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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 103 29 it is the complementary color RGB 56 152 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 103 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 103 29 shade: RGB 204 103 24, RGB 221 121 43, RGB 238 139 62, RGB 255 157 81 and RGB 255 175 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 103 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 103 29 shade: RGB 199 103 29, RGB 182 85 10, RGB 165 67 0, RGB 148 49 0 and RGB 131 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 103 29 shade: RGB 201 104 29, RGB 201 57 29 and RGB 201 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 103 29 shade: RGB 201 104 29, RGB 201 150 29, RGB 201 196 29, RGB 159 201 29 and RGB 112 201 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 103 29 shade matches the following richer shades: RGB 201 104 29 and RGB 219 101 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 103 29 shade: RGB 201 104 29, RGB 182 106 47, RGB 164 108 66, RGB 145 111 84 and RGB 127 113 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 103 29 shade: RGB 201 29 46, RGB 201 57 29, RGB 201 103 29, RGB 201 149 29 and RGB 201 195 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 103 29 shade: RGB 129 66 18, RGB 165 85 24, RGB 201 104 29, RGB 225 124 46 and RGB 230 146 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 103 29 shade: RGB 199 103 29, RGB 92 201 29 and RGB 34 29 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 103 29 shade: RGB 199 103 29, RGB 29 201 103 and RGB 103 29 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 103 29 shade: RGB 199 103 29, RGB 92 201 29, RGB 29 126 201 and RGB 138 29 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 103 29 shade: RGB 199 103 29, RGB 40 201 29, RGB 29 126 201 and RGB 189 29 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

Complementary color

CMYK 75 / 33 / 0 / 11

HEX #3898E2

RGB 56 152 226

HSL 206.12, 0.75%, 0.55%

LAB 60.59, -3.15, -45.44

 

CMYK 0 / 50 / 88 / 20

HEX #CC6718

RGB 204 103 24

HSL 26.33, 0.79%, 0.45%

LAB 54.66, 35.54, 57.34

 

CMYK 0 / 45 / 81 / 13

HEX #DD792B

RGB 221 121 43

HSL 26.29, 0.72%, 0.52%

LAB 60.98, 33.59, 56.73

 

CMYK 0 / 42 / 74 / 7

HEX #EE8B3E

RGB 238 139 62

HSL 26.25, 0.84%, 0.59%

LAB 67.27, 31.82, 55.47

 

CMYK 0 / 38 / 68 / 0

HEX #FF9D51

RGB 255 157 81

HSL 26.21, 1%, 0.66%

LAB 73.52, 30.22, 53.96

 

CMYK 0 / 31 / 61 / 0

HEX #FFAF64

RGB 255 175 100

HSL 29.03, 1%, 0.7%

LAB 77.78, 21.98, 49.63

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 0 / 53 / 95 / 29

HEX #B6550A

RGB 182 85 10

HSL 26.16, 0.9%, 0.38%

LAB 47.58, 35.7, 54.54

 

CMYK 0 / 59 / 100 / 35

HEX #A54300

RGB 165 67 0

HSL 24.36, 1%, 0.32%

LAB 41.24, 37.86, 51.88

 

CMYK 0 / 67 / 100 / 42

HEX #943100

RGB 148 49 0

HSL 19.86, 1%, 0.29%

LAB 34.99, 39.88, 46.91

 

CMYK 0 / 76 / 100 / 49

HEX #831F00

RGB 131 31 0

HSL 14.2, 1%, 0.26%

LAB 28.92, 41.25, 41.25

 

CMYK 0 / 48 / 86 / 21

HEX #C9681D

RGB 201 104 29

HSL 26.16, 0.75%, 0.45%

LAB 54.46, 33.92, 55.29

 

CMYK 0 / 72 / 86 / 21

HEX #C9391D

RGB 201 57 29

HSL 9.77, 0.75%, 0.45%

LAB 46.22, 55.43, 48.37

 

CMYK 0 / 86 / 86 / 21

HEX #C91D1D

RGB 201 29 29

HSL 0, 0.75%, 0.45%

LAB 43.34, 63.52, 45.91

 

CMYK 0 / 48 / 86 / 21

HEX #C9681D

RGB 201 104 29

HSL 26.16, 0.75%, 0.45%

LAB 54.46, 33.92, 55.29

 

CMYK 0 / 25 / 86 / 21

HEX #C9961D

RGB 201 150 29

HSL 42.21, 0.75%, 0.45%

LAB 65.21, 9.05, 64.21

 

CMYK 0 / 2 / 86 / 21

HEX #C9C41D

RGB 201 196 29

HSL 58.26, 0.75%, 0.45%

LAB 77.27, -15.1, 74.1

 

CMYK 21 / 0 / 86 / 21

HEX #9FC91D

RGB 159 201 29

HSL 74.65, 0.75%, 0.45%

LAB 75.6, -35.05, 71.46

 

CMYK 44 / 0 / 86 / 21

HEX #70C91D

RGB 112 201 29

HSL 91.05, 0.75%, 0.45%

LAB 73.09, -52.16, 68.32

 

CMYK 0 / 48 / 86 / 21

HEX #C9681D

RGB 201 104 29

HSL 26.16, 0.75%, 0.45%

LAB 54.46, 33.92, 55.29

 

