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Color name
RGB 198 96 66

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 96 66 it is the complementary color RGB 57 159 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 96 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 96 66 shade: RGB 203 96 61, RGB 220 114 80, RGB 237 132 99, RGB 254 150 118 and RGB 255 168 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 96 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 96 66 shade: RGB 198 96 66, RGB 181 78 47, RGB 164 60 28, RGB 147 42 9 and RGB 130 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 96 66 shade: RGB 199 97 67 and RGB 199 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 96 66 shade: RGB 199 97 67, RGB 199 132 67, RGB 199 168 67, RGB 194 199 67 and RGB 158 199 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 96 66 shade matches the following richer shades: RGB 199 97 67, RGB 219 86 47 and RGB 238 75 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 96 66 shade: RGB 199 97 67, RGB 179 107 86, RGB 159 118 106, RGB 139 129 126 and RGB 119 140 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 96 66 shade: RGB 199 67 108, RGB 199 67 73, RGB 199 95 67, RGB 199 130 67 and RGB 199 166 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 96 66 shade: RGB 141 64 42, RGB 172 79 52, RGB 199 97 67, RGB 208 123 98 and RGB 218 150 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 96 66 shade: RGB 198 96 66, RGB 144 199 67 and RGB 67 91 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 96 66 shade: RGB 198 96 66, RGB 67 199 95 and RGB 95 67 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 96 66 shade: RGB 198 96 66, RGB 144 199 67, RGB 67 170 199 and RGB 122 67 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 96 66 shade: RGB 198 96 66, RGB 104 199 67, RGB 67 170 199 and RGB 161 67 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

Complementary color

CMYK 70 / 16 / 0 / 26

HEX #399FBD

RGB 57 159 189

HSL 193.64, 0.54%, 0.48%

LAB 61.08, -19.45, -24.01

 

CMYK 0 / 53 / 70 / 20

HEX #CB603D

RGB 203 96 61

HSL 14.79, 0.58%, 0.52%

LAB 53.38, 40.05, 39.57

 

CMYK 0 / 48 / 64 / 14

HEX #DC7250

RGB 220 114 80

HSL 14.57, 0.67%, 0.59%

LAB 59.73, 38.58, 37.39

 

CMYK 0 / 44 / 58 / 7

HEX #ED8463

RGB 237 132 99

HSL 14.35, 0.79%, 0.66%

LAB 66.07, 37.2, 35.42

 

CMYK 0 / 41 / 54 / 0

HEX #FE9676

RGB 254 150 118

HSL 14.12, 0.99%, 0.73%

LAB 72.36, 35.93, 33.63

 

CMYK 0 / 34 / 46 / 0

HEX #FFA889

RGB 255 168 137

HSL 15.76, 1%, 0.77%

LAB 76.72, 28.68, 29.18

 

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

CMYK 0 / 57 / 74 / 29

HEX #B54E2F

RGB 181 78 47

HSL 13.88, 0.59%, 0.45%

LAB 46.28, 39.9, 38.22

 

CMYK 0 / 63 / 83 / 36

HEX #A43C1C

RGB 164 60 28

HSL 14.12, 0.71%, 0.38%

LAB 39.93, 41.39, 40.67

 

CMYK 0 / 71 / 94 / 42

HEX #932A09

RGB 147 42 9

HSL 14.35, 0.88%, 0.31%

LAB 33.73, 42.67, 42.52

 

CMYK 0 / 82 / 100 / 49

HEX #821800

RGB 130 24 0

HSL 11.08, 1%, 0.25%

LAB 27.84, 43.33, 40.29

 

CMYK 0 / 51 / 66 / 22

HEX #C76143

RGB 199 97 67

HSL 13.64, 0.54%, 0.52%

LAB 53.06, 38.34, 35.78

 

CMYK 0 / 66 / 66 / 22

HEX #C74343

RGB 199 67 67

HSL 0, 0.54%, 0.52%

LAB 47.7, 52.36, 29.31

 

CMYK 0 / 51 / 66 / 22

HEX #C76143

RGB 199 97 67

HSL 13.64, 0.54%, 0.52%

LAB 53.06, 38.34, 35.78

 

CMYK 0 / 34 / 66 / 22

HEX #C78443

RGB 199 132 67

HSL 29.55, 0.54%, 0.52%

LAB 60.83, 19.63, 44.74

 

CMYK 0 / 16 / 66 / 22

HEX #C7A843

RGB 199 168 67

HSL 45.91, 0.54%, 0.52%

LAB 69.86, 0.08, 54.59

 

CMYK 3 / 0 / 66 / 22

HEX #C2C743

RGB 194 199 67

HSL 62.27, 0.54%, 0.52%

LAB 77.71, -18.06, 62.62

 

CMYK 21 / 0 / 66 / 22

HEX #9EC743

RGB 158 199 67

HSL 78.64, 0.54%, 0.52%

LAB 75.15, -32.69, 59.18

 

CMYK 0 / 51 / 66 / 22

HEX #C76143

RGB 199 97 67

HSL 13.64, 0.54%, 0.52%

LAB 53.06, 38.34, 35.78

 

CMYK 0 / 61 / 79 / 14

HEX #DB562F

RGB 219 86 47

HSL 13.6, 0.7%, 0.52%

LAB 53.94, 50.14, 48.13

 

