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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199.1 72.8 122 it is the complementary color RGB 55.9 182.2 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199.1 72.8 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199.1 72.8 122 shade: RGB 204.1 72.8 117, RGB 221.1 90.8 136, RGB 238.1 108.8 155, RGB 255 126.8 174 and RGB 255 144.8 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199.1 72.8 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199.1 72.8 122 shade: RGB 199.1 72.8 122, RGB 182.1 54.8 103, RGB 165.1 36.8 84, RGB 148.1 18.8 65 and RGB 131.1 0.8 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199.1 72.8 122 shade: RGB 199 72 121, RGB 199 72 87 and RGB 199 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199.1 72.8 122 shade: RGB 199 72 121, RGB 199 72 155, RGB 199 72 190, RGB 173 72 199 and RGB 139 72 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199.1 72.8 122 shade matches the following richer shades: RGB 199 72 121, RGB 218 52 117 and RGB 237 33 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199.1 72.8 122 shade: RGB 199 72 121, RGB 179 91 125, RGB 160 110 130, RGB 140 130 134 and RGB 121 149 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199.1 72.8 122 shade: RGB 199 72 190, RGB 199 72 156, RGB 199 72 122, RGB 199 72 89 and RGB 199 89 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199.1 72.8 122 shade: RGB 144 44 83, RGB 175 54 101, RGB 199 72 121, RGB 208 103 144 and RGB 218 135 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199.1 72.8 122 shade: RGB 199.1 72.8 122, RGB 199 173 72 and RGB 72 173 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199.1 72.8 122 shade: RGB 199.1 72.8 122, RGB 122 199 72 and RGB 72 122 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199.1 72.8 122 shade: RGB 199.1 72.8 122, RGB 199 173 72, RGB 72 199 148 and RGB 72 97 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199.1 72.8 122 shade: RGB 199.1 72.8 122, RGB 186 199 72, RGB 72 199 148 and RGB 84 72 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

Complementary color

CMYK 69 / 0 / 27 / 29

HEX #37B685

RGB 55.9 182.2 133

HSL 156.63, 0.53%, 0.47%

LAB 66.57, -46.03, 15.24

 

CMYK 0 / 64 / 43 / 20

HEX #CC4875

RGB 204.1 72.8 117

HSL 339.8, 0.56%, 0.54%

LAB 50.54, 55.54, 3.23

 

CMYK 0 / 59 / 38 / 13

HEX #DD5A88

RGB 221.1 90.8 136

HSL 339.19, 0.66%, 0.61%

LAB 56.7, 55.05, 1.2

 

CMYK 0 / 54 / 35 / 7

HEX #EE6C9B

RGB 238.1 108.8 155

HSL 338.56, 0.79%, 0.68%

LAB 62.89, 54.38, -0.49

 

CMYK 0 / 50 / 32 / 0

HEX #FF7EAE

RGB 255 126.8 174

HSL 337.91, 1%, 0.75%

LAB 69.07, 53.58, -1.95

 

CMYK 0 / 43 / 24 / 0

HEX #FF90C1

RGB 255 144.8 193

HSL 333.76, 1%, 0.78%

LAB 73.09, 47.19, -6.62

 

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

CMYK 0 / 70 / 43 / 29

HEX #B63667

RGB 182.1 54.8 103

HSL 337.28, 0.54%, 0.46%

LAB 43.73, 54.68, 1.44

 

CMYK 0 / 78 / 49 / 35

HEX #A52454

RGB 165.1 36.8 84

HSL 337.93, 0.64%, 0.4%

LAB 37.77, 54.25, 4.4

 

CMYK 0 / 87 / 56 / 42

HEX #941241

RGB 148.1 18.8 65

HSL 338.56, 0.77%, 0.33%

LAB 32.14, 52.84, 8.29

 

CMYK 0 / 99 / 65 / 49

HEX #83002E

RGB 131.1 0.8 46

HSL 339.19, 0.99%, 0.26%

LAB 26.87, 50.29, 13.25

 

CMYK 0 / 64 / 39 / 22

HEX #C74879

RGB 199 72 121

HSL 336.85, 0.53%, 0.53%

LAB 49.69, 54.72, -0.53

 

CMYK 0 / 64 / 56 / 22

HEX #C74857

RGB 199 72 87

HSL 352.91, 0.53%, 0.53%

LAB 48.84, 51.58, 18.83

 

CMYK 0 / 64 / 64 / 22

HEX #C74848

RGB 199 72 72

HSL 0, 0.53%, 0.53%

LAB 48.57, 50.54, 27.44

 

CMYK 0 / 64 / 39 / 22

HEX #C74879

RGB 199 72 121

HSL 336.85, 0.53%, 0.53%

LAB 49.69, 54.72, -0.53

 

CMYK 0 / 64 / 22 / 22

HEX #C7489B

RGB 199 72 155

HSL 320.79, 0.53%, 0.53%

LAB 50.85, 58.9, -19.12

 

CMYK 0 / 64 / 5 / 22

HEX #C748BE

RGB 199 72 190

HSL 304.25, 0.53%, 0.53%

LAB 52.39, 64.15, -37.22

 

CMYK 13 / 64 / 0 / 22

HEX #AD48C7

RGB 173 72 199

HSL 287.72, 0.53%, 0.53%

LAB 49.06, 59.47, -47.94

 

CMYK 30 / 64 / 0 / 22

HEX #8B48C7

RGB 139 72 199

HSL 271.65, 0.53%, 0.53%

LAB 44.59, 51.66, -55.36

 

CMYK 0 / 64 / 39 / 22

HEX #C74879

RGB 199 72 121

HSL 336.85, 0.53%, 0.53%

LAB 49.69, 54.72, -0.53

 

