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Color name
RGB 199 136 102

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 136 102 it is the complementary color RGB 56 119 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 136 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 136 102 shade: RGB 204 136 97, RGB 221 154 116, RGB 238 172 135, RGB 255 190 154 and RGB 255 208 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 136 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 136 102 shade: RGB 199 136 102, RGB 182 118 83, RGB 165 100 64, RGB 148 82 45 and RGB 131 64 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 136 102 shade: RGB 198 136 102, RGB 198 110 102 and RGB 198 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 136 102 shade: RGB 198 136 102, RGB 198 162 102, RGB 198 187 102, RGB 183 198 102 and RGB 157 198 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 136 102 shade matches the following richer shades: RGB 198 136 102, RGB 215 131 85, RGB 232 125 68 and RGB 249 120 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 136 102 shade: RGB 198 136 102, RGB 181 141 119, RGB 164 146 136, RGB 147 151 153 and RGB 130 156 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 136 102 shade: RGB 198 102 119, RGB 198 110 102, RGB 198 136 102, RGB 198 161 102 and RGB 198 187 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 136 102 shade: RGB 159 94 58, RGB 187 112 72, RGB 198 136 102, RGB 209 159 132 and RGB 220 183 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 136 102 shade: RGB 199 136 102, RGB 145 198 102 and RGB 102 107 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 136 102 shade: RGB 199 136 102, RGB 102 198 136 and RGB 136 102 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 136 102 shade: RGB 199 136 102, RGB 145 198 102, RGB 102 164 198 and RGB 155 102 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 136 102 shade: RGB 199 136 102, RGB 116 198 102, RGB 102 164 198 and RGB 184 102 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

Complementary color

CMYK 63 / 22 / 0 / 40

HEX #387799

RGB 56 119 153

HSL 201.03, 0.46%, 0.41%

LAB 47.41, -9.4, -24.41

 

CMYK 0 / 33 / 52 / 20

HEX #CC8861

RGB 204 136 97

HSL 21.87, 0.51%, 0.59%

LAB 62.77, 21.79, 31.46

 

CMYK 0 / 30 / 48 / 13

HEX #DD9A74

RGB 221 154 116

HSL 21.71, 0.61%, 0.66%

LAB 69.29, 20.71, 29.96

 

CMYK 0 / 28 / 43 / 7

HEX #EEAC87

RGB 238 172 135

HSL 21.55, 0.75%, 0.73%

LAB 75.72, 19.76, 28.58

 

CMYK 0 / 25 / 40 / 0

HEX #FFBE9A

RGB 255 190 154

HSL 21.39, 1%, 0.8%

LAB 82.07, 18.91, 27.31

 

CMYK 0 / 18 / 32 / 0

HEX #FFD0AD

RGB 255 208 173

HSL 25.61, 1%, 0.84%

LAB 86.7, 11.74, 23.62

 

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

CMYK 0 / 35 / 54 / 29

HEX #B67653

RGB 182 118 83

HSL 21.21, 0.4%, 0.52%

LAB 55.61, 21.36, 29.52

 

CMYK 0 / 39 / 61 / 35

HEX #A56440

RGB 165 100 64

HSL 21.39, 0.44%, 0.45%

LAB 48.86, 22.68, 31.26

 

CMYK 0 / 45 / 70 / 42

HEX #94522D

RGB 148 82 45

HSL 21.55, 0.53%, 0.38%

LAB 42.03, 24.23, 33.17

 

CMYK 0 / 51 / 80 / 49

HEX #83401A

RGB 131 64 26

HSL 21.71, 0.67%, 0.31%

LAB 35.14, 26.02, 35.12

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 44 / 48 / 22

HEX #C66E66

RGB 198 110 102

HSL 5, 0.46%, 0.59%

LAB 56.2, 33.92, 19.89

 

CMYK 0 / 48 / 48 / 22

HEX #C66666

RGB 198 102 102

HSL 0, 0.46%, 0.59%

LAB 54.52, 38.12, 17.6

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 18 / 48 / 22

HEX #C6A266

RGB 198 162 102

HSL 37.5, 0.46%, 0.59%

LAB 68.61, 5.59, 36.06

 

CMYK 0 / 6 / 48 / 22

HEX #C6BB66

RGB 198 187 102

HSL 53.13, 0.46%, 0.59%

LAB 75.14, -7.66, 44.13

 

CMYK 8 / 0 / 48 / 22

HEX #B7C666

RGB 183 198 102

HSL 69.38, 0.46%, 0.59%

LAB 76.93, -19.36, 46.02

 

CMYK 21 / 0 / 48 / 22

HEX #9DC666

RGB 157 198 102

HSL 85.63, 0.46%, 0.59%

LAB 75.15, -29.46, 43.44

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 39 / 60 / 16

HEX #D78355

RGB 215 131 85

HSL 21.23, 0.62%, 0.59%

LAB 62.79, 28.02, 38.25

 

CMYK 0 / 46 / 71 / 9

HEX #E87D44

RGB 232 125 68

HSL 20.85, 0.78%, 0.59%

LAB 63.54, 36.95, 48.45

 

