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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199.1 162.8 99 it is the complementary color RGB 55.9 92.2 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199.1 162.8 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199.1 162.8 99 shade: RGB 204.1 162.8 94, RGB 221.1 180.8 113, RGB 238.1 198.8 132, RGB 255 216.8 151 and RGB 255 234.8 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199.1 162.8 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199.1 162.8 99 shade: RGB 199.1 162.8 99, RGB 182.1 144.8 80, RGB 165.1 126.8 61, RGB 148.1 108.8 42 and RGB 131.1 90.8 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199.1 162.8 99 shade: RGB 198 161 97, RGB 198 134 97, RGB 198 107 97 and RGB 198 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199.1 162.8 99 shade: RGB 198 161 97, RGB 198 188 97, RGB 180 198 97, RGB 153 198 97 and RGB 126 198 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199.1 162.8 99 shade matches the following richer shades: RGB 198 161 97, RGB 215 166 80, RGB 232 171 62 and RGB 250 176 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199.1 162.8 99 shade: RGB 198 161 97, RGB 180 156 114, RGB 163 152 132, RGB 146 147 149 and RGB 128 142 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199.1 162.8 99 shade: RGB 198 107 97, RGB 198 134 97, RGB 198 161 97, RGB 198 188 97 and RGB 181 198 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199.1 162.8 99 shade: RGB 156 120 56, RGB 187 143 67, RGB 198 161 97, RGB 209 179 127 and RGB 220 197 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199.1 162.8 99 shade: RGB 199.1 162.8 99, RGB 114 198 97 and RGB 121 97 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199.1 162.8 99 shade: RGB 199.1 162.8 99, RGB 97 198 161 and RGB 161 97 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199.1 162.8 99 shade: RGB 199.1 162.8 99, RGB 114 198 97, RGB 97 134 198 and RGB 181 97 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199.1 162.8 99 shade: RGB 199.1 162.8 99, RGB 97 198 110, RGB 97 134 198 and RGB 198 97 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

Complementary color

CMYK 64 / 41 / 0 / 39

HEX #375C9C

RGB 55.9 92.2 156

HSL 218.24, 0.47%, 0.42%

LAB 39.46, 8.05, -38.67

 

CMYK 0 / 20 / 54 / 20

HEX #CCA25E

RGB 204.1 162.8 94

HSL 37.49, 0.52%, 0.58%

LAB 69.31, 6.99, 41.2

 

CMYK 0 / 18 / 49 / 13

HEX #DDB471

RGB 221.1 180.8 113

HSL 37.63, 0.61%, 0.66%

LAB 75.79, 6.12, 39.86

 

CMYK 0 / 17 / 45 / 7

HEX #EEC684

RGB 238.1 198.8 132

HSL 37.78, 0.76%, 0.73%

LAB 82.17, 5.37, 38.58

 

CMYK 0 / 15 / 41 / 0

HEX #FFD897

RGB 255 216.8 151

HSL 37.96, 1%, 0.8%

LAB 88.46, 4.68, 37.34

 

CMYK 0 / 8 / 33 / 0

HEX #FFEAAA

RGB 255 234.8 170

HSL 45.74, 1%, 0.83%

LAB 93.22, -2.35, 33.98

 

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

CMYK 0 / 20 / 56 / 29

HEX #B69050

RGB 182.1 144.8 80

HSL 38.08, 0.41%, 0.51%

LAB 62.28, 6.25, 39.35

 

CMYK 0 / 23 / 63 / 35

HEX #A57E3D

RGB 165.1 126.8 61

HSL 37.93, 0.46%, 0.44%

LAB 55.56, 7.35, 40.73

 

CMYK 0 / 27 / 72 / 42

HEX #946C2A

RGB 148.1 108.8 42

HSL 37.78, 0.56%, 0.37%

LAB 48.72, 8.68, 41.98

 

CMYK 0 / 31 / 82 / 49

HEX #835A17

RGB 131.1 90.8 23

HSL 37.63, 0.7%, 0.3%

LAB 41.76, 10.33, 42.78

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 32 / 51 / 22

HEX #C68661

RGB 198 134 97

HSL 21.98, 0.47%, 0.58%

LAB 61.58, 20.42, 29.8

 

CMYK 0 / 46 / 51 / 22

HEX #C66B61

RGB 198 107 97

HSL 5.94, 0.47%, 0.58%

LAB 55.47, 35.03, 21.78

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 5 / 51 / 22

HEX #C6BC61

RGB 198 188 97

HSL 54.06, 0.47%, 0.58%

LAB 75.35, -8.63, 46.83

 

CMYK 9 / 0 / 51 / 22

HEX #B4C661

RGB 180 198 97

HSL 70.69, 0.47%, 0.58%

LAB 76.65, -21.03, 48.03

 

CMYK 23 / 0 / 51 / 22

HEX #99C661

RGB 153 198 97

HSL 86.73, 0.47%, 0.58%

LAB 74.84, -31.51, 45.43

 

CMYK 36 / 0 / 51 / 22

HEX #7EC661

RGB 126 198 97

HSL 102.77, 0.47%, 0.58%

LAB 73.34, -41.08, 43.27

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 23 / 63 / 16

HEX #D7A650

RGB 215 166 80

HSL 38.22, 0.63%, 0.58%

LAB 71.08, 8.83, 50.45

 

