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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199.9 128.2 18 it is the complementary color RGB 55.1 126.8 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199.9 128.2 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199.9 128.2 18 shade: RGB 204.9 128.2 13, RGB 221.9 146.2 32, RGB 238.9 164.2 51, RGB 255 182.2 70 and RGB 255 200.2 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199.9 128.2 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199.9 128.2 18 shade: RGB 199.9 128.2 18, RGB 182.9 110.2 0, RGB 165.9 92.2 0, RGB 148.9 74.2 0 and RGB 131.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199.9 128.2 18 shade: RGB 200 128 18, RGB 200 79 18, RGB 200 30 18 and RGB 200 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199.9 128.2 18 shade: RGB 200 128 18, RGB 200 177 18, RGB 174 200 18, RGB 125 200 18 and RGB 76 200 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199.9 128.2 18 shade matches the following richer shades: RGB 200 128 18 and RGB 218 132 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199.9 128.2 18 shade: RGB 200 128 18, RGB 182 125 36, RGB 165 121 54, RGB 147 117 71 and RGB 129 113 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199.9 128.2 18 shade: RGB 200 30 18, RGB 200 79 18, RGB 200 127 18, RGB 200 176 18 and RGB 176 200 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199.9 128.2 18 shade: RGB 125 80 11, RGB 162 104 15, RGB 200 128 18, RGB 233 152 26 and RGB 237 169 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199.9 128.2 18 shade: RGB 199.9 128.2 18, RGB 55 200 18 and RGB 55 18 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199.9 128.2 18 shade: RGB 199.9 128.2 18, RGB 18 200 127 and RGB 127 18 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199.9 128.2 18 shade: RGB 199.9 128.2 18, RGB 55 200 18, RGB 18 91 200 and RGB 164 18 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199.9 128.2 18 shade: RGB 199.9 128.2 18, RGB 18 200 36, RGB 18 91 200 and RGB 200 18 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

Complementary color

CMYK 77 / 46 / 0 / 7

HEX #377EED

RGB 55.1 126.8 237

HSL 216.35, 0.83%, 0.57%

LAB 54.09, 15.81, -61.93

 

CMYK 0 / 37 / 94 / 20

HEX #CC800D

RGB 204.9 128.2 13

HSL 36.02, 0.88%, 0.43%

LAB 60.32, 22.32, 64.33

 

CMYK 0 / 34 / 86 / 13

HEX #DD9220

RGB 221.9 146.2 32

HSL 36.08, 0.75%, 0.5%

LAB 66.7, 20.29, 65.57

 

CMYK 0 / 31 / 79 / 6

HEX #EEA433

RGB 238.9 164.2 51

HSL 36.15, 0.85%, 0.57%

LAB 73.02, 18.49, 65.57

 

CMYK 0 / 29 / 73 / 0

HEX #FFB646

RGB 255 182.2 70

HSL 36.39, 1%, 0.64%

LAB 79.18, 16.54, 64.77

 

CMYK 0 / 21 / 65 / 0

HEX #FFC859

RGB 255 200.2 89

HSL 40.19, 1%, 0.67%

LAB 83.64, 8.16, 61.37

 

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

CMYK 0 / 40 / 100 / 28

HEX #B66E00

RGB 182.9 110.2 0

HSL 36.15, 1%, 0.36%

LAB 53.22, 22.42, 60.47

 

CMYK 0 / 44 / 100 / 35

HEX #A55C00

RGB 165.9 92.2 0

HSL 33.35, 1%, 0.33%

LAB 46.69, 24.92, 55.17

 

CMYK 0 / 50 / 100 / 42

HEX #944A00

RGB 148.9 74.2 0

HSL 29.9, 1%, 0.29%

LAB 40.09, 27.47, 49.85

 

CMYK 0 / 57 / 100 / 48

HEX #833800

RGB 131.9 56.2 0

HSL 25.56, 1%, 0.26%

LAB 33.45, 29.97, 44.52

 

CMYK 0 / 36 / 91 / 22

HEX #C88012

RGB 200 128 18

HSL 36.26, 0.83%, 0.43%

LAB 59.67, 20.38, 62.56

 

CMYK 0 / 61 / 91 / 22

HEX #C84F12

RGB 200 79 18

HSL 20.11, 0.83%, 0.43%

LAB 49.39, 45.7, 54.99

 

CMYK 0 / 85 / 91 / 22

HEX #C81E12

RGB 200 30 18

HSL 3.96, 0.83%, 0.43%

LAB 43.14, 62.83, 50.6

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 36 / 91 / 22

HEX #C88012

RGB 200 128 18

HSL 36.26, 0.83%, 0.43%

LAB 59.67, 20.38, 62.56

 

CMYK 0 / 12 / 91 / 22

HEX #C8B112

RGB 200 177 18

HSL 52.42, 0.83%, 0.43%

LAB 72.07, -6.02, 72

 

CMYK 13 / 0 / 91 / 22

HEX #AEC812

RGB 174 200 18

HSL 68.57, 0.83%, 0.43%

LAB 76.28, -28.73, 74.39

 

CMYK 38 / 0 / 91 / 22

HEX #7DC812

RGB 125 200 18

HSL 84.73, 0.83%, 0.43%

LAB 73.36, -47.71, 70.81

 

CMYK 62 / 0 / 91 / 22

HEX #4CC812

RGB 76 200 18

HSL 100.88, 0.83%, 0.43%

LAB 71.48, -62.16, 68.48

 