CMYK 0 / 52 / 80 / 2

HEX #F97833

RGB 249 120 51

HSL 20.91, 0.94%, 0.59%

LAB 64.81, 45.31, 58.4

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 22 / 34 / 29

HEX #B58D77

RGB 181 141 119

HSL 21.29, 0.3%, 0.59%

LAB 61.83, 12.03, 17.55

 

CMYK 0 / 11 / 17 / 36

HEX #A49288

RGB 164 146 136

HSL 21.43, 0.13%, 0.59%

LAB 61.85, 4.99, 7.74

 

CMYK 4 / 1 / 0 / 40

HEX #939799

RGB 147 151 153

HSL 200, 0.03%, 0.59%

LAB 62.2, -1.04, -1.56

 

CMYK 24 / 8 / 0 / 33

HEX #829CAA

RGB 130 156 170

HSL 201, 0.19%, 0.59%

LAB 62.86, -5.86, -10.31

 

CMYK 0 / 48 / 40 / 22

HEX #C66677

RGB 198 102 119

HSL 349.38, 0.46%, 0.59%

LAB 54.91, 39.9, 8.17

 

CMYK 0 / 44 / 48 / 22

HEX #C66E66

RGB 198 110 102

HSL 5, 0.46%, 0.59%

LAB 56.2, 33.92, 19.89

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 19 / 48 / 22

HEX #C6A166

RGB 198 161 102

HSL 36.88, 0.46%, 0.59%

LAB 68.35, 6.14, 35.74

 

CMYK 0 / 6 / 48 / 22

HEX #C6BB66

RGB 198 187 102

HSL 53.13, 0.46%, 0.59%

LAB 75.14, -7.66, 44.13

 

CMYK 0 / 41 / 64 / 38

HEX #9F5E3A

RGB 159 94 58

HSL 21.39, 0.47%, 0.43%

LAB 46.55, 23.05, 31.64

 

CMYK 0 / 40 / 61 / 27

HEX #BB7048

RGB 187 112 72

HSL 20.87, 0.46%, 0.51%

LAB 54.68, 25.88, 34.58

 

CMYK 0 / 31 / 48 / 22

HEX #C68866

RGB 198 136 102

HSL 21.25, 0.46%, 0.59%

LAB 62.15, 19.8, 27.78

 

CMYK 0 / 24 / 37 / 18

HEX #D19F84

RGB 209 159 132

HSL 21.04, 0.46%, 0.67%

LAB 69.48, 14.96, 21.28

 

CMYK 0 / 17 / 26 / 14

HEX #DCB7A2

RGB 220 183 162

HSL 21.72, 0.45%, 0.75%

LAB 77.1, 10.19, 15.66

 

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

CMYK 27 / 0 / 48 / 22

HEX #91C666

RGB 145 198 102

HSL 93.13, 0.46%, 0.59%

LAB 74.42, -33.89, 42.39

 

CMYK 48 / 46 / 0 / 22

HEX #666BC6

RGB 102 107 198

HSL 236.88, 0.46%, 0.59%

LAB 48.78, 22.7, -48.25

 

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

CMYK 48 / 0 / 31 / 22

HEX #66C688

RGB 102 198 136

HSL 141.25, 0.46%, 0.59%

LAB 72.89, -42.25, 22.55

 

CMYK 31 / 48 / 0 / 22

HEX #8866C6

RGB 136 102 198

HSL 261.25, 0.46%, 0.59%

LAB 50.47, 34.27, -45.39

 

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

CMYK 27 / 0 / 48 / 22

HEX #91C666

RGB 145 198 102

HSL 93.13, 0.46%, 0.59%

LAB 74.42, -33.89, 42.39

 

CMYK 48 / 17 / 0 / 22

HEX #66A4C6

RGB 102 164 198

HSL 201.25, 0.46%, 0.59%

LAB 64.53, -10.69, -23.62

 

CMYK 22 / 48 / 0 / 22

HEX #9B66C6

RGB 155 102 198

HSL 273.13, 0.46%, 0.59%

LAB 52.45, 39.46, -42.12

 

CMYK 0 / 32 / 49 / 22

HEX #C78866

RGB 199 136 102

HSL 21.03, 0.46%, 0.59%

LAB 62.26, 20.21, 27.95

 

CMYK 41 / 0 / 48 / 22

HEX #74C666

RGB 116 198 102

HSL 111.25, 0.46%, 0.59%

LAB 72.93, -43.67, 40.22

 

CMYK 48 / 17 / 0 / 22

HEX #66A4C6

RGB 102 164 198

HSL 201.25, 0.46%, 0.59%

LAB 64.53, -10.69, -23.62

 

CMYK 7 / 48 / 0 / 22

HEX #B866C6

RGB 184 102 198

HSL 291.25, 0.46%, 0.59%

LAB 55.86, 47.67, -36.53

 

Description

Color code: RGB 199 136 102 | qconv.com Color code: RGB 199 136 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 136 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 136 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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