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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 200 155 it is the complementary color RGB 57 55 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 200 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 198 200 155: RGB 203 200 150, RGB 220 218 169, RGB 237 236 188, RGB 254 254 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 200 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 198 200 155: RGB 198 200 155, RGB 181 182 136, RGB 164 164 117, RGB 147 146 98 and RGB 130 128 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

 

Complementary color

CMYK 43 / 45 / 0 / 61

HEX #393764

RGB 57 55 100

HSL 242.67, 0.29%, 0.3%

LAB 25.33, 13.53, -26.33

 

CMYK 0 / 1 / 26 / 20

HEX #CBC896

RGB 203 200 150

HSL 56.6, 0.34%, 0.69%

LAB 79.73, -6.9, 25.46

 

CMYK 0 / 1 / 23 / 14

HEX #DCDAA9

RGB 220 218 169

HSL 57.65, 0.42%, 0.76%

LAB 86.12, -7.12, 24.43

 

CMYK 0 / 0 / 21 / 7

HEX #EDECBC

RGB 237 236 188

HSL 58.78, 0.58%, 0.83%

LAB 92.41, -7.31, 23.46

 

CMYK 0 / 0 / 19 / 0

HEX #FEFECF

RGB 254 254 207

HSL 60, 0.96%, 0.9%

LAB 98.61, -7.49, 22.54

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 1 / 0 / 25 / 29

HEX #B5B688

RGB 181 182 136

HSL 61.3, 0.24%, 0.62%

LAB 72.93, -7.91, 23.37

 

CMYK 0 / 0 / 29 / 36

HEX #A4A475

RGB 164 164 117

HSL 60, 0.21%, 0.55%

LAB 66.31, -7.7, 24.47

 

CMYK 0 / 1 / 33 / 42

HEX #939262

RGB 147 146 98

HSL 58.78, 0.2%, 0.48%

LAB 59.56, -7.43, 25.63

 

CMYK 0 / 2 / 39 / 49

HEX #82804F

RGB 130 128 79

HSL 57.65, 0.24%, 0.41%

LAB 52.67, -7.1, 26.88

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 5 / 0 / 22 / 22

HEX #BFC89C

RGB 191 200 156

HSL 72.27, 0.29%, 0.7%

LAB 78.92, -10.57, 21.02

 

CMYK 8 / 0 / 22 / 22

HEX #B8C89C

RGB 184 200 156

HSL 81.82, 0.29%, 0.7%

LAB 78.4, -13.15, 20.23

 

CMYK 12 / 0 / 22 / 22

HEX #B1C89C

RGB 177 200 156

HSL 91.36, 0.29%, 0.7%

LAB 77.91, -15.7, 19.47

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89C

RGB 169 200 156

HSL 102.27, 0.29%, 0.7%

LAB 77.37, -18.55, 18.64

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 1 / 0 / 22 / 2

HEX #F8FBC3

RGB 248 251 195

HSL 63.21, 0.88%, 0.87%

LAB 97.18, -9.83, 26.58

 

CMYK 0 / 0 / 23 / 82

HEX #2F2F24

RGB 47 47 36

HSL 60, 0.13%, 0.16%

LAB 19.08, -2.35, 7.09

 

CMYK 1 / 0 / 22 / 62

HEX #61624C

RGB 97 98 76

HSL 62.73, 0.13%, 0.34%

LAB 40.89, -4.55, 12.43

 

CMYK 1 / 0 / 23 / 42

HEX #949573

RGB 148 149 115

HSL 61.76, 0.14%, 0.52%

LAB 60.81, -6.26, 17.89

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 22 / 0 / 17 / 22

HEX #9CC8A6

RGB 156 200 166

HSL 133.64, 0.29%, 0.7%

LAB 76.76, -21.27, 12.32

 

CMYK 8 / 22 / 0 / 22

HEX #B89CC8

RGB 184 156 200

HSL 278.18, 0.29%, 0.7%

LAB 68.12, 18.49, -18.74

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 22 / 0 / 0 / 22

HEX #9CC7C8

RGB 156 199 200

HSL 181.36, 0.29%, 0.7%

LAB 77.33, -13.87, -5.16

 

CMYK 0 / 22 / 0 / 22

HEX #C89CC7

RGB 200 156 199

HSL 301.36, 0.29%, 0.7%

LAB 69.6, 23.66, -15.8

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 22 / 0 / 17 / 22

HEX #9CC8A6

RGB 156 200 166

HSL 133.64, 0.29%, 0.7%

LAB 76.76, -21.27, 12.32

 

CMYK 22 / 22 / 0 / 22

HEX #9D9CC8

RGB 157 156 200

HSL 241.36, 0.29%, 0.7%

LAB 65.84, 9.74, -22.42

 

CMYK 0 / 22 / 5 / 22

HEX #C89CBE

RGB 200 156 190

HSL 313.64, 0.29%, 0.7%

LAB 69.31, 22, -11.25

 

CMYK 1 / 0 / 23 / 22

HEX #C6C89B

RGB 198 200 155

HSL 62.67, 0.29%, 0.7%

LAB 79.43, -8.1, 22.34

Pantone® 5797 C

CMYK 22 / 0 / 11 / 22

HEX #9CC8B3

RGB 156 200 179

HSL 151.36, 0.29%, 0.7%

LAB 77.06, -18.77, 5.76

 

CMYK 22 / 22 / 0 / 22

HEX #9D9CC8

RGB 157 156 200

HSL 241.36, 0.29%, 0.7%

LAB 65.84, 9.74, -22.42

 

CMYK 0 / 22 / 12 / 22

HEX #C89CB1

RGB 200 156 177

HSL 331.36, 0.29%, 0.7%

LAB 68.92, 19.72, -4.6

 

Description

Color code: RGB 198 200 155 | qconv.com Color code: RGB 198 200 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 200 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 200 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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