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Color name
RGB 198 56 177

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 56 177 it is the complementary color RGB 57 199 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 56 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 56 177 shade: RGB 203 56 172, RGB 220 74 191, RGB 237 92 210, RGB 254 110 229 and RGB 255 128 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 56 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 56 177 shade: RGB 198 56 177, RGB 181 38 158, RGB 164 20 139, RGB 147 2 120 and RGB 130 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 56 177 shade: RGB 199 56 178, RGB 199 56 139, RGB 199 56 101, RGB 199 56 62 and RGB 199 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 56 177 shade: RGB 199 56 178, RGB 182 56 199, RGB 143 56 199, RGB 104 56 199 and RGB 66 56 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 56 177 shade matches the following richer shades: RGB 199 56 178, RGB 220 35 192 and RGB 240 15 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 56 177 shade: RGB 199 56 178, RGB 178 77 163, RGB 158 97 149, RGB 137 118 134 and RGB 116 139 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 56 177 shade: RGB 142 56 199, RGB 180 56 199, RGB 199 56 180, RGB 199 56 142 and RGB 199 56 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 56 177 shade: RGB 135 38 120, RGB 167 47 149, RGB 199 56 178, RGB 208 88 190 and RGB 217 120 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 56 177 shade: RGB 198 56 177, RGB 199 104 56 and RGB 56 199 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 56 177 shade: RGB 198 56 177, RGB 180 199 56 and RGB 56 180 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 56 177 shade: RGB 198 56 177, RGB 199 104 56, RGB 56 199 75 and RGB 56 151 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 56 177 shade: RGB 198 56 177, RGB 199 147 56, RGB 56 199 75 and RGB 56 108 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

Complementary color

CMYK 71 / 0 / 61 / 22

HEX #39C74E

RGB 57 199 78

HSL 128.87, 0.56%, 0.5%

LAB 71.05, -61.48, 48.84

 

CMYK 0 / 72 / 15 / 20

HEX #CB38AC

RGB 203 56 172

HSL 312.65, 0.59%, 0.51%

LAB 50.1, 68.23, -30.26

 

CMYK 0 / 66 / 13 / 14

HEX #DC4ABF

RGB 220 74 191

HSL 311.92, 0.68%, 0.58%

LAB 55.96, 68.74, -31.98

 

CMYK 0 / 61 / 11 / 7

HEX #ED5CD2

RGB 237 92 210

HSL 311.17, 0.8%, 0.65%

LAB 61.92, 68.79, -33.33

 

CMYK 0 / 57 / 10 / 0

HEX #FE6EE5

RGB 254 110 229

HSL 310.42, 0.99%, 0.71%

LAB 67.93, 68.55, -34.43

 

CMYK 0 / 50 / 3 / 0

HEX #FF80F8

RGB 255 128 248

HSL 303.31, 1%, 0.75%

LAB 71.88, 63.77, -38.74

 

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

CMYK 0 / 79 / 13 / 29

HEX #B5269E

RGB 181 38 158

HSL 309.65, 0.65%, 0.43%

LAB 43.77, 66.62, -32.13

 

CMYK 0 / 88 / 15 / 36

HEX #A4148B

RGB 164 20 139

HSL 310.42, 0.78%, 0.36%

LAB 38.3, 64.43, -29.4

 

CMYK 0 / 99 / 18 / 42

HEX #930278

RGB 147 2 120

HSL 311.17, 0.97%, 0.29%

LAB 33.14, 61.03, -25.89

 

CMYK 0 / 100 / 22 / 49

HEX #820065

RGB 130 0 101

HSL 313.38, 1%, 0.25%

LAB 28.6, 55.43, -21.07

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 0 / 72 / 30 / 22

HEX #C7388B

RGB 199 56 139

HSL 325.17, 0.56%, 0.5%

LAB 48.05, 62.94, -13.83

 

CMYK 0 / 72 / 49 / 22

HEX #C73865

RGB 199 56 101

HSL 341.12, 0.56%, 0.5%

LAB 46.86, 59.03, 7.56

 

CMYK 0 / 72 / 69 / 22

HEX #C7383E

RGB 199 56 62

HSL 357.48, 0.56%, 0.5%

LAB 46.07, 56.36, 30.27

 

CMYK 0 / 72 / 72 / 22

HEX #C73838

RGB 199 56 56

HSL 0, 0.56%, 0.5%

LAB 45.98, 56.08, 33.69

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 9 / 72 / 0 / 22

HEX #B638C7

RGB 182 56 199

HSL 292.87, 0.56%, 0.5%

LAB 48.13, 67.8, -49.35

 

CMYK 28 / 72 / 0 / 22

HEX #8F38C7

RGB 143 56 199

HSL 276.5, 0.56%, 0.5%

LAB 42.45, 59.88, -58.79

 

CMYK 48 / 72 / 0 / 22

HEX #6838C7

RGB 104 56 199

HSL 260.14, 0.56%, 0.5%

LAB 37.65, 52.82, -66.8

 

