB 169 199 152

HSL 98.3, 0.3%, 0.69%

LAB 77.01, -18.7, 20.27

 

CMYK 23 / 24 / 0 / 22

HEX #9998C7

RGB 153 152 199

HSL 241.28, 0.3%, 0.69%

LAB 64.45, 10.52, -24.02

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

CMYK 24 / 0 / 14 / 22

HEX #98C7AC

RGB 152 199 172

HSL 145.53, 0.3%, 0.69%

LAB 76.38, -20.94, 8.52

 

CMYK 14 / 24 / 0 / 22

HEX #AC98C7

RGB 172 152 199

HSL 265.53, 0.3%, 0.69%

LAB 66.02, 16.57, -21.48

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

CMYK 15 / 0 / 24 / 22

HEX #A9C798

RGB 169 199 152

HSL 98.3, 0.3%, 0.69%

LAB 77.01, -18.7, 20.27

 

CMYK 24 / 10 / 0 / 22

HEX #98B3C7

RGB 152 179 199

HSL 205.53, 0.3%, 0.69%

LAB 71.58, -4.77, -13.21

 

CMYK 9 / 24 / 0 / 22

HEX #B698C7

RGB 182 152 199

HSL 278.3, 0.3%, 0.69%

LAB 66.92, 19.85, -20.02

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC97

RGB 199 172 151

HSL 26.25, 0.3%, 0.69%

LAB 72.15, 6.52, 14.41

 

CMYK 22 / 0 / 24 / 22

HEX #9BC798

RGB 155 199 152

HSL 116.17, 0.3%, 0.69%

LAB 76.12, -23.6, 18.9

 

CMYK 24 / 10 / 0 / 22

HEX #98B3C7

RGB 152 179 199

HSL 205.53, 0.3%, 0.69%

LAB 71.58, -4.77, -13.21

 

CMYK 2 / 24 / 0 / 22

HEX #C498C7

RGB 196 152 199

HSL 296.17, 0.3%, 0.69%

LAB 68.25, 24.51, -17.88

 

Description

Color code: RGB 199 172 151 | qconv.com Color code: RGB 199 172 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 172 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 172 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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