CMYK 0 / 76 / 46 / 15

HEX #DA3475

RGB 218 52 117

HSL 336.51, 0.69%, 0.53%

LAB 50.27, 67.02, 3.15

 

CMYK 0 / 86 / 52 / 7

HEX #ED2171

RGB 237 33 113

HSL 336.47, 0.85%, 0.53%

LAB 52.16, 76.01, 8.75

 

CMYK 0 / 64 / 39 / 22

HEX #C74879

RGB 199 72 121

HSL 336.85, 0.53%, 0.53%

LAB 49.69, 54.72, -0.53

 

CMYK 0 / 49 / 30 / 30

HEX #B35B7D

RGB 179 91 125

HSL 336.82, 0.37%, 0.53%

LAB 50.15, 39.57, -2.61

 

CMYK 0 / 31 / 19 / 37

HEX #A06E82

RGB 160 110 130

HSL 336, 0.21%, 0.53%

LAB 52.1, 22.93, -2.98

 

CMYK 0 / 7 / 4 / 45

HEX #8C8286

RGB 140 130 134

HSL 336, 0.04%, 0.53%

LAB 55.34, 4.53, -0.8

 

CMYK 19 / 0 / 7 / 42

HEX #79958A

RGB 121 149 138

HSL 156.43, 0.12%, 0.53%

LAB 59.34, -12.16, 2.55

 

CMYK 0 / 64 / 5 / 22

HEX #C748BE

RGB 199 72 190

HSL 304.25, 0.53%, 0.53%

LAB 52.39, 64.15, -37.22

 

CMYK 0 / 64 / 22 / 22

HEX #C7489C

RGB 199 72 156

HSL 320.31, 0.53%, 0.53%

LAB 50.89, 59.03, -19.65

 

CMYK 0 / 64 / 39 / 22

HEX #C7487A

RGB 199 72 122

HSL 336.38, 0.53%, 0.53%

LAB 49.72, 54.82, -1.09

 

CMYK 0 / 64 / 55 / 22

HEX #C74859

RGB 199 72 89

HSL 351.97, 0.53%, 0.53%

LAB 48.88, 51.73, 17.68

 

CMYK 0 / 55 / 64 / 22

HEX #C75948

RGB 199 89 72

HSL 8.03, 0.53%, 0.53%

LAB 51.56, 42.66, 31.16

 

CMYK 0 / 69 / 42 / 44

HEX #902C53

RGB 144 44 83

HSL 336.6, 0.53%, 0.37%

LAB 34.71, 45.24, 0.12

 

CMYK 0 / 69 / 42 / 31

HEX #AF3665

RGB 175 54 101

HSL 336.69, 0.53%, 0.45%

LAB 42.3, 52.66, 0.44

 

CMYK 0 / 64 / 39 / 22

HEX #C74879

RGB 199 72 121

HSL 336.85, 0.53%, 0.53%

LAB 49.69, 54.72, -0.53

 

CMYK 0 / 50 / 31 / 18

HEX #D06790

RGB 208 103 144

HSL 336.57, 0.53%, 0.61%

LAB 57.2, 45.92, -2.98

 

CMYK 0 / 38 / 23 / 15

HEX #DA87A7

RGB 218 135 167

HSL 336.87, 0.53%, 0.69%

LAB 65.77, 35.96, -3.41

 

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

CMYK 0 / 13 / 64 / 22

HEX #C7AD48

RGB 199 173 72

HSL 47.72, 0.53%, 0.53%

LAB 71.21, -2.27, 53.83

 

CMYK 64 / 13 / 0 / 22

HEX #48ADC7

RGB 72 173 199

HSL 192.28, 0.53%, 0.53%

LAB 66.05, -21.27, -21.95

 

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

CMYK 39 / 0 / 64 / 22

HEX #7AC748

RGB 122 199 72

HSL 96.38, 0.53%, 0.53%

LAB 73.19, -45.45, 54.43

 

CMYK 64 / 39 / 0 / 22

HEX #487AC7

RGB 72 122 199

HSL 216.38, 0.53%, 0.53%

LAB 51.18, 7.55, -45.11

 

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

CMYK 0 / 13 / 64 / 22

HEX #C7AD48

RGB 199 173 72

HSL 47.72, 0.53%, 0.53%

LAB 71.21, -2.27, 53.83

 

CMYK 64 / 0 / 26 / 22

HEX #48C794

RGB 72 199 148

HSL 155.91, 0.53%, 0.53%

LAB 72.47, -46.91, 15.43

 

CMYK 64 / 51 / 0 / 22

HEX #4861C7

RGB 72 97 199

HSL 228.19, 0.53%, 0.53%

LAB 44.31, 23.18, -56.11

 

CMYK 0 / 63 / 39 / 22

HEX #C7487A

RGB 199.1 72.8 122

HSL 336.63, 0.53%, 0.53%

LAB 49.86, 54.52, -0.88

 

CMYK 7 / 0 / 64 / 22

HEX #BAC748

RGB 186 199 72

HSL 66.14, 0.53%, 0.53%

LAB 77.13, -21.07, 59.83

 

CMYK 64 / 0 / 26 / 22

HEX #48C794

RGB 72 199 148

HSL 155.91, 0.53%, 0.53%

LAB 72.47, -46.91, 15.43

 

CMYK 58 / 64 / 0 / 22

HEX #5448C7

RGB 84 72 199

HSL 245.67, 0.53%, 0.53%

LAB 38.97, 40.74, -64.72

 

Description

Color code: RGB 199.1 72.8 122 | qconv.com Color code: RGB 199.1 72.8 122 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199.1 red, 72.8 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199.1 72.8 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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