CMYK 67 / 72 / 0 / 22

HEX #4238C7

RGB 66 56 199

HSL 244.2, 0.56%, 0.5%

LAB 34.21, 47.44, -72.58

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 0 / 84 / 13 / 14

HEX #DC23C0

RGB 220 35 192

HSL 309.08, 0.73%, 0.5%

LAB 52.09, 80.05, -38.62

 

CMYK 0 / 94 / 14 / 6

HEX #F00FCF

RGB 240 15 207

HSL 308.8, 0.88%, 0.5%

LAB 55.45, 88.43, -41.72

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 0 / 57 / 8 / 30

HEX #B24DA3

RGB 178 77 163

HSL 308.91, 0.4%, 0.5%

LAB 48.78, 51.97, -27.31

 

CMYK 0 / 39 / 6 / 38

HEX #9E6195

RGB 158 97 149

HSL 308.85, 0.24%, 0.5%

LAB 49.48, 32.9, -18.18

 

CMYK 0 / 14 / 2 / 46

HEX #897686

RGB 137 118 134

HSL 309.47, 0.07%, 0.5%

LAB 51.83, 10.36, -6.01

 

CMYK 17 / 0 / 14 / 45

HEX #748B78

RGB 116 139 120

HSL 130.43, 0.09%, 0.5%

LAB 55.62, -12.17, 7.44

 

CMYK 29 / 72 / 0 / 22

HEX #8E38C7

RGB 142 56 199

HSL 276.08, 0.56%, 0.5%

LAB 42.31, 59.68, -59.01

 

CMYK 10 / 72 / 0 / 22

HEX #B438C7

RGB 180 56 199

HSL 292.03, 0.56%, 0.5%

LAB 47.82, 67.39, -49.86

 

CMYK 0 / 72 / 10 / 22

HEX #C738B4

RGB 199 56 180

HSL 307.97, 0.56%, 0.5%

LAB 49.82, 68.46, -35.45

 

CMYK 0 / 72 / 29 / 22

HEX #C7388E

RGB 199 56 142

HSL 323.92, 0.56%, 0.5%

LAB 48.16, 63.3, -15.46

 

CMYK 0 / 72 / 48 / 22

HEX #C73868

RGB 199 56 104

HSL 339.86, 0.56%, 0.5%

LAB 46.94, 59.29, 5.83

 

CMYK 0 / 72 / 11 / 47

HEX #872678

RGB 135 38 120

HSL 309.28, 0.56%, 0.34%

LAB 33.76, 50.05, -25.08

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 0 / 58 / 9 / 18

HEX #D058BE

RGB 208 88 190

HSL 309, 0.56%, 0.58%

LAB 56.19, 59.71, -31.18

 

CMYK 0 / 45 / 6 / 15

HEX #D978CB

RGB 217 120 203

HSL 308.66, 0.56%, 0.66%

LAB 63.75, 49.12, -26.78

 

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

CMYK 0 / 48 / 72 / 22

HEX #C76838

RGB 199 104 56

HSL 20.14, 0.56%, 0.5%

LAB 54.37, 34.11, 43.12

 

CMYK 72 / 0 / 19 / 22

HEX #38C7A1

RGB 56 199 161

HSL 164.06, 0.56%, 0.5%

LAB 72.4, -46.43, 8.28

 

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

CMYK 10 / 0 / 72 / 22

HEX #B4C738

RGB 180 199 56

HSL 67.97, 0.56%, 0.5%

LAB 76.58, -24.48, 65.22

 

CMYK 72 / 10 / 0 / 22

HEX #38B4C7

RGB 56 180 199

HSL 187.97, 0.56%, 0.5%

LAB 67.73, -27.18, -19.43

 

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

CMYK 0 / 48 / 72 / 22

HEX #C76838

RGB 199 104 56

HSL 20.14, 0.56%, 0.5%

LAB 54.37, 34.11, 43.12

 

CMYK 72 / 0 / 62 / 22

HEX #38C74B

RGB 56 199 75

HSL 127.97, 0.56%, 0.5%

LAB 71.01, -61.99, 50.1

 

CMYK 72 / 24 / 0 / 22

HEX #3897C7

RGB 56 151 199

HSL 200.14, 0.56%, 0.5%

LAB 59.06, -11.95, -32.75

 

CMYK 0 / 72 / 11 / 22

HEX #C638B1

RGB 198 56 177

HSL 308.87, 0.56%, 0.5%

LAB 49.51, 67.78, -34.19

 

CMYK 0 / 26 / 72 / 22

HEX #C79338

RGB 199 147 56

HSL 38.18, 0.56%, 0.5%

LAB 64.4, 10.81, 53.69

 

CMYK 72 / 0 / 62 / 22

HEX #38C74B

RGB 56 199 75

HSL 127.97, 0.56%, 0.5%

LAB 71.01, -61.99, 50.1

 

CMYK 72 / 46 / 0 / 22

HEX #386CC7

RGB 56 108 199

HSL 218.18, 0.56%, 0.5%

LAB 46.56, 13.7, -52.51

 

Description

Color code: RGB 198 56 177 | qconv.com Color code: RGB 198 56 177 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 56 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 56 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 11 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 11% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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