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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 10 81 it is the complementary color RGB 56 245 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 10 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 10 81 shade: RGB 204 10 76, RGB 221 28 95, RGB 238 46 114, RGB 255 64 133 and RGB 255 82 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 10 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 182 0 62, RGB 165 0 43, RGB 148 0 24 and RGB 131 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 199 10 30 and RGB 199 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 199 10 132, RGB 199 10 183, RGB 164 10 199 and RGB 113 10 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 10 81 shade matches the following richer shades: RGB 199 10 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 182 27 85, RGB 165 44 90, RGB 148 61 94 and RGB 131 78 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 10 81 shade: RGB 199 10 183, RGB 199 10 133, RGB 199 10 83, RGB 199 10 32 and RGB 199 39 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 10 81 shade: RGB 120 6 49, RGB 159 8 65, RGB 199 10 81, RGB 238 13 97 and RGB 244 48 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 199 164 10 and RGB 10 158 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 83 199 10 and RGB 10 83 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 199 164 10, RGB 10 199 127 and RGB 10 45 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 10 81 shade: RGB 199 10 81, RGB 177 199 10, RGB 10 199 127 and RGB 32 10 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

Complementary color

CMYK 77 / 0 / 29 / 4

HEX #38F5AE

RGB 56 245 174

HSL 157.46, 0.9%, 0.59%

LAB 86.6, -61.65, 21.39

 

CMYK 0 / 95 / 63 / 20

HEX #CC0A4C

RGB 204 10 76

HSL 339.59, 0.91%, 0.42%

LAB 43.62, 68.9, 18.78

 

CMYK 0 / 87 / 57 / 13

HEX #DD1C5F

RGB 221 28 95

HSL 339.17, 0.78%, 0.49%

LAB 48.3, 71.78, 13.88

 

CMYK 0 / 81 / 52 / 7

HEX #EE2E72

RGB 238 46 114

HSL 338.75, 0.85%, 0.56%

LAB 53.33, 73.59, 9.82

 

CMYK 0 / 75 / 48 / 0

HEX #FF4085

RGB 255 64 133

HSL 338.32, 1%, 0.63%

LAB 58.62, 74.6, 6.46

 

CMYK 0 / 68 / 40 / 0

HEX #FF5298

RGB 255 82 152

HSL 335.72, 1%, 0.66%

LAB 61.27, 70.35, -0.81

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 100 / 66 / 29

HEX #B6003E

RGB 182 0 62

HSL 339.56, 1%, 0.36%

LAB 38.36, 63.87, 19.88

 

CMYK 0 / 100 / 74 / 35

HEX #A5002B

RGB 165 0 43

HSL 344.36, 1%, 0.32%

LAB 34.34, 58.82, 26.24

 

CMYK 0 / 100 / 84 / 42

HEX #940018

RGB 148 0 24

HSL 350.27, 1%, 0.29%

LAB 30.31, 53.83, 32.55

 

CMYK 0 / 100 / 96 / 49

HEX #830005

RGB 131 0 5

HSL 357.71, 1%, 0.26%

LAB 26.26, 48.95, 36.95

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 95 / 85 / 22

HEX #C70A1E

RGB 199 10 30

HSL 353.65, 0.9%, 0.41%

LAB 41.93, 65.89, 44.01

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 95 / 34 / 22

HEX #C70A84

RGB 199 10 132

HSL 321.27, 0.9%, 0.41%

LAB 44.27, 72.22, -15.32

 

CMYK 0 / 95 / 8 / 22

HEX #C70AB7

RGB 199 10 183

HSL 305.08, 0.9%, 0.41%

LAB 46.68, 78.41, -42.16

 

CMYK 18 / 95 / 0 / 22

HEX #A40AC7

RGB 164 10 199

HSL 288.89, 0.9%, 0.41%

LAB 41.58, 75.23, -60.03

 

CMYK 43 / 95 / 0 / 22

HEX #710AC7

RGB 113 10 199

HSL 272.7, 0.9%, 0.41%

LAB 33.67, 68.86, -73.29

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 85 / 53 / 29

HEX #B61B55

RGB 182 27 85

HSL 337.55, 0.74%, 0.41%

LAB 40.22, 61.48, 7.71

 

CMYK 0 / 73 / 45 / 35

HEX #A52C5A

RGB 165 44 90

HSL 337.19, 0.58%, 0.41%

LAB 38.79, 52.35, 2.05

 