CMYK 0 / 36 / 91 / 22

HEX #C88012

RGB 200 128 18

HSL 36.26, 0.83%, 0.43%

LAB 59.67, 20.38, 62.56

 

CMYK 0 / 39 / 100 / 15

HEX #DA8400

RGB 218 132 0

HSL 36.33, 1%, 0.43%

LAB 62.85, 25.75, 68.89

 

CMYK 0 / 36 / 91 / 22

HEX #C88012

RGB 200 128 18

HSL 36.26, 0.83%, 0.43%

LAB 59.67, 20.38, 62.56

 

CMYK 0 / 31 / 80 / 29

HEX #B67D24

RGB 182 125 36

HSL 36.58, 0.67%, 0.43%

LAB 56.82, 14.57, 53.82

 

CMYK 0 / 27 / 67 / 35

HEX #A57936

RGB 165 121 54

HSL 36.22, 0.51%, 0.43%

LAB 53.96, 10.1, 42.42

 

CMYK 0 / 20 / 52 / 42

HEX #937547

RGB 147 117 71

HSL 36.32, 0.35%, 0.43%

LAB 51.13, 5.7, 29.69

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 85 / 91 / 22

HEX #C81E12

RGB 200 30 18

HSL 3.96, 0.83%, 0.43%

LAB 43.14, 62.83, 50.6

 

CMYK 0 / 61 / 91 / 22

HEX #C84F12

RGB 200 79 18

HSL 20.11, 0.83%, 0.43%

LAB 49.39, 45.7, 54.99

 

CMYK 0 / 37 / 91 / 22

HEX #C87F12

RGB 200 127 18

HSL 35.93, 0.83%, 0.43%

LAB 59.44, 20.93, 62.38

 

CMYK 0 / 12 / 91 / 22

HEX #C8B012

RGB 200 176 18

HSL 52.09, 0.83%, 0.43%

LAB 71.81, -5.5, 71.79

 

CMYK 12 / 0 / 91 / 22

HEX #B0C812

RGB 176 200 18

HSL 67.91, 0.83%, 0.43%

LAB 76.43, -27.9, 74.56

 

CMYK 0 / 36 / 91 / 51

HEX #7D500B

RGB 125 80 11

HSL 36.32, 0.84%, 0.27%

LAB 38.06, 13.47, 43.51

 

CMYK 0 / 36 / 91 / 36

HEX #A2680F

RGB 162 104 15

HSL 36.33, 0.83%, 0.35%

LAB 49.03, 16.79, 53.07

 

CMYK 0 / 36 / 91 / 22

HEX #C88012

RGB 200 128 18

HSL 36.26, 0.83%, 0.43%

LAB 59.67, 20.38, 62.56

 

CMYK 0 / 35 / 89 / 9

HEX #E9981A

RGB 233 152 26

HSL 36.52, 0.82%, 0.51%

LAB 69.37, 21.8, 69.84

 

CMYK 0 / 29 / 73 / 7

HEX #EDA940

RGB 237 169 64

HSL 36.42, 0.83%, 0.59%

LAB 74.03, 15.67, 61.41

 

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

CMYK 73 / 0 / 91 / 22

HEX #37C812

RGB 55 200 18

HSL 107.8, 0.83%, 0.43%

LAB 70.98, -66.37, 67.87

 

CMYK 73 / 91 / 0 / 22

HEX #3712C8

RGB 55 18 200

HSL 252.2, 0.83%, 0.43%

LAB 27.89, 63.17, -83.66

 

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

CMYK 91 / 0 / 37 / 22

HEX #12C87F

RGB 18 200 127

HSL 155.93, 0.83%, 0.43%

LAB 71.53, -58.08, 25.16

 

CMYK 37 / 91 / 0 / 22

HEX #7F12C8

RGB 127 18 200

HSL 275.93, 0.83%, 0.43%

LAB 36.2, 69.34, -69.64

 

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

CMYK 73 / 0 / 91 / 22

HEX #37C812

RGB 55 200 18

HSL 107.8, 0.83%, 0.43%

LAB 70.98, -66.37, 67.87

 

CMYK 91 / 55 / 0 / 22

HEX #125BC8

RGB 18 91 200

HSL 215.93, 0.83%, 0.43%

LAB 40.87, 21.54, -62.35

 

CMYK 18 / 91 / 0 / 22

HEX #A412C8

RGB 164 18 200

HSL 288.13, 0.83%, 0.43%

LAB 41.99, 74.4, -59.95

 

CMYK 0 / 36 / 91 / 22

HEX #C78012

RGB 199.9 128.2 18

HSL 36.35, 0.83%, 0.43%

LAB 59.71, 20.23, 62.58

 

CMYK 91 / 0 / 82 / 22

HEX #12C824

RGB 18 200 36

HSL 125.93, 0.83%, 0.43%

LAB 70.57, -69.81, 63.54

 

CMYK 91 / 55 / 0 / 22

HEX #125BC8

RGB 18 91 200

HSL 215.93, 0.83%, 0.43%

LAB 40.87, 21.54, -62.35

 

CMYK 0 / 91 / 9 / 22

HEX #C812B6

RGB 200 18 182

HSL 305.93, 0.83%, 0.43%

LAB 47.09, 77.62, -40.91

 

Description

Color code: RGB 199.9 128.2 18 | qconv.com Color code: RGB 199.9 128.2 18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199.9 red, 128.2 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199.9 128.2 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 91 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 91% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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