CMYK 0 / 26 / 73 / 9

HEX #E8AB3E

RGB 232 171 62

HSL 38.47, 0.79%, 0.58%

LAB 73.95, 12.4, 61.97

 

CMYK 0 / 30 / 82 / 2

HEX #FAB02D

RGB 250 176 45

HSL 38.34, 0.95%, 0.58%

LAB 77.02, 16.78, 71.63

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 13 / 37 / 29

HEX #B49C72

RGB 180 156 114

HSL 38.18, 0.31%, 0.58%

LAB 65.51, 2.72, 25.28

 

CMYK 0 / 7 / 19 / 36

HEX #A39884

RGB 163 152 132

HSL 38.71, 0.14%, 0.58%

LAB 63.27, 0.63, 11.98

 

CMYK 2 / 1 / 0 / 42

HEX #929395

RGB 146 147 149

HSL 220, 0.01%, 0.58%

LAB 60.91, 0.03, -1.19

 

CMYK 23 / 14 / 0 / 35

HEX #808EA6

RGB 128 142 166

HSL 217.89, 0.18%, 0.58%

LAB 58.68, 0.39, -14.34

 

CMYK 0 / 46 / 51 / 22

HEX #C66B61

RGB 198 107 97

HSL 5.94, 0.47%, 0.58%

LAB 55.47, 35.03, 21.78

 

CMYK 0 / 32 / 51 / 22

HEX #C68661

RGB 198 134 97

HSL 21.98, 0.47%, 0.58%

LAB 61.58, 20.42, 29.8

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 5 / 51 / 22

HEX #C6BC61

RGB 198 188 97

HSL 54.06, 0.47%, 0.58%

LAB 75.35, -8.63, 46.83

 

CMYK 9 / 0 / 51 / 22

HEX #B5C661

RGB 181 198 97

HSL 70.1, 0.47%, 0.58%

LAB 76.72, -20.63, 48.14

 

CMYK 0 / 23 / 64 / 39

HEX #9C7838

RGB 156 120 56

HSL 38.4, 0.47%, 0.42%

LAB 52.71, 6.76, 39.75

 

CMYK 0 / 24 / 64 / 27

HEX #BB8F43

RGB 187 143 67

HSL 38, 0.47%, 0.5%

LAB 62.18, 8.4, 45.88

 

CMYK 0 / 19 / 51 / 22

HEX #C6A161

RGB 198 161 97

HSL 38.02, 0.47%, 0.58%

LAB 68.28, 5.67, 38.26

 

CMYK 0 / 14 / 39 / 18

HEX #D1B37F

RGB 209 179 127

HSL 38.05, 0.47%, 0.66%

LAB 74.4, 3.61, 30.56

 

CMYK 0 / 10 / 28 / 14

HEX #DCC59E

RGB 220 197 158

HSL 37.74, 0.47%, 0.74%

LAB 80.53, 2.24, 22.55

 

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

CMYK 42 / 0 / 51 / 22

HEX #72C661

RGB 114 198 97

HSL 109.9, 0.47%, 0.58%

LAB 72.78, -44.94, 42.46

 

CMYK 39 / 51 / 0 / 22

HEX #7961C6

RGB 121 97 198

HSL 254.26, 0.47%, 0.58%

LAB 47.87, 33.33, -49.61

 

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

CMYK 51 / 0 / 19 / 22

HEX #61C6A1

RGB 97 198 161

HSL 158.02, 0.47%, 0.58%

LAB 73.22, -38.35, 9.6

 

CMYK 19 / 51 / 0 / 22

HEX #A161C6

RGB 161 97 198

HSL 278.02, 0.47%, 0.58%

LAB 52.07, 43.86, -42.68

 

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

CMYK 42 / 0 / 51 / 22

HEX #72C661

RGB 114 198 97

HSL 109.9, 0.47%, 0.58%

LAB 72.78, -44.94, 42.46

 

CMYK 51 / 32 / 0 / 22

HEX #6186C6

RGB 97 134 198

HSL 218.02, 0.47%, 0.58%

LAB 55.75, 5.19, -37.24

 

CMYK 9 / 51 / 0 / 22

HEX #B561C6

RGB 181 97 198

HSL 289.9, 0.47%, 0.58%

LAB 54.5, 49.38, -38.68

 

CMYK 0 / 18 / 50 / 22

HEX #C7A263

RGB 199.1 162.8 99

HSL 38.24, 0.47%, 0.58%

LAB 68.88, 5.34, 37.99

 

CMYK 51 / 0 / 44 / 22

HEX #61C66E

RGB 97 198 110

HSL 127.72, 0.47%, 0.58%

LAB 72.27, -48.01, 35.21

 

CMYK 51 / 32 / 0 / 22

HEX #6186C6

RGB 97 134 198

HSL 218.02, 0.47%, 0.58%

LAB 55.75, 5.19, -37.24

 

CMYK 0 / 51 / 7 / 22

HEX #C661B8

RGB 198 97 184

HSL 308.32, 0.47%, 0.58%

LAB 56.1, 51.69, -27.98

 

Description

Color code: RGB 199.1 162.8 99 | qconv.com Color code: RGB 199.1 162.8 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199.1 red, 162.8 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199.1 162.8 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 50% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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