CMYK 0 / 59 / 36 / 42

HEX #943D5E

RGB 148 61 94

HSL 337.24, 0.42%, 0.41%

LAB 38.62, 40.07, -1.09

 

CMYK 0 / 40 / 25 / 49

HEX #834E62

RGB 131 78 98

HSL 337.36, 0.25%, 0.41%

LAB 39.84, 25.17, -2.09

 

CMYK 0 / 95 / 8 / 22

HEX #C70AB7

RGB 199 10 183

HSL 305.08, 0.9%, 0.41%

LAB 46.68, 78.41, -42.16

 

CMYK 0 / 95 / 33 / 22

HEX #C70A85

RGB 199 10 133

HSL 320.95, 0.9%, 0.41%

LAB 44.31, 72.33, -15.87

 

CMYK 0 / 95 / 58 / 22

HEX #C70A53

RGB 199 10 83

HSL 336.83, 0.9%, 0.41%

LAB 42.74, 68.13, 13

 

CMYK 0 / 95 / 84 / 22

HEX #C70A20

RGB 199 10 32

HSL 353.02, 0.9%, 0.41%

LAB 41.94, 65.93, 42.97

 

CMYK 0 / 80 / 95 / 22

HEX #C7270A

RGB 199 39 10

HSL 9.21, 0.9%, 0.41%

LAB 43.68, 60.26, 53.57

 

CMYK 0 / 95 / 59 / 53

HEX #780631

RGB 120 6 49

HSL 337.37, 0.9%, 0.25%

LAB 24.78, 46.63, 7.93

 

CMYK 0 / 95 / 59 / 38

HEX #9F0841

RGB 159 8 65

HSL 337.35, 0.9%, 0.33%

LAB 33.83, 57.44, 11

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 95 / 59 / 7

HEX #EE0D61

RGB 238 13 97

HSL 337.6, 0.9%, 0.49%

LAB 51.07, 77.83, 17

 

CMYK 0 / 80 / 50 / 4

HEX #F43079

RGB 244 48 121

HSL 337.65, 0.9%, 0.57%

LAB 54.79, 75.15, 7.85

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 18 / 95 / 22

HEX #C7A40A

RGB 199 164 10

HSL 48.89, 0.9%, 0.41%

LAB 68.54, 0.28, 70.44

 

CMYK 95 / 21 / 0 / 22

HEX #0A9EC7

RGB 10 158 199

HSL 193.02, 0.9%, 0.41%

LAB 60.46, -19.55, -30.63

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 58 / 0 / 95 / 22

HEX #53C70A

RGB 83 199 10

HSL 96.83, 0.9%, 0.41%

LAB 71.36, -60.31, 69.5

 

CMYK 95 / 58 / 0 / 22

HEX #0A53C7

RGB 10 83 199

HSL 216.83, 0.9%, 0.41%

LAB 38.51, 26.11, -65.62

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 0 / 18 / 95 / 22

HEX #C7A40A

RGB 199 164 10

HSL 48.89, 0.9%, 0.41%

LAB 68.54, 0.28, 70.44

 

CMYK 95 / 0 / 36 / 22

HEX #0AC77F

RGB 10 199 127

HSL 157.14, 0.9%, 0.41%

LAB 71.18, -58.07, 24.67

 

CMYK 95 / 77 / 0 / 22

HEX #0A2DC7

RGB 10 45 199

HSL 228.89, 0.9%, 0.41%

LAB 29.58, 49.94, -80.32

 

CMYK 0 / 95 / 59 / 22

HEX #C70A51

RGB 199 10 81

HSL 337.46, 0.9%, 0.41%

LAB 42.69, 68, 14.2

 

CMYK 11 / 0 / 95 / 22

HEX #B1C70A

RGB 177 199 10

HSL 66.98, 0.9%, 0.41%

LAB 76.2, -27.12, 75.39

 

CMYK 95 / 0 / 36 / 22

HEX #0AC77F

RGB 10 199 127

HSL 157.14, 0.9%, 0.41%

LAB 71.18, -58.07, 24.67

 

CMYK 84 / 95 / 0 / 22

HEX #200AC7

RGB 32 10 199

HSL 246.98, 0.9%, 0.41%

LAB 25.71, 63.99, -86.74

 

Description

Color code: RGB 199 10 81 | qconv.com Color code: RGB 199 10 81 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 10 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 10 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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