CMYK 0 / 54 / 95 / 14

HEX #DB650A

RGB 219 101 10

HSL 26.12, 0.91%, 0.45%

LAB 56.48, 42.27, 63.19

 

CMYK 0 / 48 / 86 / 21

HEX #C9681D

RGB 201 104 29

HSL 26.16, 0.75%, 0.45%

LAB 54.46, 33.92, 55.29

 

CMYK 0 / 42 / 74 / 29

HEX #B66A2F

RGB 182 106 47

HSL 26.22, 0.59%, 0.45%

LAB 52.35, 25.56, 44.72

 

CMYK 0 / 34 / 60 / 36

HEX #A46C42

RGB 164 108 66

HSL 25.71, 0.43%, 0.45%

LAB 50.7, 17.89, 32.36

 

CMYK 0 / 23 / 42 / 43

HEX #916F54

RGB 145 111 84

HSL 26.56, 0.27%, 0.45%

LAB 49.53, 9.7, 20.21

 

CMYK 0 / 11 / 19 / 50

HEX #7F7167

RGB 127 113 103

HSL 25, 0.1%, 0.45%

LAB 48.64, 3.68, 7.53

 

CMYK 0 / 86 / 77 / 21

HEX #C91D2E

RGB 201 29 46

HSL 354.07, 0.75%, 0.45%

LAB 43.5, 63.99, 36.82

 

CMYK 0 / 72 / 86 / 21

HEX #C9391D

RGB 201 57 29

HSL 9.77, 0.75%, 0.45%

LAB 46.22, 55.43, 48.37

 

CMYK 0 / 49 / 86 / 21

HEX #C9671D

RGB 201 103 29

HSL 25.81, 0.75%, 0.45%

LAB 54.25, 34.44, 55.12

 

CMYK 0 / 26 / 86 / 21

HEX #C9951D

RGB 201 149 29

HSL 41.86, 0.75%, 0.45%

LAB 64.96, 9.6, 64.01

 

CMYK 0 / 3 / 86 / 21

HEX #C9C31D

RGB 201 195 29

HSL 57.91, 0.75%, 0.45%

LAB 77, -14.6, 73.88

 

CMYK 0 / 49 / 86 / 49

HEX #814212

RGB 129 66 18

HSL 25.95, 0.76%, 0.29%

LAB 35.22, 23.71, 38.83

 

CMYK 0 / 48 / 85 / 35

HEX #A55518

RGB 165 85 24

HSL 25.96, 0.75%, 0.37%

LAB 45.03, 28.94, 47.06

 

CMYK 0 / 48 / 86 / 21

HEX #C9681D

RGB 201 104 29

HSL 26.16, 0.75%, 0.45%

LAB 54.46, 33.92, 55.29

 

CMYK 0 / 45 / 80 / 12

HEX #E17C2E

RGB 225 124 46

HSL 26.15, 0.75%, 0.53%

LAB 62.19, 33.75, 56.83

 

CMYK 0 / 37 / 64 / 10

HEX #E69252

RGB 230 146 82

HSL 25.95, 0.75%, 0.61%

LAB 68.01, 25.93, 46.44

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 54 / 0 / 86 / 21

HEX #5CC91D

RGB 92 201 29

HSL 98.02, 0.75%, 0.45%

LAB 72.32, -58.12, 67.35

 

CMYK 83 / 86 / 0 / 21

HEX #221DC9

RGB 34 29 201

HSL 241.74, 0.75%, 0.45%

LAB 27.94, 58.91, -84.19

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 86 / 0 / 49 / 21

HEX #1DC967

RGB 29 201 103

HSL 145.81, 0.75%, 0.45%

LAB 71.56, -62.1, 37.52

 

CMYK 49 / 86 / 0 / 21

HEX #671DC9

RGB 103 29 201

HSL 265.81, 0.75%, 0.45%

LAB 33.94, 64.09, -74.07

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 54 / 0 / 86 / 21

HEX #5CC91D

RGB 92 201 29

HSL 98.02, 0.75%, 0.45%

LAB 72.32, -58.12, 67.35

 

CMYK 86 / 37 / 0 / 21

HEX #1D7EC9

RGB 29 126 201

HSL 206.16, 0.75%, 0.45%

LAB 51.15, 0.37, -46.37

 

CMYK 31 / 86 / 0 / 21

HEX #8A1DC9

RGB 138 29 201

HSL 278.02, 0.75%, 0.45%

LAB 38.72, 68.6, -66.04

 

CMYK 0 / 48 / 85 / 22

HEX #C7671D

RGB 199 103 29

HSL 26.12, 0.75%, 0.45%

LAB 53.95, 33.62, 54.76

 

CMYK 80 / 0 / 86 / 21

HEX #28C91D

RGB 40 201 29

HSL 116.16, 0.75%, 0.45%

LAB 71.09, -68.45, 65.79

 

CMYK 86 / 37 / 0 / 21

HEX #1D7EC9

RGB 29 126 201

HSL 206.16, 0.75%, 0.45%

LAB 51.15, 0.37, -46.37

 

CMYK 6 / 86 / 0 / 21

HEX #BD1DC9

RGB 189 29 201

HSL 295.81, 0.75%, 0.45%

LAB 46.86, 76.76, -52.47

 

Description

Color code: RGB 199 103 29 | qconv.com Color code: RGB 199 103 29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 103 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 103 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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