CMYK 0 / 68 / 89 / 7

HEX #EE4B1B

RGB 238 75 27

HSL 13.65, 0.86%, 0.52%

LAB 55.37, 60.64, 59.27

 

CMYK 0 / 51 / 66 / 22

HEX #C76143

RGB 199 97 67

HSL 13.64, 0.54%, 0.52%

LAB 53.06, 38.34, 35.78

 

CMYK 0 / 40 / 52 / 30

HEX #B36B56

RGB 179 107 86

HSL 13.55, 0.38%, 0.52%

LAB 52.7, 26.49, 23.99

 

CMYK 0 / 26 / 33 / 38

HEX #9F766A

RGB 159 118 106

HSL 13.58, 0.22%, 0.52%

LAB 53.35, 14.35, 12.88

 

CMYK 0 / 7 / 9 / 45

HEX #8B817E

RGB 139 129 126

HSL 13.85, 0.05%, 0.52%

LAB 54.76, 3.23, 2.98

 

CMYK 18 / 4 / 0 / 43

HEX #778C92

RGB 119 140 146

HSL 193.33, 0.11%, 0.52%

LAB 56.83, -6.14, -5.72

 

CMYK 0 / 66 / 46 / 22

HEX #C7436C

RGB 199 67 108

HSL 341.36, 0.54%, 0.52%

LAB 48.56, 55.47, 5.72

 

CMYK 0 / 66 / 63 / 22

HEX #C74349

RGB 199 67 73

HSL 357.27, 0.54%, 0.52%

LAB 47.8, 52.72, 25.87

 

CMYK 0 / 52 / 66 / 22

HEX #C75F43

RGB 199 95 67

HSL 12.73, 0.54%, 0.52%

LAB 52.65, 39.36, 35.3

 

CMYK 0 / 35 / 66 / 22

HEX #C78243

RGB 199 130 67

HSL 28.64, 0.54%, 0.52%

LAB 60.35, 20.72, 44.2

 

CMYK 0 / 17 / 66 / 22

HEX #C7A643

RGB 199 166 67

HSL 45, 0.54%, 0.52%

LAB 69.34, 1.15, 54.04

 

CMYK 0 / 55 / 70 / 45

HEX #8D402A

RGB 141 64 42

HSL 13.33, 0.54%, 0.36%

LAB 36.92, 31.05, 28.73

 

CMYK 0 / 54 / 70 / 33

HEX #AC4F34

RGB 172 79 52

HSL 13.5, 0.54%, 0.44%

LAB 45.1, 36.16, 33.76

 

CMYK 0 / 51 / 66 / 22

HEX #C76143

RGB 199 97 67

HSL 13.64, 0.54%, 0.52%

LAB 53.06, 38.34, 35.78

 

CMYK 0 / 41 / 53 / 18

HEX #D07B62

RGB 208 123 98

HSL 13.64, 0.54%, 0.6%

LAB 60.3, 30.52, 27.83

 

CMYK 0 / 31 / 40 / 15

HEX #DA9682

RGB 218 150 130

HSL 13.64, 0.54%, 0.68%

LAB 68.26, 23.14, 20.87

 

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

CMYK 28 / 0 / 66 / 22

HEX #90C743

RGB 144 199 67

HSL 85, 0.54%, 0.52%

LAB 74.31, -38.05, 58.03

 

CMYK 66 / 54 / 0 / 22

HEX #435BC7

RGB 67 91 199

HSL 229.09, 0.54%, 0.52%

LAB 42.46, 26.18, -59.11

 

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

CMYK 66 / 0 / 52 / 22

HEX #43C75F

RGB 67 199 95

HSL 132.73, 0.54%, 0.52%

LAB 71.46, -57.48, 41.46

 

CMYK 52 / 66 / 0 / 22

HEX #5F43C7

RGB 95 67 199

HSL 252.73, 0.54%, 0.52%

LAB 38.85, 45.49, -64.88

 

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

CMYK 28 / 0 / 66 / 22

HEX #90C743

RGB 144 199 67

HSL 85, 0.54%, 0.52%

LAB 74.31, -38.05, 58.03

 

CMYK 66 / 15 / 0 / 22

HEX #43AAC7

RGB 67 170 199

HSL 193.18, 0.54%, 0.52%

LAB 65.02, -20.53, -23.54

 

CMYK 39 / 66 / 0 / 22

HEX #7A43C7

RGB 122 67 199

HSL 265, 0.54%, 0.52%

LAB 41.65, 50.59, -60.2

 

CMYK 0 / 52 / 67 / 22

HEX #C66042

RGB 198 96 66

HSL 13.64, 0.54%, 0.52%

LAB 52.69, 38.4, 35.86

 

CMYK 48 / 0 / 66 / 22

HEX #68C743

RGB 104 199 67

HSL 103.18, 0.54%, 0.52%

LAB 72.36, -51.58, 55.37

 

CMYK 66 / 15 / 0 / 22

HEX #43AAC7

RGB 67 170 199

HSL 193.18, 0.54%, 0.52%

LAB 65.02, -20.53, -23.54

 

CMYK 19 / 66 / 0 / 22

HEX #A143C7

RGB 161 67 199

HSL 282.73, 0.54%, 0.52%

LAB 46.6, 58.92, -51.97

 

Description

Color code: RGB 198 96 66 | qconv.com Color code: RGB 198 96 66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 96 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 96 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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